A composite method for achieving transitions between dreams and realities in dream theme popular movies

This research explores the correlation between the use of props and the camera’s perspective in dream sequences in popular films. In my research, I have developed a new categorization of props and shots based on their frequency of use, who uses them, and where they are used – stimulus props and transition props. This has led to the development of a composite approach to filmmaking. This method emphasises the correspondence between the two types of props with the camera’s point of view, uniting props and the camera’s point of view in a single method. The application of this method will contribute to future discussions on the topic of low-budget films and beginner’s cinematography.
This dissertation’s word count is 27,294.