‘Just Urbanism’ refers to approaches that attempt to tackle social injustice and to address the
difficulties of living in unjust spaces of contemporary cities affected by uneven development. This
thesis argues that just urbanism cannot be achieved without taking into account inhabitants’ sociocultural
aspects and their experiences of (in)justice. Therefore, it offers mapping as a method to
explore qualities and themes that influence such experiences and to incorporate them in the just
development of neighbourhoods and cities.
Gaps in current approaches towards achieving a (more) just city occur as a result of a predominant
focus on distributive aspects (quantitative approach) rather than on social aspects, values, qualities
and recognition of differences. This research particularly concentrates on the gap in the mapping of
injustice and on the digital tools used for this purpose, which often disregard socio-cultural condition
of inhabitants. Moreover, there is a disconnect between abstract theories of justice and the everyday
situated judgments and design decision that planners, designers and architects have to make.
These gaps can be addressed by concentrating on the relationship between the individual and the
collective, their position in society and their everyday experiences of (in)justice in the city. The
mapping method used in this research is conceptualised as a platform to bring socio-cultural aspects
into the digital mapping of injustice and represents particular qualities and conditions that influence
inhabitants’’ experiences of (in)justice. Therefore, mapping here is both the subject of the research
as well as the research method.
To situate the research within a city context, a case study approach (with Sheffield as the case study)
and a multi-method approach were adopted. The latter was conducted through three phases of
mapping, including Storytelling Map, Map Art, and Mapping Multiplicity, comprising the residents’
perspectives from the individual, one-on-one exchange through to the collective collection of data
on the city neighbourhood level.
This overall mapping methodology and, in particular, the Mapping Multiplicity platform were put
forward as a multi-method mapping approach, one that is more situated in the local context, and, by
incorporating local knowledge and recognising individuals, their communities and the diversity of
their background, it acknowledges different ways (in)justice is experienced. By doing so, it enables
the identification of the particular needs of various communities, whilst providing the spatial context
in which they take place. In this way, the proposed mapping method can complement current
approaches in order to create a (more) complete picture of (in)justices in the city. Therefore it enables
designers, planners and decision makers to make informed decisions that are backed up by thorough
research. It also provides citizens with means to create a vision for a just city while being continuously
engaged in the process of challenging the status quo and creating and consequently moving toward
achieving a more just city.
This thesis builds on the work and theories of a number of scholars. To define justice, poststructuralist
and Marxist thinkers such as Iris Marion Young, Nancy Fraser and David Harvey provided the
framework. From their viewpoint, the contemporary challenges for justice are manifestations of both
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uneven distribution and the misrecognition of social groups, ethnicities, gender inequalities, etc. In
moving toward a just city, Susan Fainstein’s theory which stresses the importance of three areas –
equity, diversity and democracy and Henry Lefebvre’s ‘right to the city’ which entails three rights for
inhabitants: the right to appropriation, the right to participation and the right to difference, can
represent the way this thesis responds to the question of justice and just city.
In relation to the mapping methods, Denis Wood and Brian Holmes’ discourse of “counter-Mapping”,
a critical method in which mapping is employed to ‘dissent’ and resist the power of the state, and
taking the perspective of the marginalised, has influenced the overall methods of mapping (in)justice
in this thesis. Storytelling and Map Art were inspired by performances such as Jake Barton’s ‘City of
Memory’, while Mapping Multiplicity is in dialogue with the notion of Rhizome conceptualized by
Deleuze and Guattari and practices such as Fernard Deligny’s tracings of autistic children, Doina
Petrescu’s relational maps of communities, groups, devices, and places, as well as Mark Lombardi’s
Narrative Structures and Bureau d’Etudes’ power lines, all of which demonstrate the use of line and
relationality in exposing the complex relations among physical, political, economic and social forces.
