White Rose University Consortium logo
University of Leeds logo University of Sheffield logo York University logo

Folio of compositions and the Selective Subtraction of Tone and Rhythmic Material composition method.

Ekmektsoglou, Emmanouil (2017) Folio of compositions and the Selective Subtraction of Tone and Rhythmic Material composition method. PhD thesis, University of York.

This is the latest version of this item.

[img]
Preview
Text
Folio of compositions and the Selective Subtraction of Tone and Rhythmic Material composition method.pdf - Examined Thesis (PDF)
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (4Mb) | Preview
[img]
Preview
Other (Musical score)
1)Pyrrhichios.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (163Kb) | Preview
[img]
Preview
Other (Musical score)
2)Sustaining love.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (168Kb) | Preview
[img]
Preview
Other (Musical score)
3)String Quartet No.2.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (434Kb) | Preview
[img]
Preview
Other (Musical score)
4)Motion, in two.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (121Kb) | Preview
[img]
Preview
Other (Musical score)
5)Subtraction Melody.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (99Kb) | Preview
[img]
Preview
Other (Musical score)
6)Little Mass No2.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (142Kb) | Preview
[img]
Preview
Other (Musical score)
7)Sustaining interruption.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (275Kb) | Preview
[img]
Preview
Other (Musical score)
8)Ongoing..., for orchestra.pdf - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (624Kb) | Preview
[img] Audio (Pyrrhichios_recording)
1)Pyrrhichios, for basson, guitar and cello.wav - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (72Mb)
[img] Audio (Sustaining Love_recording)
2)Sustaining Love, for bass clarinet, violin and piano.wav - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (34Mb)
[img] Audio (String Quartet No.2_recording)
3)String quartet No 2.wav - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (127Mb)
[img] Audio (Subtraction Melody_recording)
4)Subtraction Melody, for solo clarinet in Bb.wav - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (79Mb)
[img] Audio (Little Mass No.2_recording)
5)Little Mass No2, for tenor saxophone, accordion and cello.wav - Supplementary Material
Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales.

Download (40Mb)

Abstract

The purpose of this thesis is to provide a commentary on eight works composed between 2014 and 2017. In particular, this text includes the main thoughts of the composer regarding compositional process, texture transformation, tone material and form. The pieces in this portfolio demonstrate the development of my compositional practice and personal style, characterised by the importance of pitch and textural elements and the use of gesture. Furthermore, references are made to the composer’s Selective Subtraction of Tone and Rhythmic Material composition method whenever is implemented.

Item Type: Thesis (PhD)
Academic Units: The University of York > Music (York)
Identification Number/EthosID: uk.bl.ethos.745724
Depositing User: Mr Emmanouil Ekmektsoglou
Date Deposited: 11 Jun 2018 09:09
Last Modified: 24 Jul 2018 15:24
URI: http://etheses.whiterose.ac.uk/id/eprint/20111

Available Versions of this Item

  • Folio of compositions and the Selective Subtraction of Tone and Rhythmic Material composition method. (deposited 11 Jun 2018 09:09) [Currently Displayed]

You do not need to contact us to get a copy of this thesis. Please use the 'Download' link(s) above to get a copy.
You can contact us about this thesis. If you need to make a general enquiry, please see the Contact us page.

Actions (repository staff only: login required)