# Drama Main Table

Notes:
Music instructor: D. Joan. Bapt. Werner; 5 characters + 40 choir


Notes:
Interleaved with a 3 act Comedy, Ampelisca. Includes a Prologue and Epilogue. Cast list.


Programme Main Title:
Joannes Baptista Fischerus Episcopus Rosensis Tragoedia


Notes:
11 Actors. No specific day, month on playbill. First item in the playbill is an Ode Ad Maecenates


Notes:
After each act is a 'Scena Musica' that is sung. At the end of the third act the label reads 'Applausus Musicus', which might mean dance(s) were included. There is no accompanying comedy.  Presented 'Ab Actoribus & Authoribus Artis Oratoriae Alumnis'


Programme Title Page:
Joas Ultimus e Regia Ochoziae Stirpe Surculus A Jojada, Sacerdote Summo, Impiae Athaliae furori provide Subductus ... Ac Judae demum Regno fideliter Restitutus In debitum, et humillimum Obsequium ... Domino Joanni Francisco, Episcopo Frisingensi ... In Scenam Datus A Musis Benedictinis Frisingensibus Anno M.D.CCXXVI.

Programme Main Title:
Joas Ultimus e Regia Ochoziae Stirpe Surculus


Programme Title Page:
Johannes ist von Todten aufferstanden ... Nemmlich: In dem Heil. und glorreichen Martyrer Johanne von Nepomuck, Als: Welcher seinem Heil. Nahmens-Patronen dem grossen Vorlauffer Christi auff dem Tugend-Weeg ... Nachgefolgt Vorgestellt auff offentlicher Schau-Bühne Von Einem Hochwürdigen Kemptischen Rural-Capitl. In Dem ... Marckt-Flecken Groß-Nesselwang, Bey acht-Tägiger Heiligsprechungs-Begängnuß, Anno 1730 den 22. 24. & 26. Maii

Programme Main Title:
Johannes ist von Todten aufferstanden ... Nemmlich


Programme Main Title:
Jonas, Civitatis Ninivae, Subvertendae Vates Terrificus


Programme Title Page:
Jonathas Machabaeus Ambitu Tryphonis Captus, Necatus & Fratre  Suo Simone Honorifice Sepultus

Programme Main Title:
Jonathas Machabaeus Ambitu Tryphonis Captus, Necatus & Fratre  Suo Simone Honorifice Sepultus

Notes:
Includes a 3 Part Interludium in addition to the comedy Civis Nobilitatem Affectans, a Megadorus setting.


Notes:
On the heading of the title page in ink has been added: Per R P Dom. Candetiers (Candelius?) Praefectum. 16 Actors, year in sch. ID'd. Latin and Flemish side by side.


Programme Title Page:
Joseph Per invidiam a Fratribus venditus, et Per dispositionem Divinam Aegypti Pro-Rex Creatus

Programme Main Title:
Joseph Per invidiam a Fratribus venditus, et Per dispositionem Divinam Aegypti Pro-Rex Creatus

Notes:
Includes 3 Interludi and a comedy,  Pamphilus. Presented by the Grammatices class


Programme Main Title:
Joseph Zegepraelende over den Broederlyken Haet

Notes:
There is a prose reflection in the playbill. 31 Actors, not identified by year in school.


Programme Title Page:
Joseph, Tragedie dediee a Monsieur Hermann Mertz, Reverendissime Abbe des Chanoines Reguliers de 'Ordre de Premontre au tres-celebre Monastere de Wadgass, Seigneur temporel de Liestroff, Ernstorff, Bous, Entzheim, Hostenbach, etc. Par la liberalite duquel les prix seront distribues

Notes:
4o size. 8 pp.Performance at  "deux heurs preeises" for both performances.


Programme Main Title:
Judicium Temerarium sive Adolphus Teutonum Comes

Notes:
Includes 5 interludi. No comedy attached. Performed in honor of the visit of H. Udalricus, the Bishop of Augsburg.


Programme Main Title:
Judicium Temerarium sive Adolphus Teutonum Comes Tragi-Comoedia

Notes:
Includes 5 Interludi and a comedy, Morio Mopsus.


Translated Title:
Judocus in scenam dabitur ab infimae Classis Grammatices Alumnis in Gymnasio M P Augustini Gandavi die 29 Martii M D CC XX IV

Notes:
Photograph: Augustin Playbills Gent 2006 II: #73 - 76.

Cast List with boy's names but not year in school. This may have been performed by a single class (unknown).  No evidence of music. No accompanying comedy or interludi. 

Signed: Omnia in Gloriam Dei


Notes:
57 Personae Musica, by class in school only


Notes:
8 characters + Chorus + 7 Coll. & Pastorum. Have complete musical text.


Synopsis:
Men geest den Tyd de Wyt, dat mis in stegten staet: /'t Bedrog en Ledigheyd zyn d'oorzaek van het quaet.

Notes:
Interleaved with 3 Act Tragedy, Manasses, Koning van Juda.


Notes:
Voor-spel/Naer-spel = Allegorical Prologue and Epilogue to the tragedy.  Characters: Engel Bewaerder, Goddelyke Rechtveercligheyd, Goddelyke Bermhertighedy. The Naer-spel occurs after the last act of the comedy.


Programme Main Title:
Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit

Notes:
This work is the Chorus following Act II of  "Conradus a Rosa".

There is a chorus at the end of Acts I - IV; each is a different short play, mythological. 
Act I: Chorus, ‘Orpheus Truncum arborum Regem creat.’ Cast list = 7

Act II: Chorus, ‘Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit.’ Cast list = 3

Act III: Saltus. 5 names listed under ‘Salii.’ 

Act IV: Chorus, ‘Menalcas ad Aulam aspirans luditur.’ Cast list = 3


Notes:
D. Joan. Bapt. Werner, Music instructor (played multiple parts) + 1 cathedral bass (multiple parts) + 5 discants + 7 alto + 10 tenor + 4 bass


Notes:
24 characters + 1 trumpeter + 8 probable additional musicians


Programme Main Title:
Justinianus Imperator Belisarium de Cabade Triumphantem

Notes:
Interleaved with a 4 Part comedy, Civis nobilitatems affectans


Programme Main Title:
Justinianus Imperator de Gilimere Wandalorum Rege per Belizarium Triumphans

Notes:
On the heading of the title page in ink has been added: Per R. P. Joannem America. Prof. Rhetor. 12Actors,  no year in sch. ID'd. + Turba Militum. Latin only, synopsis per act. Paired with comedy, Polliodorus.


Programme Title Page:
Justinianus Romanorum Imperator in Belisario Duce Fortunae Orbitam Volvens

Programme Main Title:
Justinianus Romanorum Imperator in Belisario Duce Fortunae Orbitam Volvens


Synopsis:
Niet is'er dat den Mensch meer smert,/ Als dobbel loosheyt van het hert.

Den Doctor Coenraet huert een Dienstmaert voor sijn evgen,/
Lemmert uyt de Gebuert


Programme Title Page:
Kluchtspel van Krijn onverstant oft van het vrouw parlement op den Reghel/daer is geen vrouw, Soo t' den man niet toelaet

Programme Main Title:
Kluchtspel van Krijn onverstant oft van het vrouw parlement op den Reghel/daer is geen vrouw

Notes:
See notes from Rec. No. 498, the tragedy Levegildus. 
2 pages of a comedy with 3 characters: Neel, Try:n, and Kees. Believe this is incomplete. Blank pages follow in the book before the next item.
No music indications. Do not knoow where this comedy fits in the tragedy structure or if it were presented separately (or for some reason, not at all as it is incomplete in the prompt book). What there is does include stage directions.


Notes:
This is the 2 part interludium used with Record No. 496, Manasses Rex Judae (1743).

Verthoonders (cast list)
Lemmen met Synneus
Heyltie  Lemmens wijf
Jennemoey Beris wijf
Hanske vroegh bedorven Berisman (Berirman?)
Tongen Lemmen met Syn neus
Chirurgyn De Geus
Schoelmuster
4 students: Heyltie Lauw; Oseewif Knip; Laukendrekmyl; Goris Den Das.
(students' names are very difficult to read)
This was written by a different person than the maian tragedy. Includes a few stage directions, not many. 

1st part: 6 scenes.
2nd part: 9 scenes
Incidental music indicated and a few songs. These were not composed for the play, I do not believe.


Notes:
Items 13 and 14 are 2 copies of the same playbill. This pantomime divided the main tragedy, Die Krante Fastnacht Ein Singspiel. Unknown if the pantomime was sung. The 1 dancer notated is Harlequin, most common a dancing/acrobatic role, thus designated a dancer.  Impossible to tell if performed in Latin or German.


Programme Title Page:
Kuli-Chan Tragoedia ; Summis Honoribus Reverendissimi ... Domini Honorii ... Ducalis Ecclesiae Campidonensis Abbatis ... In Scenam Data, Die 6. Septembris Anno MDCCLXII


Programme Title Page:
La Perseverance Chretienne Dans Les Bonnes Entreprises, Representee en S. Gerold Prince de Saxe

Programme Main Title:
La Perseverance Chretienne Dans Les Bonnes Entreprises


Translated Title:
Simnel (Lambert) calling himself Edward VI, King of England

Programme Main Title:
Lambertus Simnellus Lixa Rex Comicus Angliae

Notes:
Latin & German separately. The total cast is 111, with 'His accedunt opifices Juniores & pueri rustici Salii, lixae, Caculae, Calones.' 
Structure:
Prologus: Ambitiosi Phaethontis in ortu superbia praeludit arrogantis Lamberti occasui
Part I (10 scenes)
Chorus I: Meridies turbidus Phaethonti ad summa elato propinquum portendit exitium, praecipitium Simnello.
Part II: 8 scenes
Chorus II: Infelix Phaethontis occasus Lamberto praesagit (praefagit?) interitium.
Part III (7 scenes).

The Prologue and Chorus are entirely sung, and are the myth of Phaeton. The layout of the Personae Musicae is confusing at first glance with its two titles, but here is breakdown of personnel:

Rhetoric: Phaethon
Synt Maj: Saturnus
Syn Min: Mars
Gram: Mercurius, Epaphus
Prin: Venus
Rud: Aurora, Cassiopaea, Ganymede, Diana

Secunda & Tertia magnitudinis Stellae: 
Poeta = 2; Synt Maj = 1; Synt Min = 4; Gram = 6; Rud = 5

Pastores Comites
Poeta = 1; Synt Maj = 3; Synt Min = 7; Gram = 5; Rud = 4; Prin = 1

Signed OAMDG

The main cast list is divided into two sections: In Castris Henrici Septimi Angliae Regis; and In Castris Lamberti Simnelli Rebellis.


Notes:
11 characters + chorus Martis + Chorus Urbium


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond. There are 3 plays in this volume; this is the last.


Programme Title Page:
Leo Parthenii Ovilis Custos Dramate Musico Exhibitus, Cum ... Josephus, S.R.I. Princeps, Et Episcopus Augustanus ... Congregationis Maioris Litteratorum B.V. Mariae Ab Angelo Salutatae Praefecturam Clementissime Susciperet In Oratorio Mariano Augustae Vindelicorum XIII. Januarii, Anno M.DCCXLIII

Programme Main Title:
Leo Parthenii Ovilis Custos Dramate Musico


Programme Title Page:
Leonis Armeni Graecus Imperatoris Graecorum Imperatoris per Michaelem Balbum Interitus

Programme Main Title:
Leonis Armeni Graecus Imperatoris Graecorum Imperatoris per Michaelem Balbum Interitus


Programme Main Title:
Les disgraces des maris, ou le tracas der menage comedie

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.382

"…Dedieè à la Jeunesse du College de Houdain. Erigé dans la ville de Mons. A Mons de l'Imprimerie de Laurent Preud'homme, Imprimeur de Messiers les Magistrats. 1714.

In 12o, 47 pp. [Might be the libretto?]. In Rouselle's own collection. Also in Bibl. De Mons no 5, #166 in the catalogue (pre-war, present location unknown).

Rouselle's notes: "Cette facétie en 3 acts et en vers, par Gilles de Boussu, e eu les honneurs d'une seconde édition imprimèe, end 1720, par Jean Nicolas Varret."


Programme Title Page:
Levigildus Visigothorum Rex Arianus in Flermenegildum Filium Suum Catholicum Saviens

Programme Main Title:
Levigildus Visigothorum Rex Arianus in Flermenegildum Filium Suum Catholicum Saviens

Notes:
This item is followed by 1 part Kluchtspel (in Flemish Dutch), Rec. No. 499 in this database. It is not dated, but is in the same hand as the tragedy scriptist No.2

This work is written in 2 hands:
No 1. The clearest largest hand, p. 79 - bottom of p. 87
No 2. The most ornate and much smaller hand, last four speeches on page 87 - p.111 and the 2 page Kluchtspel p. 113-114.

There is not a corresponding playbill in the database as of Feb 2007.

The tragedy begins and ends with a chorus. No  music is included, no composer indicated or tune/contrafactum. Stage directions are copiously included. This is a prompt book with no deletions or changes. The top of the first page: Exhibita anno 1744.

Structure:
Act I
Scene 1 opens with a chorus
Act II
Act III
Scene ? Chorus is penultimate part of the scene. Levegildus has the final speech.

Characters (in order of appearance):
Levigildus
Hemenefridus
Daviaces
Sophroniscus
Avaldus
Taletus
Trugillus
Cardaces
Jgerdes
Durias
Erasistratus
Athaulphus
geSnevicus
Leonidas
Alaricus
Casimirus
Licinianus
Recavedus


Programme Title Page:
Libertas gloriosa sive Ferdinandus Portugalliae princeps regius post vincula, et carceres mire liberatus

Programme Main Title:
Libertas gloriosa sive Ferdinandus Portugalliae princeps regius post vincula, et carceres mire liberatus


Notes:
Latin only. In 12 scenes + prologue, epilogue.  Scene VII is marked: Musica. The synopsis reads: D. Alexius mundi transfuga.  The Prologue and Epilogue are also entirely sung.
Prologue: Praeludit Dramatic, in novo Horti Mariani Lilio
Epilogue: Offertur Coelesti Hortulano novum Marianum Lilium.
Cast (upper school): Philosphy =3; Rhetoric = 3
In Musica:;
Virginitas & D. Alexius = Humanista
Jesus
Amor Marianus
Ephebus
These three above are from Rudiments.


Notes:
Contains an untitled 1 part Intermedi (Sung? Spoken?) and a 2 part Chorus, "Eleutherius" (entirely sung). These are listed separately in the database.

Structure:
Prologus et Musicae Chorus I: Eleutherius, sive homo amans libertatis, deserta legis Christianae disciplina, ad Scholam Atheisticam transit.
Act I
Scena Intermedia
Act II
Chorus II: Eleutherius errori suo inhaeret pertinax
Act III


Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

Item 2 in: Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu, componebat. Ms = Royal Acad. Histonry in Madrid. Written between 1556 - 1572. Six items total.


Programme Main Title:
Lucta Amoris Patrem inter et Filios, sive Adiatorix Tragoedia

Notes:
On the heading of the title page in ink has been added: Per Rev. Patrem Jacobum De Wael Prf. Rhet. 6 Actors, no year in school, + Turba Militum. Latin only, per act.


Programme Main Title:
Lucta Religionis, Et Superstitionis in Machabaeis, et Antiocho Rege Asiae

Notes:
Includes a 3 part Interludium. Presented 'Per grammaticos & figuristas minores' class


Programme Main Title:
Ludens in Humanis Rebus Divina Potentia, Sive Abul Mahumeti Granadae Regis Frater


Programme Title Page:
Ludens In Orbe Terrarum Provendentia in Joseph Aegyptio Propositia

Programme Main Title:
Ludens In Orbe Terrarum Provendentia in Joseph Aegyptio Propositia

Notes:
Includes a Prologue by a character from the chorus, Divina Providentia. Latin & German interleaved. Year in school provided in cast list. Part I & II conclude with a Chorus - a separate dramatic form, sung throughout. It is the Divine Providence guiding Joseph to and while in Egypt.  The cast singing the parts of Joseph, Jacob, and the brothers etc. are separate from those playing the same characters in the main tragedy; the Musicae Personae are; Josephus Aegypt; Abraham & Simeon (same singer singing both parts); Jacobus & Judas; Filius Joseph; Reuben. The remainder of the characters are given by school year, top to bottom: Poetae = Zabulon, Aser; Major Syntax = Issachar, Dan, Nephtali; Minor Syntax= 2 shepherds, Levi, Isaac Pastor; Grammar= 6 shepherds; Rudiments = 5 shepherds, the Prinicipal Shepherd, Gad, Joseph (the young Joseph before Egypt).  Signed OAMDG. 
Chorus I: Jacobum de Josephi, multo vero magis de Benjamini forte solicitum docet Divina Providentia contra spem in spem credere, proposito in hanc rem Abrahami avi filium suum immolantis exemplo.
Chorus II: Divina Providentia rerum, quas Josepho olim per somnium proposuit, veritatem exhibet.


Programme Main Title:
Ludens in Orbe Terrarum Providentia in Josepho Aegyptio Proposita


Notes:
Additional performance in Monachii 1687?. 4 characters + 6 choir


Programme Main Title:
Ludovicus Imperator A Filiis Suis Orbatus Imperio & Restitutus

Notes:
Includes a 3 Part Interludium and a comedy Kesius Piscator


Programme Title Page:
Ludovicus Sanctus IX. Galliae Rex Tragoedia Honoribus Celsissimi ... Domini Ludovici Josephi ... Episcopi Frisingensis ... Exhibita, Et Dedicata A Devotissimo Lyceo Benedictino Frisingensi Pro Solenni Praemiorum Distributione Die 5. et 6. Septembris 1770

Programme Main Title:
Ludovicus Sanctus IX. Galliae Rex Tragoedia


Programme Title Page:
Lux De Luce, Sive Beatus Eberhardus Comes De Rhordorff, Beati Frowini In Regimine Salemitano Successor Honoribus Natalitiis Reverendissimi ... Domini Constantini, Regii, Exempti, Imperialis & Consistorialis Monasterii B.M.V. in Salem Abbatis ... a Musis Salemitanis oblatus, & in Scenam datus 12. Augusti 1737


Programme Main Title:
M. F. Camillus Erga Patriam Ingratam Piisimus


Notes:
6 characters. Have complete musical text.


Programme Main Title:
Magnam Aaronis Sacerdotium Authore Coelo Stabilitum


Notes:
Interleaved with a 3 part comedy, Mascarillus


Synopsis:
First Part:, "De Jonkheyd Wulpsch": Manasses Koning van Juda, eenen wulpschen Jongeling, den drift van het vleesch involgende, lokt sijn Hovelingen aen tot de wellust en word door CUPIDO noch meer tot de selve gedreven. ISAIAS bykomende berisps hem strasselijk over sijne goddeloosheyd; waerom hy zeer gestoort doet hem naer vele verwytingen in den Kerker werpen. De Goodelijke Rechtveerdigheyd vertoont de voordere boosheyd van MANASSES, in het dooden van ISAIAS.
Part II, "De Jonkheyd Gestraft": Merodach Koning van Babylonien door Victorien opgeblaezen; stelt vast door het aenraeden synder Princen den Koning MANASSES te beoorlogen. Ondertusschen MANASSES zig over de dood van ISAIAS verheugende, word hem geboodschapt, dat MERODACH vyandlijk in sijn Ryk gevallen is; waer door voorziende den uytval van de voorzegginge van ISAIAS, word ontroert, dog door sijn Hovelingen aengemoedigt, neemt voor gewapent hem tegen te trekken. Daerentusschen voorzegt en vertoont den Engel Bewaerder; de nederlaege van MANASSES, denwelken op de vlugt sijn Lot beweenende van de Princen van Babylonien gevangen word.
Part III "De Jonkheyd Verbetert": MANASSES voor den Koning MERODACH gebragt zynde, word van hem verwezen tot den Kerker; alwaer hy bitterlijk zyn Lot beweenende zig begeest tot de rust; alswanneer hem de Goddelijke Rechtweedigheyd sijne boosheden voor oogen stelt, over dewelke hy de Goodelijke Wraeke herkennende, sijne misdaeden belyd, en word door Axares, voor den Koning MERODACH geroepen. Terwyl voorzegt de Goddelijke Bermhertigheyd dat MANASSES door sijne Boerveerdigheyd wederom in sijn Ryk zal herstelt worden, het welk ook in hem, sijne schuld andermael herkennende, door den Koning MERODACH tot genoegen van sijn Onderdaenen word volbragt.

Notes:
Includes a comedy, and also a Prologue and Epilogue in a commentary form with 3 angels. Also 3 interludi.
Signed Alles Tot Meeder Eer Van God.


Notes:
10 Actors.  Preceded by a long song-poem (Carmen) to Mannasses


Programme Main Title:
Manasses Rex Judae Perfidus, Punitus, et Correctus

Notes:
Interleaved with a  2 Part comedy, Dominus.

Matches lilbretto in Record No. 496


Translated Title:
Manasseh, King of Judah: His Crime, Punishment, and Correction

Notes:
Photo'd Feb 9 2007.  Matches playbill Record No. 291.
Libretto includes stage directions. This is a prompt book, very clearly written. 
Top of first page: 'actio fuit exhibita anno 1743'. The lilbretto matches a playbill already in the database.
Structure:
Act I: 4 scenes
Interludium Primum
Act II: 4 scenes
Interludium Secondum
Act III: 4 scenes

Characters in order of appearance
Angelus Tutelaris
Manasses
4 Nobles
Isaias
Divina Justitia
Merodach, Rex Assyriorum
Dux Assyriorum
Nuntus
Misericordia


Programme Main Title:
Mancipium Fidele, Sive Mahomet Paricidam Ibrahim Puniens

Notes:
Includes at least 3 Interludium. The 2nd page of the 3 page document is missing, so the cast list and Act I and II synopsis are lost.


Notes:
Latin and German interleaved. Year in school provided with cast list. Part I & II conclude with a Chorus. This is a separate dramatic form and is the story of Absolon and Hierosolyman Achitophelis (Absolon captures the High Priest and his sons).  It is actually in 3 parts because the Prologue is Absolon's capture of Achitophelis. 
Prologue:  Absolon captam Hierosolymam Achitophelis confiliis gratus adscribit.
Chorus I: Achitophel, ubi suum Chusai confilio posthaberi videt, quam male tot suos pro Rege labores collocarit, tandem agnoscit.
Chorus II: Achitophel male faustum laborum suorum praemium accipit.
Personae Musicae: Achitophel; Chusai Legatus; Legatus, Absolon, Nuntius, Legatus; 2 sons of Achitophel; 18  Absolonis Proceres & Amici. 
Signed OAMDG.


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.  This is the only play in this volume.

*Needs to be confirmed that this play is a St Omers play.*


Programme Title Page:
Marianische Erbschasst Einstens von einem Neapolitan hertzogen von Popoli seinem Sohn ubermachet; A(u?)nheut aber Denen Marianischen Herren Sodalibus in einem sittlichen Schauspil vorgestellt

Programme Main Title:
Marianische Erbschasst Einstens von einem Neapolitan hertzogen von Popoli seinem Sohn ubermachet

Notes:
Tragedy cast: total of 5
Theol. Mor. Ac SS. Can. Cand. = Octavius; Philindus; Ramirus, Dux Popolensis
SS. Can. Stud = Fernandus, Aulicus
Theol Moral ac. Polem Stud = Philibertus, Ramiri natu minor filius

Musica: in 2 parts: total cast of 3
Theol Mor ac SS Can Cand nec non ad S. Emeramum Officialis = Isaac
Synt Major = Jacob
Gram = Famulus Rebeccae.

Structure:
Scene 1 - 2
Musica 1: Jacob getrostet sich, durch hulff seiner Mutter Rebecca, des vattrerlichen Seegens.
Scene 3 - 6
Musica II: Jacob erlangt, durch hulff seiner Mutter den vatterlichen Seegen, und Erbschafft.
Scene 7 - 8 (End)


Programme Main Title:
Marianischer Ritter. Das ist: Waltherus von Birbach


Notes:
9 characters. Have complete musical text


Programme Title Page:
Martyr Ex Parricida sive S. Sigismundus, Burgundionum Rex, Sigerici Filii, innocenter occisi, reus, sed mox poenitens usque ad Martyriigloriam


Notes:
Interleaved with 3 part comedy, Lampadio. Presented 'a Rudimentorum Alumnis'


Programme Main Title:
Masagnellus Divinae Justitiae Victimarius Tragoedia

Notes:
Incomplete entry. Awaiting copy from British Library. 
Jesuit playbill. 2 & 6 Sept. 1701. Landshuet.
Language: Latin & German
3 Parts
Tragedy + Prologus + choruses.
Cast: 164 + 19 Personae Musicae (including composer)
Modulos muficos compofuit Adm. Reverendus, Eximus, & Doctiffimus Dominus Joan. Georgius Steingriebler, Ecclefiae Cathedralisk Eyftettenfis Sub-Cuftos, & ejufdem Capellae Magifter.
Main characters: Vice-Rex Neapolis, Dux de Arcos. Mafagnellus seditioforum Dux.

Page 2:
Argumentum

Prologus
Justitia Divina Neapolim Seditioni tradit per Mafagnellum caftigandam.

Pars Prima: Mafagnellus Seditioforum caput eligitur
Scena I

Page 3:

Scena II – X

CHORUS
Sanctus Januaris urbis Patronus precibus oppreffae Neapolis permotus proavertendo excidio beatae Virgini fupplicat.

Page 4:
Pars Secunda: Seditionis fervor

Scena I – VIII

Chorus
Juftitia Divina Mafagnellum Neapolis flagellum ad poenas rapit.

Pars Tertia: Ruina Mafagnelli
Scena I

Page 5
Scena II – X

Page 6
Scena XI – XII

Modulos muficos

Syllabus Actorum
Nobilitas Neapolitana = 16
Nobiles IV = 4
Alii Nobiles = 6
Nobilis Inventus = 16
Seditiosi = 7
Socii Perronis = 10
HEADING: MASAGNELLI STIPATORES
Rhetores = 3
Humanistae = 10
Synt Maj. = 1
Salii = 8
Picatores et Duces Plebes = 12
Heading: Turba Seditiosorum
Rhetores = 9
Humanistae = 14
Synt Majores = 15
Synt Min = 7
Heading: Turba Iuventutis 
Character names = 6
Synt Major = 6
Synt Minor = 9
Gramm = 7
Rud = 7
Personae Musicae = 17
Signed: FINIS


Synopsis:
Saepe dat in faustum finem timerarius ausus.

Notes:
Labelled Interludium in the synopsis, a comedy on the title pages. Interleaved with Tragedy Daniel  in Lacu Leonum. Comedy synopsis:  Saepe dat in faustum finem timerarius ausus. Includes actors' names but not year in school


Notes:
Interleaved with 3 Act tragedy, Magnus Athanasius


Programme Main Title:
Mauritius Imperator Divinae Justitiae & Misercordiae Exemplum


Translated Title:
Mauricius (Flavius Tiberius), Emperor of the East

Cast Size:
23 + Cives, Milites, Phociani + 20 + 8 + Chorus

Notes:
Latin and German are separate. Year in school provided.

The prologue and the 2 part sacred work, Nabuchodonosor, are entirely sung. 

Total number of cast is very involved; here is the breakdown of forces

Actors (both Lyceo & Gymnasio)
Admodum Reverend. Nobil. Ac Clarissim. D. Joan. Mathias Screiber, Sacerdos, SS Theol Licent Cathedr. Eccles. Ratisbon. Chori-Vicarius = Mauritius Imperator
Theol Mor Stud = 2
Phil = 1
Rhet = 5
Poetry = 2
Synt Maj = 10
Synt Min = 2
Gram = 1
Rud = 2
+ Cives, Milites Romani, & Phociani.

Salii = 4, all of noble blood, year in school or out of school not given.

In Saltu Turcico: Synt Maj = 3; Synt Min = 4; Gram = 1; Rud = 2. Total = 10

In Saltu Umbrarum: Rhet = 2; Synt Maj = 2; Synt Min = 1; Rud = 1. Total = 6

Structure:
Prologus: Mauritio poenitenti, remista licet culpa, graves tamen a Divina Nemesi statuunter poenae. THIS IS ENTIRELY SUNG
Act I: 3 scenes
Saltus Turcarum
Act II: 3 scenes
Chorus I: Sedecias Rex Solymae cum filiis captus Nabuchodonosori fistitur (sistitur?)
Act III: 6 scenes
Saltus Umbrarum Mauritianae domus
Act IV: 3 scenes
Chorus II: Rex Sedecias a Rege Nabuchodonosore cum filiis plectitur.
Act V: 3 scenes

Personae Musicae
Theol Mor: Nabuchodonosor Rex
Phil Stud: Nemesis (Prologus) & Sedecias Rex
Rhet = Nabarzanes Bellidux Nabuchodonosoris
Synt Maj = Tebarzanes Bellidux Nabuchodonosoris
Synt Maj = Genius Custos Mauritius (Prologus) & Abdias filius Sedeciae
Synt Min = Umbra Pupilli (Prologus?)
Rud = Ariel, filius Sedeciae
Prin = Umbra Pupilli

Chorus Umbrarum & Militum


Notes:
7 characters + 7 choir. This tragedy may be entirely sung, not just the choruses.


Programme Title Page:
Maurus III magnificum divini honoris theatrum, das ist: Neu-entdeckte herrliche Schau-Buhne der Gottlichen Her eroffnet durch eine Lob-und Leichpredig in dem Hochwurdigen. . . Mauro, dises Nahmens den Dritten, des. . . Closters. . . Andechs . . .Abbten vorgestellet . . . von Veremundo Eisvogl

Programme Main Title:
Maurus III magnificum divini honoris theatrum


Programme Main Title:
Maximilianus I. Dux Bavariae Piisimus Miles, Maximus Hero, Optimus Princeps


Notes:
Interleaved with the tragedy Alphonsus Vincens in Bono Malum. Signed Omnia in Gloriam Dei.


Notes:
This work is the Chorus following Act IV of  "Conradus a Rosa".

There is a chorus at the end of Acts I - IV; each is a different short play, mythological. 
Act I: Chorus, ‘Orpheus Truncum arborum Regem creat.’ Cast list = 7

Act II: Chorus, ‘Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit.’ Cast list = 3

Act III: Saltus. 5 names listed under ‘Salii.’ Would typically include dances

Act IV: Chorus, ‘Menalcas ad Aulam aspirans luditur.’ Cast list = 3


Synopsis:
Quos dedit in Tragicis Daniel per somnia Ludos; comicus hos ponet Rusticus Astrologus

Notes:
Paired with tragedy (assumed interleaved, as suggested by the comedy's synopsis) Daniel Somnii Interpres a Nabuchodonosore Sublimatus


Notes:
Comedy synopsis verses:Octo similes.Qui fastu gaudere Jovi vult Nomine, nomen/Uxorem, Famulos, & amicos perdit & aedes.


Synopsis:
Serius aut titius qui fallit, fallitur ipso

Notes:
Interwoven with 4 act Tragedy, Inconstans C. Marii


Programme Main Title:
Metamorphosis vinculorum captivitatis in vincula amoris


Programme Main Title:
Michael Rex Arimae, Apostata, Fratrum Parricida


Programme Main Title:
Miles in Toga sive S. Udalricus Episcopus Augustanus Urbis et Orbis Patrii Olim Servator

Notes:
Personae Musicae: Mars Hunnicus, Augusta


Programme Title Page:
Mira Numinis Providentia sive Cyrus ab interitu servatus, atque ad solium evectus

Programme Main Title:
Mira Numinis Providentia sive Cyrus ab interitu servatus, atque ad solium evectus


Programme Title Page:
Mirabilis Cyri et Ariennae Fortuna per Astyagem Medorum et Cyaxarem Persarum Reges ad Optatum Finem Perducta

Programme Main Title:
Mirabilis Cyri et Ariennae Fortuna per Astyagem Medorum et Cyaxarem Persarum Reges ad Optatum Finem Perducta

Notes:
Paired with an untitled comedy, Mopsus Rusticus. Actors' names but not year in school. 
Synopsis for each act.


Programme Title Page:
Misericors Dominus, et Justus. Ps. 114 Parabola Acta Temporeveni Jejunii a Rhetoribus Ratisbonensibus.

Synopsis:
Parabola
Uranius Rex, Orientis & Occidentis Victor comitantibus Benigno, ac Severo domu redux, Filios Elpidephorum, & Anelpistum laesae Majestatis reos certis deprehendit indiciis; parcere tamen ultro fatentibus statuit; Poliarcho & caeteris criminum sociis rogantibus veniam, captivas exteris, Anatolino, Hesperio, libertatem indulget. At filii paterna in se & alios benevolentia abusi, eo tandem prolabuntur, ut suismet genitorem armis interficere moliantur; sed incassum furentes, noxarumque convictos, cum rogare veniam pertinaciter recusant, versa tandem in Justitiam Misercordia, Uranius aeterno carceri obstinatos adjudicat, Anatolino, & Hespero advenis, filiorum loco in regni haereditatem suffectis. (sussectis?)

Notes:
Latin only. There is only the argument & Parabola (typed in the Synopsis field above) provided. Here is the structure for the remaining 2 pages of this playbill.

Fructus (Title)
Matura, & sincera peccatorum confessio

Clavis Personarum (Title)
Uranius: Christus, misericors Dominus & justus
Anelpistus, Elpidephorus: Filii, in materno Romanae Ecclesiae gremio nati, ac enutriri; sed praevaricatores non poentientes
Poliarchus cum Aula reliqua: Peccatores mature poenitentes, in gratiam recepti.
Severus, Benignus: Christi Comites, Justitia, Misericordia.
Anatolinus, Hesperius: Ab Oriente, & Occidente in Regni Coelestis possessionem translati.

Argumentum Musice Intercalaris (Title)
I. Absalon in Davidem Parentem obstinate seditiosus.
II. David coactus tandem in obstinatum filium arma ultricia capere.

Modulos composuit (Title)
(as writ in composer fields above)

Actores (Title) - (N. B. the actors are all from the Rhetoric class)
Poliarchus
Benignus
Elpidephorus
Hesperius
Uranius
Severus
Anatolinus
Anelpistus

Musici (title)
Theol Mor Cand & SS Cand Stud: Abiathar & Peccator poenitens
Upper school , cannot tell year: David
Upper school, cannot tell year: Absalon
Rhetoric: Joab
Synt Maj: Achitophel & Achimaas

Signed OAMDG


Notes:
Interleaved with tragedy Sennacherib Assyriorum Rex A Deo Punitas. Includes actors' names but not year in school.


Programme Title Page:
Mons Calvariae in Clivo Moria praefiguratus, Dum Hic Unigenitum Patris multarum Gentium Isaacum Hostiam Divini Amoris in voto: Ille Unigenitum Patris omnium saecolorum Jesum Christum Victimam humani furoris in opere, Primum in typo paterna dextera: Alterum in veritate Judaeorum perfidia immolatum exhibet

Programme Main Title:
Mons Calvariae in Clivo Moria praefiguratus

Notes:
7 scenes, epilogue. Arias alternated with recitatives; includes chorus; voice parts indicated in cast list


Notes:
Comedy synopsis: Fit comes ex Mopso; post hac fit ut ante colonus: Tunc ea, quae fecit, somnia Mopsus habet. 16 Actors, identified with year in school.


Notes:
Interleaved with Tragedy Nabuchodonosor Rex Babylonis.


Synopsis:
Sit (fit) comes ex Mopso: posthax sit ut ante colonus: tunc ea, quae fecit, somnia Mopsus habet.

Notes:
4 parts are assumed to be interleaved with the 5 Act tragedy, Sedecias.  The top of the title page reads 'Comoediae Scholion" followed by the synopsis and cast list. There is no other title.


Programme Title Page:
S. Maximillianus Episcopus, Et Martyr, Heros Christianus et Heroum Patronus


Programme Main Title:
Mors Darii in Besso per Alexandrum vindicata

Notes:
No argument. Synopsis for each act. Includes actors' names but not year in school. Paired with untitled comedy with main character Scombrio.


Notes:
16 Actors, no year in Sch ID'd. Comedy syn (Fl): Zyt met uw lot te Vred', men zal met U niet gekken,/Want zoo Gy hooger vliegt, zult Gy tot spot verstrekken,/Den Borger-Edelman tot spot de oorzack gaf:/ Ziet toe: men voegt'er by, maer zelden doet m'er af.


Programme Title Page:
Mulier fortis sive Gratia regni Tango regina exantlatis pro Christo aerumnis clara

Programme Main Title:
Mulier fortis sive Gratia regni Tango regina exantlatis pro Christo aerumnis clara


Programme Title Page:
Mulierem Fortem Quis Inveniet? Oratorium, Ad Sepulchrum Christi Cantatum. In Templo S. Pauli Soc. Jesu. Die Parasceves et Sabbato Sancto sub noctem

Programme Main Title:
Mulierem Fortem Quis Inveniet? Oratorium

Notes:
This work was entirely sung. The libretto is included in the playbill, and is typed out in a Word document. It is short, 6 pages long.


Programme Title Page:
Mundus in Maligno: 1 Joan. 5; Argumentum Trium Meditationum Quas Congregatio Latina Major Matris Propitiae B. V. Mariae ab Angelo salutatae Tempore Quadragesimae Exhibuit

Notes:
Additional composers: Johann A Tausean & Ferdinand Michl


Notes:
Additional composers: Johann A Tausean & Placidus Cajetan von Camerloher


Notes:
Additional composers: Placidus Cajetan von Camerloher & Ferdinand Michl


Programme Main Title:
Mundus Ludens, et Delusus, sive Josaphat ex Regel Eremita


Notes:
Interleaved with a 4 part comedy Mopus Jupiter Imaginarius


Notes:
This is one of two Jephte plays in this MSS.: the other is Jephtia Necatur.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Programme Title Page:
Neanias, Divina Virtute ad fidem conversus, ac Glorioso pro eadem Martyrio Affectus (Alias) Procopius Trageodia

Programme Main Title:
Neanias, Divina Virtute ad fidem conversus, ac Glorioso pro eadem Martyrio Affectus (Alias) Procopius Trageodia

Notes:
On the heading of the title page in ink has been added: Per R. P. Angelum Van Lancker (Lancvier) Rhet. Professorem.11 Actors. Latin only, per act. Christus character.
Includes Argument and synopsis for each act.. Paired with untitled comedy Pollidorus.


Programme Title Page:
Neo-Alexander Amore Patriae, Animi fortitudine, Armorum felicitate Magnus (that is, Georg Castriot, Scanderbeg)

Programme Main Title:
Neo-Alexander Amore Patriae, Animi fortitudine, Armorum felicitate Magnus

Notes:
Latin and German separately. 
Prologus: Albania a jugo Turcico jam jam imminente provide liberatur, indignante Tyrannide.
Act I
Chorus I: Mathathias filio suo Judae bene precatus, eundem amore patriae in hostem mittit.
Act II
Act III
Act IV
Chorus II:; Aman eodem, quem Mardochaeo parabat, suffocatur laqueo.
Act V
Chorus I = story of Matbathiae (I think this is from 2nd Maccabees)
Chorus II  = story of Hamaan and Mordechi.
Prologue is also entirely sungn (see the cast list below)
Musicae Personae:
Cantor,  Cathedralis Ecclesiae Ratisbonae: Mathathias & Assuerus
Theol Mor Studia: Fortitudo & Judas filius Mathathiae & Aulicus Assueri
Metaphysics: Tyrannis, Aman
Syn Min: Joannes Filius Mathathiae & Ephebus Assueri
Gram: Mardochaeus; Simon filius Mathathiae
Rud: Eleazarus filius Mathathiae; Albania, Jonathas filius Mathathiae
Chorus Musicorum
Chorus Militum


Notes:
Comedy synopsis prose: Dum nova continuo quaeritque auditque per urbem, fit nova spectanti neophistis fabula vulgo.


Notes:
14 + Turba militum, nautarum, & Parvulorum Aethiopum. Comedy synopsis verse: Felix, & insperatus, detectis a parentibus Filiorum, ac liberti dolis, eorumden exitus.  Labelled an 'Interlocutores Comediae.'


Programme Title Page:
Nil Nisi Principium Belli in Walachia orti Hodie In Ongaria nondum Finiti

Translated Title:
nIL nIsI prInCIpIUM beLLI In WaLaChIa ortI, hoDIe In ongarIa nonDUM fInItI
De scena exhibebitur a supremae Classis Grammatices Studiosis die 23 Maii in Gandensium Magni Patris Augustini Collegio

Programme Main Title:
Nil Nisi Principium Belli in Walachia orti Hodie In Ongaria nondum Finiti

Notes:
Photographs: Augustin Playbills Gent II #32-36

Although not notated in the Latin playbill, there is a 2 part unidentified comedy (Tusschen Spel), listed separately in the Flemish playbill. Yet only 1 performance date is indicated. 

Both the Flemish portion and the Latin portion use capitals that seems to yield a message. Different for each language.


Programme Title Page:
Novus Saeculi Aristides seu Carolus Cognomento Audax Burgundiae, Brabantiae, & Dux, Hollandiae, Zelandiae, & Flandriae Comes.

Notes:
A note about the date: the Date on the playbill itself contains an error. It reads MDCCXLVIX.  The V is the error. It falls between the Feb 1750 performance and the Feb 1749 in the playbills bundle, and as all the others are in order, it is reasonable to assign 1749 as the performance date.

Includes Prologue & Epilogue delivered by character Justitia 

Paired with comedy, Rusticus.


Programme Main Title:
Occupationes honoris et virtutis in hymenaeo majestatis et amoris


Programme Main Title:
Octavianus Augustus C. Julii Caesaris Avunculi Sui

Notes:
The two playbills are presented in the same volume, but two separate items; the first in Latin, the second in Flemish. Each is 1 page, front and back. Total of 4 pages of text. 

Includes Prologue, Epilogue.


Synopsis:
Qui fastu gaudere Jovis vult Nomine, nomen/Uxorem, Famulos, & amicos perdit & aedes.

Notes:
Interleaved with the tragedy Saul, Rex Israel. Synopsis provided in Latin and Flemish. The production ends with a dance, De Dansen Zullen Verbeelden den Somer ende de Herft. Signed Omnia in gloriam Dei.


Programme Title Page:
Orationis Prodigiosa Virtus in Pace Stabilienda. Das ist Wunder Krafft Dess  Heiligen Sebetts (?). Das ziwischen zwenen Konigen Eckingerum und Bardanum Erweckte Kriegs Feuer

Programme Main Title:
Orationis Prodigiosa Virtus in Pace Stabilienda. Das ist Wunder Krafft Dess  Heiligen Sebetts

Notes:
Latin and German separate.
Structure;
Prologus: Disputatio in aula Darii olim exorta, quid in mundo sit fortissimum (Esdrae 3 Cap 3) renovatur in aula Sapientiae Christianae, & hac Judice palma illi decernitur, qui orationem devotam fortitudine praestare contendit. 
Part I: 9 scenes
Chorus I: Daniel innocens ad Leonum foveam damnatus.
Part II: 7 scenes
Chorus II: Daniel orans e Leonum fovea liberatus
Part III: 6 scenes.

Personaae Musicae:
Solo voices = 6
Spectatiss. D. Joan. Georg Faber, Musicus ad S. Emerem: Sapientia Christiana (Prologue) & Evilmerodachus, Rex Babyloniae
SS. Can Cand.: Ischiphilus (Prologus) & Pilastor rebellis Babylonius
Phys Stud = Theoctistus (Prologus) & Daniel
Synt Maj = Cosmus (Prologus?) & Amyntas
Synt Min = Arbaces
Gram = Chrysander (Prologus?) & Phratates

Choir: Rhet = 3; Poetry = 2; Synt Maj = 4; Synt Min = 4; Gram = 6; Rud = 8. Total = 27

Signed OAMDG & BVM


Notes:
This work is the Chorus following Act I of "Conradus a Rosa".

There is a chorus at the end of Acts I - IV; each is a different short play, mythological. 
Act I: Chorus, ‘Orpheus Truncum arborum Regem creat.’ Cast list = 7

Act II: Chorus, ‘Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit.’ Cast list = 3

Act III: Saltus. 5 names listed under ‘Salii.’ 

Act IV: Chorus, ‘Menalcas ad Aulam aspirans luditur.’ Cast list = 3


Programme Main Title:
Otto M. Wittlspachius, Mercurius, Bavaria


Programme Title Page:
Pacifica Perfidae Crudelitatis Victima. Seu Maria Stuarta Serenissima Scotorum Regina Perfide suppressa, crudeliter Mactata. . . A Musis Ottoburanis Tragice


Notes:
Paedagogus Ludificatus. 13 Actors, 2 Cantabunt, 12 Choreas Agent. Paired with tragedy Eleazar en Salomona and a Pantomime En De Danssen(De Arde and De Logt).


Notes:
Comedy synopsis: Fallitur, Astuto Faciles Qui Commodat Aures. 17 Actors, with year in school. Female characters included.


Notes:
Last page: Tripudiabunt.  List of 7 names follows, including the publisher's name.


Programme Title Page:
Parricidium Fato Punitum In M. Bruto ete Cassio Julii Caesaris Patriae Patris Interfectoribus

Programme Main Title:
Parricidium Fato Punitum In M. Bruto et Cassio Julii Caesaris Patriae Patris Interfectoribus


Programme Title Page:
Parturiunt montes sive Jactantia Thrasonica Pralhansen in dramate saturnalitio

Programme Main Title:
Parturiunt montes sive Jactantia Thrasonica Pralhansen in dramate saturnalitio


Programme Main Title:
Paternum Consilium in Aechino Xenophanis Filio Demonstratum Tragi-Comoedia


Programme Title Page:
Peccati Furiae In Abele Schlewicensium Duce Erici Danorum Regis, Et Germani Fratris Caino Tragoedia

Programme Main Title:
Peccati Furiae In Abele Schlewicensium Duce Erici Danorum Regis, Et Germani Fratris Caino Tragoedia


Programme Main Title:
Peccator a Deo in gratiam receptus, & in Filio Prodigo Spectatus


Programme Title Page:
Per Crucem Jesu fit desperanti vitæ restitutio. Das ist: das durch das Creutz Jesu dem verzweiffelten Sünder wieder beygebrachte Leben bey dem Grab Christi.

Programme Main Title:
Per Crucem Jesu fit desperanti vitæ restitutio


Notes:
A 3-part comedy, 'Euclio', appears after each of Acts I - III (listed separately in the database)


Notes:
Includes cast list. Unusual subject.  Interleaved with a 5 Act comedy, Sors omnia versat.


Programme Main Title:
Petrus et Judas: Genuinum poenitentiae & desperati

Notes:
Arias and recits indicated in playbill; includes chorus of unknown size; no cast list


Notes:
On the heading of the title page in ink has been added: Per Rev. Patrem Jacobum De Wael Praefectum. 9 Actors, Identified with year in school.


Notes:
47 named characters. Joannes Georgius Leopoldus Mozart (1719 - 1787), W.A. Mozart's father,  is a Rhetores student


Synopsis:
Phaeton Tragoedia. Reverendissimo Amplissimoque Domino D. Jacobo Thomas Ecclesiae S. Michaelis Antverpiae Candidi ac Canonici Ordinis Praemonstratensis Abbati Quinquacesimo & &. (Olim in Palaestra Augustino-Antverpiensi Actori Ambidextro incomparabili) Honoris, ac profundissimi Respectus ergo, cum annexa Comoedia, Exhibetur A Juventute Literaria Gymnasii M. P. Augustini. From Ovid's Metamorphoses.

Notes:
Includes sung prologue and epilogue in addition to an opening chorus. The synopsis is provided act by act with a 4-part comedy interleaved.


Notes:
Synopsis for each act. Includes a an Prologue and a Epilogue. 
Prologue: AURORA invitat EPAPHUM aliosque SEMI-DEOS ad Ludos
Epilogue:  Ad superbam PHAETONI erectum Mausoleum parentant Sorores.
Paired with comedy whose main character is Polyppus Senex.


Programme Main Title:
Phantasus a Themide Rationi subesse compulsus

Notes:
This 1 part work is paired with the 2 part tragedy, Alexander a Scipione Caesus, performed by the "Suprema Grammatica" class at the school. However, the cast list for the Musica is:
Themis: Synt Maj; Ratio: Synt min Sem. S. Pauli; Phantasus: Principist.Sem. S. Pauli.


Translated Title:
Philadelphia
seu
Victima Fraterni Amoris
in
Justo Antisiodorensi Novenni Oblata

Wunderbahrliches
Schlacht-Opffer
der bruderlilchen Liebe
in JUSTO

Von der Studierenden Jugend dess Gymnafij der Gefell-fchafft JESU vorgeftellt
In der Ranferlichen D. D. Statt Beldfirch
Den 4. und 6. herbft-Monat 1709.

Getruckt zu Beldfuch. ben Johann Baptifta Humel.

Programme Main Title:
Philadelphia seu Victima Fraterni Amoris in Justo Antisiodorensi Novenni Oblatas

Notes:
Incomplete entry. Awaiting copy from the British Library.

Jesuit playbill.  4 & 6 Sept 1709. Belftuch or Belfirch? 
Lang: German (except for the title page which is in both Latin and German)
5 Acts
Tragedy + Prologus + Choruses
No Personae Musicae list; if there is anything sung, characters are with their school year.
Cast: 75
Main Characters: Matthaeus Pater. Rictiovarus.
Story: Matthaeus Pater

Page 2:
Argument

Prologus
Actus I
Scena 1

Page 3:
Scena 2 – 9
Chorus

Actus
Scene 1 – 3

Page 4
Scene 4 – 6

Actus III
Scena 1 – 7
Chorus

Page 5

Actus IV
Scena 1 – 8
Chorus

Page 6
Actus V
Scena 1 – 6

Syllabus Actorum
Casistae = 2
Logici = 2
Rhet = 12
Humanistae = 14
Major Synt = 8
Synt Min = 16
Gramm = 13
Rud = 7

Signed: Omnia ad majorem DEI, DEIparaeque Virginis Gloriam

[Note – this document is badly spotted with damp. The script is Old German, hence I have not typed out the chorus and prologue texts.]


