Lesser, Clare ORCID: https://orcid.org/0000-0002-0677-7959 (2020) Deconstructive Approaches to Indeterminacy in Post-War Music. PhD thesis, University of York.
Abstract
Deconstructive Approaches to Indeterminacy in Post-War Music is an exploration of the interface between key works and concepts by the Algerian-French philosopher Jacques Derrida (1930-2004) and post-war indeterminate music and its performance in works by Karlheinz Stockhausen (Pole), John Cage (Four⁶), Hans Joachim Hespos (Weiβschatten) and Clare Lesser (Metatechnic). The portfolio in its entirety is designed to embody aspects of deconstruction: conceptual, structural and performative. Therefore, after reading the ‘Prologue,’ the texts, visual documents and sound documents can be read, or listened to, in any order
Metadata
Supervisors: | Brooks, William |
---|---|
Keywords: | Derrida, Deconstruction, Indeterminacy, Performance, Hespos, Stockhausen, Cage, Lesser |
Awarding institution: | University of York |
Academic Units: | The University of York > School of Arts and Creative Technologies (York) |
Academic unit: | Music |
Identification Number/EthosID: | uk.bl.ethos.826874 |
Depositing User: | Mrs Clare Lesser |
Date Deposited: | 22 Mar 2021 17:31 |
Last Modified: | 21 Apr 2021 09:54 |
Open Archives Initiative ID (OAI ID): | oai:etheses.whiterose.ac.uk:28351 |
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