Browse by University and Academic Department

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Birkett, Danielle (2016) ‘FAIRY LAND WAS NEVER LIKE THIS!’: FINIAN’S RAINBOW AND THE FANTASTICAL REPRESENTATION OF E.Y. HARBURG’S SOCIO-POLITICAL IDEALS. PhD thesis, University of Sheffield.

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Cespedes Guevara, Julian (2016) Towards a Constructionist Theory of Musically-Induced Emotions. PhD thesis, University of Sheffield.

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Davidovic, Inja (2016) Chopin in Great Britain, 1830 to 1930: reception, performance, recordings. PhD thesis, University of Sheffield.

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Hsu, Sheng-Wei (2016) Interpreting the Piano Music of Taiwanese Composer Kuo Chih-Yuan. PhD thesis, University of Sheffield.

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Jouanny, Steven (2016) Pre-compositional algorithms in compositions by Boulez, Cage and Xenakis in the 1950s. MMus thesis, University of Sheffield.

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Li, Shen (2016) Investigating the cross-modal relationship between music and motion in an improvised music production context. MMus thesis, University of Sheffield.

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Miller, Josephine L (2016) An ethnographic analysis of participation, learning and agency in a Scottish traditional music organisation. PhD thesis, University of Sheffield.

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Nichol, Bethany (2016) Swans and Swan Lake: from Tchaikovsky to Matthew Bourne. MMus thesis, University of Sheffield.

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Parsons, W. George (2016) Metaphor as a Tool for Theologically-Informed Musical Analysis of Sir James MacMillan's Triduum. PhD thesis, University of Sheffield.

Pearse, Stephen (2016) Agent-Based Graphic Sound Synthesis and Acousmatic Composition. PhD thesis, University of Sheffield.

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Scully, LC (2016) Body or Soul? Questioning the validity of binary interpretations of Bebop in the history of jazz criticism. MMus thesis, University of Sheffield.

Shih, Yingpin (2016) Tradition in Motion-The Status and Identity of Amateur Beiguan Opera and Music Communities [Zidi] in Modern Taiwanese Society. PhD thesis, University of Sheffield.