Trumpet no end: How has high register trumpet playing evolved in jazz?

Atashroo, James (2012) Trumpet no end: How has high register trumpet playing evolved in jazz? MMus thesis, University of Sheffield.

Preview

Text Trumpet_No_End.pdf Available under License Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales. Download (1161Kb)

Abstract

Upper register playing is an ability that has made its way into normal trumpet technique through its prominent use in jazz. It is a difficult skill to master, requiring the utmost technical proficiency and physical manipulation, and it is seen by many as the pinnacle of trumpet technique. In this thesis I will analyse different aspects of high register trumpet playing beginning with an examination of the physiology involved and why it is so crucial to sustained playing in this register. I will then look back to the Baroque, classical and romantic periods to see how high trumpet playing was practised during these periods to determine if a comparison exists in relation to its use in modern times, and why the use of the technique appeared to die out at the beginning of the 19th century. Finally, I will trace the technique's resurgence in popularity in jazz and examine how a new breed of players would overcome the physical difficulties needed, bringing a new level of virtuosity and showmanship to the instrument.