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Thesis

Bates, Joe ORCID: https://orcid.org/0000-0002-6262-3663 (2024) At Home In Alterity: Systems And Hybridity In Microtonal Tonality. PhD thesis, University of York.

Caffull, Samantha ORCID: https://orcid.org/0000-0002-3797-5456 (2024) Reasons to practise: understanding the motivation of adolescent instrumental learners through the lens of achievement goal theory. PhD thesis, University of York.

D'Cruz, Hallam Zachary (2024) ‘A Pucking Good Love Story’: Script and Reflection. MA by research thesis, University of York.

Everitt, Callum (2024) Breaking the Sequence: Exploring the Impact of Non-linear Editing on Film Narratives. MA by research thesis, University of York.

Kirk, Kristl ORCID: https://orcid.org/0000-0001-5817-0772 (2024) Instrumental music teaching with dyslexic students: an action research project. PhD thesis, University of York.

Krishna, Ishita ORCID: https://orcid.org/0009-0004-0943-0848 (2024) Changing the subject: encountering objects and objectness in modernist plays, 1890s–1950s. PhD thesis, University of York.

Lyu, Menglan ORCID: https://orcid.org/0000-0002-1407-994X (2024) A cross-cultural study on music emotion recognition between Chinese and Western contexts: Sensitivity, psychoacoustic features, and individual differences. PhD thesis, University of York.

MacKillop, Robin (2024) Creative Portfolio: Original Feature Length Conspiracy Thriller Screenplay and Reflection on Ensuring the Commercial Viability of My Screenplay. MA by research thesis, University of York.

Prince, Naomi Ruth (2024) Sing and Make Music to the Lord: A study exploring how the musical practice of the Methodist Church impacts the faith and evangelism of its congregations. MA by research thesis, University of York.

Segalla-Mensinga, Nicholas ORCID: https://orcid.org/0000-0003-4649-9444 (2024) In The Mouth Of The Wolf. MA by research thesis, University of York.

Thomas, Leo (2024) Rouge Street. MA by research thesis, University of York.

Tomkins, Oliver (2024) Not Content: How the algorithmic telos cultivates radical political outcomes by its recommendation of media. MA by research thesis, University of York.

Zhang, Yaou (2024) The Staging, Production, and Reception of Benjamin Britten’s The Turn of the Screw in the UK from 1954 onwards. PhD thesis, University of York.