Smith, Veronica (2022) Forgotten Glassworlds: Secular Stained Glass of the Nineteenth and Early Twentieth Centuries. PhD thesis, University of York.
Abstract
Nineteenth-century Britain saw an explosion in the use of secular stained glass. The enormous impact and significance of decorative glass produced for the palaces of industry in cities and towns throughout Britain has been largely overlooked. This thesis broadens the field of stained glass studies to include important examples of the medium which go far beyond its ecclesiastical roots. The importance of stained glass is emphasised in the wider social, cultural, and industrial context of the nineteenth century. This includes looking at buildings of commerce, industry, civic and municipal institutions and leisure, such as town halls, public houses and libraries. Stained glass was placed in these buildings to define space and could not fail to depict modern subjects aligned to the function of the building and its locality or the political or economic agendas of the patron. This thesis demonstrates how far stained glass had permeated throughout all levels of society and several firms are discussed who have received little or no scholarly references to date. It considers how stained glass constructed political identities and commercial interests, particularly on a local level; how stained glass created and revealed ideologies of work; how stained glass constructs and supports divisions of class and gender; how developments in the ideas and technology of glass-making created new materials which supported a modern aesthetic. There are close analyses given of case studies which were studied first-hand, and as well as drawing on contemporary written and visual sources. This thesis also takes the unique perspective of aligning imagery in stained glass with the subjects of popular novels of the period, which further enhances the themes discussed. This thesis reveals that the subjects and aesthetics of stained glass in secular contexts provide a crucial and integral aspect of Victorian culture, which reflects the ethos of the modern industrial society which created it.
Metadata
Supervisors: | Brown, Sarah |
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Related URLs: | |
Keywords: | Stained glass; cities; towns; nineteenth-century; twentieth-century; secular; industry; art nouveau; politics; gender; class; materials; glass; texture; civic pride |
Awarding institution: | University of York |
Academic Units: | The University of York > History of Art (York) |
Depositing User: | Ms Veronica Smith |
Date Deposited: | 07 Nov 2022 11:43 |
Last Modified: | 07 Nov 2022 11:43 |
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