Recognising Absurdity through Compositional Practice: Comparing an Avant-Garde Style with being avant garde

Halay, Alannah Marie (2016) Recognising Absurdity through Compositional Practice: Comparing an Avant-Garde Style with being avant garde. PhD thesis, University of Leeds.

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Keywords: Avant Garde, avant garde, Avant-Garde, avant-garde, composition, style, art, artworks, music, musical work, composing, musicians, performance, practice, research, modernism, modernist, modernity, postmodernism, postmodernist, postmodernity, Adorno, Heidegger, Camus, Debord, Situationists, Situationist, Situationism, Absurdity, Absurdism, absurdity, absurdism, absurdist, absurd, aesthetics, Aestheticism, new, original, creativity, reification, alienation, reproduced, reproduction, production, technology, iphone, interactivity, improvisation, spectacle, aging, ageing, commodification, commodities, capitalism, Marx, critical theory, philosophy
Awarding institution: University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds)
Identification Number/EthosID (e.g. uk.bl.ethos.123456): uk.bl.ethos.713206
Depositing User: Dr Alannah Marie/A.M. Halay
Date Deposited: 19 Apr 2017 11:53
Last Modified: 15 Oct 2018 13:21

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