Samuel Beckett’s Sonic Femininities: the Derivation and Evolution of the Disembodied Female Voice in the Drama for Radio, Stage and Television (1958-1976)

Vashisht, Jivitesh (2019) Samuel Beckett’s Sonic Femininities: the Derivation and Evolution of the Disembodied Female Voice in the Drama for Radio, Stage and Television (1958-1976). PhD thesis, University of Leeds.

Abstract

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Keywords: Samuel Beckett, embodiment, Sound Studies, intertextuality, Marcel Proust, Otto Rank
Awarding institution: University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of English (Leeds)
Depositing User: Mr Jivitesh Vashisht
Date Deposited: 05 Sep 2019 10:51
Last Modified: 05 Sep 2019 10:51

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