The Relationship between Psychophysical Acting Techniques and the Representation of Obsessive-Compulsive Disorder on Stage

This thesis examines the relationship between psychophysical performance techniques and their ability to support the actor when portraying characters with obsessive-compulsive variants. By using three practical case studies, this research will examine specific techniques which can develop the work of the performer in both rehearsal and performance. It will also identify key areas where new working methods must be developed. This practice-based research is conducted across three distinct theatrical platforms, ensemble theatre, multimedia new writing and solo verbatim, and allows the research to build and develop project to project. Medical research into obsessive-compulsive disorder will underpin the practical psychophysical findings and will challenge current psychophysical thought into holistic practices, inner monologue and difference & repetition in thought and movement.