Understanding Michael Pisaro’s Solo Piano Music through Alain Badiou’s theory of the Event

Alghanem, Qais B A M S M (2019) Understanding Michael Pisaro’s Solo Piano Music through Alain Badiou’s theory of the Event. PhD thesis, University of Leeds.

Abstract

Metadata

Keywords: Michael Pisaro, Alain Badiou, experimental music, the silence, the event, the truth, the subject, fidelity.
Awarding institution: University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds)
Identification Number/EthosID (e.g. uk.bl.ethos.123456): uk.bl.ethos.772867
Depositing User: Mr Q B A M S M ALGHANEM
Date Deposited: 01 May 2019 10:57
Last Modified: 11 May 2020 09:53

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Final eThesis - complete (pdf)

Filename: Qais_Thesis 2019 .pdf

Licence: Creative Commons Attribution Non-commercial Share Alike (UK)

Examined Content

Filename: Collection of pieces.zip

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Examined Content

Filename: Pi (1-2594) for piano.zip

Licence: Creative Commons Attribution Non-commercial Share Alike (UK)

Examined Content

Filename: 14 time, presence, movement.zip

Licence: Creative Commons Attribution Non-commercial Share Alike (UK)

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