Programme Title Page:
Philemon et Apollonius martyres. Drama caesareis majestatibus Iosepho (I.) et Wilhelminae Amaliae a caesareo domus professae soc. Iesu gymnasio in scenam datum. Anno 1707, ultima Iulij. Musices compositore ... eiusdem domus professae capellae magistro

Notes:
Opus complectens prolusionem, duas partes et clausulam, quibus insertae sunt partes cantabiles. Textus et modi musici alternant. Incip. (prolusio): "Nos regnamus, triumphamus"; desin. (clausula): "... ad bonae causae gloriam". Part. ch. XVIII. 47. f. Also in Sommervogel vol 1:54.


Translated Title:
In Philomelam D. Bon Venturae Doct. Ecclesiae Paraphrasis Lyrica

Programme Main Title:
Philomelae Cantus sive Animae Christus Affectus

Notes:
Call Number is Hirsch III.623 Item 2

Published 1645. 

Title Page: P. Iacobi Balde e Societate Jesu.  Inside page: Beatissimae Virgini Mariae DeiParae Columbae Formosae in Foraminibus Petrae Habenti Genas et Vocem Turturis dulcem supra vocem Citharoedorum et Musicorum Hoc Opusculum de Philomela ex Mente Auctoris Sacrum Esto.

In 1 Part, 26 Scenes, Structure written down in the notebook. Calls for 2 choirs, functioning as a double chior in scene 23 and 24.

Last page = publisher info. Facultas R. P. Nicasii Widnman Praeposti Provincialis Societ. Jesu per Super Germaniam.  "Cum Iacobi Balde, Societ. Nostre Sacerdotis, Lyricam Paraphasin, in Philomelam D Bonaventurae Patres adhoc deputati censam probauerint: potestate ad id mihi facta, ab admodum R. P. N. Mutio Vitellesco, Praepositio Generali S. M. facultatem concedo, ut typis vulgetur. Monachii, XXI Mart. M. DC. XLV.


Programme Main Title:
Phricodemi, Tyrannidem in Philone vindicans Themisto

Notes:
Includes names of cast, but not year in school.  Includes a 4 part Interludium, Drolio Sylvester


Programme Title Page:
Pietas Coronata et Coronas Pietas Sive Godofredus Bullianis Socii Belli Imperator, Et Primus Hierosolymorum Rex

Programme Main Title:
Pietas Coronata et Coronas Pietas Sive Godofredus Bullianis Socii Belli Imperator, Et Primus Hierosolymorum Rex


Programme Title Page:
Pietas erga Parentes via ad Regnum in Philindo regis Cimmeriorum Filio Natu Minimo

Programme Main Title:
Pietas erga Parentes via ad Regnum in Philindo regis Cimmeriorum Filio Natu Minimo


Programme Main Title:
Pietas in peregrinos sive Dido Aeneam hospitio recipiens


Notes:
Latin and German interleaved. Year in school provided in the cast list.
Structure:
Prologus: Caesaris Octaviani Victoriae praesert  (praefert?) Victoriam Pietatis.
Part I: 5 scenes
Chorus I: Troius Aeneas pietate insignis & armis,/Ad Genitorum imas Erebi descendit ad umbras. Virg. 1. 6 Aeneid
Part II: 5 scenes
Chorus II: Publ. Virgilii Maronis Aeneis Aeneae in Patrem Pietatis aeternum monumentum.
Part III: 4 scenes

Personae Musicae;
Notar. Caesar Jurat. Phil. Candid. & Colleg. S. J.  Ad S. Pauli Scriba.: Achates & Virgilius
Eccles. Princial ad S. Emmerami Musicus: Aeneas & Mars Romanus.
Rhetor: Apollo
Synt Maj: Roma; Amor & Julus Ascanius
Gram: Comes Amoris & Ephebus Sibyllae

Choris: Rhet = 1; Hum = 2; Synt Maj =1; Synt Min = 6; Gram = 6; Rud = 6; Prin = 5. Total = 27.


Programme Main Title:
Pluto: In houd der Klugt den overlast der Rykdomme

Notes:
There are 7 identified Danssers. The Comedy synopsis is in Flemish only: Geen Ryker man men vind/Dan die Geen Schatten mind.  The top of the comedy title page: Inhoud der Klugt. Den Overlast Der Rykdommen.  14 Actors, not identified by year in school.


Notes:
Cast total  = 12 actors, 15 choir (SATB by year in school - 9 SA, 6 TB). Includes year in school in actor list. Signed Omnia in Gloriam Dei


Programme Main Title:
Poena Obdurati Animi sive Infelix Boleslai Polonjae Regis Interitus


Notes:
Accompanies 5 Act tragedy Phaeton. Cast of 10 including Italian comedians.


Synopsis:
Nobilium titulos capientem errore Colonum/Rustica calliditas fastum deponere cogit.


Synopsis:
Fide, videque cui; nec cuivis credito menti,/Ni videas verbis consona facti dari.

Notes:
Comedy synopsis verses: Fide, videque cui; nec cuivis credito menti,/Ni videas verbis consona facta dari. 18 Actors, no year of school ID'd.


Notes:
10 Actors. Synopsis for each act + Argument.


Notes:
4 Parts are assumed to be interleaved with the 5 Act Tragedy Phaeton. This comedy could also have been performed separately - a notation at the bottom of the page "Turma Comeodorum Italicorum." Includes actors' names but not year in school.


Programme Title Page:
Pontis Avenionensis Fundamenta in Scenam Data a Grammatica Gymnasii Societatis Jesu ad D. Pauli Ratisbonae

Notes:
Latin only. This performance is given by the Grammar class of the school (with one member of Synt Minor),

Structure:
Scene 1 - 5
Chorus I: Avenio a Rhodano pluribus damnis affecta
Scene 6 - 8
Chorus II: Urbs concesso tandem ponte libertat.
Scene 9 - 14

Personae Musicae
Syn Min = Genius Div. Providentiae
Gram = Genius Urbis avenion; Rhodamus

No signature


Programme Main Title:
Post Sex. Sive Providentia Divina in Prophetis Suis Gloriosa


Translated Title:
Charles I, Emperor of the West: Charlemagne

Programme Main Title:
Praemia a Carolo Magno Juventuti Literatae Data

Notes:
Latin and German interleaved. Year in school provided. This playbill has 4 dramatic forms (1) Tragedy (2) 2 1 part sacred works (3) interludium that I believe is sung, because its cast is listed in the Personae Musicae section.

Structure
Part I: 5 scenes
Chorus I: Praemium ex Virtute, seu polymita Josepho a Patre data. Gen. 37
Part II: 5 scenes
Chorus II: Praemium ex Doctrina, seu Daniel a Rege Nabuchodonosor honoratus. Dan. 2
Part III: 6 scenes

Interludium is performed at end perhaps? Cannot tell. 

Personae  Musicae
Theol Mor SS Can Cand = Jacob & Nabuchodonosor
Rhet = Simeon & Azarius
Hum = Ruben & Arioch
Synt Min = Nephtali & Ananias
Synt Min = Joseph & Daniel
Rud = Levi
Rud = Gad

Chorus: Synt  min = 3; Gram = 2; Rud = 3. Total = 8

In Interludio
Rhet = Abecedesu Paedotriba; Official Aulic
Hum = Muscipulisex
Synt Min = Epsilus
Gramm = Ypsilus; Simulus
Rud = Rondulus; Rastebu

Signed: OAMDG & BVMH


Programme Main Title:
Praesumptio Humana Divinitus Punita Sive Nabuchodonosor Rex Babyloniae

Notes:
Includes 3 part Interludi and comedy, Landolus


Programme Main Title:
Primislaus et Uladislaus Fratres Tragoedia


Programme Main Title:
Dependent: Providentia Divina, Pastor Bonus

Notes:
4 dependent choruses + dependent epilogue. No prologue. No separate choral ensemble. Multiple roles for mostchorus members.Ex: Providentia Divina, Justitia and Pastor Bonus played by Joann. Michael Ott, Rhetoric student.


Programme Main Title:
Providentia, Genius Providentia Synt. Min.


Programme Main Title:
Prudentia Vindex Justitiae in Rudolpho I. Imperatore


Notes:
Presented 'ab Eloquentiae & Humanitatis.' Interleaved 4 part comedy, Polidorus


Programme Main Title:
Publius Cornelius Scipion Vainqueur de Soy-même


Programme Main Title:
Purpura Dibapha sive Sanctus Hermenegiildus Rex et Martyr


Programme Main Title:
Rara Principis Vindicta Seltzame Baach eines Hertzogs aus Burgund


Programme Main Title:
Rebellio Punita sive Alexius Petri Russorum Monarchae Filius Tragoedia


Programme Main Title:
Regale numisa sive Eucharistia drachma nostrae redemptionis


Programme Title Page:
Regenspurgische Jubel Freude ben dem In dieser Kayserl. (?) Frenen Reichs Stadt mit Abrigfeitlicher Derstattung Dritten Secular -Feste der Edlen Buchdruckter Tunst angestellet von innen benannten Dren vereinigten Buchdructer Herren

Programme Main Title:
Regenspurgische Jubel Freude ben dem In dieser Kayserl

Notes:
This document is too complex for ready reading (all prose, old German script) I have typed the entire playbill into a Word document for later translation.  There are references to choirs, trumpets, drums, and other musics.


Programme Main Title:
Regnerius Gothorum Suecorumque Rex, Tragoedia

Notes:
This performance includes a 2 part Interludium (unable to determine if music present) and a 2 part Chorus that is entirely sung; both these items are listed separately.  The Musical Prologue is part of the plot of the main tragedy.  The libretto for the entirely sung Prologue and the two choruses are included in a separate document in this item.

Structure:
Prologus Musicus: Daniam inter & Gothiam foedus firmat, Hymenaeo auspice:
      Chorus Danorum
      Recits
      Ode
      Aria
     Ode
     Aria
     Recits
     Ode a Duobus
     Recit
     Chorus
Act I
Chorus I: Bellerophon ad pugnam cum Chimaera proficiscitur.
Act II
Interludium I
Act III
Chorus II: Bellerophon, victor Chimaerae, revertitur
Act IV
Interludium II
Act V


Notes:
On the heading of the title page in ink has been added: Per R. Adm. P. Signatium C(g)oenen Praefectum. 10 Actors, Identified with year in school. Latin and Flemish side by side.


Programme Title Page:
Religio Joviani: Eyfer fur den wahren Gottes dienst Einstens An dem Kayser Jovianus bewundert anjetzo auf Offentlicher Schau-Buhne


Programme Main Title:
Richardae Fidelitas Coronata ab Othone III

Notes:
Latin and Flemish side by side. 10 Actors, identified with year in school.


Programme Title Page:
Richardae In Conjugem Suum Robertum pia Fidelitas ab Othone III per necem imperatricis Mariae coronata

Programme Main Title:
Richardae In Conjugem Suum Robertum pia Fidelitas ab Othone III per necem imperatricis Mariae coronata

Notes:
Includes a 5 Interludi in addition to the comedy Euclio.


Notes:
Interleaved with 4 part comedy, Hypocondus.


Notes:
5 characters + choir. David & Jonathan (Chorus I); Aeneas (Chorus II)


Programme Main Title:
Rodericus Rex et Julianus Comes Tragoedia

Notes:
Synopsis for each act. Interleaved with an untitled comedy, main character Theopompus Includes actors' names but not year in school.


Notes:
Includes 3 Part Interludi and comedy, Philobertus


Notes:
On the heading of the title page in ink has been added: Per Adm Rev. P Sgn. Coenen Praefectum, Etc..23 Actors, year in sch. ID'd. Latin and Flemish side by side. Each act has a title: Diogenes Exsul; D. Imperator; D. Captivus; D. Liberatus; D. Moriens


Programme Title Page:
Ruina Imperii Macedonii In Philippo Et Duobus Eius Filiis Perseo Ac Demetrius Gäntzlilcher Undergang Dess Macedonischen Reichs Auss Ursach Dess Bruderlichen Hass und Neyds in Perseo gegen Demetrio, zweyen Sohnen Konigs Philippi

Programme Main Title:
Ruina Imperii Macedonii In Philippo Et Duobus Eius Filiis Perseo Ac Demetrius


Programme Title Page:
Rusticus Nobilis in Scenam Saturnalitiam Datus a Poesi Ratisbonensi ad Divi Pauli

Programme Main Title:
Rusticus Nobilis in Scenam Saturnalitiam Datus a Poesi Ratisbonensi ad Divi Pauli

Notes:
This work has no music. It is in one act with 15 scenes.  All but 2 of the actors are from Poetry class. 1 Synt min, 1 Rud = 2 shepherds.


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond. There are 3 plays in this volume.


Programme Title Page:
S. Eusebius Bonus In Scotia Christianus, Pius Ad D. Gallum Monachus, Stupendus Apud Rhaetos Martyr, Cellae Galli Parvulae Desolatae, Resurgentis, Restitutae Spes, Incrementum, Protector, Et Patronus Novus, Das ist: In dem ... Gottshauß St. Gallen Neu-Errichtetes Patrocinium Deß Alten, und Glorwürdigen H. Eusebii


Programme Main Title:
S. Maximillianus Episcopus, Et Martyr, Heros Christianus et Heroum Patronus


Programme Main Title:
Sacrificium divinae providentiae seu filia Jephtes


Notes:
I do not know the call number.
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
Appears to include 6 Tableux from the Samson story in Judges (Repraesentatio). Also includes a Prologue and Epilogue.  Has a 4 part Comedy, Modernus Filius, interwoven.


Notes:
No argument, but "Repraesentatio" followed by a sentence from the Bible source followed by chapter and verse. 
Also includes a Prologue and an Epilogue:
Prologue: Agitur ascendentes PHILISTHIIM in terram JUDA, castrametati sunt in loco, qui postea vocatus est . . . Maxilla . . . Dixeruntque ad eos de tribu JUDA: cur ascendistis adversum nos? Qui responderunt ut ligemus SAMSON.
Epilogue:  Desendentes autem Fratres ejus . . . Tulerunt corpus ejus & sepelierunt. . . In Sepulchro Patris sui MANUE Judges 16 v. 31
Interleaved with 4 part comedy, Sosia.


Programme Title Page:
Sancta Caecilia / conjunx virgo / Jungfräulicher Ehe-Gatte / in dramate spectata / ab / augustissimis, caesareis, regiisque / majestatibus & serenissimis Austriae / archiducibus. / Iosepho I. / Wilhelmina / Amalia / in scena proposita / a juventute scholastica caesarei gy/mnasii domus professae societatis Iesu. / Anno MDCCVII. calendis Ianuariis. / Musicam composuit / ... eiusdem domus professae / capellae magister. / Viennae Austriae, / typis Annae Franciscae Voigtin, Viduae

Notes:
Opus complectens prolusionem, tres partes et clausulam. Praecedit scenarium impressum, linguis latina et germanica compositum, in cuius fine notantur nomina actorum, cantorum, saltatorum. Quae continentur, ita disposita sunt: 3a - 6b scenarium; 7a inscriptio; 7b argumentum; 8a indicatur prolusio ("Est symphonia, quam Valerianus honoribus sponsae suae Caeciliae instituisse fingitur"). 8b vacat. 9a - 20b partis I. textus et numeri musici variantes; 21a - b vacat. 22a - 26b partis II. textus; 27a - 44b partis III. textus et numeri musici variantes; 45a - 61a clausulae textus et numeri musici variantes; 61b vacat. Incip.: "Cantate surdis fabulam"; desin.: "... sit laetus et sanus felix novus annus". Part. ch. XVIII. 62. 4° et f. Also in Sommervogel vol 1:54.


Programme Main Title:
Sanctae Crucis Victima, Dacatondono, Bungi Rex

Translated Synopsis:
Japan.  Taken from R. P. Cor. Hazart in Eccles. Hist. Japon. 3.p.c.4.
Dacatondono is a Japanese king who converted to Christianity.

Notes:
Latin & German separately. Prologue, Choruses separate Dramatic events from main tragedy.
Structure:
Prologus: Exhibet triumphum sanctae Crucis, una schema Comoediae
Part I (8 scenes)
Chorus I: Statua Nabuchodonosoris
Part II (8 scenes)
Chorus II: Sacrificium Patriarchae Abrahami
Part II (4 scenes)

In Musica:
Can  Candidate (also Ad D. Emmeram Chori regens): Nabuchodonosor Rex & Abraham
Rhetoric: Praeco
Humanista: Idololatria & Isaac & Misach
Grammar: Ecclesia & Abdenago; Popa
Rudiments: Sidrach

Chorus:
Rhet = 2; Human = 7; Syn Maj = 5; Syn Min = 6; Gram = 7; Rud = 12.
Signed OAMDG.


Programme Main Title:
Sancti Aloysuis Gonzaga, et Stanislaus Kostka Cor Unum et Anima Una


Notes:
12 Actors, identified by year in school.  This is an allegorical play.


Programme Main Title:
Sanctus Ferdinandus Legionis, & Castellae Rex Magnae Coelitum Reginae Praefidio Maurorum Victor


Programme Title Page:
Sanctus Hermenegildus Per Feralem Patris Sui Levigildi Saevitiam Martyrii Laurea Redimitus

Programme Main Title:
Sanctus Hermenegildus Per Feralem Patris Sui Levigildi Saevitiam Martyrii Laurea Redimitus

Notes:
Interleaved with 3 Part comedy, Caraminco


Programme Title Page:
Sanctus Leobardus Illustris Mundi Contemptor ...Der Heilige Leobard Ein Groß-müthiger Verachter der Welt ; Von Der studierenden Jugend deß Gymnasii der Gesellschafft Jesu Zu Mindelheim auf offentlicher Schau-Bühne vorgestelt Den 5. und 6. Herbstmonat im Jahr 1707

Programme Main Title:
Sanctus Leobardus Illustris Mundi Contemptor


Programme Title Page:
Sanctus Severinus Boetius Iustitiae Profuso Sanguine Propugnatae Spectaculum. . .Honoris Ergo Poemate Decantatum Cum In ... Universitate Oenipontana ... Ritu Solemni SS. Canonum Doctor inauguratus est ... Josephus Ignatius Thanner, Füessensis Algoius

Programme Main Title:
Sanctus Severinus Boetius Iustitiae Profuso Sanguine Propugnatae Spectaculum


Programme Main Title:
Sanctus Sigismundus Burgundiae Rex Tragoedia


Synopsis:
Act I: Saul conspectis Philisthaeorum numero & viribus, timore insolito corripitur, augeturque metus ubi a Sacerdote inaudit nullum a Deo reddi responsum. Interim Jonathas patri nuntiat Philisthaeos castrametatos esse in Aphec; hinc incertus quid agat, & confilii expers dolet a se ejectos magos & Ariolos. Audiens autem esse Pythonissam in Endor, statuit eam consulere, nequicquam reluctante cum Sacerdote filio Jonatha, adhortatur tamen puis, dissimulato metu, exercitum, ut fortiter advorsus hostes dimicet.
Act II: Archangelus Michael Judaeorum protector, aliique Angeli imminentem Regi & populo cladem praepaentes, eam deprecari conantur; verbum frustra; Judia enim Divina exhibens omnia Saulis scelera Angelos docet, quoniam in eisdem perseverat, non esse v??iae locum.
Act III: Davidem a facie Saulis ad Achim(aas) Regent Geth profugam, 7 an eum ad prelium sequatur dubium, ?oltentis de Jonathas nuatus convenit Abjathar; Deum? Pro eo consulit at mox ex nuntion certo percipit David se non placere Philisthaeorum Satrapis, ideoque ?ubi ad praelium semitatur interdici Veruntamch? Dum in novas circa Saulem & Jonathas anxietatis incidit hunc sibi amicissimum obvium habet, a quo non nisi post reciproca tenerrimi amoris signa aegre tandem avellitur. 
Act IV: Saul mutato habitu cum duobus famulis Pythonissarir adit belli exitum sciscitaturus, quae diu reluctata aegre admodum urgenti acquiescit, dumque magicis incantationibus operam impendit, virtute divina apparet Samuel, quo viso mulier perterrita se decipi, ipsumque Saulem esse cognoscit. At vero Saul a Samuele acri reprehenstone cladis & mortis suae nuntium accipit unde nimio terrore perculsus xiribus destituitur, vixque tandem sibi redditur.
Act V: Quo tempore Divina Justitia Angelico stipata comitatu exhibet pugnam & cladem Saulis fugientes e praelio Israelita hostinum manus evadero conantur quos inter Jonathas multo consectus vulnere, animam exhalat supervenit morienti Pater, &cipse saudius, qui in rabiem actus, ut se trucidet, frustra armigerum suum sollicitat; hinc in proprium prolapsus gladium misere occumbit.

Ballet Troupe Size:
Unknown ( the production closes with a dance)

Notes:
This tragedy has a comedy, Octo similes, and a dance, De Dansen Zullen Verbeelden den Somer ende den Herft. Signed Omnia in gloriam Dei.  The year in school is included after the names in the cast list. No voice parts or composer information provided.


Notes:
Interleaved with 3 act Tragedy Individus Amor Ansbertae


Notes:
Interleaved tragedy, Superbia Vindicata; sive Ugolinus Fatalis. Presented 'ab alumnis Supremae classis Grammatices


Programme Title Page:
Scientia Coronata Sive Athenais Ob Insignem Doctrinam E Humili Loco In Aulam Et Caesaris Torum Assumpta. . .Honoribus ... Domini Anselmi ... Monasterii Ottoburani O.S.P.B. Abbatis ... a Studiosa Iuventute Antiquissimi Seminarii Ottoburani comice praesentata, Die 2. Septembris Anno Iubilaeo 1750

Programme Main Title:
Scientia Coronata Sive Athenais Ob Insignem Doctrinam E Humili Loco In Aulam Et Caesaris Torum Assumpta


Notes:
Synopsis for each act.  Includes a comedy starring Mopsus Rusticus character.  Names of actors, but not year in school


Notes:
Interleaved with a 3 Part comedy, Horspides


Notes:
Presented in each language separately. Interleaved with 4 part comedy 'Si bene vis quemquam ludere, lude parem.' (listed separately in the database).


Programme Title Page:
Sennacherib Tragoedia, Unvermuth-geschlachter Meineyd In Sennacherib, Groß-Herrscher von Assyrien. . .Vorgestellt Von dem Kayserlich-Ertz-Hertzoglichen Gymnasio der Gesellschafft Jesu Zu Ynsprugg, Den 3. und 5. Tag Herbstmonaths Anno 1710


Translated Title:
Sennacherib, King of Assyria, Punished by God

Programme Main Title:
Sennacherib, Assyriorum Rex à Deo Punitas Tragoedia

Notes:
Includes a Prologue and an Epilogue delivered by the character UMBRAE. Synopsis for each act. Actors' names but not year in school included. Interleaved with 3 Part untitled comedy, Davus & Megadorus chief characters


Notes:
Synopsis for each act. Actors' names but not year in school included. Interleaved with 4 part comedy Modernus Imposter


Programme Main Title:
Severinus Boethius Romanus Consul Tragoedia


Notes:
Interleaved with 5 Act tragedy 'Semiramis' (listed separately in the database)


Programme Title Page:
Sig der Liebe Philiberth, des Teil Apostel Joannis Lehr - Junger, Auf der Marianischen Schau-Buhne vorgestellet, ?s Der hochwirdig, hoch Edl Ge bohrne herz Frank Haveri Ignati von Man, Sr. Churfurstl (Thurfurstl?) Duchl.  In Bahrn ?c  Geistlicher Rath,  und des Ranferl hoch ansehnlichen Collegiat-Stiffts (Stissts?) zur Alten-Capellen Canonicus Capitularis, dann Custos, Praefectus Der Grosseren Congregation Maria Bertundigung

Programme Main Title:
Sig der Liebe Philiberth, des Teil Apostel Joannis Lehr - Junger

Notes:
Here is the entire playbill, as the structure is complex.  There is included a 2 part sacred story, which is the story of Nahmen, I believe.

Innhalt der Seschicht [ie, the Argument]

Die Schau Buhne stellet vor die Morder Gruben in dem Maid (Wald?)

Eintheilung des Spiels

Philiberth wird von allen Seiten in die Enge getriben

Der erste musicalische Austritt

Stellet vor, wie Schmertzen voll der gute hirt das verlohrene Schasslein (Schafflein?) beweinnet, und suchet (fuchet?)
Philiberth trachtet sich auf unterschidliche Arth seiner Uengsten loss zumachen. 

In dem anderen musicalischen Austriet

Erfreuet sich der gute hirt ab dem gefunden Schafflein (Schasslein). 

Philiberth gibet sich der Lieve Joannis gesangen.

Persohnen in dem Spiel:
SS Cand = Juratus & Nermorand (Nahmen); Joannis the Apostle
Theol Mor Stud = Thadon
Phys = Phormos; Charibal
Log Stud = Chasgonez; Bustane; Theophilus & the young Joannis; Eusebius & the young Joannis

In der Music:
Orantus ac Erudit D. Ferdinandus Go:z, Log. Stud: Der gute zirt Antrophilus

Hirten
Gram = 1; Rud = 1; Prin = 2

Signed OAMDG


Programme Main Title:
Sigismundus Burgundiae Rex ob Filium ex ira praecipiti strangulari jussum A Deo Punitas


Translated Title:
German title: Der wegen verubten Sohns-Mord reumuthige, aber doch von Gott vatterlich bestrafte Sigmund Konig in Burgand

Programme Main Title:
Sigismundus Burgundiae Rex ob Filium ex ira praecipiti strangulari jussum a Deo punitus


Programme Title Page:
Sol In Ariete Gradu Exaltationis Vigesimo Quinto, Hoc Est: Dies Anniversaria Vigesima Quinta, Qua ... Domino Francisco I. Lustris Abhinc Quinque In Abbatem Petrhusii Electo ... Dies Anniversarias Innumeras Aggratulatur Devota Filiorum Corona, In Imperiali Monasterio Petrhusiano Anno 1710. Die 28. Aprilis

Programme Main Title:
Sol In Ariete Gradu Exaltationis Vigesimo Quinto


Notes:
Includes cast list. Interleaved with a 5 Act tragedy, Perfidus Ibrahim.


Programme Main Title:
Sortis Et Amoris Inconstans Favor, Sive Origenon Cum Dafrosa Tragoedia

Notes:
Interleaved with a 4 part comedy, Macrobius


Synopsis:
Sosia languebat, melior tunc esse volebat: /Aft (Ast) ubi convaluit, mansit ut ante fuit.

Notes:
Interleaved with 5 Act tragedy, Samson.
Includes actors' names but not year in school.


Synopsis:
Eripit ex olla SOSIAM PALLAESTRIO fidus:;/ Illi sitque comes decipiendo senes.

Notes:
Paired with 3 act Tragedy Dolus a Phenenessa Conceptus ab  Almigerino Punitas. Cannot determine # parts or if interleaved with the tragedy. Assuming interleaved.


Programme Title Page:
Specaculum Vindictae, Ultro, Citroque sumptae per Triphum Aldericum, et Anath, sub Saturno Romanorum Imperatore

Programme Main Title:
Specaculum Vindictae, Ultro, Citroque sumptae per Triphum Aldericum, et Anath, sub Saturno Romanorum Imperatore

Notes:
Photographs: Augustin Playbills Gent 2006, #17 - 21
Performed by 'De scena exhibetur a supramae Classis Grammatices Candidatis in Gynmasio M P Augustini Gandavi'.
Includes cast list with boys' names.
At the end of the playbill is AMDG, the Jesuit signature rather than the Augustin signature. There is a Prologue, 'Compendiosam rei seriem exhibet.' A 3 Part Comedy, 'Theuropides Rusticus' is interleaved.

Structure:
Prologue: Compendiosam rei seriem exhibet
Act I: 3
Comoediae Pars I
Act II:3
Comedy Part II
Act III: 3
Comedy Part III
Act IV: 3


Notes:
Libretto: Dramata varia a Gymnasio domus professae (Viennensis) S. J. a 1687 - 1704 acta, cum sic dictis compositionibus musicis Bernhard Staudt. 5 vols.


Synopsis:
Rollo fraude docet Mopsum submittere Bertram, & bona sit (fit?) mulier, quae fuit ante mala.

Notes:
Labeled as a comedy in the title page, but as an Interludium in the synopsis pages. Includes actor names but not year in school. Signed Omnia in gloriam Dei.


Programme Main Title:
Stratagema Perfidiae Versum in Calliditatis Triumphum

Notes:
Photographs: Augustin Playbills Gent 2006 II: 063 - 72.

Item 33, Sept 4 = Flemish only, Item 34, Sept 6 = Latin only. Includes cast list.No evidence of music. Includes Prologue & Epilogue. No indication of a comedy or intermedi. 

Signed OAMDG


Programme Title Page:
Strategema Amoris sive Timocrates Rex Cretae in aula Basilii Graecorum Imperatoris Cleomenes

Programme Main Title:
Strategema Amoris sive Timocrates Rex Cretae in aula Basilii Graecorum Imperatoris Cleomenes

Notes:
Synopsis for each act. Includes actors names but not year in school.  Includes 3 Interludi in addition to comedy Mopsus.


Notes:
Dates handwritten on playbill. Ends with a  last page that seems to be a pantomime of some kind.


Programme Title Page:
Stultus Sapiens Sive Amletus Orvendilli Danorum Regis Filius. . .Reverendissimo ... Domino Dominico Imperialis Vinearum Monasterii Abbati ... in debitum iuxta ac devotissimum obsequium Cothurno exhibitus a Nobili, ac studiosa Iuventute Weingartensi, Anno MDCCXLVI. die 5. et 6. Septembris

Programme Main Title:
Stultus Sapiens Sive Amletus Orvendilli Danorum Regis Filius


Programme Main Title:
Sub impio Turcarum Imperatore Frechreddi Tragoedia

Notes:
Includes 2 interludi. No accompanying comedy. No cast list provided. Presented by 'ab Eloquentiae et Humanitatis Alumnis"


Notes:
A 3 part comedy is interleaved.  The third act of the tragedy is broken in half by inserting the third act of the comedy.


Programme Title Page:
Subacta Impietas sive Clodoaldus, Everso Crodo, per Carolum Magnum, ad veram Fidem Conversus

Programme Main Title:
Subacta Impietas sive Clodoaldus, Everso Crodo, per Carolum Magnum, ad veram Fidem Conversus


Notes:
Incomplete record, Paired with an untitled comedy Megadorus


Translated Title:
Sennacherib, High King of Assyria Punished by God

Programme Main Title:
Superbia Sennacherib Regis Assyriorum A Deo Punita

Synopsis:
Act I: Sennacherib Victoriis tumidus triumphali a suis plausu excipitur, unde amplius elatus mittit Rabsacen & Tharthan ad EZECHIAM Regem Judae, universam Judaeam ad deditionem postulaturos. Ipse interim, quam instrui jusserat aciem adhortatur, duceque per universum exercitum consitituit. 
Act II: EZECHIAE ob hostium audaciam moe?rore affecto nuntiant minitabundi Rabsaces & Tharthan Assyriae Regem jurasse interitum Judae, nisi regno excedat. Contristatus hoc nuntio EZECHIAS cum proceribus de rerum statu supervenit. Consultantibus cum rege ministris supervenit, ISAIAS Propheta Deum propitium futurum praedicens; cujus dictis animatus EZECHIAS, ultimam bellialeam subire statuit. 
Act III: Assyrii munitissimam urbem Lobnam ex  pugnaturi repentino percutiuntur certore; cujus rei s?ollicitus admodum SENNACHERIB Magum consulit, qui Superis inserifque magica arte invocatis. Victorem SENNACHERIB falso interpretatur, qui dubuio deceptus praesagio elatus abit.
Act IV: EZECHIAM de belli alea sollicitum hortantus Proceres ad defendendam Lobnam, & deferentibus Eliacim ac Joathe Assyriorum Regis minas, nuntiatur ipsi SENNACHERIB instare cum suo exercitu, urbemque sere esse interceptam; sed adveniens ISAIAS Deum preces EZECHIAE exaudivisse denuntiat. 
Act V: Dormieni SENNACHERIB coelestis genius cladem praesignat, quo perterritus proceres ad se vocat; sed visa tanta suorum strage in rabiem actus, hostemque instare intelligens fugam arripit. Fugientem urgent Judaei, & EZECHIA Triumphali plausu excepto, Deo Libertatis suae vindici in gratiarum actionem hostias ac Sacrificia offerunt.

Notes:
Interleaved with comedy, Subdola centoculos astutia decipit Argo.  Signed Omnia in Gloriam Dei.


Programme Main Title:
Superbia Vindicata; sive Ugolinus Fatalis Tragoedia

Notes:
Presented 'ab Alumnis Supremae classis Grammatices'. Interleaved 3 part comedy, Scaramouche Medicus


Programme Main Title:
Supernae Gratiae Triumphus, in Admirabili Augustini Conversione

Notes:
Probably with music, as St. Augustine praises God. Interleaved with 4 part comedy, Strobilus


Programme Title Page:
Suppetiae Regales Laborantis Germaniae. . .Melodrama Exhibitum In Apotheosi Sancti Joannis Francisci Regis Societatis Jesu A Maiore Congregatione Academica Dilingana, Cum In Praefectum Eligeretur ... Dominus Christophorus Ludovicus Braun ... Dilingae, Mense Maio Anno M.DCC.XXXVIII

Programme Main Title:
Suppetiae Regales Laborantis Germaniae. . .Melodrama


Programme Title Page:
Suprema Sueviae Ducatus Gloria In Conradino Duce Suevarum Ultimo Extincta Revendissimo. . . Domino Ruperto. . . Monasterii Ottoburani Abbati. . . In Submissae Devotionis tesseram pro finali distributione Praemiorum Tragice exhibita & dicata a Musis Ottoburanis

Programme Main Title:
Suprema Sueviae Ducatus Gloria In Conradino Duce Suevarum


Programme Main Title:
T. Flavius Clemens Romanus Consul Tragoedia

Cast Size:
16 + Duces + Milites + Ephebi + 9 + Choir

Notes:
Latin and German separate. Year in school provided; in fact, the two schools are divided. There are 3 types of performers taking part. The sacred work, Sacrificium Jephthes, has a complete libretto (840.e.5 Item 47) provided and is written in a word document.

1 = (Domitianus, Imperator) Nob. Ac Doctiss D. Joann. Paulus Mayr Not. Caes. Pub. Juratus Administrator in Hochdorf.

Ex Lyceo (Physics, Theol Mor, Cleric Alumnus, Phil Can, Phys Stud = 5

Ex Gymnasio (Rhetor, Poetry, Syn Maj; Synt Min; Gram; Rud; Princip) =  10 + assorted Duces, Ephebi, Milites, &c.

Structure:
Prologus: Victricem palmam exhibet, quam Romano-Catholica Religio per Flavium Clementem R. C. de Idolis refert.
Act I: 7 scenes
Chorus I: Confatalis post Victoriam Jephtes Patris, & Filiae occursus. Jud. c. 11
Act II: 6 scenes
Act III: 3 scenes
Act IV: 4 scenes
Chorus II: Sacrificium Jephtes. Cap. eod.
Act V: 5 scenes

Personae Musices
Spectatiss. D. Wolffg. Christoph. Rambsmoser, Ecclesiae Cathedral. Cantor. = Jephte
SS Can. Stud. Bardanus & Bellidux
Rhetor = Centurio
Poeta = Gen. Religion
Synt Min = Jephtias [ie, the daughter]
Gram = Gen. Idololat; Nuncius
Prin = 2 Ephebi

Reliqui in Choris

Signed OAMDG


Programme Title Page:
Ter Felix Nuptiarum Dies Allegorice In Scenam Producta, Das ist: Der Hochbeglückte Hochzeit-Tag, Bey Inthronisierung Beeder Hochen Braut-Personen, Als Des ... Herrn Joh. Georg Joseph Pancratz Antoni Maria, Graffen von Königsfeld zu Zaitz und Pfäckhoven ... dann auch Der ... Maria Anna Adelheid Eggckherin, Freyin von Käpfing und Liechtenegg. . .In einem Musicalischen Schauspiel vorgestellet, Freysing den 28. Jenner 1714

Programme Main Title:
Ter Felix Nuptiarum Dies Allegorice In Scenam Producta


Programme Title Page:
Terra Sancta Divo Ludovico Pio, Justo, Innocenti Reci, Militi, Zeloti Christianissimo Sub aetis Primordia In Recuperandis Christianis profanatae Palaestinae Locis, Sancta S. Filii Manuductrice D. Blancha Fide, DEO, Religione Armata; Sanctorum desideriorum facta Arena

Programme Main Title:
Terra Sancta Divo Ludovico Pio, Justo, Innocenti Reci, Militi, Zeloti Christianissimo

Notes:
Includes cast list with voice part given for each actor. Arias alternated with recitatives, with choruses. 2 Parts: 7 scenes, 8 scenes respectively


Notes:
On the heading of the title page in ink has been added: Per R. Adm. P. Signatium C(g)oenen Praefectum. 20Actors, Identified with year in school. Latin and Flemish side by side. There is a Prologue and an Epilogue.


Programme Title Page:
Themistocles Atheniensium dux Admete Molossorum regis mediante regis filiolo reconcilatus

Programme Main Title:
Themistocles Atheniensium dux Admete Molossorum regis mediante regis filiolo reconcilatus


Programme Title Page:
Theodoberto einem Christlichen Konig zu Fez in Africa, und Oboberto dessen Koniglichen Prinzen

Programme Main Title:
Theodoberto einem Christlichen Konig zu Fez in Africa, und Oboberto dessen Koniglichen Prinzen


Notes:
On the heading of the title page in ink has been added: Per Rev. Patrem Jacobum De Wael Praefectum. 12 Actors, Identified with year in school. Latin and Flemish side by side.


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.451. This item is in  Rouselle's own library at the time of printing.

"Theophile tragédie françoise dédiée à Messieurs, Messieurs les Magistrats de la ville de Mons, Par la libéralité desquels les Prix seront distribués. Représentetée Par les Ecoliers de la Compagnie de Jesus à Mons, le 27 août 1770, à deux heures précises pour les Dames seulement. Et lel lendemain à la même heure pour les Messieurs seulement. A Mons, chez Leopold Varret, Imprimeur de Messeigneurs les Etats et de Messieurs les Magistrats, Ruë d'Havré (1770).

Excellent example of separate performances for women and men.

In 4o.


Notes:
Latin and German separately. Includes year in school. Nearly all the main characters are played by seminary students or Rhetoric. 

It is unclear if the Music at the opening is in the form of an overture/symphony/sinfonia before the scene begins or if the music appears in the scene. The German playbills suggests overture etc., placing the word MUSICA as a title underneath Scene 1 but above the scene synopsis.  The Latin playbill is linear: Scene 1. Musica. followed by the text, which could indicate again an overture.

Structure:
Part I.
Scene 1: Musica: Constantio, festivo in Ludo, gigantum perfidia in Jovem praeluditur
Scene 2 - 3
Saltus
Scene 4 - 7
Chorus  I: Daniel a Purpuratis Dario Regi, Legis Patriae violatae reus, fistitur (sistitur?)
Part II
Scene 1 - 3
Saltus
Scene 4 - 6
Chorus II: Daniel e lacu leonum liberatur
Part II
Scenes 1 - 5


Synopsis:
Saepe, licet sapiens, juvenam deluditur astu;/Exemplum vobis ut Megadorus erit.

Notes:
Interleaved with tragedy Rodericus Rex et Julianus Comes. Includes Actors' names but not year in school.


Synopsis:
Part I:Theuropides Rusticus factus nobilis deludit Curculionem, suum instructorem.
Part II: Domestici Theuropidis, & Curculionis sibi mutuo illudunt.
Part III: Depresso Theuropide, & exaltato Curculione, prioris Famuli capitis exponuntur periculo, sed unus lepido jurisconsulti, cui tamen postea illudit, evadit consilio.

Notes:
Photographs: Augustin Playbills Gent 2006: #17 - 21.
At the end of the playbill is AMDG, the Jesuit signature rather than the Augustin signature. There is a Prologue, 'Compendiosam rei seriem exhibet.' Interleaved with "Spectaculum Vindictae, Ultro , Citroque sumptae per Triphum Aldericum, &c.' No music mentioned. See the main tragedy for the structure.


Notes:
Interleaved with a 4 part Interludium, Calidorus, that has its own synopsis and so is listed separately in the database. Includes a Prologue and an Epilogue given by mythological characters Amor and Cupidines.


Synopsis:
Dum fueris felix, multos numerabis amicos;/Tempora si fuerint nubila, solus eris.

Notes:
Paired with tragedy, Irene Imperatrix. 4 parts are assumed to be interleaved with the 5 acts of the tragedy. Includes actors' names but not year in school


Programme Title Page:
Titus Caesar Patriae, Imperii, atque orbis Deliciae. . .Reverendissimis ... Congregationis S. Spiritus Praelatis Dominis ... Gerardo Praesidi, & celeberrimi ac antiquissimi Füssensis, Benedicto Mariae Visitatori ... consecratus, & in Dramate Musico exhibitus a Musis Ottoburanis 16. Maii

Programme Main Title:
Titus Caesar Patriae, Imperii, atque orbis Deliciae ...Dramate Musico


Programme Main Title:
Titus Imperator Amor ac Deliciae Generis Humani


Notes:
Paired with item 46, the libretto to this work.  The tragedy as well as the secondary sacred work is sung throughout, as the libretto shows. The libretto is typed into a Word document.

Latin and German separate. Year in school given.
Structure:

Prologus: Titi Constantia per Allegoriam in Horto Japonico adumbratur
Part I: Titi in Orthodoxa fide constantia. (scene 1 - 5)
Saltus
Scene 6 - 9
Chorus I: Tres Pueri Babylonii ob negatum aurae statuae Nabuchodonosoris divinum cultum ignis Supplicio adjudicantur.
Part II: Titi in Orthodoxa fide Constantia fortissime impugnatur
Scene 1 - 7
Chorus II: Tres Pueri a flammis illaesi, a Nabuchodonosore plena colendi posthac Veri Numinis libertate donantur.
Part III: Titi in Orthodoxa fide Constantia gloriose triumphat
Scene 1 - 5.

Personae Musicae
Alumn SS Can. Stud = Genius Religionis
Phil Cand. = Rex Nabuchodonosor
Rhet = Praeco
Synt Maj = Satrapa Ildus
Synt Maj = Sidrach
Gram = Misach & custos horti
Rud = Abdenago
Rud = Genius Idoloatriae

In Choris: Hortulani. Comites Religionis & Idolotriae. Chaldaei.


Programme Main Title:
Titus Manlius Pius Erga Severum Etiam Parentem Filius


Programme Main Title:
Titus Tragoedia seu Fides in Tito Quo gravius Tentata


Programme Main Title:
Tobias et Sara Sive Nuptiae Angelo Paranympho Auspicatae Drama Musicum


Programme Main Title:
Tori Conjugalis Amor Inter Julium Sabinum Et Eponinam

Notes:
Contains a 3 Part Interludium and a comedy, Mopsus/Megadorus


Notes:
Includes actors' name but not year in school. Interleaved with untitled comedy, whose main character is Davus and Crito.  Synopsis for entire play and for each act.


Programme Main Title:
Tragico Comoedi Belli, Pacisque artes olim A Stephano Hungariae Rege


Programme Main Title:
Tragoedia Innocentia Numiae Sanctii magni Arragoniae Regis conjugis Triumphans

Notes:
This work is incomplete. The book is also missing pages 157 - 163. The handscript ends in the middle of Sanctius' speech Act I Scene 4. 
Top of 1st page, added later in a different hand and badly faded 'anno 1745'

Stage directions are included. No music is indicated. 
The handwriting is that of No 1, the large, clear hand (see previous notes)
Viewed Feb 2007.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63

Notes:
Found listed in Rouanet IV.190 - 194. MS. Coll. Jesuit Dramas

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
The call number for this item nor the plays it contains is known at this time. The volume is by Father Joseph Simons, published in Liege, 1656.


Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890.

Written between 1577 - 1629 (his death).


Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 22.

Written between 1577 - 1629.


Programme Title Page:
Trinus Unius Dei Israelis Cultus Severo Igne Examinatus, Sive Sidrach, Misach, Et Abdenago, In Medio Ignis Babylonici Non Aestuati. . .Ludis Autumnalibus ... a Musis Ottoburanis in Scenam dati Die 5. Septembris 1752

Programme Main Title:
Trinus Unius Dei Israelis Cultus Severo Igne Examinatus


Programme Main Title:
Triumphus Amoris Divini de Amore Profano, et Magia


Programme Title Page:
Triumphus Christianae Fidei per Audam Episcopum in Suene et Hormisda Persiae Primatibus Tragoedia

Programme Main Title:
Triumphus Christianae Fidei per Audam Episcopum in Suene et Hormisda Persiae Primatibus Tragoedia

Notes:
Includes a Prologue and an Epilogue. Allegorical characters in the play.


Programme Title Page:
Triumphus Crucis Partus A Ternis Fratribus Claudio, Asterio, Neone, Pro Fide In Crucem Actis. . .Sig Deß H. Creutzes Erhalten Von dreyen Brüderen So vor den Glauben an dem Creutz gestorben ; Vorgestellt Von der studierenden Jugend deß Gymnasii der Gesellschafft Jesu zu Landsperg Den 3. und 5. Herbstmonath Im Jahr 1710

Programme Main Title:
Triumphus Crucis Partus A Ternis Fratribus Claudio, Asterio, Neone, Pro Fide In Crucem Actis


Programme Title Page:
Triumphus Ecclesiae In Divo Martyre Sebastiano Patrono Contra Pestem Praesentissimo Monasterii Nostri Tutelari Potentissimo ... Das ist: Die In dem glorreichen Marter-Todt deß Heiligen Sebastiani Sigende Kirchen. . .Vorgestellt Von der Studierenden Jugend In Dem Ohnmittelbahren Gefreyten Reichs-Gotts-Hauß Ottobeyren, Den 5. Tag September Anno 1736

Programme Main Title:
Triumphus Ecclesiae In Divo Martyre Sebastiano Patrono Contra Pestem Praesentissimo Monasterii Nostri Tutelari Potentissimo


Programme Title Page:
Triumphus / veri amoris / apud adversitatem inventi. / Melo-Drama politico-morale / exhibitum / augustissimis, augustis, / caesareis regiisque majestatibus / et / serenissimis Austriae archiducibus / Leopoldo I. / caesari, / Eleonorae Magdalenae / imperatrici, / Iosepho I. / regi, / Wilhelminae Amaliae / reginae, / Carolo, / Mariae Elisabethae, / Mariae Annae, / Mariae Iosephae, / Mariae Magdalenae, / in caesareo & academico societatis Iesu collegio / Viennae, die 3. Decemb. s. Francisco Xaverio sacra, / anno MDCCI. / Musicam composuit / ... domus professae S. I. capellae magister. / Viennae Austriae, / apud Susannam Christinam, Matthaei Cosmerovij, S. C. M. Maj. (sic) typ. / aul. viduam

Programme Main Title:
Triumphus veri amoris apud adversitatem inventi...Melo-Drama

Notes:
Drama complectens prologum, tres inductiones, epilogum, modis musicis instructa, praeter prologum. Opus manu scriptum praecedit libellus impressus, in cuius fine invenies nomina actorum et cantorum, itidem: "Nomina corum in arena litteraria victorum, qui caesarea munificentia ... Leopoldi I. ... praemiis donati sunt ..." Sequuntur (8a - 41b) modi musici partium cantabilium; modi saltatorii desunt. Incip.: "Quam tristis haec scena" (inductio I); desin.: "... majestati plaudite et hanc scenam claudite". Part. ch. XVIII. 42. f. 


Programme Title Page:
Triumphus Veritatis A Falcone Nobili Bizantino Patrocinante S. Angelo Custode Reportatus ...Reverendissimo ... Domino Dominico ... Monasterii D. Magni ad fauces Iulias Ord. SS. P. Bened. Abbati ... demississime exhibitus a Musis Domesticis Anno ... MDCCXXXVII

Programme Main Title:
Triumphus Veritatis A Falcone Nobili Bizantino Patrocinante S. Angelo Custode Reportatus


Programme Main Title:
Tryphonis in Jonatham Perfidia Tragoedia


Programme Title Page:
Tuba mirum spargens sonum Tragoedia. Das ist: Schroct Thonende Berichts (Gerichts?) Posaune (Bosaune? Kosaune?) auf der Schau Buhne

Translated Title:
The Latin title is a line from the Requiem text.

Synopsis:
Argumentum: Regem in Theatrum damus, divini adeo Judicii timore perculsum, ut omnia sua opera ad illius normam exigeret, rigidus suimet (fuimet) censor. Hic cum venationi intentus forte obvios habuisset Monachos duos, emacerato vigiliis, jejunisque (jejumisque? Jejunusque?) vultu futuri judicii metum asp cientibus incutientes, eos regio de curru descendens, supplice gestu est veneratus. Quod submissionis infolitum genus aegre adeo tulerunt Proceres, ut, cum nemo esset, qui ea propter increpare Regem auderet, Regis Fratrem instigarint: moneret suum Germanum, ne diadema Regium contumeliosa demissione ad mendicorum pedes deprimeret. Paruit Frater, & intempestivae abjectionis Fratrem Regem admonuit. Verum Rex, dissimulata tantisper re, Tubicinem sub Vesperum misit, inflata Mortis, ut vocabant, Tuba Fratrem ad tribunal citaturum. Mos quippe illic (?) locorum obtinuerat ut si quem laesae Majestatis reum mulctaturus Rex esset, ejusmodi Praeconem ad Rei aedes praemitteret. At quonam exitu finita est haec Tragoedia? Secundissimo. Namque post multas tergiversationes comparentem denique in cinere & cilicio, interque luctus familiae Germanum Fratrem Rex hunc in modum est allocutus. Si te ita mactat feralis haex tuba: cur  me salutari metu non obruat Tuba illa terribilis: Surgite mortui, venite ad judicium? Quo factum est, ut Fratrem, omnemque aulam salutifero Divini Judicii metu impleverit Rex Sapientissimus. Ita ex S. Joan. Damasceno R. P. Hieremias Drexelius in Tribunali Christi L. 2 C. 5.
Porro ne cui istho Fratris in Fratrem judicium nimis forsan acerbum videri possit, simillimam prorsus historia, ex Sacris Literis deprompsimus, futuram Musicae materiem: Josephum nempe, Proregem Aegyptium, suosmet fratres ob ablatum scyphum in jus fraternum vocantem, de quo S Augustinus: Joseph juste potuit suos fratres punire, hunc metum & terrorem eis incutiendo ob scelus in se commissum, ut bac affictione in se reversi, peccatum suum agnoscerent, uti re ipsa fecerunt.

