Jezzard, Andrew (1999) The sculptor Sir George Frampton. PhD thesis, University of Leeds.
Abstract
George Frampton (1860-1928) was arguably one of the most important sculptors of the movement that became known as 'The New Sculpture' in Britain from the 1880s to around 1920. Frampton's generation became known for its employment
of detailed surface modelling, attention to anatomical detail and a predominance of bronze as a medium through which to express these matters. Frampton finished his schooling at the Royal Academy, after winning the Gold Medal and Travelling Studentship (which took him to Paris), in 1899. He went on to regularly exhibit at the RA and was elected an Associate in 1894 and full RA in 1902. His range of work was widespread in the fields of architectural decoration (internal and external), jewellery and silversmithery, commemorative medals, portraiture, all types of commemorative monumental sculpture, and ideal work.
By 1908 when he received his knighthood, Frampton was a respected, efficient and dextrous maker of commissioned work and numerous prestigious schemes were afforded him. This range of work will be examined in depth and my
research has uncovered many new works in these genres. It is the purpose of this thesis to resurrect Frampton's name ftom. the neglect it has suffered in art historical writings since the sculptor's death some 69 years ago.
Metadata
Supervisors: | Read, B. |
---|---|
Awarding institution: | University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Identification Number/EthosID: | uk.bl.ethos.399910 |
Depositing User: | Ethos Import |
Date Deposited: | 12 Feb 2010 11:17 |
Last Modified: | 08 Aug 2013 08:44 |
Open Archives Initiative ID (OAI ID): | oai:etheses.whiterose.ac.uk:303 |
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Volume 2 contains plates.
Filename: uk_bl_ethos_399910_vol2.pdf
Description: Volume 2 contains plates.
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