Browse by University and Academic Department

B

Bates, Joe ORCID: https://orcid.org/0000-0002-6262-3663 (2024) At Home In Alterity: Systems And Hybridity In Microtonal Tonality. PhD thesis, University of York.

C

Caffull, Samantha ORCID: https://orcid.org/0000-0002-3797-5456 (2024) Reasons to practise: understanding the motivation of adolescent instrumental learners through the lens of achievement goal theory. PhD thesis, University of York.

D

D'Cruz, Hallam Zachary (2024) ‘A Pucking Good Love Story’: Script and Reflection. MA by research thesis, University of York.

E

Everitt, Callum (2024) Breaking the Sequence: Exploring the Impact of Non-linear Editing on Film Narratives. MA by research thesis, University of York.

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Kirk, Kristl ORCID: https://orcid.org/0000-0001-5817-0772 (2024) Instrumental music teaching with dyslexic students: an action research project. PhD thesis, University of York.

Krishna, Ishita ORCID: https://orcid.org/0009-0004-0943-0848 (2024) Changing the subject: encountering objects and objectness in modernist plays, 1890s–1950s. PhD thesis, University of York.

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Lyu, Menglan ORCID: https://orcid.org/0000-0002-1407-994X (2024) A cross-cultural study on music emotion recognition between Chinese and Western contexts: Sensitivity, psychoacoustic features, and individual differences. PhD thesis, University of York.

M

MacKillop, Robin (2024) Creative Portfolio: Original Feature Length Conspiracy Thriller Screenplay and Reflection on Ensuring the Commercial Viability of My Screenplay. MA by research thesis, University of York.

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Prince, Naomi Ruth (2024) Sing and Make Music to the Lord: A study exploring how the musical practice of the Methodist Church impacts the faith and evangelism of its congregations. MA by research thesis, University of York.

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Segalla-Mensinga, Nicholas ORCID: https://orcid.org/0000-0003-4649-9444 (2024) In The Mouth Of The Wolf. MA by research thesis, University of York.

T

Thomas, Leo (2024) Rouge Street. MA by research thesis, University of York.

Tomkins, Oliver (2024) Not Content: How the algorithmic telos cultivates radical political outcomes by its recommendation of media. MA by research thesis, University of York.

Z

Zhang, Yaou (2024) The Staging, Production, and Reception of Benjamin Britten’s The Turn of the Screw in the UK from 1954 onwards. PhD thesis, University of York.