Notes:
Tttle is from text of the Requiem. Latin and German separate.
Structure:
Prologus: (SUNG ENTIRELY): D. Hieronymus citaturae ad judicium Tubae Sonitum perhorrescens, insuper habitis Romanorum Legationibus, speluncae Bethlehemiticae posthabet Romana Honorum subsellia, Judicum tribunalia, Philosophorum juxta & Oratorum suggestus, iluud identidem ingeminans: Semper in auribus meis sonare videture tuba illa terribilis: Surgita mortui, venite ad judicium. Characters: 4 + 12 Romans = 16
Act I Scenes 1 - 5a:  22 actors
Saltus
Act I Scene 5b
Act II Scenes 1 - 5
Chorus I: Unedecim Josephi fratres per Oeconomicae rei Prefectum ex via revocantur ad Proregis fratris Tribunal ob Scyphum in Sacco Benjamin inventum. Musicians: Joseph is sung by the same actor (a fully frocked canon candidate) who plays the lead in the tragedy (Critomirus Rex). 13 characters + 12 Egyptians = 25
Act III Scenes 1 - 5
Armilustrium: (SPOKEN):Amelius Princeps cum Juventute Aulica, adhuc rerum, quae agerentur, ignara umbratilem pugnam Odoaldi honoribus parat. Characters: these are in addition to the cast of the tragedy, and only appear in this scene: 20 + 20 Salii + 8 Animalia (2 Fauni, 2 Ursi, 2 Caprae, 2 Simiae). Total = 48.
Act IV: Scenes 1 - 5
Chorus II: Josephus Prorex Aegypti, postquam praesentes coram tribunali suo fratres multa sententiae formidine suspendit, tandem ab ipsis quoque agnitus, sententiam fert & Prorege, & Fratre dignissimam.
Act V: Scenes 1 - 4

Signed OAMDG


Programme Title Page:
Tyrannis humiliata, sive: Sisara in manu mulieris. Drama augustissimae caesareae majestati Leopoldo I. a caesareo domus professae societatis Iesu gymnasio Viennae propositum, dum literarijs victoribus caesarea munificentia annua praemia decernerentur. Anno 1705, 1. Januarii. Musices compositore ... domus professae soc. Iesu capellae magistro. Also in Sommervogel vol 1:54.

Programme Main Title:
Tyrannis humiliata, sive: Sisara in manu mulieris

Notes:
Cotera ut in codice sub num. 18916 accurate descripto. Idem opus, quod sub num. praecedenti descripsimus, simili modo dispositum sed paucis locis differt ab illo. Part. ch. XVIII. 45. f. Opus complectens: prolusionem, duas partes et clausulam; distributa sunt hoc ordine: 2a inseriptio; 2b vacat. 3a argumentum; 3b vacat. 4a - 5a prolusio (textus); 5b vacat. 6a - 13a prolusio (modis musicis instructa); 15b vacat. 16a - 17b partis I. inductiones I. et II. (textus). 18a - 19b chorus militum (modi musici). 20a - 20b textus interruptus porro tractatur; 21a - 24b chorus (modi musici); 25a - b vacant. 26a - 31a reliqua partis I. (textus); 32b - 35a chorus (modi musici); 35b vacat. 36a - 39a pars II. cum clausula (textus); 39b vacat. 40a - 47b clausula (modi musici). Incip.: "Tam suaviter gyratur"; desin.: "... sicut sol in ortu suo splendet, ita rutilent". Part. ch. XVIII. 47. f.


Programme Main Title:
Tyrannis Saracena Rex Assuerus, Neptunus


Notes:
Poss also performed 1699. 6 characters + 14 choir


Programme Main Title:
Tyresius olim Mariae Patrocinio ab interitu libera

Notes:
This item is searchable only under the publisher, Lang, in the British Library online catalog.
Besides the composer, there are 4 musicians, all bracketed and labeled Seminarii S. Pauli Alumni.  There are 7 Actos, all from the Rhetoric and Poetry class years. The playbill has the O. A. M. D. G. emblemata at the end.


Translated Title:
Mary Joseph, Empress Consort of Joseph II, Emperor of Germany

Programme Main Title:
Ueber Das allzu Fr:uhe Ableblen weilandl Thro Raiferl Majestat Maria Josepha, gebohrnen Herzoginn von Baiern

Synopsis:
Complete title: Ueber Das allzu Fr:uhe Ableblen weilandl Thro Raiferl Majestat Maria Josepha, gebohrnen Herzoginn von Baiern wurden bey der feierlilchen Trauerrede allhier zu Regensburg den 12 Julii 1767. in der Kirche zur H. Dreieinigteit folgende musitalische Terte abgesungen

Notes:
There is no cast listed for this short work (duration approx 10 - 15 minutes) and no obvious association with the Jesuit school & seminary in Regensburg.  The structure of the work is as follows:

Vor der Predigt (Bredigt?):
Choir
Recit
Arie
Recit
Choir

Nach des Predigt (Bredigt?)
Arie
Chor

No signature


Programme Main Title:
Ulferus, Merciae Rex A Natorum Caede ad Veram Fidem Conversus

Notes:
On the heading of the title page in ink has been added: Per R. P. Angelum Van Lancker (Lancvier) Rhet. Professorem.12 Actors. No year in sch. identified. Latin only, per act. 'Rex' has been marked out on the title page and 'Dux' written in ink next to it.


Notes:
Synopsis by scene. Interleaved 3 part comedy, untitled. No cast list.


Programme Title Page:
Ulysses, Fortitudinis, ac Patientiae Exemplum. . .Reverendissimo ... Domino, S.R.I. Praelato, Amando, Liberi, ac Imperialis Monasterii Elchingensis Abbati ... Natalizanti, A devotissimo Conventu Allegorice adumbratus, A Musis Domesticis 6. Februarii 1746. decantatus

Programme Main Title:
Ulysses, Fortitudinis, ac Patientiae Exemplum


Programme Title Page:
Unbeständigkeit Deß Menschlichen Glücks, In Eustachio Einem Edlen Römer, Und sonderbahren Patronen aller Betrübten und Verfolgten. . .Auf offentlicher Schau-Bühne vorgestellet Von einer Ehrsamen Nachbarschafft bey St. Niclaus zu Ynsprugg, Den 29. Junii, und 1. Julii, Anno 1714

Programme Main Title:
Unbeständigkeit Deß Menschlichen Glücks, In Eustachio Einem Edlen Römer


Programme Title Page:
Ungluctseelige Stands Erwahlung der Jungen Gotter in einem Sing Spihl Vorgestellet von dem Seminario S. Pauli zu Regenpurg.

Programme Main Title:
Ungluctseelige Stands Erwahlung der Jungen Gotter in einem Sing Spihl

Notes:
Old German script. 
Year in school provided.

1 act, 12 scenes

Cantores
Theol Mor ac Polem. Studios Sem. S. Pauli Praefectus = Mars
Rhetor = Apollo
Poeta = Epaphus
Synt Maj = Cupido
Gram = Castor
Rud = Pollux
Prin = Ganymedes

Comites Martis
Synt Major = Vexillifer; 4 no character; Decurio
Syn min = 1 no character
Gram = 2 no character
Rud = 2 no character
Princip = 2 no character

Signed OAMDG


Synopsis:
VII: Et simul ad hoc puero, suoque filio, & aliis furunculis deceptus.
VIII: Fraude, quam prius didicerat, omnibus creditoribus illudents, 
IX: a Medico ad sepulchrum disponitur
X: Atque ab ipsis Princibus, ut properaret, admonitus, sepeliendus, effertur:
XI: Sed a Plutone, ob suae animae inter alias absentiam exclusus, mortem, tanquam furem, ad patibulum expetit,
XII: Quam tamen, ut innocentem, liberat Mercurius, aliam animam cum quodam redevivo secum afferens,
XIII:; Qua Phantus sibi insusa,
XIV: Cum illo redevivos cibos sumens, a Principibus vere iterum vivus approbatur, suoque muneri & vitae saniori restituitur.

Notes:
This item is only 1 page, the last page of a quarto-sized playbill, total pages unknown. What survives is the synopsis for the final part or act, scenes 7 - 14, typed into the Synopsis field above. 
Following is the composer's name. Then the actors, listed under Actores ex Aula. The actors are arranged not by class. Follows is a summary:
Actores ex Aula
Ill & Gen D = 3 "Principes consanguinei"
Ill & Gen D = 1 "Filius Principis loci"
Praen. = 2 "Ephebi"
Unknown = 4 "Famuli"

Personae Fictae
Morio, Podalyricus
Venator Minos
Venat. Pluto
Ephebus & Mercurius
Eph. Redivivus
Coquus, Judex
Animae (subheading under Personae Fictae)
Mercatoris
Militis
Crassi
Astrologi
Itali
Principis
Alchymistae
Chremetis
Eph. Phanti nova
Jurist & Musici Item Lictor
Graeci
Medici
Hebrai
Nasonis

e Pago (new heading)
4 = Filii
4 = Cognati
3 = Creditores

Musici (new heading)
Nox, & Judaeus
Somnus
Pluto, & Mors ficta
Mors, & anima Philosophi
Phantasus, & Lupulus

Signed OAMDG


Programme Main Title:
Ferdinandus de Cortes, Honoris Mariani Vindex Iratus ac Placatus


Synopsis:
Stellet f:ur in zween Theilen das Opfer des Abrahams

Notes:
This 2 part sacred interludium is paired with a three part tragedy, Aloysius Gonzaga ein e Besieger der vaterlichenl Liebe. For the structure of the performance, see the tragedy entry.

The characters are Abraham, Isaac, and the Angel. There is also "Die Gesellen (gefellen?) des Isaacs" who function as the choir. 

Structure:
First Part: Abrahams Verlanger den g:ottlichen Willen zu ertennen

Recit?  Aria? [cannot tell].
Choir
Recits
Aria
-Engel 'Abraham! Abraham!'
Aria
Recits
Aria
Recits

Second Part: Abrahams Fertigseit (vertigteit?) denselben zu erf:ullen

Recits
Aria
Recits
Ariette
Recits
Ariette
Recits
Arie von Zween (Duet)
Recits
Ariette

Signed: Zu gr:osserer Ehre Gottes, und Maria.


Notes:
Paired with tragedy Haraldus Pius Daniae Rex and 2 part untitled Intermedi.  See Haraldus entry for structure. #12 is the complete libretto for this 2 part "chorus"; #15 is the playbill with synopses/structure.  Year in school is provided for the cast list. Work is entirely sung.


Programme Main Title:
Untitled: Bellerophon defeats the Chimera

Notes:
This two part mythological work appears within the tragedy  Regnerius Gothorum Suecorumque Rex. Also included in the performance is a two part untitled Interludium.  See the the main tragedy entry for the structure of the performance.

Included in item 19 is a second document, the libretto and musical structure of the musical prologue to the tragedy and the entire 2 part chorus.

Structure:
Musicae Chorus I: Bellerophon accinctus ad pugnam cum Chimaera

Chorus Lyciorum
Recits
Ode Duorum
Recits
Ode
Recits
Ode
Recits

Chorus II: Bellerophon victor Chimaerae

Duet?  Or 2 single arias
Recits
Ode
Recits
Ode
Trio
Recits
Chorus

Signed OAMDDVHEG


Programme Main Title:
Untitled: Chorus and Saltus to Boetius Tragoedia


Synopsis:
Chorus I: Conversio Augustini Crastina
Chorus II: Conversio Augustini Hodierna

Notes:
Paired with 3 part tragedy Franciscus Rex Bungi Tragoedia and its all-sung Prologus. 
The complete libretto and playbill for this 2 part work survives, but the composer and the author are not identified.  The 2 part work is identified as a "Musicae Intermediae."

Structure of the work:
Part I
Recits
Ode
Recits
Ode a 2
Recits
Ariose
Recit
Ode
Recits
Ode

Part II
Recits
Ode minor
Recits
Ode
Ode Choro Mixta
Chorus
Recit
Ode
Ode minor
Recit
Ariose
Recits
Ode a Quatuor

Signed, OAMDG


Translated Title:
Die Musicanten: so die Zwischenmusik machen, und etliche problematische Gesange absingen, mor:uber (wor:uber?) mir uns den Auspruch ausbitten, wenn (menn) Sie nicht unschlussig sind.

Notes:
This musical whimsical comedy is paired with tragedy "Der Unschl:ussige". The performance has no day nor month; does also include an interludium. 
The structure of the musical comedy is not given; only the playbill title page and cast lists survive.  It is unknown if the work was presented in German or Latin. The Rhetoric class staged the entire performance.

The characters:
Herr Streicher
Herr Piano
Herr Allegro
Herr Triller
Herr Lieblich
Herr Durchaus
Herr Schnurrer


Notes:
Includes the playbill and the libretto; #16 is made up of these two documents. 
This two part chorus is the Prologue and between Act II and III of the main tragedy, Lucianus Samosatenus Infelix Atheus. Also included in the performance is a 1 act Intermedi between Act I and II.

Structure of the Chorus:
Chorus I: Eleutherius, deserta legis Christianae disciplina, ad Atheisticam Scholam transit.
Recit
Aria
Recits
Aria (3 verses)
Recits
Aria (3 verses)
Recits
Aria (3 verses)
Recits
Chorus Abomnibus

Chorus II: Suo errori inhaeret pertinax
Recits
Aria (3 verses)
Recits
Aria (trio)
Recit
Aria

Signed: OAMDG


Notes:
This 1 part Scena Intermedia appears between Act I and II of its accompanying tragedy, Lucianus Samosatenus Infelix Atheus. Included in the performance is a two part chorus, Eleutherius (listed separately).  The six actors are from the Rhetoric class; their characters are not identified, nor is any other information about the intermedi preserved.


Notes:
This 3 part work is paired with the 3 act tragedy, "Calinic", and is entirely sung.  It includes theatrical directions

Structure:
Prologus Musices: Agamemnon laesae Dianae reus

Aria? Recit? Cannot tell.
Ode Cum Chorus
Recit
Aria? Recit?
Ode
Recits
Ode Quaternorum

Chorus I: Lucta amoris inter Agamemnonem & Iphigeniam filiam

Recits
Ode
Recits
Aria? Recit?
Ode cum Choro
Recits
Ode

Chorus II: Iphigenia Amoris in Patrem victima
Recit
Ode
Recits
Ode
Recits
Chorus
Chorus: double chorus or 2 single choruses, Praecinente Ramene; Praecinentel Agamemnone
Omnes (Chorus + soloists)

Signed OAMDDG


Notes:
This 1 part work is paired with Blorreiche (?) Freiheit oder der Seelige Ferdinand Koniglicher Prinz in Portugal. It appears between the 1st and 2nd part of the main tragedy, and, like the tragedy, is sung throughout.


Notes:
No music indicated. No stage directions.

Written in Hand No. 2, the ornate hand, and rather faded. In darker ink and a different nib size but following the Finis of the play in the same hand is written

'Comedia De Morosa Marguarita Vulgo De quade Griet Neglecta est inferibi (inseribi?) Meas autem ut potui, quas antecedenter habueram Declamationes, nec potueram inscribere Defectu Libri, saepius expetiti, hic subnexas curavi.'

Top of the 1st page, in darker ink, added after the page was written:
'Quintas Locorum Distributione 23 Martij 1768. Declamata per Fig. Min. Jacob van Trubelt, Dionys. Van Gent, poesm Augnum Dierix Petr. Boelen, Pef. Lud. Cox Eleg. Sta de Christi Patientis Amoore ex Hofschio'. 

Structure:
Act I:


Characters, in order of appearance:
Jacob
Ruben
Simeon
Joseph
Isachar
Levi
Dan
Nephtali
Judas
Benjamin
Azer (this is the son Ashur in other texts)
Zaburon (this is the son Zabulon etc. in other texts)
Gad
2 mercatores (merchants)
Potiphar
Sephira
Sy:rus
Pharao
6 nobiles
Angelus
Manassar


Notes:
Paired with tragedy Haraldus Pius Daniae Rex and 2 part 'chorus', Hamaan and Mordechai.  See Haraldus entry for structure. This intermedi is spoken not sung.


Notes:
This work is the Chorus following Act III of  "Conradus a Rosa".

There is a chorus at the end of Acts I - IV; each is a different short play, mythological. 
Act I: Chorus, ‘Orpheus Truncum arborum Regem creat.’ Cast list = 7

Act II: Chorus, ‘Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit.’ Cast list = 3

Act III: Saltus. 5 names listed under ‘Salii.’ Would typically include dances

Act IV: Chorus, ‘Menalcas ad Aulam aspirans luditur.’ Cast list = 3


Synopsis:
Zieget die herrlichen Fruchte der wahren Marianische Undacht auf dem Wege?  des Lebens.

Notes:
This comedy is paired with the tragedy Abel Joseph. Although not titled, the cast list includes character names and year in school.  The playbill is incomplete and the number of acts for the tragedy and the placement of the comedy within the tragedy is not known. The comedy appears to be entirely sung; the second document included in item #17 is the complete libretto to the comedy. 

Note: There are Echo effects in the comedy.

Please see photographs for the structure.  Approx 20 - 25 mins duration.


Programme Main Title:
Untitled: Sponsa seu Ecclesia Cathedralis

Synopsis:
Argumentum Musices: Sacri & Celsissimi Antistitis tria praecipue veneramur seu symbola, seu ornamenta: sacrum nempe ANNULUM; vindicem legis GLADIUM; PEDUM pastorale. Sacro annulo "Desponsatur Ecclesiae"; vindex gladius "Principale Imperium", & pedum pastorale "Curam subditarum Ovium" denotat.
Argumentum itaque tergeminum esto: SPONSUS nempe SACER; PRINCEPS MAGNUS; PASTOR BONUS. Atque haec tria, qualia sint, quantave in Celsissimo Antistite, ANTONIO IGNATIO, musica conabitur docere, non vano utique laudum carmine, sed argumentis illustribus, famaque publica duodecim & amplius annorum, quibus Elvaco clementissime praesuit.


Programme Main Title:
Untitled: Stellet einen Wettstreit (Mettstreit) der vier Elemente vor

Synopsis:
Stellet einen Wettstreit (Mettstreit) der vier Elemente vor

Notes:
This interludium, which possibly concludes with a Pantomime, is part of a performance with the tragedy Der Unschl:ussige and a musical comedy. The structure of the performance and the number of parts in the tragedy, the comedy, and the interludium are not known as only the playbill title page and cast lists have survived.

Here is the complete information from the page with the cast list of the Interludium:

Zwischentanz
Stellet einen Wettstreit der vier Elemente vor:
Das Feuer, Jos. Naderer, Gram.
Die Lust, Nob. Franc. Sch:utte, Rud.
Die Erde, Praenob. Aloysius de M:unsserer, Rud.
Das Wasser, Nob. Georg. Engelh. Raparlier, Rud.

Dazu kommt der Arlequin, 
und macht dem Streit ein Ende.
Nob. Carol. Borromaeus Hugieur, Rud. 

Die Schaub:uhne offnet sich in der Behau (?) sung des Unschlussigen

Signed: OAMDG


Notes:
This interludium appears within the tragedy Regnerius Gothorum Suecorumque Rex. In the same performance a 2 part Chorus with a mythological plot Bellerophon & the Chimera and a musical prologue relating to the main tragedy also appear. 

The cast list for the interludium includes 1 student from the Phil. Stud class; the remaining 9 are from the Rhetoric class.

Signed OAMDG


Programme Title Page:
Unxit eum in medio Fratrum eius ... David Der gesalbte in Mitte seiner Brüder. Auf Musicalischer Schau-Bühne vorgestellet, Als ein lebendiger Entwurff Deß Hochwürdigen ... Herrn Joannis Godefridi Gross von und zu Trockhau ... Bey Dero Hoch-Feyerlichen Consecration ... zur Bischöfflichen Würde von denen Herren Sodalibus ermelter Marianischen Congregation in Aychstätt

Programme Main Title:
Unxit eum in medio Fratrum eius ... David Der gesalbte in Mitte seiner Brüder


Programme Title Page:
Valentiniani ferox Ambitio Decenter Castigata. . .Reverendissimo ... Domino Honorato, Liberi, Imperialis-Exempti Monasterii Ottoburani Abbati ... a Studiosa Iuventute Ottoburana humillimi obsequii loco comice exhibita Die 4. Septembris

Programme Main Title:
Valentiniani ferox Ambitio Decenter Castigata


Programme Title Page:
Varia sortis Alea sive Severinus Boetius à Theodorico Gothorum Rege Exaltatus et Trucidatus Tragoedia

Programme Main Title:
Varia sortis Alea sive Severinus Boetius à Theodorico Gothorum Rege Exaltatus et Trucidatus Tragoedia

Notes:
Interleaved with 4 part untitled comedy, Baloardus is the main character. Synopsis for entire play and for each act.


Synopsis:
Den gewaanden Graaf zal in zang verlbeeld worden.

Notes:
No specific day on playbill. Last page: Den gewaanden Graaf zal in zang verlbeeld worden. Verbeelders, Philippus Graaf, C Johannes Baptista d'Hane. 6 other actors, names + the characters they play.  Coupled with the tragedy Tryphonis in Jonatham perfidia Tragoedia


Programme Title Page:
Veritas Orbis Domina a Generatione In Generationem. . .Reverendissimo ... Domino Ruperto, Liberi, Exempti-Imperialis Monasterii Ottoburani Abbati ... In Submissae Devotionis tesseram exhibita & dicata a Musis Ottoburanis Die 6. Septembris 1728

Programme Main Title:
Veritas Orbis Domina a Generatione In Generationem


Programme Title Page:
Veritas Tragoedia, Oder Die von denen Lebenden angefochtene, Von denen Todten erfochtene Wahrheit. . .Auf offener Schau-Bühne Vorgestellet Von der studierenden Jugend Deß Kayserlichen, Ertz-Hertzoglichen Gymnasii Der Gesellschafft Jesu zu Hall im Yhnthal Den 1. und 3. Tag Herbst-Monats 1733

Programme Main Title:
Veritas Tragoedia, Oder Die von denen Lebenden angefochtene


Synopsis:
Juvenis fessariensis, nobilissima ortus prosapia, percussorem parentis sui infesto persequebatur odio; licet pater, qui lethalil ex vulnere saucius aliquamdiu vitam protaxerat, latroni ignovisset: tandem vero & ipse Christi amore inimico veniam dedit.  - Fasti Societatis

Notes:
This tragedy is performed only by the members of the Poetry class.

The music & chorus appear only in the secondary work whose type, title, and parts are unknown. However, it is listed separately in the database.


Programme Title Page:
Vindicta Christiana, Gottseelig- und Christliche Rach. . .In einem Beyspil vorgestellt Von dem Ertzherzoglich Oesterreichis. Gymnasio Societatis Jesu Zu Hall, Den 3. und 5. September 1715

Programme Main Title:
Vindicta Christiana, Gottseelig- und Christliche Rach


Programme Main Title:
Vindicta Divina sive Balthassar Tragoedia

Notes:
Includes a 4 Part Interludium and a comedy, Epicurus


Programme Title Page:
Vindicta Gloriosa A Joanne Gualberto De Inimicissimo sibi Fratricida sanctissime sumpta. . .Honoribus Reverendissimi ... Domini Dominici Celeberrimi, Et Antiquissimi Divi Magni Ad Fauces Iulias Monasterii Abbatis vigilantissimi Die 4. Aug. 1730. gloriosissime Natalizantis In Theatro adumbrata, & submississime dicata a Musis Domesticis

Programme Main Title:
Vindicta Gloriosa A Joanne Gualberto De Inimicissimo sibi Fratricida sanctissime sumpta


Programme Main Title:
Vindictae Furor in Aran, Tito, et Thamera

Notes:
Included Prologue.  Interleaved 3 part comedy, Chrisocancrio


Translated Title:
Virtus a Coelo Defensa in S. Vito Mart. Die von dem Himmel verfochtene Jugend in dem Heililgen Blut-Zeugen Vitus.

Notes:
A researcher named T R Johnson requested this item on June 23 2005. 
In Latin and German

Title Page:

Virtus a Coelo Defensa in S. Vito Mart.
Die von dem Himmel verfochtene Jugend in dem Heililgen Blut-Zeugen VITUS
Von dem Churfurstlichen Gymnasio der Gefellfchafft JESU zu Amberg vorgeftellt
Den 4. und 6. herbst Monats
Im Jahr 1703
Mit Gutheiffen der Obern

Defelbfl gedruckt ben Chriftian Defer (would read Deser)

Argument
Pars Prima
Scena I – IV
Chorus
Pars Secunda
Scene I – VII

Nomina Actorum

Modulos Muficos compofuit Ornatus & perdoctus D. Francifcus Xaverius Sichardt, ad S. Martini Ambergae Muficus

Magister Philosoph = 1
Rhet = 7
Poetae = 7
Syntax Major = 2
Syntax Minor = 4
Grammatistae = 4
Rudimentistae = 6
Princcipistae = 6

Personae Musicae = 5

Signed Omnia Ad Majorem Dei Gloriam


Programme Title Page:
Virtus Mortalium Immortalis in Aenea, Inter Indigetes Relato ... Das ist: Die unsterbliche Tugend deren Sterblichen In dem Unter die Götter aufgenom[m]enen Aenea. . .Vorgestellt Von der Studierenden Jugend In Dem Ohnmittelbahren Gefreyten Reichs-Gotts-Hauß Ottobeyren Den 3ten Septembris Anno 1738

Programme Main Title:
Virtus Mortalium Immortalis in Aenea, Inter Indigetes Relato


Programme Title Page:
Virtus non postulat annos, sive: Scipio Iunior, Romanorum belli imperator. Drama historico-morale, exhibitum augusto Romanorum et Vngarorum regi Iosepho I. a caesareo domus professae soc. Iesu gymnasio anno MDCCIII, die 1. Ianuarij. Musicam composuit ... eiusdem domus professae capellae magister. Saltus instruxit D. Antonius Verlet, Vniversitatis Viennensis privilegiatus choragus et lanista

Programme Main Title:
Virtus non postulat annos...Drama historico-morale... Musicam composuit ... eiusdem domus professae capellae magister. Saltus instruxit D. Antonius Verlet, Vniversitatis Viennensis privilegiatus choragus et lanista

Notes:
Drama continens partes cantabiles una vel pluribus vocibus instructas. Totum opus divisum est in prologum, tres partes et epilogum. Part. XVIII. 63. f. Also in Sommervogel vol 1:54.


Programme Title Page:
Virtus Post Funera Vivens In S. Canuto Invicto Rege, & Martyre Glorioso ... Das ist: Unsterbliche Tugend Deß Heil. Canuti König- und Martyrers. . .Vorgestellt Von der Studierenden Jugend In Dem ohnmittelbahren gefreyten Reichs-Gottshauß Ottobeyren, Den 6. Tag September Anno 1729

Programme Main Title:
Virtus Post Funera Vivens In S. Canuto Invicto Rege, & Martyre Glorioso


Programme Main Title:
Vis Invidiae sive Belisaurius per Virtutem ad alta Evectus, Per Invidiam ad Ima Dejectus

Notes:
Presented 'ab Insimae Classis Grammatices Alumnis'. Interleaved with 3 part comedy, Furius


Programme Main Title:
Vluchte der weirelt in den H Petrus de Marono


Programme Title Page:
Vocatio Ad Nuptias Filii Regis, Seu Supremus Finis Hominus, Ad quem a Deo est Creatus & vocatus Meditatio Dominica prima

Programme Main Title:
Vocatio Ad Nuptias Filii Regis, Seu Supremus Finis Hominus, Ad quem a Deo est Creatus & vocatus Meditatio Dominica prima


Programme Main Title:
Volubilis Fortunae cursus ab Emmanuele Sosa Dionis Praefide, et Eleonora Ejus Consorte Fixus, & consummatus in Cruce

Notes:
Arias alternated with recitatives; cast list gives voice parts; with chorus


Notes:
On the heading of the title page in ink has been added: Per R P Dom. Candetiers (Candelius?) Praefectum. 12 Actors, year in sch. ID'd. Latin and Flemish side by side.


Programme Title Page:
Wann die G'fahr am höchsten, Ist Gott am nächsten, Oder Jaromirus Wunderlich Von Dem Todt errettet. . .Wird von Johann Valentin Wagners ... Wittib in ... Augspurg die erste halbe Zeit der H. Fasten ... auf offentlicher Schau-Bühne

Programme Main Title:
Wann die G'fahr am höchsten, Ist Gott am nächsten, Oder Jaromirus Wunderlich Von Dem Todt errettet. . .Wird von Johann Valentin Wagners ... Wittib in ... Augspurg die erste halbe Zeit der H. Fasten ... auf offentlicher Schau-Bühne


Programme Title Page:
Wohl-beredte Verschwigenheit In Joanne Von Nepomuck, Der Praggerischen Haubt-Kirchen bey St. Veit Domb-Herrn ...Auf offentlicher Schau-Bühne Vorgestellt Von einer Ehrsamen Nachbarschafft bey St. Niclaus zu Ynsprugg, den 17. und 18. Julii 1717

Programme Main Title:
Wohl-beredte Verschwigenheit In Joanne Von Nepomuck, Der Praggerischen Haubt-Kirchen bey St. Veit Domb-Herrn


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.449. This item is in  Rouselle's own library at the time of printing.

"Xerxés tragédie dediée a messieurs messieure les magistrats de la ville de Mons, et représentée Par Les Ecoliers Du College De La Compagnie De Jesus A Mons le 29 d'Août à une heure & demis aprés midi pour les Dames seulement: & le 30 pour les Messieurs à la même heure. Les Prix seront distribués par la Liberalité desdits Messieurs. A Mons, chez Leopogl Varret, Imprimeur de Messeigneurs les Etats, & de Messieurs les Magistrats, Ruë d'Havré 1758. 

Excellent example of separate performances for women and men.

In 4o, 10pp.


Programme Title Page:
Zelus Gloriosus Victrixque Virgineae Matri Vere Devotus, In S. Anselmo Archi-Episcopo Cantuariensi Eo Tempore, Quo Reverendissimus ... Dominus Anselmus ... Monasterii Ottoburani Abbas Vigilantissimus ... Iubilaeum Sacrae Professionis ... Celebravit à Musis Ottoburanis In Scenam datus 16. Augusti

Programme Main Title:
Zelus Gloriosus Victrixque Virgineae Matri Vere Devotus


Programme Title Page:
Zelus Joiadae Pontificis pro Gloria Dei, et Legitimo Davidis haerede Joa, Contra Tyrannidem Athaliae Servato et Sublimato

Programme Main Title:
Zelus Joiadae Pontificis pro Gloria Dei, et Legitimo Davidis haerede Joa, Contra Tyrannidem Athaliae Servato et Sublimato


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond. There are 3 plays in this volume


Programme Title Page:
Grisellis commedia, speculum seu exemplar patientiae

Programme Main Title:
Grisellis commedia, speculum seu exemplar patientiae

Notes:
Conclusio seu Epilgous. Copied Dec 2, 1600 by Fr. Pietro Cruels (Cruls), OSB.

Notes from the inventory: 'L'auteur de cette tragédie se nommait Eloy Houckaert, il était maître d'école à Gand. Il est auteur d'un grand nombre de poèmes latins assez estimés de son temps, dit M. Vanderhaeghen. Son ouvrage sur Griselidis doit avoir été imprimé à Gand vers 1516. Notre MS n'en est qu'une copie fait au couvent de St-Trond, par le P. Trudo Wittem en 1600. Cod. Chart. Saec XVII, 4o, 49 pp.


Programme Main Title:
Comedia una Vitam Sancti Trudonis Confessoris


Programme Title Page:
Pressa, Non Opressa / FIDELITAS / Arriae in Paetum / de / Scene Exhibetur / a / Supremae Classis Grammatices / STUDIOSIS / In Gymnasio Magi Patris / AUGUSTINI /Gandavi die 19 Februarii 1727 / Ludus Bacchanalibus / Gandavi, Typis Joannis Eton, fub viridi Cruce

Programme Main Title:
Pressa, Non Opressa Fidelitas Arriae in Paetum

Cast Size:
10 + Turba militum Claudii + Turba militum Scriboniani

Notes:
Paired with  3 Part Comedy, Mato Rusticus


Notes:
Paired with  4 Act Tragedy, Pressa Non Oppressa, inserted between the acts


Programme Title Page:
ESCHINES / Tragi-comoedia / in / SCENAM DABITUR / ab / Infimae Classic Grammatices / STUDIOSIS / In Gymnasio Magni Patris / AUGUSTINI / Gandavi die 4. Aprilis 1727 / Gandavi / Typis PETRI DE GOESIN, Typographi via dicta de Veltftracte, fub figno quatuor Evengeliftarum


Programme Title Page:
IMPERII / Sacrilega tyrannide foedati, / PATRICIO / SYMMACHI / ATQUE / BOETII / SANGUINE CRUENTATI / IN / THEODORICO / OSTROGOTHORUM REGE / FATALIS EXITUS / TRAGOEDIA / IN SCENAM DABITUR / SUPREMAE CLASSIS GRAMMATICES / STUDIOSIS / In Gym. M. P. Auguftini Ganda 4. Februarii 1728 / LUDIS BACCHANALIBUS / GANDAVI, typis PETRI DE GOESIN, Typographi via dicta / de Veltftracte fub figno quatuor Evangeliftarum

Programme Main Title:
Imperii Sacrilego tyrannide foedati, Patricio Symmachi atque Boetii Sanguine cruentati in Theodorico Ostrogothorum Rege Fatalis Exitus

Notes:
Paired with 4 Act Comedy,  Brugellio, inserted between the acts


Notes:
Paired with 5 Act tragedy Imperii, inserted between the acts


Programme Title Page:
DIOGENES / ROMANUS / TRAGOEDIA / Exhibebitur / Nobiliffimis, Ampliffimifque Viris / DOMINIS / SUMMO PRAETORI, / SENATORIBUS / URBIS GANDAVENSIS / Munificis, Perpetuisque, Mecoenatibus / A Studiofa Juventute Gymnafio M. P. Auguftini / Gandavi die 4. & 6. September 1728 / GANDAVI, / Apud CORNELIUS MEYER fub figno Enfis Coronati

Notes:
Paired with 4 Part Comedy, Poliodorus Rusticus inserted between the acts


Programme Main Title:
Untitled Comoedia: Poliodorus Rufticus Nobilitatem ftulit ambiens, a variis varie decipitur

Notes:
Paired with 5 Act tragedy, Diogenes Romanus, inserted between the acts


Programme Title Page:
CHRISTUS / PATIENS / De scena exhibebitus / ab / In Gymnasio / M. P. Augustini / Gandavi die 30. Martii 1729 / Gandavi, Typis Joannis Eton, fub viridi Cruce 1729

Notes:
Dramatic Structure: Prologue (Meditation I) - Act I (Meditation II - IV) - Act II (Meditation V - VII) - Act III  (Meditation VIII - XII) - Epilogue


Programme Title Page:
JOB / TRAGOEDIA / In / Scenam Dabitur / ab / Infimae Classis Grammatices / STUDIOSIS / IN GYMNASIO LITERARIO / M. P. AUGUSTINI / Gandavi die VIII. Julii M. DCC. XXIX. / Gandavi, typis Joannis Eton, fub viridi Cruce, 1729

Cast Size:
15 + 7 Job Daughters + 3 Job sons + Turba Sabborum + Turba Chaldaeorum

Notes:
Paired with 3 part comedy, Mopsus. End of programme: UnI trInoqUe Deo seMper LaUs, honor, VIrtUs, aC gLorIa.


Notes:
Paired with 4 Act tragedy, Job. Inserted between the acts.  End of programme: UnI trInoqUe Deo seMper LaUs, honor, VIrtUs, aC gLorIa.


Programme Title Page:
De / Zegenpraelende Gratie / In de Heylige / EUGENIA, / Haeren Vader / PHILIPPUS,  / Ende Het Geheel Geslachte / Tot Het Waerachtig Geloof / Wonderlyck Bekeerende, / Opgeda Aegen / Aen de Seer Edele, Wyfs, ende Voorfienige Heeren, / Myn Heeren / DEN HOOGHBAILLIU, / VOOR-SCHEPENEN, / Ende Andere Heeren Van Het / MAGISTRAET / Deser Stadt van / GHENDT / Sal verthoont worden door de Jonckheydt van het Collegie der Eerw. P.P. Auguftijnen den 3. ende 5. September 1729. / Aen de welche de Jaerlijchfhe Pryfen door de Miltheydt van de felve Heeren fullen mytgedeelt worden. / TOT GHENDT / Mg CORNELIUS MEYER, op d'Hoog-poorte in't gekroont Sweirt

Programme Main Title:
De Zegenpraelende Gratie In de Heylige Eugenia, Haeren Vader Philippus

Notes:
Paired with 4 part comedy, Nicobulus. Programme is in Flemish (Dutch). Presume dramas are performed in Latin.


Notes:
Paired with 5 Act tragedy, Eugenia. Programme is in Flemish (Dutch). Presume dramas are performed in Latin.


Programme Title Page:
JOANNES PUER / IMPIUS PARRICIDA / Postea / VERUS POENITENS / In fcenam datur ab infimae Grammaticae / Classis alumnis in Gymnafio / M. P. AUGUSTINI / Gandavi die VIII. Junii 1731 / GANDAVI, Typis JOANNIS ETON, fub viridi Cruce. 1731

Notes:
Paired with 2 part comedy, Blantipara, inserted between the acts


Programme Title Page:
OANNES PUER / IMPIUS PARRICIDA / Postea / VERUS POENITENS / In fcenam datur ab infimae Grammaticae / Classis alumnis in Gymnafio / M. P. AUGUSTINI / Gandavi die VIII. Junii 1731 / GANDAVI, Typis JOANNIS ETON, fub viridi Cruce. 1731

Notes:
Paired with 3 Act tragedy, Joannes Puer, inserted between the acts


Programme Title Page:
De Staet - Gierigheydt / Bestraft in / AMALABERGA / ende / HERMOFREDUS / TREUR - SPEL / Opgedraegen / Aen de Seer Edele, Wyfe, ende Voorfienige Heeren / Myn Heeren / DEN HOOGH-BAILLIU, / VOOR - SCHEPEN, / Ende Andere Heeren Van Het / MAGISTRAET / DESER STADT VAN GENDT: / Sal Verthoont worden door de Jonckheydt van het Collegie der Eerw. PP. AUGUSTYNEN den 4. September 1731. Aen de welcke de Jaerlijcke Pryfen door de Miltheydt van de felve Heeren zullen uytgedeelt worden / TOT GENDT by MICHIEL DE GOESIN, recht over den Raedt

Programme Main Title:
De Staet - Gierigheydt Bestraft in Amalaberga ende Hermofredus Treur-spel

Notes:
Paired with 4 part comedy, Chrysippus, inserted between the acts


Notes:
Paired with 5 Act tragedy, Amalaberga, inserted between the acts. Presume performed in Latin


Programme Title Page:
AMBITIONIS CATASTROPHE / sive / DEMETRIUS GRISKA / Russiae Autocrator / IN SCENAM DABITUR / a / Supremae Classis Grammaticae / STUDIOSIS / Ludis Bacchanalibus / in / GYMNASIO M. P. AUGUSTINI / Gandae die XXII. Februarii M.D.CC.XXXII / GANDAVI / Typis, MICHAELIS DE GOESIN, e Regione Curiae fub viridi Cruce. 1732

Programme Main Title:
Ambitionis Catastrophe sive Demetrius Griska Russiae Autocrator

Notes:
Paired with 3 Part comedy, Rarus Homo, inserted between the acts


Notes:
Paired with 4 Act tragedy, Demetrius Griska


Programme Title Page:
B. DIDACUS DORTIS / PROTOMARTYR / PERUANUS / Tragice Exhibebitur / Ad Infimae Classis Grammaticae Studiosis / In Gymnasio M. P. Augustini / GANDAVI DIE 5. APRILIS 1732 / GANDAVI / Typis Michaelis de Goesin, e Regione Curio fub viridi Cruce

Notes:
This tragedy does not have a comedy or any other dramatic form inserted between the acts.


Programme Title Page:
JOSEPH / A / FRATRIBUS VENDITUS, / A / DEO PRO-REX / AEGYPTI DESTINATUS / De Scena Exhibebitur A Rudimentorum Alumnis / In Gymnasio M. P. AUGUSTINI / Gandae die 27. Junii 1732 / GANDAVI / Typis, MICHAELIS DE GOESIN, e Regione Curiae fub viridi Cruce

Programme Main Title:
Joseph a Fratribus Venditus, a Deo Pro-Rex Aegypti Destinatus

Notes:
A two-part comedy, Clichlarchus,  is inserted in the 2 - act tragedy Joseph. Part 2 of the comedy is inserted in the middle of Act of the tragedy.


Programme Title Page:
JOANNES / NEPOMUCENUS / MARTYR / Exhibebitur /Amplissimis, Nobilissimusque Viris / Dominis /Summo Praetori, / et / SENATORIBUS / Urbis Gandavensis / Munificis, Perpetuisque Mecoenatibus / A Studiosis juventute Gymnasio M. P. Augustini / Gandavi Die 3. Septembris 1732 / GANDAVI, / Typis Michaelis De Goesin, e Regione Curiae, fub viridi Cruce

Notes:
A 4 part comedy, Mors, is inserted between the acts of the 5 Act tragedy, Joannes Nepomucenus. There is also an epilogue to the tragedy, not separate from the tragedy.


Programme Title Page:
LADISLAUS / XV. BOHEMORUM REX / Coronatus / Exhibebitur / a / Rudimentorum Alumnis / In Gymnasio / M. P. Augustini / Gandavi die X. Junii M.DCC.XXXIII. / GANDAVI, / Typis MICHAELIS DE GOESIN e Regione Curia, fub viridi Cruce

Notes:
A 2 part comedy, Pambo, is inserted between the acts of the 3 Act tragedy, Ladislaus XV.


Programme Title Page:
Superba / TARQUINII / Domus / Exilo Multata / Exhibebitur / Amplissimis, Nobilissimusque Viris / Dominis / Summo Praetori, / et / Senatoribus / Urbis Gandavensis / Munificis, Perpetuisque Mecoenatibus / A Studiofa Juventute Gymnafii M. P. Augustini / GANDAVI DIE IV. SEPTEMBRIS M.DCC.XXXIII. / GANDAVI, typis Michaelis de Goesin, a Regione Curia, fub viride Cruce

Notes:
A 3 part comedy, Capomachiomenides, is inserted between the acts of 3 Act tragedy, Superba Tarquinii. Production structure: Act I - Comedy I - Act II  - Comedy II - Act III - Comedy III


Programme Title Page:
PETRUS I. / Russiae Autocrator / Corripiens / Malos Alexii Mores / Nobilissimus Amplissimisque Viris Dominis / Summo Praetori, / et / Senatoribus / Urbis Gandavensis / Mecoenatibus Suis Perpetuis / EXHIBEBITUR / A Studiofa juventute Gymnafii Magni Patris AUGUSTINI, / GANDAVI DIE 5. ET 6. SEPTEMBRIS 1740 / GANDAVI, Typis MICHAELIS DE GOESIN, a Regione Curia fub viridi Cruce

Programme Main Title:
Petrus I. Russiae Autocrator Corripiens Malos Alexii Mores

Notes:
A 4 Part comedy, Drolio, is inserted between the acts of 5 Act tragedy, Petrus I


Programme Title Page:
ALPHONSUS / TRAGOEDIA / in / Scenam Datur / a / Studiosa Juventute / Gymnasii M. P. Augustini / Ludis Bacchanalibus / GANDAVI 10 Februarii 1768. / GANDAVI / Typis Viduae MICHAELIS DE GOESIN, a Regione Curia fub viridi Cruce

Notes:
A comedy, Pantaleon, is in the production, but appears to be presented separately at the conclusion of the main tragedy rather than inserted between the acts. The Latin and Flemish synopses are presented side-by-side.


Programme Title Page:
SALOMONA / Met Haere Zeven Zoonen de / MACHABEEN / Treur-spel / Opgedraegen aen den eerweirdigsten Heer / Myn Heer / RAINERIUS FRANCISCUS HEYE / XLI. Prelaet van de vermaerde Abdye tot Drongene van het Canonick Order der Praemonftreyt, Heere van Merdonck, Salighem, ter Bremt, &c. &c. / Door wiens miltheyd de Pryfen fullen gegeven worden aen de minderjaerige Jongheyd van de CHRISTELYKE LEERINGE onder de beftieringe der Eerweirde Paters AUGUSTYNEN, Sal verthoont worden binnen Gendt den 31. July ende 1. Augufti 1771. / Tot Gendt / by Servaes Somers, by de Jefuiten in den Salamander

Programme Main Title:
Salomona Met Haere Zeven Zoonen de Machabëen Treur-spel

Notes:
A 4 part comedy, Ariaen, is with the 5 Acts of the tragedy Salomona. Itappears to be presented separately at the conclusion of the main tragedy rather than inserted between the acts. Presumed to be performed in Latin.


Notes:
A comedy, Ariaen, is with the 5 Acts of the tragedy Salomona. Itappears to be presented separately at the conclusion of the main tragedy rather than inserted between the acts. Presumed to be performed in Latin.


Programme Title Page:
CONCENTUS AMORIS / Illustrissimo ac Reverendissimo Domino / Domino / GOVERDO GERARDO VAN EERSEL / Sacrae Theol. Et Utriusque Juris / Licentiato, / Ex Praeposito / Exempti Capituli Ecclesiae Cath. S. Bavonis / Gandavensium Episcopo XVI, / INAUGURATO, / Domino Territorii S. Bavonis, / Comiti Evergemiensi &c. &c. &c. / Exhibebitur / A Studiosa Juventute Collegii / Augustino - Gandensis / In Aule Episcopali die XI. Augusti 1774. / In Collegio vero die XII. / GANDAVI, Typis SERVATIE SOMERS fub figno Salamandra

Notes:
Work is completely sung. Dramatic structure : Part I, scenes I - iii; Part II, scenes I - iv. Includes solos, duos, and trios. It appears that the complete text appears in the programme. It is possible that there is a concluding chorus ('chorus' appears at the conclusion of the work); if so, sung by the characters.


Programme Title Page:
BEVERLEI / Exhibebitur Noblissimis Amplissimisque / Viris Dominis / Senatoribus / Urbis Dominis / Senatoribus / Mecoenatibus Suis Perpetuis / A / Studiosa Juventute / GYMNASII / M. P. AUGUSTINI. / Gandavi die 30. & 31. Augufti 1774. / GANDAVI, typis Vid. J. MEYER, fub figno Enfis coronatl

Notes:
A comedy is listed at the end of the programme, Impostores, for the 5 Act tragedy Beverlei. There is also an opera in 3 parts, Den Nacht-Tambour


Notes:
A comedy is listed at the end of the programme, Impostores, for the 5 Act tragedy Beverlei. There is also an opera in 3 parts, Den Nacht-Tambour.


Programme Title Page:
MARCUS ATILIUS / REGULUS / Tragoedia / Exhibebitur / Noblissimis Amplissimisque Viris / Dominis / Summo Praetori / Senatoribus / Urbis Dominis Senatoribus / Urbis Gandavensis / Mecoenatibus Suis Perpetuis / A Studiosa Juventute Gymnasii Magni / PATRIS AUGUSTINI. / Gandavi die 23 & 24 Augufti 1775. / GANDAVI / Typis Viduae Michaelis de Goesin, e Regione Curiae, fub viridi Cruce

Notes:
This production includes 3 Act Latin tragedy, a Latin comedy (probably in 2 or 3 parts), and an vernacular (Flemish or French) opera in 3 parts. It is unclear from the programme whether these works were presented separately or if the comedy and opera were inserted among the acts of the tragedy.


Programme Main Title:
Blasius in Capsa Pincum Stratagemate Ludit


Programme Title Page:
SEDECIAS / Tragoedia / Exhibebitur / Noblissimis Amplissimisque Viris / Dominis Summo Praetori,  / et / Senatoribus / Urbis Gandavensis / Mecoenatibus Suis / Perpetuis / A Studiosa Juventute Gymnasii Magni / PATRIS AUGUSTINI. / Gandavi die 24. & 26. Augufti 1776. / GANDAVI / Typis viduae Michaelis de Goefin, e Regione Curiae, fub viridi Cruce

Notes:
5 Act Latin tragedy, Sedecias, and a Klugt-spel, De Verbeterde Zoonen Ofte Geluk Uyt Ongeluk, believed to be performed in Flemish. The dramatic structure of the second work is not known.


Programme Main Title:
De Verbeterde Zoonen Ofte Geluk Uyt Ongeluk


Programme Title Page:
BRUTUS / Primus Reipublicae Romanae / CONSUL, / Filios ob Conceptam Patriae Pro. / Ditionem Capite Plectans. / Noblissimis Amplissimisque Viris / Dominis Summo Praetori,  / et / Senatoribus / Urbis Gandavensis / Mecoenatibus Suis / Perpetuis / A Studiosa Juventute Gymnasii Magni / PATRIS AUGUSTINI. / Gandavi die 25 Augufti 1790. / GANDAVI / Typis viduae Michaelis de Goesin

Programme Main Title:
Brutus Primus Reipublicae Romanae Consul Filios ob Conceptam Patriae Proditionem Capite Plectans

Notes:
Latin tragedy, Brutus, whose structure is not included in the programme. Likwise, dramatic structure not include for the comedy, Hassan. The programme includes the prize distribution classes and recipients, which took place on 24 August. The 24th date is not included on the title page of the programme but rather on page 6, implying the prizes for the three lowest classes took place on the 24th. Believe the play was performed only on the 25th.


Programme Title Page:
AGATHOCLES / TRAGOEDIA, / Agetur / In Regio / LUDOVICI MAGNI / Collegio Argentinensi / Societatis Iesu / Ad folemnem praemoiorum diftributionem, / REGE AGONOTHETA / Anno Salutis M.DC.LXXXVII. / ARGENTINAE, / Typis FRID. WILHELM SCHMUCKII / Regis Eminentissimi / Cordialis Epifcopi & Principis & Seminarij Argentinenfus Typographi

Notes:
3 act tragedy, Agathocles, with independent allegorical prologue. No chorus is present. A ballet, Louis le Grande, with overture and 3 parts with allegorical characters. Cast list for the main tragedy not provided. Character names but not performers (except for a few in the ballet) are provided for the prologue and the ballet.


