Painting as Poiesis: Encounters with the Merrion Centre

Stone, Adam Charles (2021) Painting as Poiesis: Encounters with the Merrion Centre. PhD thesis, University of Leeds.

Abstract

Metadata

Supervisors: Tucker, Judith and Wilson, Louise and Ferguson, Catherine
Related URLs:
Keywords: Place; Non-Place; Memory; Painting; Archive; Psychogeography; Re-implacement; The Everyday; The Merrion Centre
Awarding institution: University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Design (Leeds) > Contemporary Art Practice (Leeds)
Identification Number/EthosID: uk.bl.ethos.855606
Depositing User: Mr Adam Stone
Date Deposited: 15 Jun 2022 11:19
Last Modified: 11 Jul 2022 09:53

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Final eThesis - complete (pdf)

Filename: Stone_AC_Design_PhD_2021.PDF..pdf

Description: Practice-led PhD investigating in what ways painting might offer new understandings of place.

Licence: Creative Commons Licence
This work is licensed under a Creative Commons Attribution NonCommercial ShareAlike 4.0 International License

Examined Content

Filename: Painting as Poiesis- Paintings Submission.pdf

Description: Catalogue of Merrion Centre paintings made as part of Practice-led PhD: Painting as Poiesis: Encounters with the Merrion Centre

Licence: Creative Commons Licence
This work is licensed under a Creative Commons Attribution NonCommercial ShareAlike 4.0 International License

Final eThesis - complete (pdf)

Filename: Stone_AC_Design_PhD_2021. .docx

Description: Practice-led PhD investigating in what ways painting might offer new understandings of place.

Licence: Creative Commons Licence
This work is licensed under a Creative Commons Attribution NonCommercial ShareAlike 4.0 International License

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