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Thesis

Everitt, Katherine (2024) The Role of Trust, Social Capital and Reputation in the Networks and Connections of British Industrialising Cotton-Spinning Mills, c. 1780-1840. PhD thesis, University of Sheffield.

Greenwood, Catherine ORCID: https://orcid.org/0000-0003-3615-4936 (2024) Gothicising a poetics of displacement: immigrants/effects. PhD thesis, University of Sheffield.

Knowles, Timothy Colin Robert (2024) Modelling Participation, Engaging Difference: Public Participatory Music Events in Sheffield. PhD thesis, University of Sheffield.

Moffatt, Timothy (2024) A Contrapuntal Reading of the Works of Andrei Tarkovsky. PhD thesis, University of Sheffield.

Payne, Evangeline Rose (2024) From the castle to the metropolis: departures and homages to early British Gothic in contemporary Nordic Noir literature. PhD thesis, University of Sheffield.

Sau, Alessandra ORCID: https://orcid.org/0009-0005-2291-6903 (2024) Tracing the aesthetics of nuclear (in)visibility: a comparative study of European audiovisual material from the mid-20th and 21st centuries. PhD thesis, University of Sheffield.

Surawy Stepney, Eva ORCID: https://orcid.org/0000-0003-0744-9823 (2024) Managing ambiguity: obsessive-compulsive disorder (OCD) and styles of reasoning in British clinical psychology, c.1948-1990. PhD thesis, University of Sheffield.

Tzanaki, Persefoni ORCID: https://orcid.org/0000-0002-3150-4960 (2024) Empathising and synchronising in musical interactions: A bidirectional process. PhD thesis, University of Sheffield.