Programme Main Title:
Le Ballet, Louis le Grand Dans Le Temple De La Gloire

Notes:
3 act tragedy, Agathocles, with independent allegorical prologue. No chorus is present. A ballet, Louis le Grande, with overture and 3 parts with allegorical characters. Cast list for the main tragedy not provided. Character names but not performers (except for a few in the ballet) are provided for the prologue and the ballet. Cast of ballet appears to include at least two dance pairs consisting of husband and wife.


Notes:
Pastorale performed as part of celebrations for a guest. Appears to have been sung at least in part, 'cantus' in the synopses. Might also have concluded with a ballet.


Programme Title Page:
ILLUSTRISSIMO / ac / REVERENDISSIMO / DOMINO / D. HENRICO GABRIELI  / Van / GAMEREN / XVI. Antwerpiensium / EPISCOPO / In Solemni ad Cathedram Suam / Adventu / Gratulatur & applaudit cum fuo Gymnasii / Societas JESU / ANTVERPIAE M. D. CC. LIX./ Antverpiae

Cast Size:
8 + 8 chorus + any instrumentalists and dancers

Notes:
Pastorale in honour of guest, with a chorus of eight, possibly completely sung, possibly concluding with a ballet. No indication in the synopses whether the work was sung or included music, although likely as it is a pastorale.


Programme Title Page:
ILLUSTRISSIMO / ac / REVERENDISSIMO / DOMINO / D. Humberto / Guilielmo / a / Praecipianon, / en /Baronius / de Soye, Duodecimo Brugensium / Episcopo / Perpetuo Flandriae Cancellario / Catholica fuae Majeftasi a Concilio Status &c. / Gymnafiuim Brugenfe / Societatis Jesu / M. D. C. LXXXIII. / BRUGIS typis Petri von Pee Typographi jurati Via vulgo / de Philips-Stock-ftracte ad inifigne Nominis JESU`

Notes:
This is probably a pastorale but possibly an allegorical comedy. Cast size deduced from the synopses; no characters or cast list provided. No chorus, prologue or epilogue.


Cast Size:
8 + any instrumentalists, chorus, dancers

Notes:
This pastorale does not include any mention of music or dance, but as the work is a pastorale, it is probable. The character of Daphnis, who is not included in the cast, is prominent in the synopses, and probably appears in a concluding ballet not indicated in the programme. Names of actors included but not year in school. Allegorical representations of each character specified in the synopsis.


Notes:
3 act tragedy with no chorus or concluding ballet indicated.


Notes:
3 Act tragedy, Leonides, in which 2 separate interludia are inserted. 1 interludium is mythological (Hercules), the 2nd is allegorical. Handwritten on the programme are the names of the boys acting the tragedy character. No cast list for the two interludia.


Programme Title Page:
[Illegible] A SENATU / BRUXELLENSI, / In Sua Urbe / POPULO EXHIBITI / Anniverfarie Encoeniorum tempore / Per Studiofam Iuventutem Gymnafij Societatis / IESV, die 21. Iulij 1698, / BRUXELLIS / Apud MARTINUM DE BOSSUYT, dictae Urbis Typographum / …Ornamentitia M. DC. XXXXVIII. / Cum Gratia & Privilegio

Notes:
A second copy of the printed programme is in the same archive, shelfmark VH 27.398, item 1.  This festival piece is a type of tableau on horseback; a parade of the rulers and major nobles of the region from the 16th c to the present. At the end of the second and third part is a series of scenes with allegorical characters: the first, virtues, the second, geographical regions within Belgium. The only instruments referred to are trumpets and drums.


Programme Title Page:
Illustrissimo / ac / Reverendissimo / Domino, Domino / PHILIPPO ERARDO / VANDER NOOT,  / Gandavensium / Episcopo Decimo Tertio / Domino / Territorii S. Bavonis, / Comiti Evergemiensi / Bruxellis Inaugurato / Applaudleat / Regium Gymnafium Societatis JESU Bruxellis 1694 / BRUXELLIS, / Apud FRANCISCUM FOPPENN

Notes:
Believe this work to be in the form of a pastorale. If so, the work may conclude with ballet and would have at least instrumentalists and possibly a chorus or various mute characters.


Programme Title Page:
Illustrissimo / ac / Reverendissimo / Domino, Domino / EUGENIO ALBERTO / D'ALLAMONT / Ex quinto Ruraemundensium / Nono Gendensium / EPISCOPO / Domino Territorii S. Bavonis / Comiti Everghemiensi, / Ex Comitibus  De Brandeville, / Baroni de Bussy, Toparchae in Malandry, &c. / SECUNDAS INFVLAS / et / Optatissimvm Adventvm / Gratulatur / Gymnasivm Gandense Societatis / Jesv / M. DC. LXVI.

Notes:
This work is divided into 'Ingressus,' each with a brief synopsis. The title of this work might be Luna D'Allamontia Eugenii Antistitis. The form of this might be a pastorale or a tableau. A cast list or a list of characters is not provided.


Programme Title Page:
DAPHNIS, PASTORALE / Dediée a Monseigneur, / Monseigneur / PAUL GODEFROY / Comte De Berlo, / De Frandouaire, / Eveque de Namur, / Abbé Seculier de la Collegiale de Nôtre-Dame, &c. / A son Arrive'e Dans Sa Ville Episcopale. / Reprefentée par les Escoliers du College de la Compagnie de JESUS, à Namur le 20. Avril 1741 vers les 3. heures après midy. / A Namur, Chez JEAN FRANÇOIS LAFONTAINE, Imprimeur …de la Ville, vis-à-vis de la Rue de la Monnoye, 1741.

Notes:
The 3 act pastorale, Daphnis,  is paired with a 4 part allegorical/pastorale ballet, Le Merite eleve aux Honneurs. The ballet follows the conclusion of the pastorale. The cast list include the character, name of the actor, and their birth city. The pastorale includes an overture sung by a choir, although no choir is listed in the cast. A chorus concludes each act, labeled 'Cantate.' The chorus is not independent of the pastorale plot.


Programme Main Title:
Le Merite élevé aux Honneurs: Ballet, Divisé en quatre Parties


Programme Title Page:
Illustrissimo / ac / Reverendissimo / Domino / D. FELICI / JOSEPHO HUBERTO / DE WAVRANS / Decimo Septimo Iprensium / Episcopo / In Solemni Ad Cathredram Suam / Adventu / Gratulatur & applaudit cum fuo Gymnafio / Societatis JESU. / IPRIS M. D. C. C. LXII. / IPRIS, apud JACOBUM FRANCISCUM MOERMAN

Notes:
Believe this work to be in the form of a pastorale. If so, the work may conclude with ballet and would have at least instrumentalists. A chorus is mentioned in the synopsis. The allegorical associations of each character is provided in the synopsis. Daphnis, who appears in the synopsis, is not among the characters in the cast list, leading to the supposition that there is a ballet led by Daphnis.


Programme Title Page:
lIlustrissimo / ac / Reverendissimo / Domino / D. GUILIELMO / DELVAULX / XVI Iprensium / Episcopo / Annum Episcopatus Sui Quintum et Vigesimum, Quinquagesimum Vero Sacerdoth Agenti / Duplex Jubileum Gratulatur / cum suo Gymnasio / SOCIETAS JESU IPRIS. / IPRIS, apud JACOBUM FRANCISCUM MOERMAN


Programme Title Page:
OMER SPINOLA / Tragedie Dediee / A Son Excellence / Monseignevr Monseignevr / Philippe Hippolyte Charles / SPINOLA / COMTE DE BRVAY / Baron D'Andre Et De La Terre De Cavnitz / Seignevr D'Embert, Monchel Cvrlr, / Haffingves, Vavdringhen, Ripevsart, Bovrgeois, Geneval, &c. / GENERAL DE BATAILLE / Des Armees dv Roy, / Govvernevr et Captaine General / Des Villes de Lille, Douay, & Orchies. / Reprefentée par les Efcoliers de la Companie de IESVS à Douay. / A DOVAY Chez la Vifue JEAN SERRVRIER à la Salemandre 1656.

Notes:
This 5 act tragedy has 4 separate interludia inserted between acts I - IV. The interludia are difference dramatic forms. Interludium 1 = ballet. 2 - 4 are not labeled ballets, but may be as the personnel are the same; they may also be tableaux or moving representations. The interludia are spectacle rather than drama.


Notes:
This 5 act tragedy has 4 separate interludia inserted between acts I - IV. The interludia are difference dramatic forms. Interludium 1 = ballet. 2 - 4 are not labeled ballets, but may be as the personnel are the same; they may also be tableaux or moving representations. The interludia are spectacle rather than drama and may be a 4 part ballet, as their plots are different aspects of Spinola. No cast list provided for the ballet and interludia. Language of performance is not known; probably vernacular for at least the ballet and interludia; possibly also the main tragedy


Programme Title Page:
HERACLIUS / ou / La Croix Reconquise / TRAGEDIE / Sera Represente'e  Sur Le Theatre Du College / DE LOUIS LE GRAND / Des Peres De La Compagnie de Jesus / Pour La Distribution Des Prix / Fondee Par Sa Majeste' / Le XVII. Aouft à une heure aprés midy. / A PARIS,  / Chez GABRIEL MARTIN, ruë Saint Jacques, au Soleil d'or / M. DC. LXXXVIII.

Programme Main Title:
Heraclius ou La Croix Reconquise Tragedie

Notes:
5 act tragedy, Heraclius. There are 5 actors who speak the French synopsese for each act before the opening of the act. There are also two other persons who apparently open and close the performance. A cast list with the characters, name of the actors, and the actors' birthplace is included. There is no evidence of a ballet or any other inserted work in the programme.


Notes:
1 page document. Appears to be play, presumed to be a tragedy, Plaidoye. There is also either another drama with 1 character, Jugera, or a spectacle character. For now, Jugera is listed separately in the database under Other genre category. Cast list,  'Noms Des Concurrens' includes character, actor name, birthplace.


Programme Title Page:
EXERCICE / Sur l'Hiftoire univerfelle depuis la Création du Monde jufqu'a la Naiffance de JESUS-CHRIST / Par les Rhétoriciens du College de la Compagnie de JESUS de Reims / … / Dans La Salle dedit College le Mercredi 7 Avril 1745. a deux heures après midi

Programme Main Title:
l'Hiftoire univerfelle depuis la Création du Monde

Cast Size:
9 + 3 'repondrout seulement sur les cinq premieres Epoques' + 4 'Ne repondrant que sur les quatre premieres Epoques

Notes:
1 page document. This may be a series of tableau rather than a play.


Programme Title Page:
TITVS, / or the Palme / of / CHRISTIAN / Covrage: / Tp be exhibited by the Schollars of the Society of IESVS, at Kilkenny, Anno Domini 1644 / THE ARGUMENT / … / Printed at Waterford by Thomas Bourke, M. DC. XLIV

Programme Main Title:
Titus, or the Palme of Christian Courage

Cast Size:
17 characters from the synopses + any chorus or turba

Notes:
This document remains the sole example of a printed programme from Ireland and is the only known programme to be printed in English. In addition to the 5 Act tragedy, Titus, there are three separate interludia, Rustic Clowne, The Soldier and the Doctor, Two Soldier-Robbers. A cast list is not included. No evidence of music. It is proposed that this programme was the only one to be printed of all the Kilkenny productions because 1643  - 1644 was the only time in which the Catholics controlled Waterford and likewise its presses.


Notes:
This tragedy, in 1 part/act in 12 scenes, is preceded by a musical work, Job, whose structure is unknown. Cast list with character name, name of actor, year in school.


Programme Main Title:
Interludium I: A Countrey Clowne hearing that a proclamation was [issued] against the Christians, is mighty merry, and attempts to robbe a paffenger


Programme Main Title:
Interludium II: A Souldier fainedly ficke, calleth for the Doctor, whofe purfe artificionfly he conveyeth out of his pocket, and hopes by a layd dreaming to get another


Programme Main Title:
Interludium III: Two fouldiers force a lad to difcover where the mothers purfe lay hidden by whom they are deceived

Notes:
This document remains the sole example of a printed programme from Ireland and is the only known programme to be printed in English. In addition to the 5 Act tragedy, Titus, there are three separate untitled interludia, Rustic Clowne, The Soldier and the Doctor, Two Soldier-Robbers. A cast list is not included. No evidence of music. It is proposed that this programme was the only one to be printed of all the Kilkenny productions because 1643  - 1644 was the only time in which the Catholics controlled Waterford and likewise its presses.


Cast Size:
8 + any choral ensemble not in cast list


Notes:
Dramatic structure might be 1  - 4 parts


Notes:
Dramatic structure might be 1 or 2 parts


Programme Main Title:
Arca foederis Israelitis erepta et restituta


Programme Main Title:
Phoebus sacratior coelo et Pindo praefectus seu applausus musicus


Notes:
Language of the work might be either French or German


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Florian Reichssiegel wrote the text to the pantomime


Programme Main Title:
Der dienstfertige Geist, der durch Hilf und Rache den Frieden stiftet


Programme Main Title:
Apollo in superorum numerum ab exilio reductus


Programme Main Title:
Desctructo Apolline, amicitiae statua erigitur


Programme Main Title:
Craesus, Der Von dem Glücke beuntreute König in Lydien

Notes:
Dramatic structure might be 2 - 5 parts. Performed in Latin


Notes:
Main tite: Clementia Croesi Tragoedia'. Dramatic structure might be 2 - 5 parts. Auctor Operis Musici Nobilis Dominus Wolfangus Mozart, undecennis Filius Nobilis ac Strenui Domini Leopoldi Mozart Capellae Magistri


Notes:
Dramatic structure might be 2 - 6 parts. Performed in Lat, german title.


Notes:
Finalkomedie fur die Frauen - evidence of gender sep?Dramatic structure might be 2 - 6 parts.


Programme Main Title:
Der von dem Tod befreyte Jonathas (in latin)


Programme Main Title:
Der sich wider seinen Vater emporende und gestrafte Absalon (in Latin)


Programme Main Title:
Der Bey David ausgesöhnte Absalon (in latin)


Programme Main Title:
Der Ermordete hohe Priester Zacharias (in latin)


Programme Main Title:
Der Aus der Gefangenschaft Entlassene, Und Auf den Jüdischen Thron wieder gesetzte Manasses I in latin)


Programme Main Title:
Daniel vera dicendo de sacerdotibus Beli triumphat


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Dramatic structure might be 2 - 6 parts.


Programme Main Title:
Baltasar Babylonis rex ad monita surdus a Persis occiditur


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Florian Reichssiegel wrote the text to the pantomime. Dramatic structure might be 2 - 6 parts.


Programme Main Title:
Iechonias, rex Iudae ab Evilmerodacho Babylonis rege in pristinam libertatem assertus


Notes:
Dramatic structure might be 2 - 6 parts.


Programme Main Title:
Odium Poenos inter, et Campanos Capys extinguit


Programme Main Title:
St. Placido, Benedictine abbot of Sicily

Main Character 1:
St. Placido, Benedictine abbot of Sicily


Programme Main Title:
Richard king of England/Henry of Richmond


Programme Main Title:
Lucus Notarae cum filii perfidi Mahometi


Notes:
Co-composer with Anton Cajetan Adlgasser


Programme Main Title:
Pietas christiana (Titus, der standhafte Khrist)


Programme Main Title:
Pietas in hospitem (Die reichlich vergoltene Bewirthung)


Programme Main Title:
Pietas christiana (Titus, der standhafte Khrist) German

Notes:
Finalkomedie fur die Frauen - evidence of gender sep?. Illus in Boberski p. 263. Believe this work to be performed in German, not Latin.


Programme Main Title:
Actio Rhetorum, an asinus, ut bos, inter sidera sit collocandus


Notes:
Co-written with Thomas Weiss. 2 Nov. "Am 2. November Probe in Kostümen' Boberski, 228.


Programme Main Title:
Oratio iudicaria inter laxiones et piscatores


Programme Main Title:
Comoedia de rege, de quo Barlaam apud Ioannem Damscen


Programme Main Title:
Ira & clementia Dianae. In Agememnone & Iphigenia deomnstrata


Notes:
Co-written with Aegidius Ranbeck. 2 Nov. "Am 2. November Probe in Kostümen' Boberski, 228.


Programme Main Title:
Perseus in fati ineluctabilis argumentum


Programme Main Title:
Potinus a temulentia ad vitam sobriam reductus


Programme Main Title:
Bellum rhetoricum inter Longinum et Brevinum


Notes:
Declamatio Rhetorum., in qua rusticus ad praesepe ductus


Programme Main Title:
Unknown title : Dialogus inter S. M. Magdalenam et S. Petrum de resurrectione Christi


Programme Main Title:
Filia Hierusalum quaerens Dilectum, respondente angelo musico


Programme Main Title:
Untitled interludium: Pantomimicus Choreuta et olea


Programme Main Title:
Untitled interludium: Mercator et Charon


Notes:
In honour of visit by Leopold I; prize distribution


Programme Main Title:
Untitled interludium: Laetius operariorum observator


Notes:
28 Sept for consecration of Bishop Guidobald Thun; 6 Oct, prize distribution


Notes:
Nachtspiel generally in operatic form in acts


Programme Main Title:
Certamen oratorium inter 7 planetas et 7 dona Spiritus S.


Programme Main Title:
Drama Apolline inter pastorem & venatorem de amore Alexis certantes saliam ferente


Notes:
Alternate title: De Hercule Christo reduce ab inferi


Programme Main Title:
Declamatio poetica p. modum dramatis brevis de Iuditha


Notes:
Poetry: also Fides resurrectionis Pythagorae et Epicuro


Programme Main Title:
Amoris et Odii humani officia erga natum Christum


Programme Main Title:
Declamatio Poetarum sub persona Telluris et Mercurii


Programme Main Title:
Declamatio Rhetorum cum quaedam actiuncula


Programme Main Title:
Vita pastorum est felicissima et integerrima


Programme Main Title:
Unknown title: Tribunal contra Iudam proditorem Domini


Programme Main Title:
Dramula, in qua Superbia Lutherum defendit


Programme Main Title:
Dependent chorus to Act I.iv - I.vi play, Susanna and Daniel. See notes.

Notes:
Chorus I: Susanna cum suis miram Numinis in innocentes bonitatem. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Independent: Act  II.i - II.vi. Daniel and Evilmerodach.

Notes:
The play of Daniel Evilmerodach does not conclude with a chorus. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Independent: Act  III.i - III.v. The selling of Joseph as a slave by his brothers

Notes:
The play of the sale of Joseph as a slave into Egypt does not conclude with a chorus. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Independent: Act  IV.vi - IV.xi + dependent Chorus IV (IV.xii). David and Saul

Cast Size:
At least 26 for the David & Saul Act IV play.Previous cast pages are missing

Notes:
Chorus IV: Milites inauditam fortifsimi Dauidis in Saulem hoftem manfuetudinem extollunt. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur Independent Act V.v - V.ix + dependent epilogue: St Bruno

Cast Size:
20 + Clerus & comitatus & perfonae mutae. Act V only.

Notes:
Epilogus Musicus to Act V: Bruno Canonicus Parifiensis, tum praefenti Doctoris tragoedia, tum humanarum rerum omnium manifeftanda quondam fallacia commotus, fraudulentis mundi tenebris, caelefti & docente & admodulante choro, vale canit. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Chorus I: Propheta Samuel Davidem, Filium Ifai natu minimum, neglectum, ac oves pafcentem Regem Ifraelis conftituit, ac inungit


Programme Main Title:
Chorus II: Superbus Aman Mardochaeo triumphum inftituere, & regios honores deferre jubetur ab Affuero


Programme Main Title:
Interludium I: Marcolvus gebraucht fich der Poft. II: Marcolvi herz Bruder in der Gala gehet gaffatu: gerathet in wufte Handl. III: Marcolvus gehet in der Klag. IV: Marcolvi herz Bruder empfagne Schmach zurechnen machet fich feft. V: Die Bohmifche Baruen halten einen Dinzeltag.

Notes:
Prologue + 4 dependent choruses conclude Acts  I - IV + Epilogue. All are allegorical commentaries/parallel representations. One Interludia in 5 parts between I:iv & v; II.i & ii; II:iv & v and  III.ii & iii; III.iv & v.


Programme Main Title:
Libertas sibi permissa, domi pruriens, foris seducta, tandem resipiscens: seu adolescens prodigus


Programme Main Title:
Drama Palladem captivam et redemtam exhibens


Notes:
Choragus et Poeta erat P. Andreas Vogt, Rhetorices professior'


Programme Main Title:
Alfonsus huius nominis decimus Hispaniarum rex


Programme Main Title:
De iuvene innocenter suspenso, et meritis S. Iacobi mirabile servato


Programme Main Title:
Conradulum de pastoribus et angelis ad praesepe


Programme Main Title:
Tragoedia de sancto martyre Quirino Philippi I

Notes:
Interludium, Pantomimicus Choreuta et olea


Programme Main Title:
Lusus divinae providentiae in Eustachiana familia


Programme Main Title:
Rupertus Tuitiensis a B. V. Maria celebri ingenio dotatus


Programme Main Title:
Virtus pressa, non oppressa. Seu Daniel idolorum eversor


Programme Main Title:
Horatius Romanus, victor, reus absolutus


Programme Main Title:
Saeculum aureum ecclesiae ac provincia Salisburgensi a S. Ruperto primo episcopo, ac Boiariae apostolo, reductum


Programme Main Title:
Sol Austriacus exurgens Francofurti, et aquila rursus iuvenescens


Programme Main Title:
Conradulum de hospite prodigo et debitore


Notes:
Oct 2: in honor of Erzberzog Sigismund. Nov 9, prize distribution


Programme Main Title:
Corona laboriosae heroum virtuti imposita


Programme Main Title:
S. Henricus ex duce Boiariae trigesimo primo imperator semper augustus

Notes:
First 3 acts given on 29th,  the remainder on the 30s with the prize distribution


Notes:
Also performed  24 September 1665 under the title Pax conciliante augustissimo imperatore Leopoldo Austriaco telluri restituto.


Notes:
Nov 11 performace for the Bishop of Chiemsee


Programme Main Title:
Amphibodorus irritus et irrisus mundi paedagogus


Programme Main Title:
Pax conciliante augustissimo imperatore Leopoldo Austriaco telluri restituta


Programme Main Title:
Polyzena Achilles sponsa, vidua & victima


Programme Main Title:
Abul in tempore felix prospero lusus damnatum caput


Programme Main Title:
Conradulus de Pamphilo tentante Proserpinam videre


Programme Main Title:
Tragoedia Boleslaus II. Audax rex Poloniae


Programme Main Title:
Tragoedia de doctore scientiae suae nimium confidente, disputante cum diabolo de fide, sed victo


Programme Main Title:
Doctor Sabinus  (Tragoedia de doctore scientiae suae nimium confidente, disputante cum diabolo de fide, sed victo)


Programme Main Title:
Gratiae divina de potestate tenebrarum triumphans


Performance Referenced In:
Boberski no.188; Demetrius in Willi Flemming (Das Ordensdrama)


Notes:
6 November performance is for prize distribution


Notes:
April 7 in honor of the Abbot of Kremsmunster; second April performance in honor of the Cardinals of Dietrichstein


Notes:
Alternate title :Diligentia et Negligentia


Programme Main Title:
Ecclesia Salisburgensis S. Ruperti episcopi


Programme Main Title:
Fidei ac perfidiae exampla in Pertharito et Gundeberto


Programme Main Title:
Rex catholicus seu S. Hermenegildus rex, et martyr


Programme Main Title:
Captivans captivata, seu Ismeria per Mariam Maria


Programme Main Title:
Fastus confuses seu a Iuditha proprio ense fusus Holofernes


Programme Main Title:
Rex invitus martyr invictus coronam terrestrem recusans coelestem martyrio adeptus


Programme Main Title:
Metamorphosis Bucephali in Acephalum Vitellio primum


Notes:
Also: Noxius parentum amor exhibitus in Fernando


Programme Main Title:
Invidia gloriae umbra in C. Iulio Caesare reprasentata


Programme Main Title:
Exemplar misericordiae in S. Paulino episcopo Nolano


Programme Main Title:
Honor divinus de respectu humano triumphans


Programme Main Title:
Aprilis sive Mors, Mundus, Daemon mittuntur in Aprilem


Programme Main Title:
Veritas quaesita et inventa a Democrito catholico


Programme Main Title:
Unknown title: Est Miserere vel Alleluia mollior cantus?


Programme Main Title:
Divina Providentia et Fortuna instituunt sortilgium, a quo diversi diversa sortiunter


Programme Main Title:
Mors anni millesimi sexcentesimi nonagesimi


Programme Main Title:
De viro includente uxorem obstreperam in sacum et de uxore includente virum in dolium


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 103, no. 3


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. III: 204, no. 1


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 111, no. 1


Programme Main Title:
Il Velo insanguinato dalle Braccia di S. Nicola da Tolentino. Oratorio per musica.


Programme Main Title:
Sacri dialoghi, o vero 12 Mottetti a 2 v. (op. 1)

Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 107, no. 1


Programme Main Title:
L' Abele. In: Oratori sacri a 3 v. cavati dalla Sacra Scrittura, et sunt L' Abele - L' Adamo - L' Abramo - Il David trionfante

Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 107, no. 2


Programme Main Title:
L' Adamo. In: Oratori sacri a 3 v. cavati dalla Sacra Scrittura, et sunt L' Abele - L' Adamo - L' Abramo - Il David trionfante


Programme Main Title:
L' Abramo. In: Oratori sacri a 3 v. cavati dalla Sacra Scrittura, et sunt L' Abele - L' Adamo - L' Abramo - Il David trionfante


Programme Main Title:
Il David trionfante. In: Oratori sacri a 3 v. cavati dalla Sacra Scrittura, et sunt L' Abele - L' Adamo - L' Abramo - Il David trionfante


Programme Main Title:
Sacri dialoghi, o vero Mottetti a 2 v. con violini (op. 1)


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. I: 115, no. 1


Programme Main Title:
Teatro d'honore delle famiglie patritie di Bergamo

Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. I: 171, no. 27


Programme Main Title:
Il Manasse Re di Giuda, Tragedia di Fr. Tomasso Cervioni Agostiniano

Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. I: 222, no. 2


Performance Referenced In:
Fleming, Willi. Das Ordensdrama. Leipzig: Philipp Reclam, 1930. II, 47 - 183 (complete text).

Notes:
Choruses, performed by allegorical characters between Acts I - IV, are not independent of the main title work.


Programme Title Page:
Phoenix
Ex Glorioso
S. Bonifacii (all caps)
Germaniae Apostoli Sepulchro Redivivus.
Sive Applausus Votivus,
Quando
A 
Sanctissimo Domino Nostro
Benedicto XIV. (all caps)
Reverendissimus et Celsissimus
Princeps ac Dominus,
D. AMANDUS  ,
Principalis et Immediatae Ecclesiae Fuldensis
Abbas,
S. R. I. Princeps, Divae Augustae Archi-Cancellarius, (all caps)
Per Germaniam et Galliam Primas &c. &c. (all caps)
Per
Reverendissimum et Illustrissimum
Dominum,
D. Danielem Joann.
Antonium,
Ex illustriss. Familia
De GEBSATTEL,
Episcopum Sigensem,…
In Ecclesia Princcipali et Immediata Fuldensi
EPISCOPUS
Ritu solenni Renuntiabatur,
 A Conventu Erfurtensi P. P. Augustinianorum
In Aeternae Gratitudinis et Devotionis Mnemosynon Oblatus
Anno M DCC LIII

Erfordiae, Litteris RITSCHELIANIS (publisher line).

Programme Main Title:
Phoenix Ex Glorioso S. Bonifacii Germaniae Apostoli Sepulchro Redivivus Sive Applausus Votivus

Notes:
Not a true drama, but a festival/funeral with a choir, instruments, concertante, aria, recitative.


Programme Title Page:
Illustrissimo / ac / Reverendissimo / Domino / D. DOMINICO / DE GENTIS / ex / Sacro Praedicatorum Ordine Decimo Quinto Antverpiensium / Episcopo, / Cum primum in Cathedram fuam folenniter introduceretur, / APPLAUDEBAT / GYNASIUM LITERARIUM / M. P. AUGUSTINI / Antverpiense. M. D. C. C. XLIX. / Antverpiae, Apud Martinum Verdussen

Programme Main Title:
Moerentem Dioecefim folatur Mercurius Nuntians de Paftore provifum, invitatque Genios Antverpiensfes ad celebranda encomia AUGUSTISSIMAE nominantis, PONTIFICIS MAXIMI confirmantis, ac ILLUSTRISSIMI DOMINI inaugurati

Notes:
27 pp. 4o.Music & spoken odes throughout. Spectacle/tableaux, not a true drama.


Notes:
4 pages from a play in Spanish from the Augustinian cloister in Diest, Belgium.  4pp. 4o


Programme Title Page:
Ste. Aldegonde Comedie / Par Meffire IEAN D' ENNETIERES Cheualier, Seigneur de Beaume / A TOVRNAY, / Chez Adrien Qvinqve / M. DC. XLV.

Notes:
Opens with a prologue. Choruses, concluding all acts, are moral summaries of preceding action. Performed by the students/sisters of the convent in honour of the princess; an example of theatrical activity in female religious orders. Requires 5 choirs.


Programme Title Page:
Servativs Octavianvs / Sive Tvngrensis / DRAMA SACRUM / Exhibens Mirabilem S. Servatii Tungros aduentum, eius ibidem vitam & inde difceffum Mofae-Traiectum. Exhibitum a iuuentute Scholarum ad S. Seruatium anno. 1647. ludis encoenialibus, notis infuper, vbi hiftoria obfcurior, curiofis illuftratum./ Avthore / BERNARDO HEYMBACHIO / Tolbiaceno, in fcholis fupradictis Profeffore Eloquentiae ordinario/ Mosae-Traiecti, / Ex Typographia Ezechielis Bvcherii / M. DC. XLIX.

Programme Main Title:
Servatius Octavianus Sive Tungrensis Drama Sacrum


Programme Title Page:
Tragicomedio de S. Remy composeo par M. Jan de [illegible] Pastuer de S. Remy a Huy l'an 1631 et du son [illegible] fo. 17.

Cast Size:
At least 10 + chorus + any instrumentalists

Notes:
Choruses at conclusion of Acts I - IV; single moralizing summaries of preceding action. MS is fairly legible and clear, although faded. 22 pp. 4o.


Programme Title Page:
Ballet DE LA CONCORDE, Dansé A l'honneur du Serenissime Prince, GUILLAUME LOUYS, Duc de Wirtemberg, & de Teck, Comte de Montbeliard, Seigneur de Heidenheim, &c. Lors qu'il fut éleu RECTEUR de son Université de Tubingue, au mois de May, l'an 1667. / Ballet von der Eintracht / Dem Durchleuchtigen / Hochgebornen Fürsten und Herrn / Hrn. Wilhelm Ludwigen / Hertzogen zu Würtemberg und Teck / Grafen zu Mompelgart / Herrn zu Heydenheim / & Als S. Fürstl. Gn. Zum Rectore dero Lölb. Academie zu Tübingen im Monat Majo erwehlet worden / Zu unterhänigen Ehren gedantzat. 1667 zu Tübingen gedruckt bey Gregorius Kerner

Notes:
Haider includes only the title page information.


Programme Title Page:
Die Triumphirende Liege / umgeben Mit den Sieghafften Tugenden / In einem Ballet / Auff dem hochfürstlichem Beylager / Des Durchläuchtigen / Hochgebohrnen Fürstin und Fräulein Fräulein DOROTHEA / Hertzogin zu Schlesswig / Hollstein / Stormarn und der Dittmarschen / Gräfin zu Oldenburg und Delmenhorst etc. Auff der Fürstlichen Residentz Zelle vorgestellet Am. 12 Tage des Weinmonats Im 1653. Jahre. / Lüneburg / Bei Johann und Heinrich / denen Sternen Gebrüderen.


Programme Main Title:
Uhrwerck Christlicher Beständdigkeit Oder Rudolff Stadler, Der beständiges Uhrmacher Dem Hochwürdigisten


Programme Main Title:
Engelland nicht allzeit Engel=Land Oder Die in Engelland unschuldig enthaupte Schottländische Königin Maria Stuarta


Programme Main Title:
Independent: Act IV: David e septem fratribus suis a Saumele in regem ungitur, & filiae Saulis desponsatur

Cast Size:
14 characters, no separate chorus ensemble


Programme Main Title:
Independent Prologue: Providentia Divina in Josepho Jacobi filio praeludit

Cast Size:
18 characters, no separate chorus ensemble


Vocal Ensemble Size:
8 (incl. 1 Discantus, 1 Altista from Walthausen; all other are from the college


Programme Main Title:
Independent: Prologue & Epilogue: Palladium, seu statuam Palladis de coelo


Programme Main Title:
Independent: Chorus II: Aurorem Jovem precatur, ut filij fui Memnonis memoria ex cineribus excitetur. Annuit Jupiter, cinerefque in aves Memnonian commutat.


Programme Main Title:
Episodium I: Untitled. Magus, Eucherius, Simplicius Civis


Programme Main Title:
Episodium II: Untitled (pastorale). Tityrus, Mopsus, Menalcus.


Programme Main Title:
Episodium: I. Vn Veneur s'aunce fur le theatre, preparant & affilant fon coufteau, au defauantage des Seigneurs de la Cour. II. On conduit vn Courtifan pour efpouuer, fi le trenchant du coufteau de Veneur eft bien affile…


Programme Main Title:
Dependent: Prologue. I. Choeur des Parques. II. Choeur des Courtifans. III. Choeur Populaire. IV. Choeur de la Ieuneffe de Conftantinople

Vocal Ensemble Size:
5 Chorus Parcarum + 4 Chorus Plebius + 43 Chorus Palatinus & Civicus

Ballet Troupe Size:
Possibly, for Chorus III: Choeur des Courtisans


Programme Main Title:
Independent : Chorus IV: Act  IV: Lot and Sodom


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Dependent spoken prologue + Act I.i - I.iii.  Namaan

Notes:
Prologue is not listed separately. Play on Namaan does not conclude with a chorus. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Act IV.i - IV.v Joshua at Jericho

Notes:
The play of Joshua at Jericho does not conclude with a chorus.Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Independent: Act  III.vi + III.viii + dependent Chorus III. Joseph in Egypt and Benjamin

Notes:
Chorus III: Syluani gratulantur pecoribus, ac terrae Geffen pafcuis, ftirpis Iacobaeo paftoritiae aduentum. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Independent Act V.i - V.v. St Fridolinus, Nemesis

Notes:
The play of St. Fridolinus does not conclude with a chorus. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Main Title:
Dependent Epilogus Musicus, chorus to Act V.vi - ix play, St  Bruno. See notes.


Programme Main Title:
Dependent Chorus to Act II.vii - II.xi play, Joseph interprets Potiphar's dreams in Egypt. See notes.


Programme Main Title:
Dependent Chorus to Act  III.vi + III.viii, Joseph in Egypt and Benjamin. See notes.


Programme Main Title:
Dependent chorus,  IV.vi - IV.xi, David and Saul. See notes.


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Independent: Act I.iv - I.vi + dependent chorus. Susanna and Daniel


Programme Main Title:
Dependent: Chorus II, III, IV, V. Absolon, David, Judea


Programme Main Title:
Independent:  Chorus I: Tempus cum XII horis inftabilitatem hominum deplorat

Vocal Ensemble Size:
2 (Tempus & Dampus Fidicen) + 12 choir (Horae Duodecim)


Programme Main Title:
Transitional: Romana Catholica oppugnata, propugnata


Programme Main Title:
Transitional: Invifae libertatis pericula oftendit


Programme Main Title:
Transitional: Laqueis mortis anima cum quinque fenfibus irretitur


Programme Main Title:
Transitional: Adverfus innumeros Orci terrores confirmatur


Programme Main Title:
Transitional: Obtenta gemina victoria triumphat


Programme Main Title:
Independent Prologue: Thebes and Hercules


Programme Main Title:
Transitional: Chorus II: Innocentiem Henrici folatur, exemplo Iofephi Aegyptiaci

Vocal Ensemble Size:
14 char (8 char) + 11 Fratres Josephi (Chorus II only)

Cast Size:
14 char (8 char) + 11 Fratres Josephi (Chorus II only)


Programme Main Title:
Transitional: Chorus II: David, Abimelech


Programme Main Title:
Transitional: Chorus III: David, Goliath


Programme Main Title:
Transitional: Chorus IV: David Triumphis


Programme Main Title:
Dependent: Prologue + 2 Choruses. Austriades, Providentia


Programme Main Title:
Dependent: Prologue, 1 Chorus (Part 1), Epilogue


Programme Main Title:
Dependent: Prologue + 4 Chorus + Epilogue. B. Virgo, Christus

Notes:
Production includes a dependent spoken prologue that concludes with a chorus + 4 dependent sung Choruses + 1 Chorus recitatus (conclusion of Act 2) + Epilogue. Both actors and musicians perform multiple roles


Programme Main Title:
Interludium II: Untitled. Concludes Act III.


Programme Main Title:
Interludium III: Untitled. Concludes Act IV.


Programme Main Title:
Dependent: Prologue (possibly also choruses not listed in programme)


Programme Main Title:
Dependent: Prologue + 2 Choruses + Epilogue. Genius Gallican, Religio

Vocal Ensemble Size:
13 Chorus luserunt?+ other characters not in cast list


Programme Main Title:
Dependent: Prologue + 3 Chorus. S. Michael, Lucifer


Notes:
Production programme does not indicate where the Musici ensemble performs; perhaps as the epilogue.


Programme Main Title:
Dependent: Prologue + 4 Choruses.Christus


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. SS. Constantia. Pueris Japonensibus

Vocal Ensemble Size:
Musical cast not identified in programme

Cast Size:
Musical cast not identified in programme


Programme Main Title:
Interludium: Episodium venatorium. Redit cum suis e fylva Leontius, & Parazonio plectit.


Programme Main Title:
Dependent: Prologue + 4 Choruses + Epilogue. Idololatria, Conscientia, Christus


Programme Main Title:
Gallicanus Idololatria Gloriosus Christ Martyr


Programme Main Title:
Dependent: Acts I, IV, V choruses. Providentia Divina, Jupiter, Goliath


Programme Main Title:
Transitional: Act I chorus. Ducem, pro exercitu follicitum, folatur, exemplo Mofis, e petra educentis aquam, & Judithae Bethuliam, fiti preffam, ferantis.

Vocal Ensemble Size:
Not identified in programme cast: At least 3


Programme Main Title:
Dependent: Prologue + Act II, III, IV Choruses + Prize Distribution scene as epilogue. Perverfum, Jerofolymam


Programme Main Title:
Dependent: Prologue + 3 choruses. Amor, Genius Paulini

Vocal Ensemble Size:
4 char + 4 singing statues 'Statuae Canentes'

Notes:
Production includes dependent allegorical prologue, 3 dependent allegorical choruses, and 3 dependent interludia. The interludia are all concered with military activites. A chorus concludes the production.


Programme Main Title:
Dependent: Interludium I:  Mercator Campanus peregre profectus incidit in milites, & vix non jacturam facit fuarum mercium


Programme Main Title:
Dependent: Interludium II: Dum milites confcribendi & confcripti ad arma inepti inveniuntur, datur Regi finiftrum omen


Programme Main Title:
Dependent: Interludium III: Rex fuo fomnio  & Paulini augurio praeludit in Colono, qume ex vino liberalius haufto fui vix compotem regijs ornamentis per ludibrium indui jubet, ac exui


Programme Main Title:
Dependent: Prologue + 3 choruses. Christus, Justitia


Programme Main Title:
Independent: Chorus II. Innocentia, Justitia Divina, Absalon


Programme Main Title:
Epilogue: Dependent upon Prologue, Chorus I, Chorus II. Joseph, Susanna, Absalon


Programme Main Title:
Independent: Prologue Innocentia, Justitia Divina, Susanna


Programme Main Title:
Dependent: Prologue + 2 choruses. Genius Caesar, Tempus


Programme Main Title:
Dependent: Prologue + Chorus II + Chorus III


Programme Main Title:
Dependent: Prologue + 3 choruses. Justitia Divina, Genius Julianus


Programme Main Title:
Dependent: Prologue + Epilogue. See notes.

Vocal Ensemble Size:
22 char in Cantantium + 8 choir + 6 OT char (Joseph, Susanna, Job, Anna, David, Sara


Programme Main Title:
Transitional: Cantantium cast. Bma. Virgo, Sapientia, Joseph, Job, Susanna - see notes

Vocal Ensemble Size:
22 char + 8 choir + 6 OT char (Joseph, Susanna, Job, Anna, David, Sara


Programme Main Title:
Dependent: Prologue + 3 choruses. Ecclesia, S. Julianus Carolus, S. Veronica


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Divina Justitia, Avaritia, Vis, Dolus, Livor


Programme Main Title:
Independent: Prologue + 3 Choruses (1 dramatic work). Phaeton, Phoebus


Programme Main Title:
Dependent: Prologue + 3 choruses. Anima Magadalena, Christus

Vocal Ensemble Size:
Not available; possibly entire cast of 38


Programme Main Title:
Dependent: Prologue + 2 choruses. Genius Theodoricus, Mundus, Christus


Programme Main Title:
Transitional: Prologue + 2 choruses + Epilogue. S. Michael, Lucifer, Abraham, Cain

Vocal Ensemble Size:
137 (49 char with voice parts: 15 Cantus, 11 Altista, 13 Tenor, 10 Bass) and 88 small roles without voice parts provided

Notes:
Production includes a dependent prologue, 2 transitional choruses and a dependent epilogue. 137 Personae Musici: Cant = 14; Altista = 12; Tenoristae = 14; Bassus = 10; Unknown = 85.


Programme Main Title:
Dependent: Prologue + 5 choruses. Providentia Divina, Consensus, Religio


Programme Main Title:
Dependent: 3 choruses. Mopsus, Juvenalis (I), Aesop (II), Psalm 4 (III)

Notes:
Argument to production typed in Szarota; original programme and full cast and dramatic production information not currently available.


Programme Main Title:
Dependent: Prologue. Roma, Pietas, Bellona


Programme Main Title:
Dependent:  Prologue + 2 choruses. Furor, Perfidia, Haerifius


Programme Main Title:
Dependent: Prologue + Epilogue. Sylvanis, Suevia


Notes:
Dependent allegorical prologue. Chorus (Choir of Angels): V:iv, V:v. No other use of a chorus. No epilogue. It is possible that this work is entirely sung, but there is insufficient evidence in the programme. Dependent prologue; no choruses, no epilogue.


Notes:
Entirely sung/partially sung work with a dependent prologue. The tale, although presented as symbolic allegory, is the Archangel Michael vs. the Dragon.


Programme Main Title:
Dependent: Prologue + 2 choruses. Mahomet, Religio, Genius Societatis Jesu


Programme Main Title:
Dependent: Prologue + 5 Choruses. Palaestinae Princeps, Lucifer, Superbia, Avaritia


Programme Main Title:
Dependent: P + 3 choruses. Hispaniae, Impietas


Programme Main Title:
Dependent: Prologue + 3 choruses. Divina Providentia, Genius Clodoaldus


Programme Main Title:
Interludium II: Untitled entre-jeu. Daniel, Chapter 8.


Programme Main Title:
Interludium I: Untitled entre-jeu. Seven Planets, Machabaeus

Notes:
Production includes 3 part tragedy + 2 interludium (entre-jeu) + epilogue, all dependent. Interludium II is a Vision of Daniel. Interludium I is Seven Planets, probably a ballet. Epilogue is spectacle, a funeral. Cast list not included in programme.Production includes 3 part tragedy + 2 interludium (entre-jeu) + epilogue, all dependent. Interludium II is a Vision of Daniel. Interludium I is Seven Planets, probably a ballet. Epilogue is spectacle, a funeral. Cast list not included in programme.


Programme Main Title:
Transitional/Independent: Chorus II. Martyrdom of John the Baptist


Programme Main Title:
Transitional or Independent: Chorus III. Achab and Jezebel.


Programme Main Title:
Sanctia Sui Coniugis Fernandi e Dura Captivitate Liberatrix Amori et Honori


Programme Main Title:
Poenitentia Gloriosa, sive Drama Extemporale de Boleslao II. Huius Nominis Poloniae Rege


# Archive/Library Source Table

Source/Archive/Library Name:
Bibliothek Steiermark Admont - Benediktinerstift


Source/Archive/Library Name:
Kennedy, T. Frank. ‘Jesuits and Music: Reconsidering the Early Years.’ Studi Musicali..17:1 [Sept 1988]: 71 - 101.


Source/Archive/Library Name:
McCabe, William H., S. J. An Introduction to the Jesuit Theatre: A Posthumous Work. St. Louis: The Institute of Jesuit Sources, 1983, p. 11; Aguilera, Emmanuel, S.J., Provinciae Siculae ortus es res gestae. Partes I & II. Palermo, 1737–1740; in vol I, 69.


Source/Archive/Library Name:
list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Source/Archive/Library Name:
Katholieke Universiteit van Leuven Bibliotheek


# Author Source Table

Notes on Author:
From Colmar, pensionnaire at the Rheims Jesuit college in 1740s.


Notes on Author:
At the Louis-le-Grand Jesuit college, Paris (earlier name for college is Clermont College


Notes on Author:
b. 1561 - d. 1637. Pont-a-Mousson Jesuit college


Notes on Author:
16th c. S. Theol. Mag. et Congregationis Perusinae Vicarius Generalis


Notes on Author:
Lettore di Logica in S. Iacopo Maggiore, Bologna. Agustinian of Montalcino. Entered the order in 1672.


Notes on Author:
From Sicula. 17th - 18th c. Believed to have entered the order in 1702.


Notes on Author:
S. Theol. Mag and Prior at S. Augustini Neapolis, Provincialis Terrae Laboris in 1661. .Unclear from the secondary source whether author or composer or both.


Notes on Author:
17th c. .Unclear from the secondary source whether author or composer or both.


Notes on Author:
18thc..Unclear from the secondary source whether author or composer or both.


Notes on Author:
Author's name nearly illegible in Liege MS 484


Studies on Author:
Hocking, George Drew D'Arcy. 1943. A study of the Tragoediae sacrae of Father Caussin (1583-1651). Baltimore, Md: Johns Hopkins Press.


Notes on Author:
(b. Gunzburg 1613 - Landsberg, 1694). Author of 1651 play for Amberg (not in SV). 3 plays in toto: Amberg, 1646, Amberg, 1649.


Notes on Author:
(b. Augsbourg, 1622 0 d. Alt-Oettingen 1684). Entered Society in 1651. Taught 6 years in grammar, 5 years in humanities, 9 years in rhetoric. Author of 1656 play for Amberg. Note: SV lists the date of this play as 1657. SV Supp Vol 9, 438.


Notes on Author:
(b. 1650 Neuburg-an-der-Donau - d. 1734 Innsbruck). Author of 1690 Amberg play.


Notes on Author:
(b. Amberg, 1636 - d. 1697). Entered society in 1654. Taught grammer for 18 years, 7 years for humanista, 2 year of rhetoric at Regensburg. Author of 1692 Amberg play. SV Supp.Vol 9, 184.


Notes on Author:
Author of 1693 Amberg play. Choragus at Amberg.


Notes on Author:
Possible author of 1669 Burghausen play.


Notes on Author:
Rhet. Prof. Choragus at Burghausen. Possible author of 1671 Burghausen play. Valentin confirmed him as author of 1672 Burghausen play.


Notes on Author:
c 1487 - 1558. Head of the Latin school, St. Jerome's, in Utrecht until 1535; previously taught in grammar school in Liege. He was a member of the Brothers of Common Life and later took clerical orders. Dedicated Catholic.


Notes on Author:
Rhet. Prof. Choragus at Burghausen, 1674 - 76. Possible author of 1674, 1675, 1676 Burghausen plays.


Notes on Author:
Rhet Prof. Choragus at Burghausen, 1682. Possible author of 1682 Burghausen play.


Notes on Author:
Rhet Prof. Choragus at Burghausen, 1688. Possible author of 1688 Burghausen play.


Notes on Author:
Choragus (Rhet Prof?) at Burghausen, 1695. Possible author of 1695 Burghausen play.


Notes on Author:
Chorugus (Rhet Prof?) at Burghausen. Possible author of 1699 Burghausen play.


Notes on Author:
b. ? - d. c. 1670. From Germany Superior province. Author of 1626 play for Constance


Notes on Author:
Author of 1673 Landshut play (written 1663). This play, Justus Ucondonus, was performed in Munich (1663); Landshut (1673); Lucerne (1682); Soleure (1742)


Notes on Author:
Oratori sacri a 3 v. cavati dalla Sacra Scrittura: L’Abele, L'Adamo, L'Abramo, Il David trionfante (Bologna: Silvani, 1700): Perini II:107, no. 2; MJTD ID 2891, 2892, 2893, 2894.


Author Alternative Names:
Avancinus, Niccolò Avancini, Nicolas Avancin ,

Notes on Author:
(b. 1611/1612- d.1686). Rhetoric professor, (Jesuit) University of Vienna. Famous for his play 'Cenodoxus.'

Studies on Author:
Avancini, Nicolaus von, Lothar Mundt, and Ulrich Seelbach. 2002. Pietas victrix = Der Sieg der Pietas. Frühe Neuzeit, Bd. 73. Tübingen: Niemeyer.  MODERN CRITICAL EDITION. Gerhard Dünnhaupt: "Nicolaus von Avancini (1611-1686)", in: Personalbibliographien zu den Drucken des Barock, Bd. 1. Stuttgart: Hiersemann 1990, S. 357-377. ISBN 3-7772-9013-0. Angela Kabiersch: Nicolaus Avancini und das Wiener Jesuitentheater 1640-1685. Diss. Wien 1972. Walter Neuhauser: "Zur Lyrik des...Nicolaus Avancini", in: Innsbrucker Beiträge zur Kulturwissenschaft 7/8 (1962), 425-456. Nicolaus Avancini S.J.: Pietas victrix - Der Sieg der Pietas. Hrsg., übersetzt, eingel. u. m. Anm. vers. von Lothar Mundt u. Ulrich Seelbach. Tübingen: Niemeyer 2002. ISBN 3-484-36573-0

Author works Referenced:
Douglas A. Russell, An Anthology of Austrian Drama, ??: Fairleigh Dickinson Univ Press, 1982: 15.  Jean-Marie Valentin: "Zur Wiener Aufführung des...<Sosa naufragus>", in: Humanistica Lovaniensia 26 (1977), 220-227. Friedrich Wilhelm Bautz: Avancinus, Nicolaus. In: Biographisch-Bibliographisches Kirchenlexikon (BBKL). Band 1, Hamm 1975, Sp. 306–307.


