Browse by University and Academic Department

Balla, Gianluca (2016) The Director’s Method in Contemporary Visual Effects Film: The Influence of Digital Effects on Film Directing. PhD thesis, University of York.

Botham, Alexandra N (2016) How can sound be used to encourage emotional responses and caring attitudes towards heritage icons? MA by research thesis, University of York.

Dewey, Thomas Michael (2016) 'The Fall of Egypt' by John Stanley (1712-1786). MA by research thesis, University of York.

Doyle, Enya HL (2016) Cathedral music and the First World War: A view from the Archives of Durham, St Paul’s, and York Minster. MA by research thesis, University of York.

Galloway, Morag (2016) The Dynamics of Mutuality in the Composer and Performer Relationship. PhD thesis, University of York.

Hartley, Jennie (2016) Outside the circus: psychology, modernity and narrativity in Sibelius's Fourth Symphony. MA by research thesis, University of York.

Hoggart, Ian Richard (2016) The Eighteenth-Century Recorder Concerto in England, Italy, Germany and Sweden: A Commentary and Catalogue. PhD thesis, University of York.

Ilango, Nimishi (2016) 'The Rock is Still Rolling': Camus' Absurdity and the Music of Satie. MA by research thesis, University of York.

Lancaster, David (2016) Portfolio of Compositions. PhD thesis, University of York.

Middleton, F (2016) Romanticism with Teeth: Surrealism in British Film. PhD thesis, University of York.

PASCAL, Julia (2016) The Absence of Female Jewish Characters on the Post-War English Stage: Thesis and Three Plays. PhD thesis, University of York.

Peracha, Omar (2016) A Portfolio of Compositions with Commentary and Spectral Research. MA by research thesis, University of York.

Powell, Richard L (2016) Articulating Time: Listening to Musical Forms in the Twenty-First Century. PhD thesis, University of York.

Torricelli, Emily (2016) Projecting the nation: Constructions of Scotland in film since 1979. PhD thesis, University of York.

Worsley, Natasha (2016) The social and sexual history of the castrato: Representations of masculinity and casting implications. MA by research thesis, University of York.