Articulating the Dancefloor Examining site, interaction and participation in club culture through interdisciplinary creative practice

Abstract

This folio of creative works is comprised of a set of installations and fixed-media audio works composed between January 2017 and December 2019. The works in the folio take inspiration from a variety of ideas in club cultures and visual arts that are hybridised to form my approach to creative practice. The motivation behind the creative work is to closely examine the similarities between club culture and the visual arts, particularly in relation to notions of site, interaction and participation. The resulting works employ a variety of materials and disciplines in their creation, including techniques from artistic practices and material gathered from participants, collaborators and sources of personal inspiration in music and the visual arts. The submitted work aims to create work that is not for the club, but about the club, through the lens of my own embodied experiences and those of participants in club spaces and club culture.

Metadata

Supervisors:	Federico, Reuben
Keywords:	Electronic Music, Composition, Sound Art, Electroacoustic Composition, Electronic Dance Music, Club Culture, Conceptual Arts.
Awarding institution:	University of York
Academic Units:	The University of York > School of Arts and Creative Technologies (York)
Academic unit:	Music
Identification Number/EthosID:	uk.bl.ethos.832595
Depositing User:	Mr Barnaby Jack McNeill Adams
Date Deposited:	28 Jun 2021 09:58
Last Modified:	21 Jul 2021 09:53
Open Archives Initiative ID (OAI ID):	oai:etheses.whiterose.ac.uk:28932

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Articulating the Dancefloor Examining site, interaction and participation in club culture through interdisciplinary creative practice

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