Notes on Author:
Perhaps co-written, composer - Castelbarco, Sigismund Carl von


Notes on Author:
1562 - 1625. Entered the Society in 1578. Perhaps educated at Constance? Died at the Jesuit college/university in Ingolstadt


Notes on Author:
Written by D. Joan. Ignatius Glettl, Phil. Baccal. Metaph. Stud.


Notes on Author:
b. c. 1503 - d. c.1560. Catholic, not Jesuit educated.


Notes on Author:
b. 1577-8 - d. 1639. Entered Society of Jesus in 1594. Taught in various SJ colleges in southern Germany. 1626, appointed censor at Rome, position held until his death.

Studies on Author:
Hong, Melanie. 2008. Gewalt und Theatralität in Dramen des 17. und des späten 20. Jahrhunderts: Untersuchungen zu Bidermann, Gryphius, Weise, Lohenstein, Fichte, Dorst, Müller und Tabori. Würzburg: Ergon. From her Zugl.: Göttingen, Univ., Diss., 2005 Literature dissertation. Sinn, Christian. 2007. The figure in the carpet: metadramatical concepts in Jacob Bidermann's Cenodoxus (1602). Jakob Bidermann, Cenodoxus: comico-tragoedia. Christian Sinn, ed. Series Bibliotheca suevica 10. Constanz: ??, 2004. Braungart, Georg. 1989. Jakob Biedermanns Cenodoxus: Zeitdiagnose, superbia-Kritik, komisch-tragische Entlarvung und theatralische Bekehrungsstrategie. Duruman, Safinaz. 1977. Jacob Bidermanns "Cenodoxus": eine Studie zu Gestalt und Gestaltung des Bösen in der Dichtung des 17. Jahrhunderts. Istanbul Üniversitesi Edebiyat Fakültesi Yayinlari, 2237. Istanbul: Edebiyat Fakultesi Matbaasi.

Author works Referenced:
Hess, Günter. 2009. Der Tod des Seneca: Studien zur Kunst der Imagination in Texten und Bildern des 17. und 18. Jahrhunderts. Roma: Institutum Historicum Societatis Iesu.Sullivan, Robert G. 1984. German Jesuit theatre, Brecht, and the concept of Persuasio. Thesis (M.A.)--McGill University.


Notes on Author:
Belgian Jesuit, born in Ypres. In Audenaarde, Lies. Died in Malines (Mechelen)


Notes on Author:
Wrote dramas from Bruxelles, Gent, and Bruges


Notes on Author:
(b. 1656 - d. 1727) Jesuit priest from Luxembourg. Valentin confirmed author of 1684 Cologne play. Stil in Cologne in 1711. Born in Luxembourg, educated at the Jesuit college in Cologne, entered Jesuits in 1676. Professor at Cologne until 1691; head of University of Treves et al. from 1701 until death. Best known in musicological history as the editor of Jesuit-educated Johann Joseph Fux's 1724 contrapuntal thesis 'Gradus ad Parnassum.'


Notes on Author:
Born Luxembourg 25 Dec 1684; Died, Mons 1761. Entered Jesuit Noviciat in Tournai (1708); professor of rhetoric and theology in Luxembourg and Mons; rector of Cateau-Cambresis in Mons 1739 and 1752-6. Wrote 2 tragedies.


Notes on Author:
Complete text in: Musik zu geistl. Dramen nach Texten von Johann Baptist Adolf. 1687-1704. Hs.9809-9813.(Hs.S.). Mus. Österreichishe Nationalbibliothek Musik Archiv, Vienna.Born in Lignitz (Silesie) 25 March 1657, entered Jesuit order in Austrian Province aged 20. Died in Vienna, 14 September 1708. He composed many pieces for the theatre presented at the Jesuit College in Vienna and the royal court in Vienna.(1657-1708). Rhetoric prof, (Jesuit) University of Vienna. ne a Lignitz (Silesie) le 25 mars 1657, entra dans la province d'Austriche a l'age de 20 ans. Il exerça a Vienne les charges de predicateur et de prefet des etudes inferieures. Il composa plusiers pieces de theatre, representees devant la cour imperiale. Il mourut a Vienna, le 14 sept 1708.' (Sommervogel, I: 54)

Studies on Author:
“Die Dramen des P. Johann Baptist Adolph, S.J.,” in Jahrbuch der Gesellschaft für Wiener Theaterforschung, 8 (1952–3). Vienna: 5–89. (2003).

Author works Referenced:
Douglas A. Russell, An Anthology of Austrian Drama, ??: Fairleigh Dickinson Univ Press, 1982: 16.


Notes on Author:
b. 1705, Dijon, France. Society of Jesus 1720s


Notes on Author:
Joined Society of Jesus 1554, Seville, Spain.


Notes on Author:
Lisbon, Portugal. Joined Society of Jesus in 1577.


# Character Source Table

Main Character Name:
Maxentius, Marcus Aurelius Valerius, Emperor of Rome, d. 312


# Composer Source Table

Notes on the Composer:
b. ?1649 - d. 1732. J.U.D. Protonot. Apost. Nec non Ser. Elect. Bav. Consiliar. & Capellae Magister. He was a priest. Supposedly studied with his father, Ercole Bernabei. Vice-Kapellmeister in Munich 1677, later HofKapellmeister in Munich. Operas at least catalogue in K. Forster 1933. A.  Morelli: ‘Il Theatro spirituale ed altre raccolte di testi per oratorio romani del Seicento’, RIM, xxi (1986), 61–143.


Notes on the Composer:
Saltum instruxit, Universitatis Oenipontanae Saltuum Magister. Dancing master, I believe


Notes on the Composer:
Domûs S. Gregorii Magni Vice-Praefectus, & in Elect. Templo Soc. J. ad S. Michaëlem Organaedus; Ecclesiae Cathedralis Augustanae Vicarius Chori


Notes on the Composer:
Phil.Cand. & Theol. Mor. Stud. è Seminario S. Xaverii & Modulos Musicos composuit Rev. Ornat. Ac Perdoct D. Joan. Christoph. Presl. SS. Theol. Cand. Sacerdos.


Notes on the Composer:
Adm. Rev. ac Religiosiss. D. Hugo Rehrenbeck, Sacri, ac candidi Ordinis Praemonstrat. In Celeberrima & Exempta Canonia Neocellensi Professus


Notes on the Composer:
Musicae Praefectus in templo Aulico Neoburgi & Serenissimi Princ. Neoburg. Secret. & in Templo Aulico Musicae Praefect.


Notes on the Composer:
Rhetoric student (Choruses only). Is this Johann Georg Reichwein  (1640 - 1691) Domkapellmeister of Regensburg 1679 - 1691?


Notes on the Composer:
Also: Franciscus Richter, Director Musices, Hungarus


Notes on the Composer:
'With the closing-down of the Lutheran school and church as a consequence of the early Counter-Reformation (1624) the Jesuits, with their college (founded in 1610) and seminary (founded in 1628), became particularly important in the musical life of the town. Their pupils assumed responsibility for church music in the Jesuit church, in that of the Ursulines (from 1680) and at sacred performances organized by religious fraternities. The composers Romanus Weichlein, Franz Weichlein, Joseph Riepel and J.B. Lasser were pupils of the Jesuits in Linz. At the theatre of the Jesuit school 343 Latin dramas were performed between 1608 and 1764; the music for 15 of these was provided by F.T. Richter, Andreas Rochner, J.B. Staudt, J.M. Kämpfl and Georg Butz.'  - 'Linz,' Grove, Othmar Wessely/Harald Goertz


Notes on the Composer:
Modulos Musicos composuit Adm. Rev. & Religiosiss. P. Gregorius Rosler, Ord. Eremit. S. Augustini


Notes on the Composer:
Ruffi? AA. LL. & Phil. Magister. Sac. Can. & Theol. Moral. Stud..


Notes on the Composer:
M. Sauton, organist of the royal chapel of Ste-Waudru. Wrote words and music.


Notes on the Composer:
No current information. Serenissimi Electoris Bavariae Musicus. Serenissimi Electoris Bavariae Musicus . Is this Ruprecht Ignaz Mayr (1646 - 1712)?


Notes on the Composer:
No current information. Also: Georgius Schneevogl, Decanus ad S. Joannem in Monte. Composer and director. Possibly composed dramas as a student.


Notes on the Composer:
No current information. A Jesuit? I. U. S.


Notes on the Composer:
No current information. Rhetores student, composer


Notes on the Composer:
Modulos Musicos composuit Pl. R. D. P. Gregorius Schreyer, O. S. B. in Monte Sancto, ANDECHS, Professus


Notes on the Composer:
SS. Theol & SS Can. Cand. Eccl. Princ. Elvac. Chori-Vicarius & Chori-Regens


Notes on the Composer:
No current information. S. Caesarae. M. Oeniponti Capellae Magister. Organoed. Aul.


Notes on the Composer:
Insignis Ecclesiae Collegiatae Solodoranus ad SS. Ursum & Victorem Organista.


Notes on the Composer:
J. U. Cand. Concilii Aulici Accessor Eustadii


Notes on the Composer:
Modulos Musicos composuit Ornatus & perdoctus D. Franciscus Xaverius Sichardt, ad S. Martini Ambergae Musicus


Notes on the Composer:
No current information. Cooperator ad S. Crucis Beneficiatus; Praefectus Musicae in Aede Parochiali, etc.


Notes on the Composer:
No current information. B. V. Musicae Praefectus (Prefect to the Marian Congregation)


Notes on the Composer:
No current information. Cantor ad SS Iacobi & Tiburtij


Notes on the Composer:
Seren. Elect Bav. Aulae &Camerae Virtuosus


Notes on the Composer:
b. 1664 - d. 1716. Choir school at Peterskirche, Munich. 1675, attended Munich Jesuit college - sang tenor and played viol and lute in school plays. In Rome 1689 - 92 for Carissimi's style. Left Munich for Cologne, Kapellmesiter ot Joseph Clemens, Archibishop-Elector of Cologne and Bishop of Liege 1696 - 1701. 1706 moved to Stuttgard as Kapellmeister to Wurttemberg court till death. Serenissimi Electoris Coloniensis quondam Capellae Magister & Consil. No recent research on drama scores.


Notes on the Composer:
b. 1654 - d. Vienna 1712). Board student at Vienna Jesuit college 1666 - 1670; Vienna university 1667 - 1668. Regens chori at the Vienna Jesuit collegem chapel, etc. 1684 - 1712. Staudt composed music for 39 plays performed  1684 - 1707, most texts by Johann Baptist Adolph S.J. (1657–1708). 'The instrumentation is clearly modelled on that of Kerll’s Jesuit play Pia et fortis mulier in S. Natalia (1677)'  - Staudt, Johann Bernhard, Grove, Walter Pass. Domus professae soc. Iesu capellae magistro


Alternate Names:
Also middle name = Gedeax. Ignatius Franciscus


Notes on the Composer:
No current information. Cathedr. Eccl. Eustad. Capell. Mag. &c.; Eccles.Cathedr. Chori-Vicarius, ejusemque Capellae Magister, nec non Praepositus Commun. & Sub-Custos Eustadii; Adm. Reverendus, Eximus, & Doctiffimus Dominus Joan. Georgius Steingriebler, Ecclefiae Cathedralisk Eyftettenfis Sub-Cuftos, & ejufdem Capellae Magifter.


Notes on the Composer:
Musicam composuit Ornatissimus, & Doctissimus, D. Michael Georg Stoltl, Philosophiae Candidatus.


Notes on the Composer:
Modulos musicos composuit Nob. & Spectatiss. D. Joan. Christoph. Stolzenberg, Musices Directore; Chori-Regens ad S. S. Trinitatem. Erfreuliches Lob und Danct Opffet dem Grossen Ostt zu Ehren bey dem erneuerten Denctmahl der vor Dreyhundert Jahren erfundenen


Notes on the Composer:
b. Murnau 9 Aug 1718, d. Freising 21 July 1782. German composer and Kapellmeister at the Freising court from 1744; he served in the 1750s as the director of chamber music at Liege


Notes on the Composer:
b. ? 1630 - d. after 1695 (Grove give 1675). German composer from Bohemia. Choirmaster and cantor at St. Nicolai (not Jesuit), Eger, Czech Rep. 1658? - 1675? Published the Marianischer Psalter (1664) for the Jesuit Marian Congregation in Eger (he was a member) some with continuo. Second songbook also with continuo, intended for general use


Notes on the Composer:
No current information. Philosophiae Candid. & Paroch. Landsberg Organoedus


Notes on the Composer:
Believed to have attended a Jesuit college in Bohemia. Author Operis Musici; Salisburgensis Capellae Magister, Auctor Operis Musici


Notes on the Composer:
Phil. Mag. & Chori-Regens ad SS. Martini & Castuli  Landishuti; ad SS. Martini & Castuli Cantor


Notes on the Composer:
Modulos musicos composuit. Plurimum Reverendus, ac Religiosissimus P. Alexius Vogl, Ordin. Eremit. S. Augustini. Sub-Prior.


Notes on the Composer:
Jurium Candidatus, in Templo S. Michaelis Organoedus; nec non Domus S. Gregorii Magni Vice-Praefectus


Notes on the Composer:
Also: Carolus de Cröner, S. E. B. Camerae Compositor


Notes on the Composer:
Princ. Eccl. Elvac. Provisor & Musicae praefectus


Notes on the Composer:
No current information. Phil. Mag. Cathed. Ecclesiae Constantiensis Capellae Magister


Notes on the Composer:
Modulos musicos composuit R. D. Joan. Paulus Weidner, Theol. Mor. Ac SS. Can. Cand. Nec non Proebendae ad S. Emeramum Proefectus.


Notes on the Composer:
No current information. SS. Canon. Licent. Insignis Eccles. Colleg. Ad S. Mauritium Augustae Chori-Vicarius


Notes on the Composer:
No current information. SS. Theol. Licent.


Notes on the Composer:
Phil. Candidatus, Chori-Regens Eccles. Coll. Ad SS. Jacobi & Tiburtii


Notes on the Composer:
SS. Theol. Baccal. & SS. Canon. Cand.; Phil. Stud. Dom. S. Nicol. Alum.


Notes on the Composer:
No current information. Musicus Aulicus.


Notes on the Composer:
No current information. Organoedus ad S. Emmeramum Ratisbonae;Serenissimi Electoris Coloniensis Organoedus, &c.


Notes on the Composer:
SS.  Theol. Licent. & SS. Canonum Candidatus, nec non dignissimus Administrator ad SS. Trin. Aichelbergae


Notes on the Composer:
Georg Muffat (Séléstat in Alsace; Molsheim, University of Innsbruck). Muffat also studied composition with Jesuit theatre composer Rupert Ignaz Mayr, MJTD ID 85.


Notes on the Composer:
J. U. Cand. Serenissimi Electoris Palatini Musicus Aulicus


Notes on the Composer:
Augustinian. 1679 - 1700, at the cathedrale Montis-politiani he was master of choirs and preceptor at  Domini Cavalcanti


Notes on the Composer:
17th c. Unclear from the secondary source whether author or composer or both.


Notes on the Composer:
18thc.Unclear from the secondary source whether author or composer or both.


Notes on the Composer:
S. Theol. Mag and Prior at S. Augustini Neapolis, Provincialis Terrae Laboris in 1661. .Unclear from the secondary source whether author or composer or both.


Notes on the Composer:
Perhaps this is Johann Melchior Gletle, based at Augsburg, b. 1626 - d. 1683). Ornatus & Perdoctus D. Joan. Ignatius Glettl, Phil. Baccal. Metaph. Stud. Dillingen Jesuit college


Notes on the Composer:
Revendiss & Celsiss. Principis Eystettensis Prefect Musices & Capellae Magister Choros composuit


Notes on the Composer:
and Georg Muffat (Séléstat in Alsace; Molsheim, University of Innsbruck). Muffat also studied composition with Jesuit theatre composer Rupert Ignaz Mayr, MJTD ID 85.


Notes on the Composer:
Insignis Eccl. Colleg. Lucernensis ad D. Leodegar. Organoedus


Notes on the Composer:
b. c.1662 - d. 1712. Brother of Johann Dominicus Deichel. Ed. Univ. of Ingolstadt (Jesuit), grad 1680.. From 1689 - 1711 composed 29 comedies for the Augsburg, Eichstätt, Ingolstadt, Landshut, Neuburg an der Donau and Regensburg (Schlecht and Littger say none survived). Modulos Muficos compofuit Ornatus. & Spectatiff. D. Antonius Deichel, Reverendiff. & Celfiffs S. R. I. Princ. & Episc. Eyftett Capellae Vice-Magisfter;Princ. & Episc. Eystett  a Cubic & Musicus Auclicus


Notes on the Composer:
d. 1658 - d. 1713. Brother of Anton Deichel. Ed. At Univ Ingolstadt 1680 - 1682. Composed the dramae musicae Hostia piacularis a Davide (1680) and Sigismundus (1681) for the Ingolstadt theatre. 1682 - 1683 studied with Johann Caspar Kerll (Jesuit connections). He composed dramae musicae for other Jesuit colleges: Sagittae parvulorum (1686, Landshut), Ludovicus Grittus (1687) and Julianus (1694, Augsburg), all performed in September. Munich: three sacred allegories, Vera felicitas (1688), Maria Magdalena oder Das verlorene und wiedergefundene Schäflein (1701) and Ein blutiges Seelen-Bad (1710) (Currently unknown - were these non-prize day main title dramas or independent choruses?). Two of his sacred cantatas for the Jesuit college in Munich were published: Magis et minus, Consideratio IX in Franciscus Lang’s Theatrum solitudinis asceticae (Munich, 1717) and Sacra Venatio, Consideratio XI in Lang’s Theatrum affectuum humanorum (Munich, 1717). Phil. Magister, Serenissimi Elect. Bavariae &c Musicalis Compousita, & Organista Aulicus di Camera


Notes on the Composer:
This may be Johann Dominicus Deichel; Dominic Deuchl is not known. Phil. & AA.LL. Magister, Sereniss. Elect. Bav. &c. Organoedus Aulicus; Phil. Mag.


Notes on the Composer:
b.1530/532 - d. Munich 1594. Choir school at St. Nicolas in Mons/Hainaut, BE. Munich, ducal court, 1556 - death 1594


Notes on the Composer:
Chorvicarius und Organist bey dem Moritzstofte zu Augspurg


Notes on the Composer:
Ord. S. Augustini Canon. Reg. ad S. Crucem Augustae


Notes on the Composer:
Also: Joannes Ernestus Eberlin ... Archi-Episcopi Salisburgensis Capellae-Magister


Notes on the Composer:
Attribution of the 4 pages of printed music is to Balde (by the British Library).


Notes on the Composer:
No current information. Phil. Stud.; J. U. Studiosus


Notes on the Composer:
Attended Jesuit college at Augsburg. Principis Campidonensis Capellae Magister


Notes on the Composer:
SS Theol student. Last name might be Elfesser or Elsesser or Elseffer.


Notes on the Composer:
Adm. Rever. & exim. D. Joan. Bapt. Erehner. Phil. Magift. J. U. Candidat examinat. & approbat. Ecclefiae Cathedral. Salizburgenfis Chori Vicarius, Aulae Muficus, & Capellae Praefectus.


Notes on the Composer:
No current information. Praefectus Music. Ad S. Emeramum; Praefectus Musices in Aede Cathedrali, & Capella Magister


Notes on the Composer:
No current information. Organaedus ad D. Michaelis


Notes on the Composer:
Also: Vigilio Blasio Faitelli, Des Königlichen Stiffts zu Hall Musico und Compositore


Notes on the Composer:
De l'imprimerie, de J-B. Christophe Ballard, Seul Imprimeur du Roy pour la musique, 1723.


Notes on the Composer:
'Ornat. ac erudit. D. Carolus F. Forster, Philosoph Stud., Seminarii S. Pauli Sub-Praefectus. Forster also composed the music for Tyresius olim Mariae Patrocinio


Notes on the Composer:
b. c1650 - d. 1696. Ed. Univ Ingolstadt from 1669; composed dramae musicae Sigericus (1673) and Solimanus (1674) for Ingolstadt. Kapellmeister of Constanz cathedral, composed the music (choruses?) for Constanz Jesuit college in 1676, 1681, 1689 and 1690. Reverendiss. & Celsissimi S.R.I. Principis, ac Cathed. Ecclesiae Constant Capellae Magister; SS. Theol. & SS. Can. Stud.; Phil. Mag. SS. Theol. Candidatus


Notes on the Composer:
Phil. Student. Also played part of ambitio. Phoebus.


Notes on the Composer:
No current information; official composer name may be different


Notes on the Composer:
No current information. Ad D. Petri Colleg. Eccles. Dilinga Canonicus, &c. Reverendissimi & Serenissimi Epis. Ac Princip. Augustini Capella Magister;Ad D. Petri Colleg. Eccles. Dilinga Canonicus, &c. Reverendissimi & Serenissimi Epis. Ac Princip. Augustini Capella Magister;SS. Theol. Studiosus


Notes on the Composer:
No current information. Official name of composer is most likely different than given. Variants of Halm* have produced no results.


Notes on the Composer:
In Chorus lusit. Rhetores student. Text or music composed by D. Ioannes Maderegger.


Notes on the Composer:
Modolos Musicos composuit Ornat ac. Perdoct. D. Andreae Heffner Phil. Stud. Sem. S. Pauli.


Notes on the Composer:
Modos Fecit Ornatissimus ac Doctissimus Dominus Josephus Carolus Bauer, Theologiae Moralis Studiosus Seminariil S. Pauli Vicepraefectus


Notes on the Composer:
No current information. SS. Theologiae Stud.


Notes on the Composer:
Aulae & templi S. Mich. Musicus. Also performed part of Psuedo-Propheta


Notes on the Composer:
Philof. & Theol Polem Candid. Nec non Seminarii S. Josephi Vice-Praefectus


Notes on the Composer:
Modulos musicos composuit. Plur. Rev. ac Eximius Dominus Joann. Matthaeus Hoggelman SS Theol Baccalaureus & aedis Lauret. Tettnangae Benefic. & Chori-director;Ss. Theologiae Studiosus


Notes on the Composer:
Templi Aulici Neoburgi Musicus; Templi Aulici Chori-Regens; Modulos Musicos composuit spectatiss. D. Judas Thaddaeus Holl, rempli aulici Societatis Jesu Chori Regens Neoburgi; Insignis Ecclesiae Colleg. Ad S. Mart. & Cast. Musicus


Notes on the Composer:
No current information. Princ. Eccl. Elvac. Organaedus


Notes on the Composer:
Capellae Caesareae Organaedo; S.C.R.C.M. Excelsae Cam. Sup. Austr. Rationum Consiliarius, Libellariae Registrator, & Expeditor, nec non Aul. Mus. Oenipont. Director, & Organoedus


Notes on the Composer:
No current information. Collegiate Ecclesiae ad SS. Philippum


Notes on the Composer:
No current informationI. V. Stud. I. V. Candidatus Cath. Eccl. Eystettensis Music. Cappella Magister


Notes on the Composer:
No current information. Logicus (student)


Notes on the Composer:
Modulos Muficos compofuit Rev. & Relig. D. Hugo Kanheifer, Sacri & Exempti Ord. Cifter in celeberrimo Monafterio Waldfaffenfi Profeffus


Notes on the Composer:
No current information. Casistae (student)


Notes on the Composer:
No current information. Theologie Moralis Candidatus;Theologie Moralis Candidatus; Celebertimi Monasterii Caefareensis Capellae Magister


Notes on the Composer:
No current information. Organoedus ad S.Nicolaum


Notes on the Composer:
Also: P. Cajetatanus [Cajetanus] Kolberer


Notes on the Composer:
No current information. Rhetor.He may be the author & there is no music.


Notes on the Composer:
Modulos Musicos composuit Multum Rev. & Religios. Fr. Marianus Ko:nigsperger Ord. S. P. Benedicti in exempto Monasterio Pru:ssebningensi Professus.


Notes on the Composer:
Also: Modulos Musicos composuit ... Benedictus Kraus Musicus Ottoburae


Notes on the Composer:
Phil. Magister, & J. U. Cand. Bergae ad S. Crucem Cooperator


Notes on the Composer:
Modulos Musicos composuit Spectatiss. & Ornatiss. D. Franc. Ant. Kumpf. J. U. Cand. Oestingae veteris Capellae Vice-Magister; I. U. Cand. Also plays 3 characters: Clodovaus Magnus, Alexander Magnus, Theseus; J. U. C. Electoral Mus. S. Sacelli Oetting. Vet. Reg.


Notes on the Composer:
J. U. Candidatus. Believe distinct from Franc. Ant. Kumpf


Notes on the Composer:
No current information. Phil. Stud.; SS. Theol. Stud. At this time, appears to be different person than Georg Christoph Leuttner.


Notes on the Composer:
Reverendiss. & Celsiss. S.R.I. Princ. & Episc. Eystett. Musicus Aulicus


Notes on the Composer:
Believe dates to be b. 1664 - d. 1703. No current information. SS. Can. Licent.Reverend ac Seren. Ducis Bavariae, ac Electoris Colon.  &c &c Consiliar. Insignis, ac Elector. Collegiatae SS. Philippi SS. Can. Licent.Reverend ac Seren. Ducis Bavariae, ac Electoris Colon.  &c &c Consiliar. Insignis, ac Elector. Collegiatae SS. Philippi


Notes on the Composer:
Zangmeister des Gymnasii binnen Nimmwegen


Notes on the Composer:
Writ by. Leader of chorus or composer = Ignatius Hardter, Rhet. Student. Same composer as Composer ID 80?


Notes on the Composer:
No current information. Writ by. Leader of chorus or composer = Ignatius Hardter, Rhet. Student


Notes on the Composer:
Ord. Min. Conv. S. Francisci. Is this Padre Giovanni Battista Martini of Bologna, also a Franciscan monk-composer, whose dates are given as 1706 - 1784 in Grove?


Notes on the Composer:
Modulos Musicos Composuit: Admodum Reverendus ac Doctissimusl D. Georgius, Aloysius Maylinger, Theol. Mor. & SS. Can. Candidatus, Seminarii S. Paulil Praefectus; Den musitalischen Chor hat verfertiget


Notes on the Composer:
b. 1646 - d. Freising 1712. Studied at Passau. 1678 violinist for bishop of Freising; other posts at Eichstatt, Regensburg 1and Passau. Munich in 1683.1683 - 1685, studied in Paris with Lully; active as a composer post 1685. Left Munich for Freising 1706 - 1712; composed 'school operas for the students at the episcopal seminary.'. Jesuit theater composers J.C Pez, Bernabeis and Kerll were also court chapel muiscians in Freising. Benedictine theatre composer Georg Muffat was his student. Violinist. 'The solo writing in Mayr's school operas shows the influence of Carissimi and his followers.'  - Mayr, Rupert Ignaz, Grove, Elizabeth Roche. Aulae & Camerae Musicus; Serenissimi Elect. Bavariae Musicus Aulicus


Notes on the Composer:
Reverendiss. & Celsiss.S.R.I. Princ. & Episc. Eystett. Capellae Magister, & Cubicularius


Notes on the Composer:
Composed the dances. Insignis Ecclesiae Collegiatae Solodoranus ad SS. Ursum & Victorem Organista.


Notes on the Composer:
Modulos musicos composuit Spectatiss. D. Joannes Michel, nuper in Aula Solisbacensi Musicae Aulicae Compositor, & Chelistarum Magister


Notes on the Composer:
No current information. Ad S. Stephani Chori Regens


Notes on the Composer:
Presbyter Lucernae; Innsignis Ecclesiae Collegialae Lucern, ad Sanc. Leodegarii Sacellanus


Notes on the Composer:
Phil. Cand.; Ecclesius Cathedralis Ratisbonensis Capellae Magister; Modulos musicos composuit  Ornatiss ac Spectatiss D. Joan. Jos. Ildephons. Michl, ad Eccl. Cathed. Ratisbon. Cappellae Magister


Notes on the Composer:
Camer. Aulic. & Templi S. Michaelis Organoedus; S.E.B. Concert. Music. Vice-Magister, nec non Aulae & Templi S. Michaelis Organoedus. b. Murnau 9 Aug 1718, d. Freising 21 July 1782. German composer and Kapellmeister at the Freising court from 1744; he served in the 1750s as the director of chamber music at Liege.


Notes on the Composer:
No current information. SS Theologiae Licent. & Regii Parthenonis Organoedus


Notes on the Composer:
His name is handwritten on the program "Composuit" - author? Composer?


Notes on the Composer:
Insignis Ecclesiae Colleg. Lucern, Sacellanus Honoris & Organaedus


Notes on the Composer:
b. 1663 - d. 1738. Choir school, Peterskirche, Munich. Studied with Johann Caspar Kerll 1683 - 1693.


Notes on the Composer:
Not Peter Nidermayr, whose dates areb. 1644 - d. 1671, unless compositions were performed after his death). Musicus ad S. Michaelem. Praefuctus Domus S. Gragorii Ornatissimus & Doctissimus D. Petrus Nidermair. Chori ad S. Michaelem Vice-Praefectus; V. Praef. Musicus in templo S. Michaelis Monachii. Music Prefect St Michael, Munich; Chori ad S. Michaelein Vice-Praefectus


Notes on the Composer:
SS. Theol. Licent. & SS. Canon. Cand. Capellanus ad SS. Martini & Castuli


# Performance Main Table

Performance Referenced In:
Inventoire a manuscrip - p. 333. I.1 - 10. II.1-18. III.1 - 19.

Notes:
Conclusio seu Epilgous. Copied Dec 2, 1600 by Fr. Pietro Cruels (Cruls), OSB.

Notes from the inventory: 'L'auteur de cette tragédie se nommait Eloy Houckaert, il était maître d'école à Gand. Il est auteur d'un grand nombre de poèmes latins assez estimés de son temps, dit M. Vanderhaeghen. Son ouvrage sur Griselidis doit avoir été imprimé à Gand vers 1516. Notre MS n'en est qu'une copie fait au couvent de St-Trond, par le P. Trudo Wittem en 1600. Cod. Chart. Saec XVII, 4o, 49 pp.


Performance Referenced In:
Sommervogel, 1898. Vol 7, pg. 45 Item 35

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #35.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Notes:
College d'Alost, founded 1621. Other names for the city: Alost, Aelst, Aalst.


Source/Archive/Library Shelfmark:
II 91.153 Jesuit Playbills. 2 non-playbill Jesuit items: a dissertation and a letter

Notes:
Interesting topic for the play. Seems to be tableau inserted. Not sure of this type of drama.  Seems to be more related to the mystery era than the modern era.


Notes:
10:13:11. Synopsis scene by scene. 

Last page:
Subsequetur annua Proemiorum distributia Ex Munifica Nobilissimi Viri Domini D. Christiani Van Lathem dicti loci & legies Domini liberaltitare. [liberalitate].


Notes:
Also performed in 1658.17 (8 Sop, 1 Mezz Sop, 2 contra alto, 4 Tenore,  2 basso) + 15 orchestra ( 2 Violino, 3 violetta, 1 violine, 1 Cornettina, 1 Cornettino, 3 trombone, 1 fagotto, 1 clavicimbalo, 1 arpacordo, 1 tiorba)


Notes:
Sommervogel's notes:  "D'apres le Syllabus perum P. Gretseri, manuscrip du. P. Hugo Roth, le P.Gretser fit representer en 1593 a Ingoldstadt: Comoedia de Regno Humanitatis. Le P. Roth ajoute: "quan posteris annis P. Georgius Agricola plurimum auxit." (Le P. Roth died 1636).


Notes:
46 characters (17 Cant, 7 alto; 11 ten; 4 bass) + 24 Orchestra (4 cornet; 3 tromb; 2 fagot; 6 violin; 2 viola da braccio; 2 violon; 4 fiaut; 2 tiorba; 2 organist). "Chori cabtati sunt & in theatro & in edao ad Organum a variis musicis


Performance Referenced In:
Sommervogel, 3, pg 288. Also William S. McCabe, SJ.  in The Musical Quarterly, July 1938.

P.63

Notes:
Found in Sommervogel III.288

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #37.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Notes:
Includes Prologue and Epilogue. School year provided. Latin and German interleaved.
This may have been entirely sung, as characters from the the Prologue and Epilogue are included in the main cast list. Also, although there is music & singing, there is no Musicae Personae separate from the speaking cast. 

Prologus: Quatuor Angeli in coelo hominu malitiam muice perfequuntur (persequuntur), quibus Misercordia occurrit, dari viros Misercordiae, ac dein in terris duobus cum comitibus scrutans corda hominu, alia reperit lapidea, lignea alia. Solius Tobiae carneum. Ubi Chytropus, & Marpesius duritiam in pauperem exercent, in Naufragum (Nausragum) Tobias misericordiam.

Act I: 6 scenes
Chorus lamentantium Judaeorum.
Act II: ;6 scenes
Act III: 7 scenes
ActIV: 10 scenes
Act V: 7 scenes
Epilogus: Quatuor elementa musice gratias agunt Raphaeli Archangelo, illeq. Claudit actionem.

Note: the chorus is part of the main play.

Main characters: 41

Patriarchae & Prophetaeantiquite N?emeti ex Limbo introducit  - unknown

Milites & servi: 7

Opfices & mercenarii octo: 8?

Diaboli: 11

Pueri:  2

XVI Choreutae

Poeta: Cynchluspauper; Naus?f?ragus ;Dagoneuta Sacrificulus Dagonis; Nes?f?rothinuts sacrificulus Nes?f?roth; Magus


Notes:
3 symphonaci & Nymphae.  "Quaterernis choris accinitur Te Deum Laudamus Interstrepentibut tubis & Tympanis" after act III


Notes:
D. Iacobus Spindler, apud B. V. Musicae Praefectus


Notes:
This Prologue opens Tragico-Comoedia: Prodigvs Appellata. Prologue is only Poenitentia.


Performance Referenced In:
Backer-Sommervogel, v. 5, col. 1973, no. 1.

Notes:
Title Page: Petri Mvssonii Virdvnensis É Societate Iesv. Tragoediae. Datae in Theatrum Collegij Henrici Magni. [My note: from the contents page, this appears to be vol 1 in 2 vols of tragedies]


Notes:
“His Tragoediis anno exeunte addentur Jequentes fi Beneuolo & candido lectori Superiores arriferint.


Performance Referenced In:
Backer-Sommervogel, IV, col. 779, no. 51

Notes:
Comprises the Liber dramaticus and Liber de choreis dramaticis from pt. 2 of the author's Bibliotheca rhetorum.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938.

Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Performance Referenced In:
Backer-Sommervogel, IV, col. 779, no. 51. Uncertain if this a single item or a book of choruses


Notes:
Entirely sung/partially sung work with a dependent prologue. The tale, although presented as symbolic allegory, is the Archangel Michael vs. the Dragon.


Performance Referenced In:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.294

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.294

"…par la Ieunesse, Et par icelle dedieé à Messeigneurs les venerables prevost, doyen et chanoines du college de S. Vincent. A Mons. De l'Imprmerie de Waudrét Fils, à la Bible.

In 4o, 11 pp. [In Rouselle's own library - current location unknown].


Performance Referenced In:
Backer-Sommervogel, III, col. 1006, no. 11

Notes:
Volume contains 4 tragedies. Full volume title: Andreae Friz e Societate Jesu provinciae Austriae Tragoediae duae, et totidem dramatia.
 Viennae Austriae : Typis Leopoldi Joannis Kaliwoda ..., 1757.


Notes:
No choruses. Ed. Esperanza Torrego Salcedo. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Notes:
Has 3 concluding choruses (I, IV, V). Ed. Ángel Sierra de Cózar. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Notes:
No choruses. Edited by Vicente Picón García. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.
2nd critical edition of these texts: Plays. Spanish & Latin. Teatro escolar latino del s. XVI : la obra de Pedro Pablo de Acevedo S.I. / V. Picón (coord.), A. Cascón ... [et al.].1. ed. Madrid : Ediciones Clásicas : UAM Ediciones, 1997-. ed., Picón, V. (Vicente), Cascón Dorado, Antonio.Harvard University.Widener | WID-LC | PQ6271.A28 A17 1997x. Also in Griffin, Nigel. Pg 6


Notes:
Contains 4 Choruses (I, II, III, IV). Edited by Primitiva Flores Santamaría, Carmen Gallardo Mediavilla. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Notes:
With dependent choruses.This is a modern critical edition of text to 1Jesuit tragedy and 1 intermedi by Hernando de Avila, late 16th century.  Title of volume: Los jesuitas y el teatro en el Siglo de Oro / Jesús Menéndez Peláez, ed. "Edición crítica de la 'Tragedia de San Hermenegildo' y del entretenimiento 'Hercules vencedor de la ignorancia'": p. 175-431.
Includes bibliographical references (p. [521]-534).


Notes:
This is a modern critical edition of text to 1Jesuit tragedy and 1 intermedi (to the tragedy?) by Hernando de Avila, late 16th century.  Title of volume: Los jesuitas y el teatro en el Siglo de Oro / Jesús Menéndez Peláez, ed. "Edición crítica de la 'Tragedia de San Hermenegildo' y del entretenimiento 'Hercules vencedor de la ignorancia'": p. 175-431.
Includes bibliographical references (p. [521]-534).


Notes:
This is a modern critical edition of 1 tragedy by Jakob Gretsers


Notes:
Modern Facsimile of 1 tragedy by Bidermann. Heroides : Frauen-Briefe : mit akademischen Würden und der Erlaubnis der Ordensoberen gedruckt, Dillingen 1642/ Jakob Bidermann ; aus dem Lateinischen übersetzt und kommentiert von Christian Sinn.Konstanz ; Eggingen : Edition Isele, c2005.Accompanying critical essay by Christian Sinn (p. 289-304) has title: Byzanz liegt an der Donau : Jakob Bidermann und die Aufgabe des Übersetzers (Frauen-Briefe).


Notes:
Modern critical edition. Pietas victrix = Der Sieg der Pietas / Nicolaus Avancini ; herausgegeben, übersetzt, eingeleitet und mit Anmerkungen versehen von Lothar Mundt und Ulrich Seelbach. Text in German and Latin on facing pages; introduction, notes, and commentary in German.
Includes bibliographical references (p. xxxiii-xxxix).


Performance Referenced In:
Julio Alonso Asenjo. La tragedie de Sam Hermenegildo y otras obras del teatro espanol de collegio. Tome I. PQ6121.R2.T73 1995. pg. 87

Notes:
Published 1529 by G. Gnapheus o Fullonius


Performance Referenced In:
Julio Alonso Asenjo. La tragedie de Sam Hermenegildo y otras obras del teatro espanol de collegio. Tome I. PQ6121.R2.T73 1995. pg. 88


Performance Referenced In:
Dürrwächter, Aus der Frühzeit, p. 6; Ehret, p.50; Müller, 2, pg 49; Valentine, I, pg 24; Wittwer (Chorus), pg 79

Notes:
Has a prologue. Gretser calls for Orlando di Lasso's motet 'Tremuit Jesus,'  at the end of Act 4 in 'Lazarus resusitatus.' 6vv, polyphonic. The text from Gretser, reproduced in Wittwer, pg. 79. 'Finito hoc actu canitur in lymbo cantio suavis ac iucundus quae laetitiam indicet...His cantetur cantio Orlandi 'Tremuit Jesus' quae est in Thesauro 24, 6 vocum, vel Praenestini, qui de eadem materia cantionen composuit.'


Performance Referenced In:
Sommervogel, 5, pg 1404; Duhr, 1, pg 342-344, Müller, 2, pg 45; Valentine, I, pg 8; Wittwer (Chorus), pg 78

Notes:
Chorus by Orlando di Lasso - from Wittwer. Text published under title 'Samson Tragoedia ex Sacra Judicum Historia' (1569) - from Valentin.


Performance Referenced In:
Kennedy, T. Frank. ‘Jesuits and Music: Reconsidering the Early Years.’ Studi Musicali..17:1 [Sept 1988]: 71 - 101.


Performance Referenced In:
McCabe, William H., S. J. An Introduction to the Jesuit Theatre: A Posthumous Work. St. Louis: The Institute of Jesuit Sources, 1983, p. 11; Aguilera, Emmanuel, S.J., Provinciae Siculae ortus es res gestae. Partes I & II. Palermo, 1737–1740; in vol I, 69.


Notes:
Chorus Musicus; also Churys Comicus, Chorus Tragicus. May be entirely sung. No labeled Personae Musicae


Performance Referenced In:
Duhr, I, p. 331 - 223; Muller, II, p. 43, Valentin, I, p.1


Performance Referenced In:
Rädle, Daphnis, 1978, 3, p. 430 - 431; Valentin, I, p.2


Performance Referenced In:
Rädle, Literaturwissenschaftliches Jahrbuch, NF 21, 1980, p. 394; Valentin, I, p.2


Performance Referenced In:
Prof. Dom. Vienn., p. 9, Duhr, I, p. 332; Muller, II, p. 44; Valentin, I, p. 2

Notes:
This was performed on Easter Sunday (Pâques)


Performance Referenced In:
Muller, II, p. 44; Valentin, I, p. 2; Griffin, 'Miguel Venegas', Modern Language Review (68), 1973, p. 796 - 806. MS: Dillingen, cod. Dil. 219, ff. 101 - 186; also, Munich, U.B., cod. 521, ff. 32-75


Notes:
Page 1:
 AULAE FORTUNA
unbeftandiges
Hof- Bluld
In 
ARSENIO
Dem Broffen
Durch ein offentlilches Schau-spilll
vorgeftellet
Von der ftudierenden Jugend Dess
Chur-Furftlichen Gymnafij zu
Burghaufen
Den 5. und 6. Septemer
Anno 1701.

Gedruckt zu Salzburg ben Melchior Hann/Einer Lobl. Landfchafft: und Stadt-Buchdruckern/ und handlern. 


Notes:
- In Latin and German
WITH MUSIC! and COMPOSER

Structure:
Prologus
Pars I. Scene I – VIII
Chorus
Pars II Scene I – VIII
Chorus
Pars III
Scene I – IX

Syllabus Actorum:

Main cast = 8
Comites Arcadii  =9
Ephebi = 8
Ephebi Arcadij = 8
Ephebi Arfenji = 4
Cives = 8
Satellites = 9
Morphei & Salij = 8
Perfonae Muficae
Adm. Rever. & exim. D. Joan. Bapt. Erehner. Phil. Magift. J. U. Candidat examinat. & approbat. Ecclefiae Cathedral. Salizburgenfis Chori Vicarius, Aulae Muficus, & Capellae Praefectus.

Genij Sortis = 8

Signed:
Omnia ad majorem DEI Gloriam.


Notes:
Incomplete entry. Awaiting copy from British Library.

Jesuit playbill. 2 & 5 Sept. 1701. German or Austrian.
Language: German & Latin
5 Acts.
Tragedy with prologue, epilogue, chorus.
Cast:  118 + 11 Musici, incl composer
Composer: Modulos Muficos compofuit Rev. & Relig. D. Hugo Kanheifer, Sacri & Exempti Ord. Cifter in celeberrimo Monafterio Waldfaffenfi Profeffus
Characters: Nicolaus Rex Daniae. Canutus Rex Obotritorum

Page 2

Argumentum – in Latin & German

Page 3

Prologus
Invidia fibi theatrum vendicans, a Providentia divina exturbatur.

Actus I
Scena I – VII

Page 4
Chorus
Foedus Invidiae cum aliis initum, contrario divinae Providentiae foedere elufum, infringitur.

Actus II
Scena I – III
Chorus
Invidia & Dolus Providentiae divinae & Nemefi fuperbam de potentia litem movent.

Actus III
Scena I – II

Page 5

Scena III
Chorus
Genius Magni a Gradivo contra Canutum armatur.

Actus IV
Scena I – VI

Page 6

Scena VII – VIII
Chorus
S. Canutus Martyr & Patruus Canutum Nepotem fuum ad nobiliorem Coronam invitat

Actus V
Scena I – V

Page 7
Epilogus
Luctus Daniae de funere Principum oftensia Canuti gloria in plaufum abit. 

Syllabus Actorum ( by class)
First is the composer (typed in full above)
Nicolaus Rex Daniae: Rev. & Doct. D. Joan. Georg. Beyeri, AA. LL. & Phil Magifter
Casistae = 3
Logici = 5
Rhetores = 12
Humanistae = 18
Syntaxistae Maior = 20
Syntaxistae Minores = 18
Grammatistae = 14
Rudimentistae = 13
Principistae = 12
Musici = 10


Notes:
Incomplete entry. Awaiting copy from British Library. 
Jesuit playbill. 2 & 6 Sept. 1701. Landshuet.
Language: Latin & German
3 Parts
Tragedy + Prologus + choruses.
Cast: 164 + 19 Personae Musicae (including composer)
Modulos muficos compofuit Adm. Reverendus, Eximus, & Doctiffimus Dominus Joan. Georgius Steingriebler, Ecclefiae Cathedralisk Eyftettenfis Sub-Cuftos, & ejufdem Capellae Magifter.
Main characters: Vice-Rex Neapolis, Dux de Arcos. Mafagnellus seditioforum Dux.

Page 2:
Argumentum

Prologus
Justitia Divina Neapolim Seditioni tradit per Mafagnellum caftigandam.

Pars Prima: Mafagnellus Seditioforum caput eligitur
Scena I

Page 3:

Scena II – X

CHORUS
Sanctus Januaris urbis Patronus precibus oppreffae Neapolis permotus proavertendo excidio beatae Virgini fupplicat.

Page 4:
Pars Secunda: Seditionis fervor

Scena I – VIII

Chorus
Juftitia Divina Mafagnellum Neapolis flagellum ad poenas rapit.

Pars Tertia: Ruina Mafagnelli
Scena I

Page 5
Scena II – X

Page 6
Scena XI – XII

Modulos muficos

Syllabus Actorum
Nobilitas Neapolitana = 16
Nobiles IV = 4
Alii Nobiles = 6
Nobilis Inventus = 16
Seditiosi = 7
Socii Perronis = 10
HEADING: MASAGNELLI STIPATORES
Rhetores = 3
Humanistae = 10
Synt Maj. = 1
Salii = 8
Picatores et Duces Plebes = 12
Heading: Turba Seditiosorum
Rhetores = 9
Humanistae = 14
Synt Majores = 15
Synt Min = 7
Heading: Turba Iuventutis 
Character names = 6
Synt Major = 6
Synt Minor = 9
Gramm = 7
Rud = 7
Personae Musicae = 17
Signed: FINIS


Notes:
12 characters. Program owned by M. Christophorus Wahl, Humanista Choragus


Source/Archive/Library Shelfmark:
Mus.Hs.18950. Mus & Mus.Hs.18950. Mus Leopoldina

Notes:
Drama complectens prologum, tres inductiones, epilogum, modis musicis instructa, praeter prologum. Opus manu scriptum praecedit libellus impressus, in cuius fine invenies nomina actorum et cantorum, itidem: "Nomina corum in arena litteraria victorum, qui caesarea munificentia ... Leopoldi I. ... praemiis donati sunt ..." Sequuntur (8a - 41b) modi musici partium cantabilium; modi saltatorii desunt. Incip.: "Quam tristis haec scena" (inductio I); desin.: "... majestati plaudite et hanc scenam claudite". Part. ch. XVIII. 42. f. 


Notes:
Interwoven with  3 Tusschen-spel (not listed separately in the database)

Incomplete entry


Notes:
Incomplete entry. Awaiting copy from British Library.

Jesuit playbill. 4 & 6 Sept. 1702. Landsheut.
Lang: Latin and German
3 Parts.
Tragedy + prologus + chorus
Cast: 75 + 9 Perfonae Musicae. No composer provided.
Main characters: Adiatorix and Dytevtus
Page 2:
Argumentum (first Latin, then German)

Page 3:
Prologus:
Fama gratulatur Bavariae antique Bojcae gentis decora: ex ijs pro Theatro argumentum fecernit, nobile par fratrum ex antiquiffima Tolifto-Bojorumk gente, rarum amoris Symbolum.

Pars Prima
Scena I – IV

Page 4
Scena V – VIII

CHORUS
Sincerus amor amicitiae vires & ingenium fuum contra Philautiam variis experimentis oftendit.

Pars Secunda
Scena I 

Page 5
Scena II – VIII

CHORUS
Amor inter veteres & novos Germanos felectum init pro pugna fua adverfus mortem. Huic victae fecurim eripit, eademque fibi palmas metit.

Page 6

Pars Tertia
Scena I – VIII

Page 7
Syllabus Actorum – notice that the nobles are played by the titled boys.
Main Cast = 7
Familia Adiatorigis = 5
Affefsores Drufi = 7
Nobilis Romana Iuventus = 14
Ephebi Theodonis & Salii = 5
Caeteri Salij = 5
Milites & Salij = 8
Reliqui Salij = 7
Militia Romana = 12
Liberti Familiae Adiatorigis = 5
Personae Mvsicae = 9
Signed: FINIS


Notes:
Incomplete entry; but due to length, a copy of this item was not requested from the British Library.

Inside the front cover: Bibliotheca artium. Ex libris Domus Sancti Stanislai

This is the full libretto for a Jesuit play. 1702. Monachij. 
Balthasaris. Knellinger. = the author
Chremes = the title. This is a comedy.  Does not match the other two Chremes productions currently in the database (those have 4 parts and fewer characters, at least upon first glance.]

