Items where Academic Unit is "School of Arts and Creative Technologies (York)" and Year is 2024

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Bannister, Jesse (2024) In Sympathy Music for CymaPhone A portfolio of sympathetic resonance compositions enlightened by the mystical forms of rāga and sound healing. PhD thesis, University of York. PhD thesis, University of York.

Bates, Joe ORCID: https://orcid.org/0000-0002-6262-3663 (2024) At Home In Alterity: Systems And Hybridity In Microtonal Tonality. PhD thesis, University of York.

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Caffull, Samantha ORCID: https://orcid.org/0000-0002-3797-5456 (2024) Reasons to practise: understanding the motivation of adolescent instrumental learners through the lens of achievement goal theory. PhD thesis, University of York.

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D'Cruz, Hallam Zachary (2024) ‘A Pucking Good Love Story’: Script and Reflection. MA by research thesis, University of York.

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Everitt, Callum (2024) Breaking the Sequence: Exploring the Impact of Non-linear Editing on Film Narratives. MA by research thesis, University of York.

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Gibbs, Hannah ORCID: https://orcid.org/0000-0002-3901-2530 (2024) Beyond the sum of parts: shared flow, shared physiology and shared time in Javanese gamelan performance. PhD thesis, University of York.

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Higgins, Pat (2024) Feature film screenplay: Chainsaw Fairytale. MA by research thesis, University of York.

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Kirk, Kristl ORCID: https://orcid.org/0000-0001-5817-0772 (2024) Instrumental music teaching with dyslexic students: an action research project. PhD thesis, University of York.

Koullepou, Ioanna ORCID: https://orcid.org/0000-0002-6324-5553 (2024) Performing Carl Loewe’s ballads: Context, history and experimentation in the piano accompaniments. PhD thesis, University of York.

Krishna, Ishita ORCID: https://orcid.org/0009-0004-0943-0848 (2024) Changing the subject: encountering objects and objectness in modernist plays, 1890s–1950s. PhD thesis, University of York.

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Lyu, Menglan ORCID: https://orcid.org/0000-0002-1407-994X (2024) A cross-cultural study on music emotion recognition between Chinese and Western contexts: Sensitivity, psychoacoustic features, and individual differences. PhD thesis, University of York.

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MacKillop, Robin (2024) Creative Portfolio: Original Feature Length Conspiracy Thriller Screenplay and Reflection on Ensuring the Commercial Viability of My Screenplay. MA by research thesis, University of York.

Madden, Helen (2024) Person centred composition: a portfolio of compositions. PhD thesis, University of York.

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Power, John Clement ORCID: https://orcid.org/0009-0005-7079-7806 (2024) Gradus ad...? Rethinking musicianship in the training of performers of new music. PhD thesis, University of York.

Prince, Naomi Ruth (2024) Sing and Make Music to the Lord: A study exploring how the musical practice of the Methodist Church impacts the faith and evangelism of its congregations. MA by research thesis, University of York.

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Rees-Stevens, Louis (2024) Pack: a feature-length script. MA by research thesis, University of York.

Rime, Jemily ORCID: https://orcid.org/0000-0001-8228-7938 (2024) Immersive and Personalised Podcasting Using AI-driven Audio Production Tools. PhD thesis, University of York.

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Segalla-Mensinga, Nicholas ORCID: https://orcid.org/0000-0003-4649-9444 (2024) In The Mouth Of The Wolf. MA by research thesis, University of York.

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Thomas, Leo (2024) Rouge Street. MA by research thesis, University of York.

Tomkins, Oliver (2024) Not Content: How the algorithmic telos cultivates radical political outcomes by its recommendation of media. MA by research thesis, University of York.

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Zhang, Yaou (2024) The Staging, Production, and Reception of Benjamin Britten’s The Turn of the Screw in the UK from 1954 onwards. PhD thesis, University of York.

Zheng, Xinpei ORCID: https://orcid.org/0000-0002-4018-3548 (2024) Navigating Pedagogical Shifts between China and the UK: Chinese Instrument Teachers’ Practices and Beliefs. PhD thesis, University of York.