Wilson, Sarah Kate (2017) Durational Painting: gifting, grafting, hosting, collaborating. PhD thesis, University of Leeds.
Abstract
This thesis takes as its focus contemporary painting, and develops an understanding of painting as a time-based medium. My research project addresses the array of strategies artists employ to produce durational paintings, a term I have coined as a means of referring to paintings that destabilise the traditional idea of painting as a static object, hung on a wall. The medium of painting embraces other mediums, such as performance and installation, to yield durational paintings. These paintings engage people in their production: vitally, they are participatory and are produced through collaboration. Furthermore, these paintings employ materials imbued with particular properties, such as longevity or, conversely, ephemerality. In time-based media collections and in existing histories of participatory and relational practices painting is absent: these omissions are redressed by the present study. Now that painting is time-based, it is ‘live’.
Metadata
Supervisors: | Crawford, Joanne and Ferguson, Catherine |
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Keywords: | Durational Painting, gifting, grafting, hosting, collaborating, performance, participation, collaboration, ephemerality, time-based media, live, Contemporary Art, Curation, painting, instructions, hands, rainbows, fingernails, Zumba. |
Awarding institution: | University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Identification Number/EthosID: | uk.bl.ethos.729459 |
Depositing User: | Dr SK Wilson |
Date Deposited: | 01 Dec 2017 13:19 |
Last Modified: | 25 Mar 2021 16:45 |
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