Page 3

CHREMES

Perfonae
Chremes Senex
Lentinius ejus Filii
Stivelilus ejus Filii

Studiofi 6
1.	Almanachius
2.	Calendarius
3.	Marcus
4.	Martinus
5.	Inconftantius
6.	Pancratius
Medicus
Promicondus
Mendicus & ejus Puer
Servi Chremetis: Schmuzillus; Melampus; Strobulus
Opifices: Piftor, Vietor, Caementarius; Figulus; Lanio; Faber Ferrarius; Carpentarius
Puer Opilionis: Ver; Aeftas, Autumnus; Hyems; Surdaftrius; Crifpus; Senutius Podagrius; Caecutius.

Page 4:
Idiomata
Praecipuarum Perfonatum
CHREMES
Habitu; quo Conful alicujus oppiduli, nigro & honefto. Et initio quidem in pileo, & crepidis, fine talari vefte pelle fuffulta. Agit quafi fibide fingulari prudentia fufpectus; fuis locis morose jucundus. Multum agit vultu, oculis; sed intra limites; gestus faepaek verba praevenit & fequitur. Ejus manuum & pedum geftus prae fenio fractus.

Lentinus
Juvenis annorum plus minus feptemdecim, geftu utcunque levis & nequitiam aliquam in vultu praefeferens.

Stivelius
Non nimium Puer; fedecim circiter annorum; multa enim loquitur, quae maturitatem aliquam fupponunt. Agilis, verfatilis in omnem partem.

Alamanchius Calendarius
Serii fimulque faceti;
Inconstantius, Pancratinus, Marcus, Martinus.
Variae ftaturae, & aetatis; Musici omnis.
Schmuzillus
Puer parvus, deformis, ac fordidus
Strobilus, Melampus, rufticos fimiles.

Page 5 continuing is the text of the play. Structure as follows. THIS PLAY INCLUDES STAGE DIRECTIONS PRINTED IN THE MARGIN! 

Prologus: Fabula
Scena 1  - 15
Epilogue

There are some sung portions. Only text, no music.  See the Idiomata for who sings. There are no choruses at the end of scenes in the style of other works. Single act comedy.


Notes:
Latin and German interleaved. Includes Prologue and Epilogue. Chorus at the end of Acts I - IV. For the actors, 10 are characters, the remainder in groups. 
Chorus = 9, all with character names.

Structure:
Act I: Sigismundi conversio ad Fidem Catholican. 5 scenes
Chorus, Ecclesiae Catholica triumphus & firmitas contra Hareses & Tyrannos, per sedecim secula, a SS. Apostoli Petro & Paulo ostenditur.
Act II: Accusatio Filii Sigerici: 6 scenes.
Chorus Nouercaecalumniam detestatur
Act III: Caedes Filii. 6 scenes
Chorus symbolicus de Vanitate & brevitate vita.
Actus IV: Poenitentia Sigismundi. 5 scenes
Chorus ostendit paratam Dei misericordiam ad recipiendo peccatores, sub allegorita Filii prodigi a Patre in gratiam recepti.
Actus V:  Sigismundi Mors. 6 scenes

Syllabus Actorum
Main characters: 10
Aulici: 8
Ephebi: 6
Duces Bellici: 5
Ariani: 5
Legati: 11
Cives: 30
In Chorus luserunt: 9
Milites: 11

Chorus: Year in school not given except for the last name.
S. Petrus  D. Wolfgangus Schlosser
S. Paulus  Georg Schauser
Tempus  Georg Lenger
Ecclesia   Joan. Leonard Ebbles
Pater familias  D. Wolfgangus Starckh
Filius Prodigus  Maximiliesus Hoebar (name on an old fold, nearly obliterated)
Andreas Finster, Ioan. Adamus Gazin, Adamus Krafz Rudim. = 3 boys, no character name.


Signed OAMDG


Notes:
(9 total) 4 characters + 3 Discant characters + 2 altista characters +  (44 total) 13 Discant + 16 Altista + 7 Tenorista + 8 Bassistae


Source/Archive/Library Shelfmark:
Mus.Hs.18945. Mus & Mus.Hs.18945. Mus Leopoldina

Notes:
Drama, complectens prologum, 12 scenas, epilogum, quibus insertae sunt partes cantabiles. Operi manu scripto praecedit scenarium impressum, linguis duabus, latina scil. et germanica compositum, in cuius fine notantur nomina actorum, cantorum, saltatorum. Accedunt: "Nomina eorum, in arena litteraria victorum, qui caesarea munificentia ... Leopoldi I. ... praemiis donati sunt ..." Distributa sunt autem quae continentur: 2a - 9b scenarium impressum; 10a - 22a textus integer; 22b vacat; 23a - 75b modi musici partium cantabilium. Part. ch. XVIII. 75. f. 


Source/Archive/Library Shelfmark:
Mus.Hs.18871. Mus & Mus.Hs.18871. Mus Leopoldina

Notes:
Libellum fecit Iohannes Baptista Adolph. Opus complectens 5 partes, quae sunt: prolusio, I., II., III. pars, epilogus. Sunt autem haec in hunc ordinem digesta: Volumini manu scripto praeligatur libellus impressus, cuius ultima pagina (fol. 5b) nomina actorum et cantorum complectitur. Posthaec fol. 6a - 7b. Prolusio. Textus manu scriptus; 8a - 17b numeri musici prolusionis. 18a - 21b textus I. partis; 22a - 30b numeri musici partis cantabilis (chori I, qui concludit "inductionem IV." partis I.). 31a - 38b textus partis II., complectentis 8 "inductiones" cum choro II.; 39a - 45b numeri musici chori II. 46a - 49b textus partis III., complectentis 4 "inductiones" et "epilogum"; 50a - 55b numeri musici epilogi. Part. ch. XVIII. 55. f. et 4°. 


Source/Archive/Library Shelfmark:
Mus.Hs.18922. Mus & Mus.Hs.18922. Mus Leopoldina

Notes:
Opus continens prolusionem, tres actus, epilogum, partim numeris musicis ornata. Praecedit scenarium impressum, linguis latina et germanica compositum, in cuius fine accedunt nomina actorum, cantorum, saltatorum. Disposita sunt, quae continentur, ita: 3a - 6b scenarium; 7a inscriptio manu exarata; 7b vacat; 8a argumentum; 8b vacat; 9a - 16b prolusio (numeri musici et textus variantes); 17a - 26b actus I. (textus et numeri musici variant); 27a - 38a actus II. (textus et num. mus. variant); 38b vacat. 39a - 43a actus III. (textus); 43a - 56b epilogus (textus et numeri musici variant). Incip.: "Inter luctus, belli fluctus"; desin.: "... et gloria plenam victoriam da". Part. ch. XVIII. 57. 4° et f. Also in Sommervogel vol 1:54.


Notes:
Dr. Sypherd includes note: [Alost]. 

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
A researcher named T R Johnson requested this item on June 23 2005. 
In Latin and German

Title Page:

Virtus a Coelo Defensa in S. Vito Mart.
Die von dem Himmel verfochtene Jugend in dem Heililgen Blut-Zeugen VITUS
Von dem Churfurstlichen Gymnasio der Gefellfchafft JESU zu Amberg vorgeftellt
Den 4. und 6. herbst Monats
Im Jahr 1703
Mit Gutheiffen der Obern

Defelbfl gedruckt ben Chriftian Defer (would read Deser)

Argument
Pars Prima
Scena I – IV
Chorus
Pars Secunda
Scene I – VII

Nomina Actorum

Modulos Muficos compofuit Ornatus & perdoctus D. Francifcus Xaverius Sichardt, ad S. Martini Ambergae Muficus

Magister Philosoph = 1
Rhet = 7
Poetae = 7
Syntax Major = 2
Syntax Minor = 4
Grammatistae = 4
Rudimentistae = 6
Princcipistae = 6

Personae Musicae = 5

Signed Omnia Ad Majorem Dei Gloriam


Notes:
24 Discantistae + 42 Altista+ 26 Tenorista +14 Bassista


Notes:
Drama continens partes cantabiles una vel pluribus vocibus instructas. Totum opus divisum est in prologum, tres partes et epilogum. Part. XVIII. 63. f. Also in Sommervogel vol 1:54.


Notes:
Dr. Sypherd notes that this is probably a dramatic work; he had not seen it.
Found listed in Sommervogel III.113

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
Incomplete entry. Awaiting copy from the British Library. 

Page 2:

Argumentum [of the tragedy only;1st in Latin and then in German]

Page 3:

Argument in German con’t

Prologus
Idololatria fua offert Numina Arrianae haerefi: Haex vero iis omiffis unius Gosvvinthae odium ad perdendum privignum feligit.

Actus Primus: Quaefita, & maledata pax Hermenegildum inter & Leovigildum

Scena I – III

Page 4
Scena IV – VI

CHORUS I
Gosvvinthae furor exulem per fylvas pacem exagitat: ejusdem indutus exuvias ftatuit faevire truculentis.

Actus II: Hermenegildi carcer, & vincula

Scena I – II

Page 5

Scena III – V

CHORUS II
Furor Gosvvinthae amicum mentitur animum, ut Hifpaniam iterato baptifmate abluat.

Actus III: Hermenegildi in fide tentatio
Scena I – III

Page 6

Scena IV – VIII
CHORUS III
Eccefiam Hifpania abituram ftare jubet Chriftus & Solatur.

Actus IV: Hermenegildui liberi voluntaria carceris & mortis optio.

Scena I – II

Page 7
Scena III – VI

CHORUS IV
Haerefis Arriana oppreffam triumphans Ecclefiam ad orcum praecipitatur.

Actus V
Scena I – IV

Page 8
Scena V

Composer (see above)
Syllabus Actorum
[Main cast] = 7. Main Characters: Hermenegildus and Leovigildus.
Grandes Hifpaniae = 8
Duces Leovigildus = 3
Ephebi Leovig = 2
Legati Hermenegildi = 2
Aulici Hermenegildi = 4
Aulici Reccaredi = 2
Epheb Reccaredi = 1
Aulici Goswinthae = 3
Salii = 8
Arriani = 6
Rustici, & Salii = 8
Actores Scena intermediae = 3
Lyaei Comites = 4
Comites Mamonae = 3
Comites Actaeonis = 4
Zephyri, Comites Hefperi = 7
Comites Ariftaei = 4
Grandium Hifpaniae & Filii = 8
Milites = 32
Perfonae Muficae = 7
Comites pacis & Nimphae = 3
Comites furoris = 6

Signed = Omnia ad Majorem DEI gloriam.


Source/Archive/Library Shelfmark:
Mus.Hs.18916 & Mus.Hs.18916. Mus Leopoldina & Mus. Hs. 18917. Mus 

Notes:
Cotera ut in codice sub num. 18916 accurate descripto. Idem opus, quod sub num. praecedenti descripsimus, simili modo dispositum sed paucis locis differt ab illo. Part. ch. XVIII. 45. f. Opus complectens: prolusionem, duas partes et clausulam; distributa sunt hoc ordine: 2a inseriptio; 2b vacat. 3a argumentum; 3b vacat. 4a - 5a prolusio (textus); 5b vacat. 6a - 13a prolusio (modis musicis instructa); 15b vacat. 16a - 17b partis I. inductiones I. et II. (textus). 18a - 19b chorus militum (modi musici). 20a - 20b textus interruptus porro tractatur; 21a - 24b chorus (modi musici); 25a - b vacant. 26a - 31a reliqua partis I. (textus); 32b - 35a chorus (modi musici); 35b vacat. 36a - 39a pars II. cum clausula (textus); 39b vacat. 40a - 47b clausula (modi musici). Incip.: "Tam suaviter gyratur"; desin.: "... sicut sol in ortu suo splendet, ita rutilent". Part. ch. XVIII. 47. f.


Source/Archive/Library Shelfmark:
Mus.Hs.18925. Mus & Mus.Hs.18925. Mus Leopoldina  

Notes:
Opus complectens prolusionem, duas partes et clausulam. Praecedit scenarium impressum, duabus linguis, latina sc. et germanica compositum, ad cuius calcem notantur nomina actorum, cantorum, saltatorum. Quae continentur ita disposita sunt: 1a - 3b vacant; 4a - 7b scenarium impressum; 8a inscriptio; 8b argumentum; 9a - 19a prolusionis textus et numeri musici, variantes; 19b vacat, 20a - 39b partis I. textus et numeri musici variantes; 40a - 47a partis II. textus et numeri musici variantes; 47b - 57b clausulae textus et modi musici variantes. Iucip.: "Hu, hu, hu! Tacete funesti bubones!" desin.: "... vivat Hercules, vivat". Part. ch. XVIII. 58. 4° et f


Notes:
Incomplete entry. Awaiting copy from the British Library.

Jesuit playbill. 5 & 6 Sept 1707. Landshuet.
Lang = Latin & German
5 Acts
Cast: 52+ 26 Perfonae Muficus (incl composer)
Modulos Muficos compofuit Nob. ac fpectatiffimus D. Ant. Deichel S. R. J. Principis & Epil. Euftett. Vice-Capellae Magifter.
Main characters = Clodoaldus Rex. Martialis.
Story = Clodoaldus
Tragedy + prologus, epilogus + choruses which comment on the action. 

Page 2:
Argument – Latin, then German

Page 3
German argument con’t

Prologus
Caeca Fortuna, quae fibi Dominium Mundi arrogat, Theatrum cedere cogitur caelefti Argo, feu divinae Providentiae, quae ludit in orbe terrarum.

Actus I
Scene I – III

Page 4
Scena IV
CHORUS I
Divinus Argus follicitius gregem fuum cuftodit.

Actus II
Scena I – VI

CHORUS II
Iafon a Dracone cuftodito aureo vellere potitur [This is Jason and the Dragon]

Page 5
Actus III
Scena I – III
CHORUS III
Mars raftra in arma convertit

Actus IV
Scena I – III
CHORUS IV
Amicitiam inter Castorem & Pollucem diffolvere nititur Difcordia.

Actus V
Scena I

Page 6

Scena II – VII
Epilogus
Exhibet, quam Divina Providentia feu caelestis Argus, attingat a fine ad finem fortiter, & difponat omnia fuaviter.

Signed: Omnia ad Maiorem DEI Gloriam

Page 7
Syllabus Actorum
Main Cast = 11
Aulici = 4
Ephebi = 3
Paftorculi = 8
Venatores & Milites = 2
Satellites = 7
Rustici = 8
Caeci = 8
Perfonae Muficae = 2
Comites = 6
Comites = 5 (also singers)
Comites = 13 (also singers)


Notes:
Personae Musicae: Mars Hunnicus, Augusta


Source/Archive/Library Shelfmark:
Mus.Hs.18970. Mus & Mus.Hs.18970. Mus Leopoldina  

Notes:
Opus complectens prolusionem, duas partes et clausulam, quibus insertae sunt partes cantabiles. Textus et modi musici alternant. Incip. (prolusio): "Nos regnamus, triumphamus"; desin. (clausula): "... ad bonae causae gloriam". Part. ch. XVIII. 47. f. Also in Sommervogel vol 1:54.


Source/Archive/Library Shelfmark:
Mus.Hs.18923. Mus & Mus.Hs.18923. Mus Leopoldina  

Notes:
Opus complectens prolusionem, tres partes et clausulam. Praecedit scenarium impressum, linguis latina et germanica compositum, in cuius fine notantur nomina actorum, cantorum, saltatorum. Quae continentur, ita disposita sunt: 3a - 6b scenarium; 7a inscriptio; 7b argumentum; 8a indicatur prolusio ("Est symphonia, quam Valerianus honoribus sponsae suae Caeciliae instituisse fingitur"). 8b vacat. 9a - 20b partis I. textus et numeri musici variantes; 21a - b vacat. 22a - 26b partis II. textus; 27a - 44b partis III. textus et numeri musici variantes; 45a - 61a clausulae textus et numeri musici variantes; 61b vacat. Incip.: "Cantate surdis fabulam"; desin.: "... sit laetus et sanus felix novus annus". Part. ch. XVIII. 62. 4° et f. Also in Sommervogel vol 1:54.


Notes:
The two playbills are presented in the same volume, but two separate items; the first in Latin, the second in Flemish. Each is 1 page, front and back. Total of 4 pages of text. 

Includes Prologue, Epilogue.


Notes:
Argument
Actus I: Scena I – V
Chorus
Actus II: Scena I – V
Chorus
Actus III: Scena I – V
Chorus
Actus IV: Scena I – V
Chorus
Actus V: Scena I – VO
Epilogus

Syllabus Actorum

Seminary students = 3. As they are the principal characters and they are all singers, highly likely this work was entirely sung!

Rhet = 6
Humanistae = 19
Synt Maj =  11
Synt Min = 11
Grammat = 9
Rudiment = 7

Personae Musicae
Modulos Muficos compofuit Ornatus. & Spectatiff. D. Antonius Deichel, Reverendiff. & Celfiffs S. R. I. Princ. & Episc. Eyftett Capellae Vice-Magisfter.

13 singers listed with character names follow.


Notes:
Incomplete entry. Awaiting copy from British Library.
Jesuit playbill. 4. & 6 Sept 1708. Landshuet.
Lang = Latin & German
5 Acts
Cast: 83
Note: The musicians are mixed in among the cast, as the cast is ordered by year in school.
Modulos muficos compofuit Nob. ac fpectatiffimus D. Ant. Deichel S. R. I. Principis & Epil. Euftett. Vice-Capellae Magister
Main Characters: Carolus V. Clodoaldus
Story: Clodoaldus
Tragedy + 2 of the choruses are separate stories.
Page 2
Argument: Latin then German

Page 3

Prologus
Furor cum comitibus exfcindere parat Clodoaldi ftirpem, fed Divina Provendentia ejus conatus eludit.

Actus I
Scena I – IV

Page 4
Scena V – VI
CHORUS
Clodoaldi luctum temperat Patientia, exemplo Iobi

Actus II
Scena I – IV

CHORUS
Jephte Jephtiam filiam, Deo devotam victimam ipse immolat.

Page 5
Actus III
Scena I – IV

CHORUS
David Paftorcullus, Ifchyrionis fortunae Prototypon.

Actus IV
Scena I – III

Page 6
Scena IV – VI
CHORUS
Furor praecifos Clodoaldi furculos Idolomaniae confecrat; quos tamen fibi Divina Providentia vindicat.

Actus V
Scena I – III

Page 7
Scena IV
Catalogus Actorum [note: except for the seminary students, majority are nobles]
Composer – see above
[the following four classes are seminary students]
Philof  = 1
Moral. = 1
Casistae = 8
Logici = 6
[the following are the college students]
Rhet = 17
Poetae = 15
Syn Maj = 8
Synt Min = 10
Gramm = 7
Rud = 9
His accedunt = 3


Notes:
Includes at least 3 Interludium. The 2nd page of the 3 page document is missing, so the cast list and Act I and II synopsis are lost.


Notes:
57 Personae Musica, by class in school only


Notes:
Incomplete entry. Awaiting copy from the British Library.

Jesuit playbill.  4 & 6 Sept 1709. Belftuch or Belfirch? 
Lang: German (except for the title page which is in both Latin and German)
5 Acts
Tragedy + Prologus + Choruses
No Personae Musicae list; if there is anything sung, characters are with their school year.
Cast: 75
Main Characters: Matthaeus Pater. Rictiovarus.
Story: Matthaeus Pater

Page 2:
Argument

Prologus
Actus I
Scena 1

Page 3:
Scena 2 – 9
Chorus

Actus
Scene 1 – 3

Page 4
Scene 4 – 6

Actus III
Scena 1 – 7
Chorus

Page 5

Actus IV
Scena 1 – 8
Chorus

Page 6
Actus V
Scena 1 – 6

Syllabus Actorum
Casistae = 2
Logici = 2
Rhet = 12
Humanistae = 14
Major Synt = 8
Synt Min = 16
Gramm = 13
Rud = 7

Signed: Omnia ad majorem DEI, DEIparaeque Virginis Gloriam

[Note – this document is badly spotted with damp. The script is Old German, hence I have not typed out the chorus and prologue texts.]


Notes:
Includes 3 Interludium and comedy, Heterobolus, which may or may not be the Interludium.


Notes:
Voigtin (publisher?); 12o. Sommervogel's note: "La meme piece es l'art d P.J. Rechbach"


Notes:
A 3-part comedy, 'Euclio', appears after each of Acts I - III (listed separately in the database)


Notes:
Photographs: Augustin Playbills Gent 2006: #6 - 11
Also includes 4 part unidentified Interludium (not listed separately in the database) + Epilogue + Prologue. Presented in each language separately. There is also a small leaf from p. 232 of a book 'Heritiers de Maximilien Graet' (the publisher) detailing the printing of this play.

Structure:
Prologue
Act I
Interludii Part I
Act II
Interludii Part II
Act III
Interludii Part III
Act IV
Interludii Part IV
Act V
Epilogue

Signed: Omnia in Gloriam Dei

The exerpt from the book: Heritiers De Maximilien Graet p. 232
"1514. Curae Regum, etc (give title in full). "In - 4, 1f. La piece imprimee par les heritiers de Max. Graet, en 1696, portant a peu pres le mem titre, est toute differente."


Notes:
Acts 1 - 4 conclude with a Coeur Musical. 
There is no indication of an accompanying comedy.

Photographs 5 - 9 of the hyperlink.


Notes:
24 characters + 1 trumpeter + 8 probable additional musicians


Notes:
5 acts, synopsis scene by scene. 3 scenes to each act.Dedication page to D. Ludovico Francisco, Baron of Geves


Notes:
This work is the Chorus following Act III of  "Conradus a Rosa".

There is a chorus at the end of Acts I - IV; each is a different short play, mythological. 
Act I: Chorus, ‘Orpheus Truncum arborum Regem creat.’ Cast list = 7

Act II: Chorus, ‘Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit.’ Cast list = 3

Act III: Saltus. 5 names listed under ‘Salii.’ Would typically include dances

Act IV: Chorus, ‘Menalcas ad Aulam aspirans luditur.’ Cast list = 3


Notes:
Structure includes an unlabeled part of the tragedy following Interludium III; bears a 5. in the margin + 3 part unidentified Interludium (not listed separately)

Presented in each language separately. Each Act of the tragedy has its own title: Belisa Exalta; Belisa Rebellis; Belisa Punita


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.380

*Performance by Women*

"…Tragedie dedieè à la trés-Noble Demoiselle, Mademoiselle Anne Marie Vander-Burch, Dame de Vellereilles, & superieure de la Congregation de Nôtre-Dame. Representeè par les Demoiselles Pensionnaires, le 1 de September 1711. Se vond  à Mons, chez Laurent Preud'homme, ruë de la Clef. 1711. 

In 8o, 55 pp. [Might be the libretto?]
In Rouselle's own collection. Present location unknown. 
Rouselle's notes:

"L'exenplaire de notre bibliothéque a un second titre avec cette variant…'M. Arthur Dinaux, qui s'est occupé de cet ouvrage dans les Archives du Nord de la France et de Midi de la Belgique, nouvelle série, t.v., p. 220, en a attribué la paternitié à Gilles De Boussu. Nous croyons que c'est une erreur et que cette pièce est l'oeuvre d'un pére jésuite du séminaire de Mons.

<<J'ai cru, dit l'auteur dan un avant propos, ne pouvoir présenter rien de plus convenable à Mademoiselle Vander-Burch, niéce de l'archevêque de ce nom, et de la fondatrice des Filles de Notre-Dame, que le martyre de la protectrice de la sainte maison qu'elle gouverna avec tant de sagesse, de vertu et de prudence. La chute que cette Demoiselle fit l'hiver dernier et le jubilé qu'elle vient de faire out fourni le sujet de trois petites (sic) acts d'opera, oú Mademoiselle la supéerieure paraîtra sous le nom de Climène. M. Sauton, organiste du chapitre royal de Ste-Waudru les a mis en musique. Si mes vers ne paraissant point assez châtiés, j'espére qu'en faveur de mes autres occupations, on voudra bien me le pardonner.>>


Notes:
11 characters + 6 vocalists + 9 orchestra (labeled Pro Symphoniae & Choris)


Notes:
Presented in each language separately.  

Interleaved with 5 act tragedy, "Amor in Odio sive Menalippa simul Diligens, et Exo…" (listed separately in the database).


Notes:
Presented in each language separately. Interleaved with 4 part comedy 'Si bene vis quemquam ludere, lude parem.' (listed separately in the database).


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.382

"…Dedieè à la Jeunesse du College de Houdain. Erigé dans la ville de Mons. A Mons de l'Imprimerie de Laurent Preud'homme, Imprimeur de Messiers les Magistrats. 1714.

In 12o, 47 pp. [Might be the libretto?]. In Rouselle's own collection. Also in Bibl. De Mons no 5, #166 in the catalogue (pre-war, present location unknown).

Rouselle's notes: "Cette facétie en 3 acts et en vers, par Gilles de Boussu, e eu les honneurs d'une seconde édition imprimèe, end 1720, par Jean Nicolas Varret."


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.399-400

"Daphnis pastorale, presentée à son Altesse Monseigneur Léoplod Joseph par la grâce de Dieu duc D'Aremburg, prince du Saint-Empire, duc d'Arschot et de Croy, prince de Château. Porceau et de Rébeque, marquis de Mont-Carnet, cote de Lalaing et de Seneghem, seignuer de ville et dépendances d'Enghien, de Hal et de Braine-le-Comte, grand d'Espagne, chevalier de l'ordre de la Toison d'Or, conseillor d'Etat dans les Païs-Bas, Lieutenant général des armées de sa majesté impériale et catholique, gentilhomme de sa chambre, grand ballide Hainaut, gouverneur de Mons; Par le collége de la Compagnie de Jesus en cette ville. A Mons, chez Jean Nicolas Varret et la Veuve Preud'homme, imprimeur de Messiers les Magistrats, rue de la Clef. 1719.

 In 4o. 7 pgs. "In bible de M. Henri Delmotte.""


Notes:
Probably with music, as St. Augustine praises God. Interleaved with 4 part comedy, Strobilus


Notes:
Possibly more - Cast listed by character, cannot determine all the characters in the music; total represents chiefly the chorus


Notes:
Interleaved with 5 act tragedy Impii Facinoris Vindex Victoriosus


Notes:
4o size. 8 pp.Performance at  "deux heurs preeises" for both performances.


Notes:
Photographs: Augustin Playbills Gent 2006, #13 - 16

Performed by 'Classe Humanitatis'. 

Structure:
Prologue
Act I: 4
Act II:4
Act III:4
Act IV:4
Act V:4

Signed: Omnia ad majorem Dei, Deiparaeque Virginis Mariae, ac M. P. N. Augustini Gloriam, & honorem.


Notes:
Photographs: Augustin Playbills Gent 2006, #17 - 21
Performed by 'De scena exhibetur a supramae Classis Grammatices Candidatis in Gynmasio M P Augustini Gandavi'.
Includes cast list with boys' names.
At the end of the playbill is AMDG, the Jesuit signature rather than the Augustin signature. There is a Prologue, 'Compendiosam rei seriem exhibet.' A 3 Part Comedy, 'Theuropides Rusticus' is interleaved.

Structure:
Prologue: Compendiosam rei seriem exhibet
Act I: 3
Comoediae Pars I
Act II:3
Comedy Part II
Act III: 3
Comedy Part III
Act IV: 3


Notes:
Photographs: Augustin Playbills Gent 2006: #17 - 21.
At the end of the playbill is AMDG, the Jesuit signature rather than the Augustin signature. There is a Prologue, 'Compendiosam rei seriem exhibet.' Interleaved with "Spectaculum Vindictae, Ultro , Citroque sumptae per Triphum Aldericum, &c.' No music mentioned. See the main tragedy for the structure.


Notes:
A 3 part comedy is interleaved.  The third act of the tragedy is broken in half by inserting the third act of the comedy.


Notes:
Dr. Sypherd lists this work as an Oratorio. 
Found listed in Rouanet IV.pp.190 - 194.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Notes:
After each act is a 'Scena Musica' that is sung. At the end of the third act the label reads 'Applausus Musicus', which might mean dance(s) were included. There is no accompanying comedy.  Presented 'Ab Actoribus & Authoribus Artis Oratoriae Alumnis'


Notes:
Includes 3 part Interludium. Presented 'a Syntaxeos Alumnis'


Notes:
Paired with tragedy Rodericus Rex, et Julianus Comes


Notes:
Complete full score. Requires 2 treble instruments, 1 alto instrument, basso continuo, SATB chorus, SSAT characters (who would typically double with the choir). This is a clean handwritten copy, no scratch-outs or instructions. Stamped Societatis Jesuit Insula, a designation for the English Jesuits. This would the College of St Omers who relocated from St Omers to Liege via Brugge.


Performance Referenced In:
Sommervogel IV, pg. 1541; William S. McCabe, SJ in The Musical Quarterly, July 1938, p 62

Notes:
Dr. Sypherd lists the author: Martin Laski

Found listed in Sommervogel IV. 1541

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
Arias alternated with recitatives; no cast list with this playbill; metaphysical play


Notes:
Latin & German separately. Prologue, Choruses separate Dramatic events from main tragedy.
Structure:
Prologus: Exhibet triumphum sanctae Crucis, una schema Comoediae
Part I (8 scenes)
Chorus I: Statua Nabuchodonosoris
Part II (8 scenes)
Chorus II: Sacrificium Patriarchae Abrahami
Part II (4 scenes)

In Musica:
Can  Candidate (also Ad D. Emmeram Chori regens): Nabuchodonosor Rex & Abraham
Rhetoric: Praeco
Humanista: Idololatria & Isaac & Misach
Grammar: Ecclesia & Abdenago; Popa
Rudiments: Sidrach

Chorus:
Rhet = 2; Human = 7; Syn Maj = 5; Syn Min = 6; Gram = 7; Rud = 12.
Signed OAMDG.


Notes:
Dramatic Structure: Prologue (Meditation I) - Act I (Meditation II - IV) - Act II (Meditation V - VII) - Act III  (Meditation VIII - XII) - Epilogue


Notes:
Paired with 4 Act tragedy, Job. Inserted between the acts.  End of programme: UnI trInoqUe Deo seMper LaUs, honor, VIrtUs, aC gLorIa.


Notes:
Paired with 4 part comedy, Nicobulus. Programme is in Flemish (Dutch). Presume dramas are performed in Latin.


Notes:
Paired with 3 Act tragedy, Joannes Puer, inserted between the acts


Notes:
Paired with 4 part comedy, Chrysippus, inserted between the acts. Presume performed in Latin.


Performance Occasion:
Supremae Classis Grammatices Ludis Bacchanalibus

Notes:
Paired with 3 Part comedy, Rarus Homo, inserted between the acts


Notes:
This tragedy does not have a comedy or any other dramatic form inserted between the acts.


Notes:
A two-part comedy, Clichlarchus,  is inserted in the 2 - act tragedy Joseph. Part 2 of the comedy is inserted in the middle of Act of the tragedy.


Dedication To:
Amplissimis, Nobilissimusque Viris Dominis Summo Praetori, et Senatoribus Urbis Gandavensis

Notes:
A 4 part comedy, Mors, is inserted between the acts of the 5 Act tragedy, Joannes Nepomucenus. There is also an epilogue to the tragedy, not separate from the tragedy.


Notes:
Finalkomedie fur die Frauen - evidence of gender sep?


Notes:
Separate from the tragedy - not interleaved with it.   All in French.
Act I Chorus: Les vertus amies d'Isabelle, & adversaires du monde, chantent, CUR MUNDUS MILITAT
Act II Chorus: Les cinq filles du monde se promettent sollement qu'Isabelle retournee es dignitez premieres, s'enlaschera es fillets & rets mondains, prendra nonuelle partie. Le voeu de Religious, & les vertus, presagent le contraire.
No chorus at the end of Act III. Instead:
Le triomphe du transport du sacre corps de Sainct Albert de France en Bruxelle, parseme d'applaudissemens, & faults (saults) excellents des lettres du nom ALBERTUS. Fin.


Notes:
Finalkomedie fur die Frauen - evidence of gender sep?. Illus in Boberski p. 263. Believe this work to be performed in German, not Latin.


Notes:
Handwritten, very difficult to decipher writing. See photographs: Augustin Playbills Gent 2006, #23 - 26.

Performed by the 'Classis Grammatices'.


Notes:
College d'Aix-la-Chapelle, founded in 1603.


Notes:
Photographs: Augustin Playbills Gent II #028 - 031

Interleaved a 2-part untitled Interludi. The writing on the title page will need to be deciphered.  Suggest using the Flemish portion, as the Latin portion is more difficult to read because of capitals.


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Notes:
Includes a 3 part Interludium. Presented 'Per grammaticos & figuristas minores' class


Notes:
8 characters, also labeled Chorus Musicus


Notes:
4o size. 8 pp.Performance at  "2 h.apres-midi"


Notes:
Photographs: Augustin Playbills Gent 2006 II #032 - 036

Interleaved with 3 act tragedy,Nil Nisi Principium Belli in Walachia orti Hodie In Ongaria nondum Finiti. Presented by the Grammar class.


Notes:
In Latin and German interleaved.  Includes an Argument.  Part I and II end with a chorus.
Chorus I: Patriarcham Jacob ob amissum Joseph tristem solari conantur filii.
Chorus II: Jacob Patriarcha Filium Joseph in Aegypto invenit. 
These two choruses are separate from the main tragedy (Joseph and his brothers is not part of the Clod. Plot).  The 19 member cast is under a separate heading in the Actor's List under Personae Musicae.  These Choruses are almost certainly multi-number in nature, and are a dramatic form unto themselves - like a 2 part oratorio. 
The cast list gives the year for all the students.


Notes:
Includes a 'Prologus Musicus'. Interleaved 4 part comedy, Ascalaphus


Notes:
Interleaved untitled 3 part comedy. Presented 'ab Etymologiae Alumnis'


Notes:
Photographs: Augustin Playbills Gent 2006 II: #037 - 041.

Performed by the Rudimentorum Alumnis.

Interleaved with 3 act tragedy, Cyrus Persarum Rex A Tomeri Schytiae Regina. Performance ends with 3rd act of the comedy.


Notes:
Latin & German interleaved. Cast list includes year in school. Part I & II conclude with a Chorus. This Chorus is actually a 2 part dramatic form, here the story of Esther, Hamaan, and Malachi. It is sung throughout; its cast is listed under Personae Musicae, a separate column at the end of the cast list. 
Chorus I: Arrogans Ambitio Exaltata
Chorus II: Arrogans Ambitio Castigata
Characters: Mardochoeus; Assuerus Rex; Aman; Esther; Filius Mardochai; Filius Mardochai; 3 Ephebi. Chorus: 3 Bass; 2 Alto; 1 Tenor; 1 Discant; 3 in the lowest form but without voice part identification.


Notes:
Interleaved with tragedy, Ulferus Merciorum Rex. No cast list or synopsis for the comedy.


Notes:
Included Prologue.  Interleaved 3 part comedy, Chrisocancrio


Notes:
Includes 2 interludi. No accompanying comedy. No cast list provided. Presented by 'ab Eloquentiae et Humanitatis Alumnis"


Notes:
10 characters + 27 choir. Saltum instructor  D. Franc. Ant. Panuzi, Unversitatis Oenipontanae Saltuum Magister.


Notes:
Photography: Augustin Playbills Gent 2006 II #042 - 46.

Interleaved with a 3 part untitled Interludium. Third part of Interludium is followed by the final scene of the 3rd Act and an Epilogue.  There is also a Prologue. Both Epilogue and Prologue are untitled. The Interludium nor the Epi/Pro are not listed separately.


Notes:
Latin & German interleaved. Year in school provided in the cast list. Part I & II conclude with a Chorus, actually a separate dramatic form in 2 parts sung throughout + chorus. Plot is allegorical in nature. The cast: Dives Evangelicus; Panurgus, Accusator; Judex Divin. & Villicus Divitis Evangelici; Genius Tutelaris Chrysaorii. The voice parts from the choir are not provided; they are broken up by class (top to bottom). Rhetoric = 1; Poesi = 2; Major Syntax=2; Minor Syntax=7; Grammar=5; Rudiments=4; Principys = 2.  Signed OAMDG.


Notes:
Includes Prologue and Epilogue (in a different typeface) delivered by the character FIDES. Interleaved comedy, Horspides.


Notes:
Chorus is separate from Recitatores Chorus


Notes:
Includes a Prologue by a character from the chorus, Divina Providentia. Latin & German interleaved. Year in school provided in cast list. Part I & II conclude with a Chorus - a separate dramatic form, sung throughout. It is the Divine Providence guiding Joseph to and while in Egypt.  The cast singing the parts of Joseph, Jacob, and the brothers etc. are separate from those playing the same characters in the main tragedy; the Musicae Personae are; Josephus Aegypt; Abraham & Simeon (same singer singing both parts); Jacobus & Judas; Filius Joseph; Reuben. The remainder of the characters are given by school year, top to bottom: Poetae = Zabulon, Aser; Major Syntax = Issachar, Dan, Nephtali; Minor Syntax= 2 shepherds, Levi, Isaac Pastor; Grammar= 6 shepherds; Rudiments = 5 shepherds, the Prinicipal Shepherd, Gad, Joseph (the young Joseph before Egypt).  Signed OAMDG. 
Chorus I: Jacobum de Josephi, multo vero magis de Benjamini forte solicitum docet Divina Providentia contra spem in spem credere, proposito in hanc rem Abrahami avi filium suum immolantis exemplo.
Chorus II: Divina Providentia rerum, quas Josepho olim per somnium proposuit, veritatem exhibet.


Notes:
Poss also performed 1699. 6 characters + 14 choir


Notes:
Music instructor: D. Joan. Bapt. Werner; 5 characters + 40 choir


Notes:
Photographs: Augustin Playbills Gent 2006 II: #047 - 57.

Interleaved with 4 act tragedy, Athanasius inter varias Calamitates.  Performed by the entire school.


Notes:
Latin and German interleaved. Year in school provided with cast list. Part I & II conclude with a Chorus. This is a separate dramatic form and is the story of Absolon and Hierosolyman Achitophelis (Absolon captures the High Priest and his sons).  It is actually in 3 parts because the Prologue is Absolon's capture of Achitophelis. 
Prologue:  Absolon captam Hierosolymam Achitophelis confiliis gratus adscribit.
Chorus I: Achitophel, ubi suum Chusai confilio posthaberi videt, quam male tot suos pro Rege labores collocarit, tandem agnoscit.
Chorus II: Achitophel male faustum laborum suorum praemium accipit.
Personae Musicae: Achitophel; Chusai Legatus; Legatus, Absolon, Nuntius, Legatus; 2 sons of Achitophel; 18  Absolonis Proceres & Amici. 
Signed OAMDG.


Notes:
Presented 'a Rudimentorum Alumnis'. 3 Interludi and a comedy, Farrarius


Notes:
Presented 'a Figuristis Majoribus.' Interleaved 3 act tragedy, Athenais per Theodosium


Notes:
Presented 'ab Etymologie Alumni." There is no accompanying tragedy.


Notes:
Presented "a Supremae Classis Grammaticae.' Interleaved tragedy, Ingratitudo Filialis sive Severus in parentem Benignianum ingratus


Notes:
Presented by 'ab Eloquentiae & Humanitatis,' Interleaved tragedy Pseudo Balduinus


Notes:
D. Joan. Bapt. Werner, Music instructor (played multiple parts) + 1 cathedral bass (multiple parts) + 5 discants + 7 alto + 10 tenor + 4 bass


Notes:
Found in Sommervogel III.1163

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
Photographs: Augustin Playbills Gent 2006 II:058 - 062.

Performed by the Grammar class Alumni. At the end is the Jesuit signature, AMDG.  Includes cast list with names. Includes Prologue and Epilogue. No evident of music.  No sign of intermedi or a comedy.


Notes:
Photographs: Augustin Playbills Gent 2006 II: 063 - 72.

Item 33, Sept 4 = Flemish only, Item 34, Sept 6 = Latin only. Includes cast list.No evidence of music. Includes Prologue & Epilogue. No indication of a comedy or intermedi. 

Signed OAMDG


Notes:
Latin & German presented separately in that order. Year in school included in the cast list. Part I & II conclude with a chorus; it is a separate dramatic work of the tale of David, Nabal, and his wife Abigail. There is also a prologue. This separate work is sung throughout, with a separate cast list. 
Prologue: Certamen musicum lyrarum
Chorus I: Nabal, dum suas in Carmelo oves tondet, pessime in Davidis milites invehitur.
Chorus II: David, illatam suis injuriam ulturus, morti destinatum Nabalem Abigailis precibus donat.
Year in school but not voice part given. Amphion. David; Nabal. Rest given by year in school. Humanista: 2 shepherds; Orpheus & Dux; Major Syntax: 5 shepherds, Dux, Menalcas; Syntax minor: Amos & Abigail, Arion, Damon, Mercurius (filius Nabalis); Grammar: 1 shepherd; Rudiments: 4 shepherds, Principle Shepherd, Filius Nabalis (another child). Signed OAMDG.


Notes:
Paired with tragedy Judicium temerarium sive Adolphus etc.


Notes:
Interleaved with 3 part comedy, Lampadio. Presented 'a Rudimentorum Alumnis'


Notes:
Presented 'ab Insimae Classis Grammatices Alumnis'. Interleaved with 3 part comedy, Furius


Notes:
Presented 'ab Etymologiae Alumnis'. Interleaved with 3 part comedy, Brutus


Notes:
Interleaved tragedy, Superbia Vindicata; sive Ugolinus Fatalis. Presented 'ab alumnis Supremae classis Grammatices


Notes:
Presented "ab Eloquentiae et Humanitatus Alumnis. There is no accompanying tragedy.


Notes:
4pp. Rest of title page". . . Exhibent Philadelphus & Philopistus Regii Duo Principes Amici. . . Finale hoc Drama"


Notes:
Photograph: Augustin Playbills Gent 2006 II: #73 - 76.

Cast List with boy's names but not year in school. This may have been performed by a single class (unknown).  No evidence of music. No accompanying comedy or interludi. 

Signed: Omnia in Gloriam Dei


Notes:
Interleaved with a 3 act Comedy, Ampelisca. Includes a Prologue and Epilogue. Cast list.


Notes:
Inteleaved with a 3 Act comedy, Cara caro fuerit. Includes Prologue and Epilogue.


Notes:
Includes cast list. Interleaved with a 5 Act tragedy, Perfidus Ibrahim.


Notes:
Latin and German separate. Year in school provided in cast list. Part I & II conclude with a Chorus, a separate all-sung dramatic work that includes the Prologue. 3 chief performers of the main characters (allegorical); rest is choir. Characters: Jojada, Umbra, Idololat.; Providentia, Justitia, Umbra; Comes Justitiae, Umbra. 
Prologue: Idololatriam, jam de Religione in Judaea triumphare parantem, Divinia Providentia abigit; Religionem autem per promissum Illi auxilium novam spem erigit. 
Chorus I: Religio recenti adhuc Zachariae sanguine consternata, Pios manes ad petendam a Deo vindictam evocat.
Chorus II: Invocata a Religione Justitia dormienti Joae accepta beneficia exhibet per Joiadam e tumulo excitatum; simul ipsi ingratitudinem exprobrat, & non obscure violentam mortem denunciat.
Signed OAMDG.


Notes:
Interleaved with 5 act tragedy Richardae in Conjugem . . . Ab Othone III. . . Mariae coronata


Notes:
Interleaved with 4 part comedy, Bambomachides


Notes:
Paired with tragedy Joseph Per Invidiam. . . Aegypti Pro-Rex Creatus. Presented by the Grammatices Class.


Notes:
Presented by the Etymology class.  Interleaved with 3 part comedy, Alcesimarchus


Notes:
Interleaved with 3 act tragedy, Alexander Magnus etc. Presented by the Etymology class.


Notes:
Interleaved with tragedy, Crudelis Ultio sive Boaldus etc. Presented by "Supremae classis grammatices"


Notes:
Interleaved with 3 part comedy, Polydorus. Presented 'ab Humanitatis Alumnis'.


Notes:
Found listed in Sommervogel VIII.1760

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Notes:
Additional performance in Monachii 1687?. 4 characters + 6 choir


Notes:
Includes cast list with voice part given for each actor. Arias alternated with recitatives, with choruses. 2 Parts: 7 scenes, 8 scenes respectively


Notes:
Latin and German separately. Year in school provided in the cast list. 
Interesting structure: first play in 5 acts seen by this school. Structure is as follows:
Prologus: Conversio Sancti Paul Act. 9
Act I
Saltus
Act II
Chorus I: Joannes Baptista in aula Herodis, veritatis victimas. Marc. 6
Act III
Saltus
Act IV
Chorus II: David ad vocem Nathan poenitens. 2 Reg. 12.
Act V

Personae Musicae (arranged by Year in School)
Theology Moral Studia: S. Joannes Baptista & David Rex; Saulus & Aulicus
Rhetoric: Herodes Rex & Nathan Propheta; Ananias Propheta; Nuntius
Humanities: Salius; Salius
Syn Maj: 4: Syn Min: 6; Grammar: 12; Rudiments: 3. These are in the choir, no parts.
Signed Omnia ad Majorem Dei Deiparaeque Virginis honorem & Gloriam.


Notes:
Interleaved with 5 Act Tragedy, Boetius Tragoedia


Notes:
Interleaved with 3 act tragedy, Eudocia et Romanus Diogenes Imperatores


Notes:
Incomplete entry. Paired with Justinianus


Notes:
Incomplete entry. Paired with a separately entered untitled comedy "Quod nimium"


Notes:
Incomplete entry. Paired with Constantia Christiana: sive Babylas tragedy.


Notes:
Incomplete entry. Paired with tragedy Superbia Punita sive Baltassar


Notes:
Dr. Sypherd's note: [Berques]

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Notes:
11 characters + chorus Martis + Chorus Urbium


Notes:
7 characters + 7 choir. This tragedy may be entirely sung, not just the choruses.


Notes:
Arias alternated with recitatives; no chorus


Notes:
Latin and German separately. 
Structure:
Prologuus: Charitas Paterna (Italics), metuens aulae perduellis insidias, procul parat fugere; revocatur tamen a Justitia Divina (Italics), quae, propositis degenerum filiorum suppliciis, parem in ejusdem hostes sententiam fert, quam tamen mitigat Divina Clementia (Italics).
Part I: Degeneres filii Patri pientissimo; armata vimachinantur exitium.
Chorus I: Charitas Paterna (Italics) denigrata, ab aula procul fugatur a Maledicentia (Italics), Furore (Italics), & Superbia (Italics); cui tamen profugae opem affert Divina Clementia (Italics), animatque ad patientiam, proposito Davidis Regis innocentis, & a Semei maledicti exemplo.
Part II: Regis fuga, & in ea Captivitas
Chorus II: Divina Clementia Paternam Charitatem in spem meliorem erigit, proposita sorte Davidis, post devictum degenerem filium Absalom, rursus in thronum evicti
Part III: Rex liberatur, rebelles filii in gratiam Patris redeunt.
Personae Musicae:
Theol Mor Studia: David Rex, Achitophel & Abisai
Physics: Justitia Divina & Semei & Joab; Nuntius
Rhetoric: Absalomm & Ethai
Poetry: Furor
Syntax Min: Clementia; Nuntius, Nuntius
RudimentsL Superbia, Charitas Paterna, Maledicentia
Choir: Rhetoric = 1; Poetry = 2; Syn Major = 4; Syn Min = 13; Gram = 7; Rud = 8.
Signed OAMDG


Notes:
Incomplete record. Paired with tragedy Acolin


Notes:
Incomplete record, NO COMEDY. Gent III 20 - 24.


Notes:
Incomplete record., Paired with a comedy,


Notes:
Incomplete record. Paired with tragedy Henricus Fatalis. Gent IV 005 - 010


Notes:
Dr. Sypherd's note: the author is Jean Jorath

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Notes:
15 + 1 organist, Udalricus Beer, Synt maj


Notes:
Arias alternated with recitatives; cast list gives voice parts


Notes:
Latin only. In one act of 11 scenes.
Prologue: Schema exhibet actionis, in emarcido horti Mariani lilio.
Scenes 1 - VII
Chorus intercalaris
Scenes VIII - XI
Main play: Characters: Florimundus, Florindus, Vertumnus, Sosia (Famulus Florimundi), Personatus Alastor.
Music: Mors, Genius Marianus; Christus.
Signed OAMDDMVHEG

Title page: in scenam datus cum Perillustris Dominus Maximilianus Wiricus Guidobaldus Ernestus Christianus, S. R. I. Comes de Regal, D. in Kranigsfeld, Rhetorices Studiosus, Praefectus. Congregationis Studiosorum B. Marie Virginis. Sine labe conceptae, promulgaretur Ratisbonae.

Cast (all upper school): Phys = 2 Rhet = 3 Phil Stud = 1 Hum = 1 Syn maj = 1


Notes:
Latin and German separately. 
Prologus: Albania a jugo Turcico jam jam imminente provide liberatur, indignante Tyrannide.
Act I
Chorus I: Mathathias filio suo Judae bene precatus, eundem amore patriae in hostem mittit.
Act II
Act III
Act IV
Chorus II:; Aman eodem, quem Mardochaeo parabat, suffocatur laqueo.
Act V
Chorus I = story of Matbathiae (I think this is from 2nd Maccabees)
Chorus II  = story of Hamaan and Mordechi.
Prologue is also entirely sungn (see the cast list below)
Musicae Personae:
Cantor,  Cathedralis Ecclesiae Ratisbonae: Mathathias & Assuerus
Theol Mor Studia: Fortitudo & Judas filius Mathathiae & Aulicus Assueri
Metaphysics: Tyrannis, Aman
Syn Min: Joannes Filius Mathathiae & Ephebus Assueri
Gram: Mardochaeus; Simon filius Mathathiae
Rud: Eleazarus filius Mathathiae; Albania, Jonathas filius Mathathiae
Chorus Musicorum
Chorus Militum


Notes:
Includes a 4 Part Interludium and a comedy, Epicurus


Notes:
Interleaved with tragedy Paternum Consilium in Aechino Xenophanis Filio, etc.


Notes:
Includes 3 part Interludi and comedy, Landolus


Notes:
Arias alternated with recitatives; cast list gives voice parts; with chorus


Notes:
Latin only. In 12 scenes + prologue, epilogue.  Scene VII is marked: Musica. The synopsis reads: D. Alexius mundi transfuga.  The Prologue and Epilogue are also entirely sung.
Prologue: Praeludit Dramatic, in novo Horti Mariani Lilio
Epilogue: Offertur Coelesti Hortulano novum Marianum Lilium.
Cast (upper school): Philosphy =3; Rhetoric = 3
In Musica:;
Virginitas & D. Alexius = Humanista
Jesus
Amor Marianus
Ephebus
These three above are from Rudiments.


