Le Sacre du Printemps (the Ballets Russes, 1913) and Italian Futurism: Thematic Confluence and the Politics of Social Tension, Stylistic Repulsion and Aesthetic Dehumanisation

Crawford, Pamela Ann Elizabeth (2016) Le Sacre du Printemps (the Ballets Russes, 1913) and Italian Futurism: Thematic Confluence and the Politics of Social Tension, Stylistic Repulsion and Aesthetic Dehumanisation. PhD thesis, University of Leeds.

Abstract

Metadata

Awarding institution: University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds)
Identification Number/EthosID (e.g. uk.bl.ethos.123456): uk.bl.ethos.715044
Depositing User: Dr Pamela A E Crawford
Date Deposited: 26 Jun 2017 09:56
Last Modified: 11 Aug 2022 09:53

Download

Share / Export

Statistics


You do not need to contact us to get a copy of this thesis. Please use the 'Download' link(s) above to get a copy.
You can contact us about this thesis. If you need to make a general enquiry, please see the Contact us page.