A Provenance of Performance: Excavating new art histories through a consideration of re-enactment and the perspectives of the audience.

Wishart, Sarah Elizabeth (2018) A Provenance of Performance: Excavating new art histories through a consideration of re-enactment and the perspectives of the audience. PhD thesis, University of Leeds.

Abstract

Metadata

Keywords: Jeremy Deller, Graeme Miller, audience, audience engagement, documentation, live art, Tate, Artangel, Orgreave, M11, Tim Etchells, audience studies, provenance, performance art, Artsadmin, Battle of Orgreave, miners strike, political art
Awarding institution: University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of English (Leeds)
Identification Number/EthosID (e.g. uk.bl.ethos.123456): uk.bl.ethos.770077
Depositing User: Dr Sarah E Wishart
Date Deposited: 27 Mar 2019 13:54
Last Modified: 18 Feb 2020 12:49

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