Notes:
Latin & German separately. Year in school provided, but not voice part.
Prologus: Histrio mundi divinae Providentiae theatrum cedit. Haec futurae comoediae periocham dat.
Part I (6 scenes)
Chorus I: D. Paulus. Dolo vos cepi. 2 Cor. 12
Part II (6 scenes)
Chorus II: Et primo Prologum de vanitate mundi.
Part III (6 scenes)
In Musica:
Canonical Studies: Sanctus Paulus
Syntax Maj: Histrio mundi
Rudiments: Providentia Divina
Chorus: Syn Maj = 3; Syn Min = 10; Gram = 8; Rud = 7
Signed OAMDG


Notes:
Only in German, old script.  Therefore there may be errors in my transcriptions. This performamce was given by the highest classes in the school; although the school is not identified, the students are all from Soc. Jesu St Paul in modern day Regensburg. 
Structure is 1 Part in 9 scenes. There is a Prologue and a Chorus (given in full below) that are entirely sung.
Prologue: Die Marianische Liebe zehlet die mit dem Nahmen Maria bezeichnete Schaaf, und bedauret den A(U?)lbgang eines derfelben (derselben?).
Scene 1 - IV
Chorus: Die hollische Kauber stellen in der Finsternufz (sz?) dem Marianischen Schafflein nach; werden aber durch den in dem Mond aufgehenden H. Nahmen Maria vertriben.

The Prologue and Chorus are not connected with the main play, which is Adolphus.
This 2 part play is Mary, the Blessed Virgin.
In Musica
Can Studies: Die Marianische Liebe
logic: Hollischer Kauber
Rhetoric: Hollischer Kauber
Synt Maj:; Hollischer Kauber
Synt Maj: Marianischer Schuss-Geist
Signed, OAMDDVMH


Notes:
Interleaved with 3 act tragedy Blasphemia Punita etc.


Notes:
Interleaved with 4 Part Comedy, Fraus Fraude Punita


Notes:
Paired with tragedy Ludovicus Imperator, etc.


Notes:
Interleaved with 3 Part comedy, Dorippus


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938. pg 63

Notes:
Written by Jacob Balde, SJ.  I have seen this item in 2007.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
4o.

Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 42:1.


Notes:
Arias and recits indicated in playbill; includes chorus of unknown size; no cast list


Notes:
Latin & German separately. The total cast is 111, with 'His accedunt opifices Juniores & pueri rustici Salii, lixae, Caculae, Calones.' 
Structure:
Prologus: Ambitiosi Phaethontis in ortu superbia praeludit arrogantis Lamberti occasui
Part I (10 scenes)
Chorus I: Meridies turbidus Phaethonti ad summa elato propinquum portendit exitium, praecipitium Simnello.
Part II: 8 scenes
Chorus II: Infelix Phaethontis occasus Lamberto praesagit (praefagit?) interitium.
Part III (7 scenes).

The Prologue and Chorus are entirely sung, and are the myth of Phaeton. The layout of the Personae Musicae is confusing at first glance with its two titles, but here is breakdown of personnel:

Rhetoric: Phaethon
Synt Maj: Saturnus
Syn Min: Mars
Gram: Mercurius, Epaphus
Prin: Venus
Rud: Aurora, Cassiopaea, Ganymede, Diana

Secunda & Tertia magnitudinis Stellae: 
Poeta = 2; Synt Maj = 1; Synt Min = 4; Gram = 6; Rud = 5

Pastores Comites
Poeta = 1; Synt Maj = 3; Synt Min = 7; Gram = 5; Rud = 4; Prin = 1

Signed OAMDG

The main cast list is divided into two sections: In Castris Henrici Septimi Angliae Regis; and In Castris Lamberti Simnelli Rebellis.


Notes:
This work is sung throughout and the playbill contains the complete libretto. The entire text is found in a Word document, along with the complete cast. 

The singers/actors also function as the chorus, as only the characters appear and there is also a chorus. Several of the singers are at least active in the local cathedral as singers, and what their relationship is to the school is unknown.


Notes:
Includes 3 Interludi and 3 "Repraesentationes" that are separate from the Interludi (tableaux, perhaps?) Also includes an Epilogue that might have been sung.  Paired with comedy, Menalcus.


Notes:
Interleaved with tragedy Manasses Rex Judae Perfidus, etc.


Notes:
Interleaved with a 4 part comedy, Macrobius


Notes:
Malines = modern city of Mechelen. This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64.
Item appears in Somervogel V.427.


Notes:
Item located in Courtrai, Belgium; I do not know which archive.
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
Animae Humanae Ponderatione (title). Characters: Christus; Nero; Nabal; Mithridates


Notes:
Arias & recitatives alternate. Prologue & Epilogue. Includes libretto. 6 scenes (Punctum)


Notes:
4 scenes. Arias and recits indicated in playbill;opens with with 2 symphonias, with chorus


Notes:
Latin and German interleaved. This playbill contains 3 dramatic works: the main tragedy, a comedy (billed as an Interludium), and a sacred 2 part story of David (entirely sung) and a prologue (entirely sung).
Structure:
Prologus: Amor Divinus Honorem Mundanum & Martyrii Gloriam pro Theatro litigantes componit, currumque triumphalem a Tyrannide & Ariana haeresi novercoe Goizbintae instructum, Hermenigildo substernit.
Part I (7 scenes)
Chorus I: David in gratiam recipitur.
Part II (1 - 3)
Interludium: Megalopyrgopolioreets ein toller Bracht-Hanz beruhmetlich des ziwischen hohen hauptern geschlossenen Friedens, dessen aber die lustige Hoff-Dursch mir lacherlich spottet.
Part II (4 - 9)
Chorus II: David lancea percutiendus.
Part III (1 - 4)
Interludium: Megalopyrgopoliorcete wird als ain Feld-Obrister (Obrifter) ausgerussen: aber lektlich an dem Narren-Teil in die Gefangnuk gefuhrt.
Part III (5 - 8)

Comments on Prologue: Sung. Cast =  5 characters. Hum = Tyrannis; Synt Min = Ariana Haeres; Gramm = Glor. Martyr, Hon. Mund; Rud = Amor. Div. Chorus = 35.

Comments on Interludium: In vernacular, German.  Spoken, not sung. Cast indicated in the cast list:  20

Chorus: 2 part. Story of David playing before Saul and casting out Saul's evil spirit.
Phil. Stud. = Saul Rex
Rhetor = Aul, Jonathan, David, Mal. Spir. Saul
Chorus: Syn Min = 12; Gram = 6; Rud. = 16; Prin = 1)


Notes:
Argumentum.
Psyche Cretica, amores Cosmi fugiens, simulata Bacchi religione, syluas petit: ubi multas Cosmi persecutiones experta, a Theophrasto, Rege Atheniensium, excipitur, Athenasque deducitur. Unde, aliquandui ibidem commorata, in Cretam, hanc emendatura, revertitur.
In illorum gratiam, qui expertes linguae latinae sunt, singularum Scenarum argumentum idiomate germanico fistitur (sistitur?)

Remainder of playbill is in German. 
Tragedy = 3 Acts. 73 actors, 28 singers. 
Act I (14 scenes)
'Hierauf folget der Chor der Psyche, des Neptuni, Cacodociae, Canidiae und der Nymphen.
Act II (11 scenes)
'Diese handlung wird mit dem Chor der Atalanta, der erstlich Jager/hernach Morder/ Hylaei und Rhoeci, eines Genii, und der Kleinen/nebst einem Jager-Tantze beschlossen.
Act III (10 scenes)
Schluk - Chor.

Cast list:
Actors = 20
Nobiles juvenes = 12
Salii = 8
Nymphae & Cupidines = 16
Symphoniaci = 8 characters; 16 chorus; 4 extranei

Comedy (separate production, not interleaved with the tragedy): Comoediam hanc Christ. Weisii Empiricus Politicus per vices excipiet; ut alii quoque, quod agant, habeant. Argument given in German. Unknown number of parts/acts. Main character1 = Aesculapio. M Ch 2 = Sirupo. Total cast = 73. + 7 members listed under category Tanker. 

Last line, last page: Nihil aliud festium hoc Drama sibi habet propositum, quam ut uanis ostentatoribus pudor incutiatur: aequa igitur judicia rogitat & expectat.


Notes:
Includes a 4 Part Interludium and a comedy, Domdinus. It is very likely that this tragedy was sung throughout.  Clue words in the synopsis and the cast of Ephebi, Furiae, Daemonon. Includes an Epilogue.


Notes:
Contains a 3 Part Interludium and a comedy, Mopsus/Megadorus


Notes:
7 scenes. Arias and recits indicated in playbill;opens with with musical duet prologue, with chorus, no cast list. Indications of an interleaved comedy (not listed separately in the database).


Notes:
Interleaved with a 4 Part comedy, Pamphilus.  Included in the Interludium list because preceding each Act (including the first act) and following Act V is a Symbolium, 6 in toto. These each have a two line synopsis in verse and are delivered by allegorical characters such as Austria, Sicilia, Naepolis, Bohemia, and Hungaria.


Notes:
Interleaved with 4 Act tragedy Sanctus Hermenegildus etc.


Notes:
Tragedy cast: total of 5
Theol. Mor. Ac SS. Can. Cand. = Octavius; Philindus; Ramirus, Dux Popolensis
SS. Can. Stud = Fernandus, Aulicus
Theol Moral ac. Polem Stud = Philibertus, Ramiri natu minor filius

Musica: in 2 parts: total cast of 3
Theol Mor ac SS Can Cand nec non ad S. Emeramum Officialis = Isaac
Synt Major = Jacob
Gram = Famulus Rebeccae.

Structure:
Scene 1 - 2
Musica 1: Jacob getrostet sich, durch hulff seiner Mutter Rebecca, des vattrerlichen Seegens.
Scene 3 - 6
Musica II: Jacob erlangt, durch hulff seiner Mutter den vatterlichen Seegen, und Erbschafft.
Scene 7 - 8 (End)


Notes:
Latin and German separate.
Structure:
Prologus: (SUNG ENTIRELY): D. Hieronymus citaturae ad judicium Tubae Sonitum perhorrescens, insuper habitis Romanorum Legationibus, speluncae Bethlehemiticae posthabet Romana Honorum subsellia, Judicum tribunalia, Philosophorum juxta & Oratorum suggestus, iluud identidem ingeminans: Semper in auribus meis sonare videture tuba illa terribilis: Surgita mortui, venite ad judicium. Characters: 4 + 12 Romans = 16
Act I Scenes 1 - 5a:  22 actors
Saltus
Act I Scene 5b
Act II Scenes 1 - 5
Chorus I: Unedecim Josephi fratres per Oeconomicae rei Prefectum ex via revocantur ad Proregis fratris Tribunal ob Scyphum in Sacco Benjamin inventum. Musicians: Joseph is sung by the same actor (a fully frocked canon candidate) who plays the lead in the tragedy (Critomirus Rex). 13 characters + 12 Egyptians = 25
Act III Scenes 1 - 5
Armilustrium: (SPOKEN):Amelius Princeps cum Juventute Aulica, adhuc rerum, quae agerentur, ignara umbratilem pugnam Odoaldi honoribus parat. Characters: these are in addition to the cast of the tragedy, and only appear in this scene: 20 + 20 Salii + 8 Animalia (2 Fauni, 2 Ursi, 2 Caprae, 2 Simiae). Total = 48.
Act IV: Scenes 1 - 5
Chorus II: Josephus Prorex Aegypti, postquam praesentes coram tribunali suo fratres multa sententiae formidine suspendit, tandem ab ipsis quoque agnitus, sententiam fert & Prorege, & Fratre dignissimam.
Act V: Scenes 1 - 4

Signed OAMDG


Notes:
21 characters - each plays one secular and one sacred part


Notes:
Possibly has music - characters of shepherds and nymphs.
Act II and III are divided into two parts. Structure is
Act I; Comedy I; Act Iia; Comedy II; Act Iib; Comedy III; Act IIIa; Comedy IV; Act IIIb


Source/Archive/Library Shelfmark:
II 91.153:13 Jesuit Playbills. 2 non-playbill Jesuit items: a dissertation and a letter


Notes:
14 + Turba militum, nautarum, & Parvulorum Aethiopum. Comedy synopsis verse: Felix, & insperatus, detectis a parentibus Filiorum, ac liberti dolis, eorumden exitus.  Labelled an 'Interlocutores Comediae.'


Notes:
Synopsis for each act. 13 Actors. This document is in poor condition with a torn last page. Vivi M. Valkenborgh Gymn Prof.


Notes:
Interleaved with 3 Act tragedy Ecclesia Ab Haereticis Oppressa


Notes:
Prologue - 2 actors
3 Acts - 19 actors
Epilogue - 2actors


Notes:
Latin and then German.
Structure:
Prologus:; Praesagit vindicias adversus Wenceslaum
Part I  - 7 scenes
Chorus I: Sauli post interfectum Achimelech Sacerdotem praedicitur transferenda in alium corona.
Part II - 7 scenes
Chorus II: David, pro Saul Rex salutus, honorem Sacerdotii se vindicaturum promittit.
Part III  - 6 scenes

Year in school provided for entire cast list. 
Personae Musicae
Theol Mor. Cand. = Eccles Prag. Michol
Theol. Mor Stud Seminarii S Pauli Vice-Praef = Genius Pragens. Saul
Phys Stud = Umbra Samuelis & David
Rhet = Achimelech & Legatus Tyri
Synt Min = Doeg & Legatus Israelis
Synt Min = Ephebus
Gram = Abiathar
Prin = Ephebus
Choir: Syn Maj = 2; Synt Min = 9; Gram = 6; Rud = 12. Total = 29
Signed OAMDG

Possible musical families:
Fux, Franc. Xav.
Obermayr, Barth. Jof.  And Caspar.


Notes:
Latin only. There is only the argument & Parabola (typed in the Synopsis field above) provided. Here is the structure for the remaining 2 pages of this playbill.

Fructus (Title)
Matura, & sincera peccatorum confessio

Clavis Personarum (Title)
Uranius: Christus, misericors Dominus & justus
Anelpistus, Elpidephorus: Filii, in materno Romanae Ecclesiae gremio nati, ac enutriri; sed praevaricatores non poentientes
Poliarchus cum Aula reliqua: Peccatores mature poenitentes, in gratiam recepti.
Severus, Benignus: Christi Comites, Justitia, Misericordia.
Anatolinus, Hesperius: Ab Oriente, & Occidente in Regni Coelestis possessionem translati.

Argumentum Musice Intercalaris (Title)
I. Absalon in Davidem Parentem obstinate seditiosus.
II. David coactus tandem in obstinatum filium arma ultricia capere.

Modulos composuit (Title)
(as writ in composer fields above)

Actores (Title) - (N. B. the actors are all from the Rhetoric class)
Poliarchus
Benignus
Elpidephorus
Hesperius
Uranius
Severus
Anatolinus
Anelpistus

Musici (title)
Theol Mor Cand & SS Cand Stud: Abiathar & Peccator poenitens
Upper school , cannot tell year: David
Upper school, cannot tell year: Absalon
Rhetoric: Joab
Synt Maj: Achitophel & Achimaas

Signed OAMDG


Notes:
Characters arranged on playbill in alpha order


Notes:
Interleaved with 5 Act tragedy, Ecclesiae Immunitas sive Thomas Cantuariensis


Notes:
Interleaved with 3 Act tragedy Invicta Pietas sive Ezechias Rex Juda. The text source for this comedy is Cicero.


Notes:
Latin and German separately.
Structure:
Prologus: Amor perfidus praeludit Tragoedia, non sine obstaculo.
Part I: 8 scenes
Chorus I: Persiae causa adversus Amorem perfidum ab Jove discutienda suscipitur, Marte incassum remorante.
Part II: 7 scenes
Chorus II: Jupiter tandem Amoris perfidi votis annuit, sed non impune.
Part III: 6 scenes.

Personae Musicae
Theol Mor & Controv Stud = Jupiter
Theol Mor Stud = Mars
Synt Maj = Marsus & Comes Amoris
Gram = Cynthia; Persia
Prin = Cynthius; Amor Perfidus; Medus & Comes Amoris
Chorus: Poetry = 2; Maj Synt = 4; Min Synt = 3; Gram = 6; Rud = 12; Prin = 2

Signed OAMDG


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
5 characters + choir. David & Jonathan (Chorus I); Aeneas (Chorus II)


Notes:
12 characters + Chorus Civium + Chorus Sanctorum. Have complete musical text.


Notes:
15 Chorus Sapientiae (characters Consilium & Ratio et al.


Notes:
Interleaved with a 4 part Interludium, Calidorus, that has its own synopsis and so is listed separately in the database. Includes a Prologue and an Epilogue given by mythological characters Amor and Cupidines.


Notes:
Interleaved with 3 act tragedy, Sedecias


Notes:
From the appearances of the playbill, this was not performed by the Society of Jesus college in Regensburg but rather by the church musicians. No cast list is provided. The contents of the playbill are as follows:
Argumentum (typed into the Synopsis field above)

Fructus ex Parabola eliciendus,
Materia Musices

Pars I
Praeparatio ad maturam, & sinceram peccatorum Confessionem ex consideratione mortis, ac Judicii.
Agnitio culpae, & sui ipsius.
Perfecta Contritio cum propositio emendationis.

Pars II
Fuga peccati ob ejus malitiam, & damna.
Cura satisfaciendi pro peccato.
Fiducia in Dei Bonitate per Christi patientis merita.

Ordo Diurnus
Ante Prandium (there fors a list of prayer instructions for each hour)
A Prandio (there follows a list of prayer instructions for each hour)

Patroni: Hujus Sacri Tridui
3 prayers & their sources. Prayers to Jesus, Maria, and Joseph (in that order)
Signed, OAMDG


Notes:
The subject is mythological. Latin and German are interleaved.
Structure:
Prologus: Aquila Jovis, senio sessa (fessa?), id agit, ut munus gestandi fulmina in alium Armigerum transferatur.
Part I:  8 scenes
Chorus I: Volucres Aquila ministerium certatim ambiunt.
Part II: 8 scenes
Chorus II: Fulmen Jovis, ejusque gestandi potestas ab Aquila ad Aquilam transfertur.
Part III: 8 scenes.

Personae Musicae:
Theol Mor ac Polem Stud: Aquila Jovis
Phys Stud: Struthio
Rhet: Cygnus; Pavo
Humanista: Corvus
Min Synt: Pullus Aquil; Aquila Lucida
Rudim: Cornicula; Gallus gallinaceus; Regulus

Volucres aliae: Maj Synt = 1; Min Synt = 7; Gram = 6; Rud = 9; Prin = 2. Total = 25/


Notes:
47 named characters. Joannes Georgius Leopoldus Mozart (1719 - 1787), W.A. Mozart's father,  is a Rhetores student


Notes:
49 characters. Have complete musical text.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #38.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Notes:
Interleaved with 5 Act tragedy, Joseph in Fratres Pius


Notes:
Interleaved with a 3 part comedy, Euclio


Notes:
Latin and German interleaved.
Structure:
Prologus: Prologus infausto Ezidi fato praeludit in Biophilo, vitae mundanae armatore, quem, a suis adulatoribus destitutum, mors inopinata e mediis deliciis abripit. Personae: Mors. Biophilus. Aula mortis.
Part I Ezidus metu mortis anxius. (7 scenes)
Chorus I: Ochozias impii Achabi impius filius, per caenaculi cancellos proplapsus, laesi corporis & vitae remedium apud idolum in Accaron quaerit per Legatos. 4. Reg. 1. Personae: Ochozias. Aula. Ephebus. Jezabelis.
Part II: Ezidus mortis metu liberatus. (9 scenes)
Chorus II: Elias Ochoziae mortem denuntiat. 4 .Reg. 1. Personae; Ochozias. Aulici. Elias.
Part III: Ezidus inopinato fato extinctus. (6 scenes)

Personae Musicae
Spectatiss. D. Joan. Georg. Faber, SS Can Cand Musicus ad S. Emerram = Isachar & Supremus Aulae Praefectus
SS. Can Stud. = Mors & Elias; Ochozias, Rex Israel (Ochozias, King of Israel)
Rhet = Mundus personatus & Caramuel
Synt Maj = Sadoc
Gram = Biophilus & Samiel
Rud = Biophillus Socius
Choir: Rhet = 1; Poetry = 3; Maj Synt= 3; Min Synt = 2; Gram = 5; Rud = 5; Prin = 1

Note: only for the choir, the cast is listed with their last name first. 
Signed OAMDG


Notes:
Item located in Catanio Trento; I do not know what archive.
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
Interleaved with 5 act tragedy,  Carolus VII etc.  Cast contains pirates & sailors - high probability of songs included.


Notes:
Interleaved with 3 Act tragedy, Magnus Athanasius


Notes:
This work has no music. It is in one act with 15 scenes.  All but 2 of the actors are from Poetry class. 1 Synt min, 1 Rud = 2 shepherds.


Notes:
8 characters + Chorus + 7 Coll. & Pastorum. Have complete musical text.


Notes:
18 characters + 6 choir. D. Andreas Sicherer is a schoolboy here. Possibly composed the music?


Notes:
7 scenes, epilogue. Arias alternated with recitatives; includes chorus; voice parts indicated in cast list


Notes:
Interleaved with tragedy Fides, et Amor sive Themistocles


Notes:
Interleaved with a 3 part comedy, Mopsus. Includes two allegorical characters, Divina Justitia and Mors.


Notes:
Latin and German separate.
Structure;
Prologus: Disputatio in aula Darii olim exorta, quid in mundo sit fortissimum (Esdrae 3 Cap 3) renovatur in aula Sapientiae Christianae, & hac Judice palma illi decernitur, qui orationem devotam fortitudine praestare contendit. 
Part I: 9 scenes
Chorus I: Daniel innocens ad Leonum foveam damnatus.
Part II: 7 scenes
Chorus II: Daniel orans e Leonum fovea liberatus
Part III: 6 scenes.

Personaae Musicae:
Solo voices = 6
Spectatiss. D. Joan. Georg Faber, Musicus ad S. Emerem: Sapientia Christiana (Prologue) & Evilmerodachus, Rex Babyloniae
SS. Can Cand.: Ischiphilus (Prologus) & Pilastor rebellis Babylonius
Phys Stud = Theoctistus (Prologus) & Daniel
Synt Maj = Cosmus (Prologus?) & Amyntas
Synt Min = Arbaces
Gram = Chrysander (Prologus?) & Phratates

Choir: Rhet = 3; Poetry = 2; Synt Maj = 4; Synt Min = 4; Gram = 6; Rud = 8. Total = 27

Signed OAMDG & BVM


Notes:
Interleaved with 5 part Tragedy Justinianus Imperator Belisarium . . .


Notes:
Orig performed 1643. 17 (8 Sop, 1 Mezz Sop, 2 contra alto, 4 Tenore,  2 basso) + 15 orchestra ( 2 Violino, 3 violetta, 1 violine, 1 Cornettina, 1 Cornettino, 3 trombone, 1 fagotto, 1 clavicimbalo, 1 arpacordo, 1 tiorba)


Notes:
Interleaved with 3 part comedy Dorippus.


Notes:
Latin and German interleaved.
Structure:
Prologus:
Mars victori filio trophaea erecturus, theatrum Astraea cedere jubetur.
Part I: 7 scenes
Chorus I: Abraham Filium Isaac immolare jubetur Gen.c.22
Part II: 7 scenes
Chorus II: Isaac ob praestitam obedientiam restituitur Patri. c.eod
Part III: 8 scenes

Cast list includes year in school (students are arranged by year in school).
Personae Musicae:
Phil Stud: Mars (Prologus) & Abraham
Synt Maj:; Elizer
Synt Min: Justitia (Prologus?)
Gram: Isaac
Rud: Comes Justit ( Prologus?)
Princip: Comes Justit (Prologus?)
Princip: Comes Martis (Prologus)

Choris: Poeta = 2; Synt maj = 2; Rud = 2; Princip = 1

Signed OAMDG & BVMH
(Omnia ad majorem Dei gloriam & Beatissimae Virginis Mariae honorem)


Notes:
Latin and German interleaved.
Structure:
Prologus: Quam infelix in opere suo sit (fit?), adversus Deum se erigens Profana Prudentia, exhibet ruina statuae. Danielis 2
Part I: 5 scenes
Chorus I: Joab spem ommem in Homine infeliciter ponit.
Part II: 6 scenes
Chorus II: Joab spe sua fraudatus, misere perit.
Part III: 4 scenes.

The cast list, as in Item 31, headed Elenchus Actorum.  The musical cast list is headed: Alii e Gymnasio. 
Personae Musicae:
Phil.  = Joab
Synt Maj = Comes Genii; Banaias
Synt Min = Genius Sapient Profana; Genius Sapient. Caelest.
Rud = Epheb.

Chorus: Rhet = 1; Hum = 1; Synt Maj = 1; Synt Min = 1; Gram = 3; Rud = 3; Prin = 1.

Signed OAMDG & BVMH


Notes:
This work was entirely sung. The libretto is included in the playbill, and is typed out in a Word document. It is short, 6 pages long.


Notes:
This document is too complex for ready reading (all prose, old German script) I have typed the entire playbill into a Word document for later translation.  There are references to choirs, trumpets, drums, and other musics.


Notes:
11 characters + 16 choir. Have complete musical text


Notes:
Includes 3 Interludi and a comedy, Davus Hortulanus


Notes:
This playbill contains 3 dramatic works: (1) the main tragedy (2) a 3 part sacred work (3) an Interludium.

Structure:
Prologus: David Iram inter & Virtutem deliberat, quid agendum in Saulem sit. (fit?).
Protasis Tragoediae: 5 scenes
Chorus I: David a Gabaonitis interpellatur, ut Principem Miphiboseth ad crucem tradat.
Epitasis: 5 scenes
Chorus II: Servat David Principem Miphiboseth
Catastasis: 5 scenes
Catastrophe: 3 scenes

The Interludium might fall between the 4th & 5th acts - impossible to determine.
In Interludio:
Theol mor SS Can Stud: Medius Fidius
Phys Stud: Fidius Medius; Mastix

Personae Musicae
Theol Mor & SS Can Cand Praef Orphan ad S. Salvat = David
Human = Ira (Prologus) & Joab
Synt Maj = Virtue (Prologus) & Banaias
Synt Min = Epheb. Reg.; Legat. Gabaonit
Gram =  Miphiboseth; Epheb. Reg.

Choris: Synt Maj = 3; Synt Min = 1; Gram = 3; Rud = 6; Prin = 4. Total = 17

Signed OAMDG & BVMH


Notes:
13 characters + 16 choir. Have complete musical text


Notes:
Interleaved with a 4 part comedy Mopus Jupiter Imaginarius


Notes:
Interwoven with 4 act Tragedy, Inconstans C. Marii


Notes:
Latin and German interleaved. Year in school provided. This playbill has 4 dramatic forms (1) Tragedy (2) 2 1 part sacred works (3) interludium that I believe is sung, because its cast is listed in the Personae Musicae section.

Structure
Part I: 5 scenes
Chorus I: Praemium ex Virtute, seu polymita Josepho a Patre data. Gen. 37
Part II: 5 scenes
Chorus II: Praemium ex Doctrina, seu Daniel a Rege Nabuchodonosor honoratus. Dan. 2
Part III: 6 scenes

Interludium is performed at end perhaps? Cannot tell. 

Personae  Musicae
Theol Mor SS Can Cand = Jacob & Nabuchodonosor
Rhet = Simeon & Azarius
Hum = Ruben & Arioch
Synt Min = Nephtali & Ananias
Synt Min = Joseph & Daniel
Rud = Levi
Rud = Gad

Chorus: Synt  min = 3; Gram = 2; Rud = 3. Total = 8

In Interludio
Rhet = Abecedesu Paedotriba; Official Aulic
Hum = Muscipulisex
Synt Min = Epsilus
Gramm = Ypsilus; Simulus
Rud = Rondulus; Rastebu

Signed: OAMDG & BVMH


Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890.

Full title page:
Idylle héroïque, dont une partie sera déclamée, et l'autre chantée par les Éscoliers du Collége de Dijon, le 13 de Juin 1742. Devant Son Excellence Monseigneur Paul-Hyppolite de Beauvilliers. Duc de Saint-Aigen. Pair de France, Chevalier des Ordres de Roi, Lieutenant Général de des Armeés, Gouverneur et Lieutenant Général pour Sa Majesté des Provines de Bourgogne, Bresse, Bugey, Valromey, et Gex. A Dijon, Chez Arnauld Jean-Baptiste Augé, MDCCXLII, 4o, p 23, s. deux pp. pour le Prologue.


Notes:
5 Interludi. Paired with comedy Cham Morio, which, as it has 5 parts, may be the Interludium.

The Flemish playbill (Item 81) is handwritten.


Notes:
Latin and German interleaved. Year in school provided in the cast list.
Structure:
Prologus: Caesaris Octaviani Victoriae praesert  (praefert?) Victoriam Pietatis.
Part I: 5 scenes
Chorus I: Troius Aeneas pietate insignis & armis,/Ad Genitorum imas Erebi descendit ad umbras. Virg. 1. 6 Aeneid
Part II: 5 scenes
Chorus II: Publ. Virgilii Maronis Aeneis Aeneae in Patrem Pietatis aeternum monumentum.
Part III: 4 scenes

Personae Musicae;
Notar. Caesar Jurat. Phil. Candid. & Colleg. S. J.  Ad S. Pauli Scriba.: Achates & Virgilius
Eccles. Princial ad S. Emmerami Musicus: Aeneas & Mars Romanus.
Rhetor: Apollo
Synt Maj: Roma; Amor & Julus Ascanius
Gram: Comes Amoris & Ephebus Sibyllae

Choris: Rhet = 1; Hum = 2; Synt Maj =1; Synt Min = 6; Gram = 6; Rud = 6; Prin = 5. Total = 27.


Notes:
This is the 2 part interludium used with Record No. 496, Manasses Rex Judae (1743).

Verthoonders (cast list)
Lemmen met Synneus
Heyltie  Lemmens wijf
Jennemoey Beris wijf
Hanske vroegh bedorven Berisman (Berirman?)
Tongen Lemmen met Syn neus
Chirurgyn De Geus
Schoelmuster
4 students: Heyltie Lauw; Oseewif Knip; Laukendrekmyl; Goris Den Das.
(students' names are very difficult to read)
This was written by a different person than the maian tragedy. Includes a few stage directions, not many. 

1st part: 6 scenes.
2nd part: 9 scenes
Incidental music indicated and a few songs. These were not composed for the play, I do not believe.


Notes:
Includes 5 interludi. No comedy attached. Performed in honor of the visit of H. Udalricus, the Bishop of Augsburg.


Notes:
Interleaved with 3 part comedy, Scaramouche.


Notes:
Although students from the S J College S Paul Regensburg took part, it is not clear from the playbill whether they were lent to the church for the occasion or if the school staged these two dramatic works (the main tragedy and a sacred 1 act).

Structures
Scenes 1 - 4
Musicalischer Chor: Konig David verzenhet dem Semei seinem Feind und lasterer.
Scenes 5 - 12

Personae Musicae
Ornatiss ac Spectat D. Bened. Ign. Schmid. Theol. Moral. & SS. Can. Cand. Mus. Ad Vet. Capell. = Semei
Theol Moral Stud = Abisai
Logic = David
Synt Maj = Nabath
Synt Min = Micha

Signed OAMDG


Notes:
This item is followed by 1 part Kluchtspel (in Flemish Dutch), Rec. No. 499 in this database. It is not dated, but is in the same hand as the tragedy scriptist No.2

This work is written in 2 hands:
No 1. The clearest largest hand, p. 79 - bottom of p. 87
No 2. The most ornate and much smaller hand, last four speeches on page 87 - p.111 and the 2 page Kluchtspel p. 113-114.

There is not a corresponding playbill in the database as of Feb 2007.

The tragedy begins and ends with a chorus. No  music is included, no composer indicated or tune/contrafactum. Stage directions are copiously included. This is a prompt book with no deletions or changes. The top of the first page: Exhibita anno 1744.

Structure:
Act I
Scene 1 opens with a chorus
Act II
Act III
Scene ? Chorus is penultimate part of the scene. Levegildus has the final speech.

Characters (in order of appearance):
Levigildus
Hemenefridus
Daviaces
Sophroniscus
Avaldus
Taletus
Trugillus
Cardaces
Jgerdes
Durias
Erasistratus
Athaulphus
geSnevicus
Leonidas
Alaricus
Casimirus
Licinianus
Recavedus


Notes:
22pp. Title page: "Dilectus a Domino Deo Suo Samuel. . . In Reverendissimo. . . Domino Mauro Exempti Monasteri Mentis Sancti Andechs. . . Abbate Vigilantissimo Redivivus cum Sacerdos Iubilaeus Supremo Rerum Domino Agnum Paschalem Immaculatum, et Solis Albis Candidum, Iubilario Incruento Sacrificio Solemniter Immolaret. . . Musicam in Scenam datus


Notes:
Includes a 5 Interludi in addition to the comedy Euclio.


Notes:
Latin and German separately. Includes year in school. Nearly all the main characters are played by seminary students or Rhetoric. 

It is unclear if the Music at the opening is in the form of an overture/symphony/sinfonia before the scene begins or if the music appears in the scene. The German playbills suggests overture etc., placing the word MUSICA as a title underneath Scene 1 but above the scene synopsis.  The Latin playbill is linear: Scene 1. Musica. followed by the text, which could indicate again an overture.

Structure:
Part I.
Scene 1: Musica: Constantio, festivo in Ludo, gigantum perfidia in Jovem praeluditur
Scene 2 - 3
Saltus
Scene 4 - 7
Chorus  I: Daniel a Purpuratis Dario Regi, Legis Patriae violatae reus, fistitur (sistitur?)
Part II
Scene 1 - 3
Saltus
Scene 4 - 6
Chorus II: Daniel e lacu leonum liberatur
Part II
Scenes 1 - 5


Notes:
This work is incomplete. The book is also missing pages 157 - 163. The handscript ends in the middle of Sanctius' speech Act I Scene 4. 
Top of 1st page, added later in a different hand and badly faded 'anno 1745'

Stage directions are included. No music is indicated. 
The handwriting is that of No 1, the large, clear hand (see previous notes)
Viewed Feb 2007.


Notes:
9 characters. Have complete musical text


Performance Referenced In:
Sommervogel, 6 pg 1154; William S. McCabe, SJ in The Musical Quarterly, July 1938, p 62

Notes:
Found listed in Sommervogel VI.1154

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
Includes 5 Interludi in additon to the comedy Euclio. This drama has unusual structural breakdown in the synopsis pages:
Actus Primi
Praeludium
Interludium I
Postludium
Interludium II
Actus Secundi
Praeludium
Interludium III
Postludium
Interludium IV
Actus Tertii
Praeludium
Interludium V
Postludium

In short, each act is separated into two halves. Paired with untitled comedy, Euclio, which may or may not be the Interludi in listed in the tragedy synopsis notes.

Actors' names but not year in school given. Synopsis provided for each half of each act. Similar structure to tragedy Plautianus.


Notes:
It is not clear if these 2 dramatic works (the tragedy and the entirely sung Job) used students from the school but was staged by the church or if the school staged the production, borrowing students as necessary. All the actors are in the seminary level; the musicians, however, are from the entire strata of the school (voice parts). 

Structure:
Musicalischer Eingang: Dositheus wird von der Goolichen Vorsebung (?B) nach dem Venspiel (?B) des frommen Job, auf di Prob (?) gestellete. [This is the story of Job]
Act 1: Scenes 1 - 9 [The End]

Personae Musicae
Theol Moral Stud = Job
Synt Maj = Genius Div. Provendentiae
Rhetor = Satan
Tres Falsi amici Job = 1 Rhetor, 1 Synt Maj, 1 Synt Min
Duo Angeli = 2 Synt min.

Signed Omnia ad Majorem Dei, Deiparaeque Virginis Honorem & Gloriam.


Notes:
Latin and German separate. Year in school provided.
As in Item 39, whether the Musica before Scene 1 is actually an overture/symphony/sinfonia before the scene begins or occuring in the scene itself. As this is the second instance, supported by the layout in the actual playbill for both the Latin and German bills (see Item 39) it is becoming more likely that the music is separate from the scene.

Structure:
Part I
Scene 1. Musica. Andricus de tragico suae fortunae eventu tristi (?blurred) Morpheo edocetur.
Scene 2 - 3
Saltus
Scene 4 - 7
Chorus I: Fabulosa Andrisci stirps Persei, Jovis filii, fabulae comparatur.
Part II
Scene 1 - 3
Saltus
Scene 4 - 6
Chorus II: Luctuosus Andrici interitus infelici Bellerophontis casu adumbratur
Part III
Scene 1 - 5

Personae Musicae
Semin. Episcop. S. Wolfgangi Cleric. Secul. Alumnus, Theolog. Moral & Polem. Cand. = Calchas & Bellerophon
Phys = Pluto & Pan
Rhet = Neptunus
Synt min = Umbra Andrisci & Genius Cereris
Synt min = Perseus, Jovis filius & Comes Bellerophontis
Rud = Umbra Persei & Genius Dianae

In Choris: Umbrae & Comites

Signed OAMDG


Notes:
Item listed in Somervogel IX.844

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
Includes 4 interludi in addition to the comedy. This drama has unusual structural breakdown in the synopsis pages:
Actus Primi
Praeludium
Interludium I
Postludium
Interludium II
Actus Secundi
Praeludium
Interludium III
Postludium
Interludium IV
Actus Tertii
Praeludium
Interludium V
Postludium

In short, each act is separated into two halves. Paired with untitled comedy, Paedagogus, which may or may not be the Interludi in listed in the tragedy synopsis notes.

Actors' names but not year in school given. Synopsis provided for each half of each act.


Notes:
Includes a Prologue.  Chorus at the end of parts I and II.  School year provided.

There is a musical comedy not mentioned in the synopsis, as in evidence by the cast list: Chorus Comicus = 23 (included in the total cast number above.

Prologue: Extemporali Musica schema futuri Dramatis proponitur.


Notes:
Interleaved with Tragedy Sennacherib etc. Includes actors' names but not year in school,


Notes:
Paired with item 46, the libretto to this work.  The tragedy as well as the secondary sacred work is sung throughout, as the libretto shows. The libretto is typed into a Word document.

Latin and German separate. Year in school given.
Structure:

Prologus: Titi Constantia per Allegoriam in Horto Japonico adumbratur
Part I: Titi in Orthodoxa fide constantia. (scene 1 - 5)
Saltus
Scene 6 - 9
Chorus I: Tres Pueri Babylonii ob negatum aurae statuae Nabuchodonosoris divinum cultum ignis Supplicio adjudicantur.
Part II: Titi in Orthodoxa fide Constantia fortissime impugnatur
Scene 1 - 7
Chorus II: Tres Pueri a flammis illaesi, a Nabuchodonosore plena colendi posthac Veri Numinis libertate donantur.
Part III: Titi in Orthodoxa fide Constantia gloriose triumphat
Scene 1 - 5.

Personae Musicae
Alumn SS Can. Stud = Genius Religionis
Phil Cand. = Rex Nabuchodonosor
Rhet = Praeco
Synt Maj = Satrapa Ildus
Synt Maj = Sidrach
Gram = Misach & custos horti
Rud = Abdenago
Rud = Genius Idoloatriae

In Choris: Hortulani. Comites Religionis & Idolotriae. Chaldaei.


Notes:
132pp. Title page "Die Gutikeit Des Titus. . . Vorgestellet In einem gesingenen Schau-spiele zu hochsten Ehren Der Durchleuchtigsten Maximililan Joseph. . . Mit. . . Maria Anna, Gebohrner Koniglichen Printzepin aus Pahlen etc etc. Aus dem Welschen in das Teutsche ubersetzet von * * *. [La Clemenza  Di Tito]


Notes:
Interleaved with 4 Act Tragedy Curae Caesarum Pro Deo, etc. Includes Actors' name but not year in school (as in the tragedy cast list)


Notes:
Interleaved with 4 Act Tragedy Jonathas Machabeus Ambitu Tryphonis Captus etc. 
Includes actors' names but not year in school. Listed as a comedy on the title page but as an Interludium in the synopsis pages of the tragedy. Unless the comedy is performed separately and there is an actual 3 part Interludium in the tragedy. Impossible to tell.


Notes:
Here is the entire playbill, as the structure is complex.  There is included a 2 part sacred story, which is the story of Nahmen, I believe.

Innhalt der Seschicht [ie, the Argument]

Die Schau Buhne stellet vor die Morder Gruben in dem Maid (Wald?)

Eintheilung des Spiels

Philiberth wird von allen Seiten in die Enge getriben

Der erste musicalische Austritt

Stellet vor, wie Schmertzen voll der gute hirt das verlohrene Schasslein (Schafflein?) beweinnet, und suchet (fuchet?)
Philiberth trachtet sich auf unterschidliche Arth seiner Uengsten loss zumachen. 

In dem anderen musicalischen Austriet

Erfreuet sich der gute hirt ab dem gefunden Schafflein (Schasslein). 

Philiberth gibet sich der Lieve Joannis gesangen.

Persohnen in dem Spiel:
SS Cand = Juratus & Nermorand (Nahmen); Joannis the Apostle
Theol Mor Stud = Thadon
Phys = Phormos; Charibal
Log Stud = Chasgonez; Bustane; Theophilus & the young Joannis; Eusebius & the young Joannis

In der Music:
Orantus ac Erudit D. Ferdinandus Go:z, Log. Stud: Der gute zirt Antrophilus

Hirten
Gram = 1; Rud = 1; Prin = 2

Signed OAMDG


Notes:
Latin and German separate. Year in school provided; in fact, the two schools are divided. There are 3 types of performers taking part. The sacred work, Sacrificium Jephthes, has a complete libretto (840.e.5 Item 47) provided and is written in a word document.

1 = (Domitianus, Imperator) Nob. Ac Doctiss D. Joann. Paulus Mayr Not. Caes. Pub. Juratus Administrator in Hochdorf.

Ex Lyceo (Physics, Theol Mor, Cleric Alumnus, Phil Can, Phys Stud = 5

Ex Gymnasio (Rhetor, Poetry, Syn Maj; Synt Min; Gram; Rud; Princip) =  10 + assorted Duces, Ephebi, Milites, &c.

Structure:
Prologus: Victricem palmam exhibet, quam Romano-Catholica Religio per Flavium Clementem R. C. de Idolis refert.
Act I: 7 scenes
Chorus I: Confatalis post Victoriam Jephtes Patris, & Filiae occursus. Jud. c. 11
Act II: 6 scenes
Act III: 3 scenes
Act IV: 4 scenes
Chorus II: Sacrificium Jephtes. Cap. eod.
Act V: 5 scenes

Personae Musices
Spectatiss. D. Wolffg. Christoph. Rambsmoser, Ecclesiae Cathedral. Cantor. = Jephte
SS Can. Stud. Bardanus & Bellidux
Rhetor = Centurio
Poeta = Gen. Religion
Synt Min = Jephtias [ie, the daughter]
Gram = Gen. Idololat; Nuncius
Prin = 2 Ephebi

Reliqui in Choris

Signed OAMDG


Notes:
I do not know the call number.
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
6 characters. Have complete musical text.


Notes:
Paired with tragedy Novus Saeculi Aristides seu Carolus cognomento Audax, etc (3 Acts).  Assuming interleaved with the tragedy; possibly presented on its own. In that case, cannot determine how many parts/acts.


Notes:
Interleaved with the 5 act tragedy Alexii Angeli etc. Labeled a Comedia Scholion.


Notes:
Latin only. This performance is given by the Grammar class of the school (with one member of Synt Minor),

Structure:
Scene 1 - 5
Chorus I: Avenio a Rhodano pluribus damnis affecta
Scene 6 - 8
Chorus II: Urbs concesso tandem ponte libertat.
Scene 9 - 14

Personae Musicae
Syn Min = Genius Div. Providentiae
Gram = Genius Urbis avenion; Rhodamus

No signature


Notes:
Latin and German are separate. Year in school provided.

The prologue and the 2 part sacred work, Nabuchodonosor, are entirely sung. 

Total number of cast is very involved; here is the breakdown of forces

Actors (both Lyceo & Gymnasio)
Admodum Reverend. Nobil. Ac Clarissim. D. Joan. Mathias Screiber, Sacerdos, SS Theol Licent Cathedr. Eccles. Ratisbon. Chori-Vicarius = Mauritius Imperator
Theol Mor Stud = 2
Phil = 1
Rhet = 5
Poetry = 2
Synt Maj = 10
Synt Min = 2
Gram = 1
Rud = 2
+ Cives, Milites Romani, & Phociani.

Salii = 4, all of noble blood, year in school or out of school not given.

In Saltu Turcico: Synt Maj = 3; Synt Min = 4; Gram = 1; Rud = 2. Total = 10

In Saltu Umbrarum: Rhet = 2; Synt Maj = 2; Synt Min = 1; Rud = 1. Total = 6

Structure:
Prologus: Mauritio poenitenti, remista licet culpa, graves tamen a Divina Nemesi statuunter poenae. THIS IS ENTIRELY SUNG
Act I: 3 scenes
Saltus Turcarum
Act II: 3 scenes
Chorus I: Sedecias Rex Solymae cum filiis captus Nabuchodonosori fistitur (sistitur?)
Act III: 6 scenes
Saltus Umbrarum Mauritianae domus
Act IV: 3 scenes
Chorus II: Rex Sedecias a Rege Nabuchodonosore cum filiis plectitur.
Act V: 3 scenes

Personae Musicae
Theol Mor: Nabuchodonosor Rex
Phil Stud: Nemesis (Prologus) & Sedecias Rex
Rhet = Nabarzanes Bellidux Nabuchodonosoris
Synt Maj = Tebarzanes Bellidux Nabuchodonosoris
Synt Maj = Genius Custos Mauritius (Prologus) & Abdias filius Sedeciae
Synt Min = Umbra Pupilli (Prologus?)
Rud = Ariel, filius Sedeciae
Prin = Umbra Pupilli

Chorus Umbrarum & Militum


Notes:
Paired with 5 Act Tragedy, Mirabilis Cyri et Ariennae Fortuna per Astyagem Medorum et Cyaxarem Persarum Reges ad Optatum Finem Perducta. Includes actors' names but not year in school. One of the Mopsus comedies.


Notes:
Includes complete music text. 6 members in the Symphoniaci


Notes:
Work is in 10 scenes.This item is searchable only under the publisher, Lang, in the British Library online catalog.
Besides the composer, there are 4 musicians, all bracketed and labeled Seminarii S. Pauli Alumni.  There are 7 Actos, all from the Rhetoric and Poetry class years. The playbill has the O. A. M. D. G. emblemata at the end.


Notes:
Latin only. Year in school given. Signed OAMDG

Structure:
Scene 1 - 7
Musica: Filius prodigus ad Patrem revertitur, & ab eo benevole suscipitur.
Scene 8 - 10.

Actors: Rhet =4; Poetry = 3

Personae Musicae:
Philos. Stud. Seminarii S. Pauli Sub-Praefectus = Pater Prodigi
Synt Maj = Corydon famulus (Sem. S. Paul Alum)
Synt min = Famulus (Sem. S. Paul Alum)
Gram = Prodigus (Sem. S. Paul Alum)
Rud = Famulus (Sem. S. Paul Alum)


Notes:
This drama is not associated/connected with any religious order or college in Regensburg. In German. 

Typed into a separate word document - seems to be the entire libretto. In verse. Might have been sung. Old German script.
Joannis Baptistae Lang (name not on doc, but in a coll. Of his prints)


Notes:
Latin and German separate. Year in school provided.

Structure:
Prologus: Diluvium ostendit hominibus, quam severe DEUS puniat peccata carnis. Gen. c. 6.
Act I: 5 scenes.
Scena muta exhibet Saltu allegorico prmam partem actionis.
Act II: 4 scenes
Chorus I: David, legem divinam transgressus, agnoscit peccati malitiam. L. 2 Reg. c. 12
Act III: 7 scenes
Scena muta exhibet alteram partem actionis
Act IV: 4 scenes
Chorus II: David, peccatum serio detestans, a Deo meretur veniam.
Act V: 7 scenes.

Personae Musicae:
Spectatissimus D. Joan. Georg. Faber, Cantor ad S. Emmeram = David Rex
Phil = Noe: (Prologus)
Poeta  = missing character name
 Synt Maj = Nathan Propheta
Synt min = Ephebus Davidis
Gram = 5 , no character
Gram = Clementia
Gram = Convictor
Rud = Ephebus Davidis
Rud = 4, no character
Rud = Justitia
Rud = Cupido

Chorus Pereuntium in diluvio, & Aulicorum Davidis.

Actores List (for the Salii)
Salii Mimici (not musicians)
Genius Provedentia
Proteus
Comes Prov.
4 Comes Protei
2 Comes Cupid.
Comes Prov.
Cupido


Signed OAMDG


Notes:
7 characters + unspecified choir. Includes complete music text.


Notes:
Interleaved with a 4 Part Comedy, Hypocondus. Signed Omnia in Gloriam Dei.
Includes Argument and synopsis for each act. Also includes Prologue and Epilogue by the allegorial character Ecclesia (The Church).


Notes:
"Datus est in Scenam a Studiosa Iuventute Gymnasii Soc: IESU Veldkirchi modulis Musicis expressus". "Viene rappresentato nel Teatro con Musici Concerti:


Notes:
Interleaved with tragedy, Tragica Belli Mithridatici Coronis. Includes actors' name but not school year.


Notes:
JMCM Denis is the author, composer, or publisher?


Notes:
Interleaved with 5 Act tragedy, Varia Sortis Alea sive Severinus Boethius a Theodorico Gothorum Rege Exaltatus et Trucidatus.
Includes actors' names but not year in school.


Notes:
No argument. Synopsis for each act. Includes actors' names but not year in school. Paired with untitled comedy with main character Scombrio.


Notes:
Old German script. 
Year in school provided.

1 act, 12 scenes

Cantores
Theol Mor ac Polem. Studios Sem. S. Pauli Praefectus = Mars
Rhetor = Apollo
Poeta = Epaphus
Synt Maj = Cupido
Gram = Castor
Rud = Pollux
Prin = Ganymedes

Comites Martis
Synt Major = Vexillifer; 4 no character; Decurio
Syn min = 1 no character
Gram = 2 no character
Rud = 2 no character
Princip = 2 no character

Signed OAMDG


Notes:
[Courtois, P.] = the author, perhaps?

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
9 characters + 2 named choirs. Have complete musical text.


Notes:
No argument, but "Repraesentatio" followed by a sentence from the Bible source followed by chapter and verse. 
Also includes a Prologue and an Epilogue:
Prologue: Agitur ascendentes PHILISTHIIM in terram JUDA, castrametati sunt in loco, qui postea vocatus est . . . Maxilla . . . Dixeruntque ad eos de tribu JUDA: cur ascendistis adversum nos? Qui responderunt ut ligemus SAMSON.
Epilogue:  Desendentes autem Fratres ejus . . . Tulerunt corpus ejus & sepelierunt. . . In Sepulchro Patris sui MANUE Judges 16 v. 31
Interleaved with 4 part comedy, Sosia.


Notes:
Synopsis for entire play and for each act. Paired with comedy Sosia. Includes actors' names but not year in school.


Notes:
Argument: Pharao Nechao Aegypti Rex, in pugna Caeso Josia, Judaeae Rege, ad Affyrios perrexit; quibus bello superatis, victor Hierosolymam revertitur; Judaeus rege tibi Joachaz constituisse intelligens indignatur, quod se inconsulto nato minorem Joachaz ad regni solium (folium?) evexisset populos. Hinc (Zebida Eliacim madre adnitente) sceptro spoliatum Joachaz vinctum  in Aegyptum abducit Pharao, Eliacim natu majore Rege constituto. Comedy interleaved with the tragedy.


Notes:
207pp. Title page "Cato in Utica. Vorgestellt in einem gesungnen Trauer-spiel bey erster Erofnung nes Neuenl Prachtigsten Churfurstl. Hof-Schau-Platzes, Auf hochstem Befehl Sr. Churfurstl. Durchlaucht Maximilian Joseph, In Ober-und Niedern-Bayern, auch der Obern-Pfalz Herzog, Pfalz-Grafen bey Rhein, des H. R. Reichs Ertz-Truchsess und Churfurst, Landgrafen zu Leuchtenberg etc. etc. Zu Hochst Dero Glorreichen Namens-Tage am 12 October 1753 die Poesie ist vom Hon. Abbt. Peter Metastasio. . . Die Music ist vom Herrn Joh. von Ferrandini, [Il Catone in Utica].


Notes:
4 Parts are assumed to be interleaved with the 5 Act Tragedy Phaeton. This comedy could also have been performed separately - a notation at the bottom of the page "Turma Comeodorum Italicorum." Includes actors' names but not year in school.


Notes:
Synopsis for each act. Includes Prologue and Epilogue with their own synopses:
Prologue: Serveram Dei justitiam GENIUS metuendam proponit peccatoribus
Epilogue:  Ex exhibita Scena GENIUS morale deducit corollarium.
Paired with a comedy whose main character is Horspides, an allegorial work. Includes actors' names but not year in school.


Notes:
Title page: "Applausus gratulatoris. . . Domino d. Jacobo Thomas ecclesiae Sancti Michaelis Antwerpiae. . . Abbatiquinquacesimo. . .solenniter inaugurato dicatus a. . .juventute gymnasii magni patris Augustini tricesima (30) April 1754"


Notes:
Synopsis for each act. Interleaved with an untitled comedy, main character Theopompus Includes actors' names but not year in school.


Notes:
151pp. Title page: 'Adrian in Syrien. Vorgestellt in einem gesungenen Schau-spiel Auf dem Neuen Hof-Schau-Platz Wehrender Fassnacht 1755. Nach hochsten Befehll Sr. Churfurstl. Durchlaucht Maximilian Joseph, In Obern und Niedern Bayern, auch der Obern-Pfalz Herzog. . . Die Poesie is von Herrn Abbt Peter Metastasio. . . Die Musick ist von Herrn Andre von Bernaskoni


Notes:
Interleaved with tragedy Sennacherib Assyriorum Rex A Deo Punitas. Includes actors' names but not year in school.


Notes:
Synopsis for each act. Paired with a comedy with main character Menalcas. From the synopsis given, believe this comedy was interleaved with the tragedy, although not listed in the act synopsis pages.


Notes:
It is possible there was music with it. Includes a "Repraesentatio" (Mythical, with Pegasus), a Prologue and Epiloque with Roman gods and goddesses. Also, there is a "Pro Synopsi Videantur" of fables No. 4 & No. 5 from Ovid's Metamorphoses. There is no Argument.   The Representation, Prologue, and Epilogue have their own synopsis. Each act has a synopsis. Includes actors' names but not year in school.


Performance Referenced In:
Fleming, Willi. Das Ordensdrama. Leipzig: Philipp 185 - 303 (complete text).

Notes:
The choruses appear within the play as well as between the acts. There are three chorus groups. This work might be intended to be completely sung.


Notes:
Assumed 4 part comedy interleaved with 5 Act tragedy, Divinae Justitiae Tuba sive Justum Dei Judicium in Mauritio Romano-Graecorum Imperatore Tragoedia. Includes actors' names but not year in school.


Notes:
193pp. Title page "Die Verlassne Dido ein Musikalisches Trauerspiel, Vorgestellt auf dem Neuen Hoftheater Auf hochsten Befeht Sr. Churfurstl. Durchlaucht Maximilian Josef. . . In Carnval 1756. . . Die Poesie ist von Herrn Abbten Peter Metastasio, Poeten Sr. R. K.K. M. Die Musik ist von Herrn Andre von Bernaskoni, Sr. Churfurstl. Durchlaucht zu Bayern Rath und Capellmeister. La Dido Abbandonata


Notes:
Synopsis for each act.  Includes a comedy starring Mopsus Rusticus character.  Names of actors, but not year in school


Notes:
Paired with tragedy, Irene Imperatrix. 4 parts are assumed to be interleaved with the 5 acts of the tragedy. Includes actors' names but not year in school


Performance Referenced In:
Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890

Notes:
This play appears in a ms., "Comoedia, dialogi et orationes quas P. Acevedus, Sacerdos Societatis Jesu, componebat," held in the Royal Academy of History in Madrid, written between 1556 - 1572. Contains 6 plays:
1. Actio in honorem Virginis Mariae
2. Comoedia: Lucifer furens
3. Trofes de el divino amor etc
4. Comoedia prodigi filii
5. Comoedia habita Hispali etc
6. Comoedia Bellum virtutis etc


Notes:
Synopsis for each act. Includes actors names but not year in school.  Includes 3 Interludi in addition to comedy Mopsus.


Notes:
Labelled Interludium in the synopsis, a comedy on the title pages. Interleaved with Tragedy Daniel  in Lacu Leonum. Comedy synopsis:  Saepe dat in faustum finem timerarius ausus. Includes actors' names but not year in school


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.449. This item is in  Rouselle's own library at the time of printing.

"Xerxés tragédie dediée a messieurs messieure les magistrats de la ville de Mons, et représentée Par Les Ecoliers Du College De La Compagnie De Jesus A Mons le 29 d'Août à une heure & demis aprés midi pour les Dames seulement: & le 30 pour les Messieurs à la même heure. Les Prix seront distribués par la Liberalité desdits Messieurs. A Mons, chez Leopogl Varret, Imprimeur de Messeigneurs les Etats, & de Messieurs les Magistrats, Ruë d'Havré 1758. 

Excellent example of separate performances for women and men.

In 4o, 10pp.


Notes:
Includes 4 part Interludi in addition to the comedy Drolio.


Notes:
Latin and German interleaved.  School year provided for cast. Signed AMDG.

Prologus
Part I: 3 scenes
Chorus
Part II
Scene 2 has Episodium under it
Chorus
Part II
Chorus

Actors: 12 characters, 5 Genii, 4 Ephebi


Notes:
Cast list has names but not year in school. Synopsis for each act. Includes an Epilogue. Includes a 3 part Interludium in addition to comedy Davus Hortulanus


Notes:
This play is in German. It is not performed and has no connection with any of the religious orders/colleges in Regensburg, but is, with several similar works, included in this volumes of playbills. The libretto is included with the playbill and parts appear to have been sung.


Notes:
Requested copy from British library. Includes complete libretto.

Includes year in school for the cast: [Persones Canentes]
Synt Maj: 3
Synt Min: 1
Gram: 2
Princi; 3
Rud: 1
Alum Seminarii S. Emmerami: 1

Part I: Anthropus, contra quam Sinceritas suadeat, larvam appetit
Recits
Aria
Duet
Recits
Arietta
Recits
Aria
Recits
Aria

Part II:  Anthropus larvatus Rationem & Sinceritatem abdicat.
Recits
Aria
Recits
Aria
Recits
Aria
Recits
Duetto
Recits
Ariose
Recits
Aria
Recits

Part III: Ratio adhibito timore ad meliora consilia reducit Anthropum
Recit
Aria
Recits
Arietta
Recits
Aria
Recits
Aria
Recits
Ariose
Recits
Ariose
Recits
Ariose
Recit
CHORUS

SignedL Ut in omnibus gloricetur Deus


Notes:
This item is found in Venderhaeghen-Bibliog. Gantoise Nr. 13170, Vol VI, p. 172.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
This item is located in Antwerp; I do not know what archive. One of two Jephte plays in this MSS: the other is Narrat Jephte.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
Unusual program. 7 characters and choir (at least)


Notes:
4 characters + unspecified choir.Includes complete music text.


Notes:
Includes a 4 Part comedy, Podagricus.  Synopsis for each of the 5 Acts.  Includes year in school in the cast list.


Notes:
Paired with 3 part tragedy Franciscus Rex Bungi Tragoedia and its all-sung Prologus. 
The complete libretto and playbill for this 2 part work survives, but the composer and the author are not identified.  The 2 part work is identified as a "Musicae Intermediae."

Structure of the work:
Part I
Recits
Ode
Recits
Ode a 2
Recits
Ariose
Recit
Ode
Recits
Ode

Part II
Recits
Ode minor
Recits
Ode
Ode Choro Mixta
Chorus
Recit
Ode
Ode minor
Recit
Ariose
Recits
Ode a Quatuor

Signed, OAMDG


Notes:
This is one of two Jephte plays in this MSS.: the other is Jephtia Necatur.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
Includes names in cast list with year in school.


Notes:
Includes names in cast list with year in school


Notes:
Includes names of cast, but not year in school.  Includes a 4 part Interludium, Drolio Sylvester


Notes:
This 1 part work is paired with the 2 part tragedy, Alexander a Scipione Caesus, performed by the "Suprema Grammatica" class at the school. However, the cast list for the Musica is:
Themis: Synt Maj; Ratio: Synt min Sem. S. Pauli; Phantasus: Principist.Sem. S. Pauli.


Notes:
This item is listed in Somervogel III.1175

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
Includes musical text. 7 characters. Example of how the Chorus is musical


Notes:
One of two dances concluding the programme. With tragedy Esther and comedy Praecautio inutilis


Notes:
Includes a Prologue and an Epilogue. Allegorical characters in the play.


Notes:
Comoedie synopsis verses:Dure sexex nimium prohibens cannubia natae/Nil agis, & proprio falleris ore tuo.


Notes:
This item contains two separate Applausus Convivalis programmes: Tityrus; Daphnis. 4o; 27 pp.

Music ticked b/c of mention of Choreas; this may be a spoken chorus. Dance is ticked b/c of Fauns. 

Cast: 10. Names, but not place in school listed. Fauni (5); Pastores - Lycidas; Tityrus; Menalcas; Alphesiboeus; Meliboeus.


Notes:
This item contains two separate Applausus Convivalis programmes: Tityrus; Daphnis. 4o; 27 pp.

Music ticked b/c of mention of Choreas; this may be a spoken chorus. Dance is ticked b/c of Fauns. 

Cast: Names, but not place in school, given: 9. Gymnasium Soc. Jesu; Galatea; Damon; Amyntas; Moeris; Aziel; Alexis; Corydon; Aegon.


Notes:
Includes complete musical text. 5 characters  (David Rex, Achimelech, Abigail)+ 19 choir


Notes:
27pp. Programme and Text to sung part. Dedication on programme: "Domino Innocentia O.S.B. in monasterio Weichenstephanensi electo abbati"


Notes:
School = Seminario SS. Angelorum Custodum Pollingae. Complete music text with cast list for main and music. 9 characters + 14 choir


Notes:
5 Acts + Prologue and Epilogue. Synopsis for each act and for Pro & Epi (delivered by Elijah). Paired with comedy,  Chammorio.


Notes:
17 actors. Comedy synopsis verse: Op defen valt het quaed altyd,/Die aen een ander quaed opleyd.


Notes:
Include complete music text. 4 Personae Canentes + choir ; 13 = Personae in Scene Intermedia


Notes:
Full title of the comedy:Subdola centoculos astutia decipit Argos.


Notes:
Includes a comedy, and also a Prologue and Epilogue in a commentary form with 3 angels. Also 3 interludi.
Signed Alles Tot Meeder Eer Van God.


Notes:
With comedy: Megadorus: Civis Nobilitatiem Affectans


Notes:
13 Actors, 12 chorus. Includes actors' name and also their year in school. The choir is SATB: SA: 6 TB: 6. 
Unusual feature: Underneath the main character, Cham Morio's, name is the following:

1                2             3            4   
Advenit, excipitur, prandet, caenatque, 
   5
fugitque:
Hinc, quem mane dedit, nox rapit alto jocum

This is repeated in Flemish.


Notes:
Voor-spel/Naer-spel = Allegorical Prologue and Epilogue to the tragedy.  Characters: Engel Bewaerder, Goddelyke Rechtveercligheyd, Goddelyke Bermhertighedy. The Naer-spel occurs after the last act of the comedy.


Notes:
Latin and German interleaved.  Signed OAMDG.

Act I: Propositio Parabolae
Chorus I: Applicatio Parabolae
Act II: Propositio Parabolae
Chorus II: Explicatio Parabolae
Act III: Prop. Parabolae
Episodium: Ad famam hostilis incursos fistit (sistit?) se improvisa peregrini militis manus, cui pro acie est Theatrum.
Chorus III: Expositio Parabolae
Act IV: Prop. Parabolae
Chorus IV: Applicatio Parabolae
Act V: Pro Parabolae
Chorus V: Applicatio Parabolae

Distributio Praemiorum
Ex Fabula nascitur Historia
Actors 8 (main); 4 (Aula reges); 11 Ephebi; 9 Genii; 3 Legati Mauri; 5 Ventores; 9 Duces Belli; 6 Satellites. 

No chorus given in the cast list.


Notes:
Paired with entirely sung 1 part untitled work, "Joseph in Egypt" (listed separately in the database).  The main tragedy, Ferdinand, is entirely sung, with indications for instrumental music.


Notes:
This 1 part work is paired with Blorreiche (?) Freiheit oder der Seelige Ferdinand Koniglicher Prinz in Portugal. It appears between the 1st and 2nd part of the main tragedy, and, like the tragedy, is sung throughout.


Notes:
Paired with tragedy Haraldus Pius Daniae Rex and 2 part 'chorus', Hamaan and Mordechai.  See Haraldus entry for structure. This intermedi is spoken not sung.


Notes:
Paired with tragedy Haraldus Pius Daniae Rex and 2 part untitled Intermedi.  See Haraldus entry for structure. #12 is the complete libretto for this 2 part "chorus"; #15 is the playbill with synopses/structure.  Year in school is provided for the cast list. Work is entirely sung.


Notes:
Includes music: Dr. Sypherd has noted "Zwischen Musik". Also connected with another play, #12 in his list.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. 
P.64


Notes:
This tragedy has a comedy, Octo similes, and a dance, De Dansen Zullen Verbeelden den Somer ende den Herft. Signed Omnia in gloriam Dei.  The year in school is included after the names in the cast list. No voice parts or composer information provided.


Notes:
Incomplete entry.

ARGVMENTVM:

Damus mundi theatro verâ Dei felicitate viduo SS. Felicita-tem Viduam & Martyrem fub M: Aur: Antonino Imperato-/ re victricem, quae Romae maximè crefcit, cùm Filiorum numerus,/ fub martyrio, Matri Felilcitati decrefcit; nunquam tamen felicor/ Felicitas orbi vixit, quàm cùm mundus infelix Felicitatem Gra-/tis orbam vidit. Publius Praefectus hanc Romae invidet, quae in-/ vidia fidemel, hâc vice felix fuit, dum feptem Filios Felicitatis fu-/ftulit virgis, vt fafces Felicitatis triumpho praeirent; fuftibus, qui-/ bus caninam Caefaris invidiam ac Poparum abigerent feliciores;/ praecipitio, vt ab altiori cafu ad majorem caelitū felicitatem afcen-/ derent; ferro, quo laurus fanguine tinctae rofeo magis purpurarent./ Quid mirum? fi jam mundo Felicitas nulla foret, cùm coelum hac/ Felicitate fuam aeternùm auxit.

Page 3
PROLOGUS

A
nima Christiana per muficam inquirit veram huius mundi felicitatem, / cui Angelus Cuftos quietem & filentium fuader, dum brevi in thea-/ trum Felicitatem viduam & M: feptem cum filijs dandam effe revelat.

ACTUS I
Sena I.
Sancta Felicitas docet feptem filios crucis felicitatem, quam vno pectore amplectuntur.

	Scena II. Ianuarius natu maximus, cum aliquibus fuorum Fratrum/ jocos miros facit cum Idolo Veneris, quod domi oft endit.

	Scena III. Summam felicitatem ftarek cum pauperie poffe docet vir/ multus filijs.

	Scena IV. Venus, Mars, Saturnus vltimas moliuntur infidias in S. Felicitatis familiam.

	Scena V.  Manaffar & Pelio thura Dijs ferunt; contrà fulmine illos fer-/ iunt Dij, reclamant Caefaris Victoriae, & evomunt omne malum.

	Chorus. Anima Christiana iactat fuam inventam felicitatem, totique mundo vulgat.

Page 4

ACTUS II

Scena I.
Manaffar & Pelio iram Deorum Caefari Antonino pandunt, qui illicet/ furias in S. Felicitatem agit, omniq; vi ad thura litanda Dijs cogere il-/los decernit.

Scena II.  Dolifax nova ftratagemata in Christianos ad invidiam dae-/ monum excogitat.

Scena III. Ianuarius, Philippus, Felix audaci ora tela Publij Praefecti/ promifsis aureis minifque illita contemnunt.

Scena IV.  Mufica nihil fuavius, nil deterius.

Scena V. Silvanus dum fuam felicitatem cantu monftrat, proditur &/ vix manibus Publij Praefecti elabitur.

Chorus. Angelus Cuftos per faltum Faunoruml, quibus leones, Iupi,/ vulpes, vrfi cheli ludunt, nullam effe mundi felicitatem, Animae Christia-/ nae probat. 

ACTUS III
Scena I.


Sancta Felicitas territos à Publio filios audit, quorum animofam indo-/ lem commendat Deo.

Scena II. Dolifax, vt quofdam Christianos iuvenes melius feduceret,/ fimulat fe Christianiffmum. 

Page 5


Scena III.  Caefar Antoninus S. Felicitatem ergaftulo adjudicat.

Scena IV.  A malo corvo malum ovum.

Scena V.  Filij defolati animantur ad veram Dei Felicitatem à matre/ in ergaftulo.

Chorus. Animae fomnianti variae felicitatis fpecies ofteruntur.


ACTUS IV
Scena I.

Popae nituntur omni confilio S. Felicitatem à fide Chrifti avertere, quae/ faniori mentre conftanter eludit.

Scena II.  Similis fimili gauder. 

Scena III. Aulici cun Caefari Antonino vnâ fententiâ S S. Felicitatem,/ & feptem, filios morti adiudicant.

Scena IV.  Variae mundi felicitates infelicem exitum fortiuntur.

Scena V.  Septem Felicitatis filij inter Echonis Iufus Publio Praefecto/ lufum in ferium cedunt.

Chorus. Animae de vera Numinis felicitate dubitanti reftimonio Angelus Cuftos fuccurrit. 

Page 6

ACTUS V
Scena I.
 Caefar Antoninus vltimo in juventutem promifsis pugnat, fed incaffum/ ideo ad palum virgis caedi iubet, vique dum cedat anima.

Scena II. Mater inter tragicucm fpectaculum ex ergaftulo revocatur, / ad fortiter morientes pro Chrifto filios.

Scena III. Mater roborat reliquos ad novum Martyrij genus, qui/ fpontè tamen Caefari infultant.

Scena IV. Caefar Antoninus Alexandrum ipfa Matre aggreditur, fed cùm furdo canit, crudeli praecipitio perire cogitur.

Scena V.  Furor tandem grandinat in natu minimum & ipfam Felici-/ tatem demetijubet. Vah! nefas!

Chorus.  Anima fibi cum fociis Felicitatem triumphantem, fimulque/ S S. Felicitati & feptem Filiis aeternam gratulatur.

Distributio Proemiorum

Caefar Antoninus laetatus bonis à felicitate relictis, qui feliciores Mufa-/rum Affleclas convocari jubet, & annuum illorum ftudium proemijs compenfat.

Page 7

NOMINA ACTORUM

Sancta Felicitas. Ioannes Victor, Hisperti, Rhetor.

 Filij.
Ianuarius. Nicolaus Roth, Rhetor.
Felix. Iannes Leonardus Compier, Hum.
Philippus. Ioan. Georgius Geir, Min. Synt.
Silvanus. Georgius Adamus Sulger, Minor Synt.
Martialis. Praenobilis Matthaeus à Pfumern, Gram.
Alexander. Ioan. Cafparus Mader, Minor Syntaxifta
Vitalis. Ioannes Conradus Roth, Rudimen.
Antoninus Caefar. Ioan. Georgius Weitkardt, Rhetor.

etc.


Cast List: 
Sancta Felicitas = 1
Filij= 8
Filij Caefaris = 10
Confiliarij = 4
Chorus (all with named characters) = 29
Ephaebi = 9
Fauni = 4
Instrumentistae = 6
Syrenes = 3
Lictores = 5
+ Milites, Famuli & turma reliqua.

FINIS

Notes about the Chorus & Instrumentalists:

Instrumentalists:
Rhetor Cand = 1
Rhetor = 3
Minor Synt = 2

Syrens: 
Minor Synt = 2
Rhetor =1

Chorus:
Anima. Minor
Angelus. Humanista
Providentia. Rhetor
Fides. Minor Synt.
Spes. Major Syntaxifta
Charitas. Min. Synt
Mundus. Rhetor.
Caro. Humanista.
Voluptas. Minor Synt.
Ludiafter. Rhetor.
Perdidius and Filiolog (played by the same boy). Human.
Xantippe. Major Synt.
Vitriarius. Hum.
Caminarius. Rhetor.
Dolifax. Rhetor.
Milipondius. Gramm.
Arnefter. Minor Synt.
Obstemius. Gram.
Aviphilax. Minor Synt.
Hofpes. Major Synt.
Narciffus. No year.
Choridon. No year.
Mammulus, Minor Synt.
Lambertus, Gram.
Nifus, Major Synt
Timophilus, Major Syntax
Sathan, Human.
Gugucorbius, Min Synt.


Notes:
Comedy synopsis verses:Octo similes.Qui fastu gaudere Jovi vult Nomine, nomen/Uxorem, Famulos, & amicos perdit & aedes.


Notes:
This 1 part Scena Intermedia appears between Act I and II of its accompanying tragedy, Lucianus Samosatenus Infelix Atheus. Included in the performance is a two part chorus, Eleutherius (listed separately).  The six actors are from the Rhetoric class; their characters are not identified, nor is any other information about the intermedi preserved.


Notes:
Author = Granelli, Giov. Seila [1761].

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
This item is located in Courtrai; I do not know what archive.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
Music text included in program. Entirely sung: no cast list.


Notes:
Kluchte/ Op Dezen Zin/Niet is'er dar den Mensch meer smert,/Als dobbel loosheyt van het hert./ INHOUD/ Den Doctor Coenraet haert een Dienstmaert voor fijn eygen/Lemmert uyt de Gebuert' werkt ook om haer te krygen,/Maer Davus Lomerts knecht speelt hun met


Notes:
On the heading of the title page in ink has been added: Per R. P. Joannem America. Prof. Rhetor. 12Actors,  no year in sch. ID'd. + Turba Militum. Latin only, synopsis per act. Paired with comedy, Polliodorus.


Notes:
This comedy is paired with the tragedy Abel Joseph. Although not titled, the cast list includes character names and year in school.  The playbill is incomplete and the number of acts for the tragedy and the placement of the comedy within the tragedy is not known. The comedy appears to be entirely sung; the second document included in item #17 is the complete libretto to the comedy. 

Note: There are Echo effects in the comedy.

Please see photographs for the structure.  Approx 20 - 25 mins duration.


Notes:
There is no cast listed for this short work (duration approx 10 - 15 minutes) and no obvious association with the Jesuit school & seminary in Regensburg.  The structure of the work is as follows:

Vor der Predigt (Bredigt?):
Choir
Recit
Arie
Recit
Choir

Nach des Predigt (Bredigt?)
Arie
Chor

No signature


Notes:
This interludium appears within the tragedy Regnerius Gothorum Suecorumque Rex. In the same performance a 2 part Chorus with a mythological plot Bellerophon & the Chimera and a musical prologue relating to the main tragedy also appear. 

The cast list for the interludium includes 1 student from the Phil. Stud class; the remaining 9 are from the Rhetoric class.

Signed OAMDG


Notes:
This playbill includes 2 other works: an all-sung comedy and there seems also to be an interludium and perhaps also a pantomime. Please see the photographs: the structure of this work is unclear, as the playbill includes only the title page and the cast lists. The comedy & the interludium are listed separately, but the possible pantomime information is included with the interludium. 
No synopsis of these plays has been provided. 

The entire performance was staged by the Rhetoric class.


Notes:
Comedy Synopsis: Subdolus ut vixit, sit quamvis glande peremptus,/Sic post fata redit, decipit usque senem. 20 Actors, 14 Choreas Agent, year in school identified.

Paired with a tragedy and two pantomimes/dances: Het Water and Her Vuer.


Notes:
Full title of the Comedy:  Audaces Fortuna juvat timidosque repellit.  Main character: Baloardus. On the heading of the title page in ink has been added: Per Rev. P. Leonem Kegels Prof. Poeseos. 19 actors, no year in school identified.


Notes:
This 3 part work is paired with the 3 act tragedy, "Calinic", and is entirely sung.  It includes theatrical directions

Structure:
Prologus Musices: Agamemnon laesae Dianae reus

Aria? Recit? Cannot tell.
Ode Cum Chorus
Recit
Aria? Recit?
Ode
Recits
Ode Quaternorum

Chorus I: Lucta amoris inter Agamemnonem & Iphigeniam filiam

Recits
Ode
Recits
Aria? Recit?
Ode cum Choro
Recits
Ode

Chorus II: Iphigenia Amoris in Patrem victima
Recit
Ode
Recits
Ode
Recits
Chorus
Chorus: double chorus or 2 single choruses, Praecinente Ramene; Praecinentel Agamemnone
Omnes (Chorus + soloists)

Signed OAMDDG


Notes:
This three part work includes a 2 part sacred Interludium, the story of Abraham and Isaac, that is entirely sung.  This work is listed separately in the database; the entire libretto with its musical structure is preserved. Unknown if presented in Latin or in German. 
The cast list is provided; the students are from the Jesuit school & seminary in Regensburg from all classes. 

Structure:
Part I
Interludium  I
Part II
Interludium II
Part III


Notes:
This tragedy is performed only by the members of the Poetry class.

The music & chorus appear only in the secondary work whose type, title, and parts are unknown. However, it is listed separately in the database.


Notes:
No music indicated. No stage directions.

Written in Hand No. 2, the ornate hand, and rather faded. In darker ink and a different nib size but following the Finis of the play in the same hand is written

'Comedia De Morosa Marguarita Vulgo De quade Griet Neglecta est inferibi (inseribi?) Meas autem ut potui, quas antecedenter habueram Declamationes, nec potueram inscribere Defectu Libri, saepius expetiti, hic subnexas curavi.'

Top of the 1st page, in darker ink, added after the page was written:
'Quintas Locorum Distributione 23 Martij 1768. Declamata per Fig. Min. Jacob van Trubelt, Dionys. Van Gent, poesm Augnum Dierix Petr. Boelen, Pef. Lud. Cox Eleg. Sta de Christi Patientis Amoore ex Hofschio'. 

Structure:
Act I:


Characters, in order of appearance:
Jacob
Ruben
Simeon
Joseph
Isachar
Levi
Dan
Nephtali
Judas
Benjamin
Azer (this is the son Ashur in other texts)
Zaburon (this is the son Zabulon etc. in other texts)
Gad
2 mercatores (merchants)
Potiphar
Sephira
Sy:rus
Pharao
6 nobiles
Angelus
Manassar


Notes:
A student notebook with this play with other items: Declamatio (Latin, cast of 4); 2 Latin dialogues, Not listed separately in the database.


Notes:
21 Actors, no year in school identified. At bottom of cast-list: Kinders Van Matathias en Van Judas Machab. Soldaeten


Notes:
16 Actors, no year in Sch ID'd. Comedy syn (Fl): Zyt met uw lot te Vred', men zal met U niet gekken,/Want zoo Gy hooger vliegt, zult Gy tot spot verstrekken,/Den Borger-Edelman tot spot de oorzack gaf:/ Ziet toe: men voegt'er by, maer zelden doet m'er af.


Notes:
The pantomine main characters are Atlas, Pomono, and Cupid. Paired with tragedy Eleazar en Salomona and the comedy Paedagogus Ludificatus and a second Pantomime, De Logt.
There is a synopsis provided for both pantomimes.


Notes:
On the heading of the title page in ink has been added: Per R. P. Angelum Van Lancker (Lancvier) Rhet. Professorem.12 Actors. No year in sch. identified. Latin only, per act. 'Rex' has been marked out on the title page and 'Dux' written in ink next to it.


Notes:
10 Actors. Synopsis for each act + Argument.


Notes:
18 Actors. Last page, 'Vid. P. Joannes Verlinden, Gymn. Praef.'


Notes:
Items 13, 14 are 2 copies of the same playbill.  There is a tragedy and also a pantomime.  Cannot determine if the work was presented in Latin or German. Singspiel indicates the work was sung. 
The pantomime is listed separately.

Structure:

Scene 1
Scene 2
Scene 3
Pantomime
Scene 4
Scene 5
Scene 6


Notes:
Cast list gives year in school. Includes a 2 part musical work that is connected by plot to the main tragedy; thus it is not listed separately. The structure of this performance, as laid out in the playbill, is as follows:

Pars I:  Philindus abeundi ex eremo propositum dum serio agitat; magnas in angustias conjicitur, e quibus vix emersus,

Pars II: Magis implicatur denuo,

Pars III: Ac tandem sapere meliora, docetur.

Musicae
Pars Prior: Venatorem Stygium exhibet, juventuti insidias struentem:

Posterior: Philindum a Gratia vocante insidiis ereptum.

Signed: OAMDDVM h. & g.


Notes:
This tragedy was performed with 2 other works, one of which was entirely sung. The entirely sung work is a mixture of mythological and allegorical characters with a small cast; the interludi (or Saltu, as it is labeled here), is an allegorical work with a huge cast. The structure of the playbill implies each work was performed separately, rather than interwoven as was the custom. The libretto for the entirely sung work has survived complete with composer name.  These other two works are listed separately in the database.


Notes:
On the heading of the title page in ink has been added: Per R. Adm. P. Signatium C(g)oenen Praefectum. 10 Actors, Identified with year in school. Latin and Flemish side by side.


Notes:
No specific day on playbill. Last page: Den gewaanden Graaf zal in zang verlbeeld worden. Verbeelders, Philippus Graaf, C Johannes Baptista d'Hane. 6 other actors, names + the characters they play.  Coupled with the tragedy Tryphonis in Jonatham perfidia Tragoedia


Notes:
Written in hand No 3, same flourishes as No. 2 but larger and clearer. 
Top of play, following the title:

'Hanc immediate subsecuta est scena comica in hos subscriptum thema:
Dobbel tresien(?), L'oze vonten, en daer me doortrapten aert
zend licht den goeden ssinecht naer Bedriegen Bedevaert(?)

Last page of the play:

'Quinta Locorum Distributione 2da Aprilis 1770.  habita est Declamatio de Passione Domini per Syntaxis Gerardum  Teytmans(?) Sebastianum Stiels & Henr. Schouterden

Characters:
Herus
Davus, servant
Sosia, servant
Callin Conf. Davi
oenopola
Rusticus Gallinarius
Gallinarius Pater 

(the cast list says there are six, but I see 7 at initial glance. Please see photos for better interpretation).

Structure:
Actus Prior: 4 scenes
Actus Altus: 6 scenes


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.451. This item is in  Rouselle's own library at the time of printing.

"Theophile tragédie françoise dédiée à Messieurs, Messieurs les Magistrats de la ville de Mons, Par la libéralité desquels les Prix seront distribués. Représentetée Par les Ecoliers de la Compagnie de Jesus à Mons, le 27 août 1770, à deux heures précises pour les Dames seulement. Et lel lendemain à la même heure pour les Messieurs seulement. A Mons, chez Leopold Varret, Imprimeur de Messeigneurs les Etats et de Messieurs les Magistrats, Ruë d'Havré (1770).

Excellent example of separate performances for women and men.

In 4o.


Notes:
On the heading of the title page in ink has been added: Per R. Adm. P. Signatium C(g)oenen Praefectum. 20Actors, Identified with year in school. Latin and Flemish side by side. There is a Prologue and an Epilogue.


Notes:
11 Actors. No specific day, month on playbill. First item in the playbill is an Ode Ad Maecenates


Notes:
On the heading of the title page in ink has been added: Per Rev. Patrem Jacobum De Wael Praefectum. 12 Actors, Identified with year in school. Latin and Flemish side by side.


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.452. This item is in  Rouselle's own library at the time of printing.

"Aumurat tragédie chrétienne, dediée a messieurs les magistrats de la ville de Mons, representée par les escoliers de leur College de Houdain, ze 26 & 27 d'Août 1772 à deux heures après midi. Les Prix seront distribués par la libéralité desdits Messieurs. A Mons, chez Leopold Varret.

4o. 10 pgs 

[stopped research on page 452 b/c of time, Jan 24 2007]


Notes:
On the heading of the title page in ink has been added: Per Rev. Patrem Jacobum De Wael Praefectum. 9 Actors, Identified with year in school.


Notes:
Comedy synopsis: Fit comes ex Mopso; post hac fit ut ante colonus: Tunc ea, quae fecit, somnia Mopsus habet. 16 Actors, identified with year in school.


Notes:
Includes 2 duets in printed music; the first between the characters David (Tenor) and Bethsebea (Superius)., the second between Angelus Tutelaria (Superius) and Nemesis Davidem (Bassus) (angel & devil)Includes the feature of an Echo. No continuo part provided, nor other instrumental parts mentioned. A Chorus is included in the cast list.


Notes:
22 Actors + 12 member Cantores. The actors are identified by year in school; but not so for the Cantores.


Notes:
14 Actors. 7 Cantores. Includes actors' names and their year in school, except for the Cantores. For the Cantores, only the names are given.


Notes:
Only the title is provided  (both Latin and Flemish). There is a choir Cantores of 7, no year in school provided for the choir (maybe they are not from the school? All the other actors have their year in school after their name).


Notes:
There are 7 identified Danssers. The Comedy synopsis is in Flemish only: Geen Ryker man men vind/Dan die Geen Schatten mind.  The top of the comedy title page: Inhoud der Klugt. Den Overlast Der Rykdommen.  14 Actors, not identified by year in school.


Notes:
Composer perhaps P. Fidelis Bauman?Organist = Io. Balth. Achazmiller, Logicus. 12 choir. Includes organist name, Io. Balth. Achazmiller, Log. Student


Notes:
Flemish and Latin are presented together side by side. 13 Actors. Cast List with the students' year in school.  Comedy synopsis: Stultitia languido/Remedium optimum.


Notes:
68pp. Dedication: "Atque Amplissimis Honoribus. . . Domini Ludovico Josephi"


Notes:
Found listed in Rouanet IV.190 - 194. MS. Coll. Jesuit Dramas

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
Latin and German interleaved.  Includes Prologue and Epilogue. 2 choruses, end of Part I (large) and Part IV (short. 

The entire libretto is typed into a separate word document.

Chorus Part I: Angelo deplorant lapsum Philotheae

Angeli pacis amore flebant (Isa. 33:7) super contritionem filiae Sion (Thren. 2:11) quia egressus est ab ea omnis décor ejus (Thren 1:6). Ecce! Quae nutriebatur in croceis amplexata est stercora (Thren 4:;5). Eheu curavimus Babylonem & non est sanata, derelinquamas eam (Jer 51:9)/

Part III: Qualis est dilectus tuus ex dilecto? Quia sic adjurasti nos (Cant 5:9)

Part III: Quo abiit Dilectus tuus? Quo declinavit? & quaeremus eum tecum (Cant 5:17)

Part IV ii: Fulcite me floribus, stipate me malis, quia amore langueo (Cant 2:5)


Notes:
Includes sung prologue and epilogue in addition to an opening chorus. The synopsis is provided act by act with a 4-part comedy interleaved.


Notes:
Accompanies 5 Act tragedy Phaeton. Cast of 10 including Italian comedians.


Notes:
Call number is Hirsch III. 622. This is the third item in this volume.  Contains 4 pages of music. Request copy if can't do self now. 

Inside page:  Teutscher Poeten Enferig: und lustiges nachfinnen uber das Trostreiche ehren Lied/ Agathnrs/genannt Dom Lob und Wolfstande. Derz oder Mageren Gesellschafft. Unfanglich Lateinisch bescriben von Iacobo Balde Societatis Jesu.

Getructt zu Munchen Ben Lucas Straub. In Berlag Joann. Wagner Buchhandler. Im Jahr Christi M DC XLVII (1648)


Notes:
See notes from Rec. No. 498, the tragedy Levegildus. 
2 pages of a comedy with 3 characters: Neel, Try:n, and Kees. Believe this is incomplete. Blank pages follow in the book before the next item.
No music indications. Do not knoow where this comedy fits in the tragedy structure or if it were presented separately (or for some reason, not at all as it is incomplete in the prompt book). What there is does include stage directions.


Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890.

This play appears in a ms., "Comoedia, dialogi et orationes quas P. Acevedus, Sacerdos Societatis Jesu, componebat," held in the Royal Academy of History in Madrid, written between 1556 - 1572. Contains 6 plays:
1. Actio in honorem Virginis Mariae
2. Comoedia: Lucifer furens
3. Trofes de el divino amor etc
4. Comoedia prodigi filii
5. Comoedia habita Hispali etc
6. Comoedia Bellum virtutis etc


Notes:
This item is only 1 page, the last page of a quarto-sized playbill, total pages unknown. What survives is the synopsis for the final part or act, scenes 7 - 14, typed into the Synopsis field above. 
Following is the composer's name. Then the actors, listed under Actores ex Aula. The actors are arranged not by class. Follows is a summary:
Actores ex Aula
Ill & Gen D = 3 "Principes consanguinei"
Ill & Gen D = 1 "Filius Principis loci"
Praen. = 2 "Ephebi"
Unknown = 4 "Famuli"

Personae Fictae
Morio, Podalyricus
Venator Minos
Venat. Pluto
Ephebus & Mercurius
Eph. Redivivus
Coquus, Judex
Animae (subheading under Personae Fictae)
Mercatoris
Militis
Crassi
Astrologi
Itali
Principis
Alchymistae
Chremetis
Eph. Phanti nova
Jurist & Musici Item Lictor
Graeci
Medici
Hebrai
Nasonis

e Pago (new heading)
4 = Filii
4 = Cognati
3 = Creditores

Musici (new heading)
Nox, & Judaeus
Somnus
Pluto, & Mors ficta
Mors, & anima Philosophi
Phantasus, & Lupulus

Signed OAMDG


Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890.

Written between 1577 - 1629 (his death).


Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

This play appears in a ms., "Comoedia, dialogi et orationes quas P. Acevedus, Sacerdos Societatis Jesu, componebat," held in the Royal Academy of History in Madrid, written between 1556 - 1572. Contains 6 plays:
1. Actio in honorem Virginis Mariae
2. Comoedia: Lucifer furens
3. Trofes de el divino amor etc
4. Comoedia prodigi filii
5. Comoedia habita Hispali etc
6. Comoedia Bellum virtutis etc


Notes:
Volume is formerly A.VIII.50 (1) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
Final item in the volume; f. 105. Volume is formerly A.VIII.50 (1) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
Volume is formerly A.VIII.50 (2) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
Volume is formerly A.VIII.50 (2) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.

#1 and #2 in this volume(according to McCabe) also appear in MS Rawlinson Poet 215 Catalogue No. 14706 at the Bodleian Library (UK).  The titles of the Bodleian pair are:

Sanguis Sangrinem sive Constans Fratricida Tragoediae

Britanniae Primitia sive S. Albanus Martyr

Handwritten note by William McCabe, SJ included in the Stonyhurst archive volume E 2 - 3 Dramas - St Omers: "Authors named were either senior pupils or master at St Omers c. 1656. Both plays also appear in Stonyhurst MS B.VII 23."


Notes:
Call Number is Hirsch III.623 Item 2

Published 1645. 

Title Page: P. Iacobi Balde e Societate Jesu.  Inside page: Beatissimae Virgini Mariae DeiParae Columbae Formosae in Foraminibus Petrae Habenti Genas et Vocem Turturis dulcem supra vocem Citharoedorum et Musicorum Hoc Opusculum de Philomela ex Mente Auctoris Sacrum Esto.

In 1 Part, 26 Scenes, Structure written down in the notebook. Calls for 2 choirs, functioning as a double chior in scene 23 and 24.

Last page = publisher info. Facultas R. P. Nicasii Widnman Praeposti Provincialis Societ. Jesu per Super Germaniam.  "Cum Iacobi Balde, Societ. Nostre Sacerdotis, Lyricam Paraphasin, in Philomelam D Bonaventurae Patres adhoc deputati censam probauerint: potestate ad id mihi facta, ab admodum R. P. N. Mutio Vitellesco, Praepositio Generali S. M. facultatem concedo, ut typis vulgetur. Monachii, XXI Mart. M. DC. XLV.


Notes:
Located in "Caecus" library: view by permission only. 
Libretto: pg. 140 - 177.
Cast: 8. Paterfamilias; Filius natu major; Filius Prodigus; Eliab; Vicinis nobilis; Manasses & Azarias, filii natu majoris familiares; Phares, servus; Pastor.

Setting: Scena in Sylva adibus Paterfamilias proxima
Structure: Act I scenes i-v; Act II scenes i-viii; Act III scenes i-xi


Notes:
Volume is formerly A.VIII.50 (2) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.

#1 and #2 in this volume(according to McCabe) also appear in MS Rawlinson Poet 215 Catalogue No. 14706 at the Bodleian Library (UK).  The titles of the Bodleian pair are:

Sanguis Sangrinem sive Constans Fratricida Tragoediae

Britanniae Primitia sive S. Albanus Martyr

Handwritten note by William McCabe, SJ included in the Stonyhurst archive volume E 2 - 3 Dramas - St Omers: "Authors named were either senior pupils or master at St Omers c. 1656. Both plays also appear in Stonyhurst MS B.VII 23, 1 & 2."


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.  This is the only play in this volume.

*Needs to be confirmed that this play is a St Omers play.*


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond. There are 3 plays in this volume.


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond. There are 3 plays in this volume


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond. There are 3 plays in this volume; this is the last.


Notes:
I do not know the call number for this item nor the plays it contains at this time. The volume is by Father Joseph Simons, publised in Liege, 1656.


Notes:
Dr. Sypherd's notes: Author is Lassala, Eman. Valence [?]; written before 1806. 

This item is listed in Sommervogel IV.1545.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
Attrib. to John Bale, Bishop of Ossary (1495 - 1563). 
Notes in the BL entry: In 5 acts; in iambic trimeters and various choric meters. Characters: Jacob, Absalom, Ahitopbel, Messenger, David, Abishai, Cushai, Zadok, Abiathar, Watchman, and Ahimaaz. Modern note attributing to John Bale; however, this is not included in his own list of his works nor in any other list, appears never to have been printed. Numerous corrections; apparently written by the author. Paper: 30ff XVI a octavo.


Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 22.

Written between 1577 - 1629.


Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

Item 2 in: Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu, componebat. Ms = Royal Acad. Histonry in Madrid. Written between 1556 - 1572. Six items total.


Number of Item in Volume:
Sommervogel, 1, p. 27; Comeodia, dialogi et orationes quas P. Aceuevdus

Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

Item 4 in: Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu, componebat. Ms = Royal Acad. Histonry in Madrid. Written between 1556 - 1572. Six items total.


Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

Item 6 in: Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu, componebat. Ms = Royal Acad. Histonry in Madrid. Written between 1556 - 1572. Six items total.


Notes:
Libretto: Dramata varia a Gymnasio domus professae (Viennensis) S. J. a 1687 - 1704 acta, cum sic dictis compositionibus musicis Bernhard Staudt. 5 vols.


Source/Archive/Library Shelfmark:
Mus.Hs.18958. Mus & Mus.Hs.18958. Mus Leopoldina

Notes:
Drama complectens prologum, tres actus, epilogum, quibus insertae sunt partes cantabiles. Disposita sunt, quae continentur, ita: 1a inscriptio; 1b argumentum; 2a - 10a prologi textus et modi musici alternantes; 10b - 11a vacant. f. 11b - 21a actus I. textus et modi musici alternantes; 21b vacat. 22a - 32a actus II. textus et modi musici alternantes; 32b vacat. 33a - 41a actus III. textus et modi musici alternantes; 41a - 49b epilogi textus et modi musici; 50a - b vacat. Incip.: "Nemo potest aestimare"; desin.: "... bella semper claudite". Opus in collegii societatis Iesu gymnasio exhibitum, ut verisimile est, Vindobonae. Part. ch. XVII. 50


Source/Archive/Library Shelfmark:
Mus.Hs.18971. Mus & Mus.Hs.18971. Mus Leopoldina

Notes:
Drama, continens prologum, quinque inductiones, epilogum, quibus insertae sunt partes cantabiles, quae cum textu variantur. Incip. (prologus): "Tandem cedunt funera florum"; desin. (epilogus): "... te largus effunde et pace foecunda". Part. ch. XVII. 24. f


Notes:
Additional composers: Johann A Tausean & Ferdinand Michl


Notes:
Additional composers: Johann A Tausean & Placidus Cajetan von Camerloher


Notes:
Additional composers: Placidus Cajetan von Camerloher & Ferdinand Michl


Notes:
MS. bound in single volume with MJTD ID 3, Vita seu comoedia divi Stephani proto martyris


Notes:
Paired with  4 Act Tragedy, Pressa Non Oppressa, inserted between the acts


Notes:
Paired with 4 Act Comedy,  Brugellio, inserted between the acts


Notes:
Paired with 4 Part comedy, Poliodorus, inserted between the acts


Notes:
A 2 part comedy, Pambo, is inserted between the acts of the 3 Act tragedy, Ladislaus XV.


Dedication To:
Amplissimis, Nobilissimusque Viris Dominis Summo Praetori, et Senatoribus Urbis Gandavensis Munificis, Perpetuisque Mecoenatibus

Notes:
A 3 part comedy, Capomachiomenides, is inserted between the acts of 3 Act tragedy, Superba Tarquinii. Production structure: Act I - Comedy I - Act II  - Comedy II - Act III - Comedy III


Dedication To:
Nobilissimus Amplissimisque Viris Dominis Summo Praetori, et Senatoribus Urbis Gandavensis Mecoenatibus Suis Perpetuis

Notes:
A 4 Part comedy, Drolio, is inserted between the acts of 5 Act tragedy, Petrus I


Notes:
A comedy, Pantaleon, is in the production, but appears to be presented separately at the conclusion of the main tragedy rather than inserted between the acts. The Latin and Flemish synopses are presented side-by-side.


Notes:
A comedy, Ariaen, is with the 5 Acts of the tragedy Salomona. Itappears to be presented separately at the conclusion of the main tragedy rather than inserted between the acts. Presumed to be performed in Latin.


Performance Venue:
In Aula Episcopali die XI Augusti 1774. In Collegio vero die XII

Notes:
Work is completely sung. Dramatic structure : Part I, scenes I - iii; Part II, scenes I - iv. Includes solos, duos, and trios. It appears that the complete text appears in the programme. It is possible that there is a concluding chorus ('chorus' appears at the conclusion of the work); if so, sung by the characters.


Dedication To:
Noblissimis Amplissimisque Viris Dominis Senatoribus Urbis Dominis Senatoribus Urbis Gandavensis Mecoenatibus Suis Perpetuis

Notes:
A comedy is listed at the end of the programme, Impostores, for the 5 Act tragedy Beverlei. There is also an opera in 3 parts, Den Nacht-Tambour


Dedication To:
Noblissimis Amplissimisque Viris / Dominis Summo Praetori,  / et / Senatoribus / Urbis Gandavensis / Mecoenatibus Suis / Perpetuis

Notes:
This production includes 3 Act Latin tragedy, a Latin comedy (probably in 2 or 3 parts), and an vernacular (Flemish or French) opera in 3 parts. It is unclear from the programme whether these works were presented separately or if the comedy and opera were inserted among the acts of the tragedy.


Notes:
5 Act Latin tragedy, Sedecias, and a Klugt-spel, De Verbeterde Zoonen Ofte Geluk Uyt Ongeluk, believed to be performed in Flemish. The dramatic structure of the second work is not known.


Performance Start Time:
Prize giving on the 24th : 3 p.m. 25th: not known.

Notes:
Latin tragedy, Brutus, whose structure is not included in the programme. Likwise, dramatic structure not include for the comedy, Hassan. The programme includes the prize distribution classes and recipients, which took place on 24 August. The 24th date is not included on the title page of the programme but rather on page 6, implying the prizes for the three lowest classes took place on the 24th. Believe the play was performed only on the 25th.


Notes:
3 act tragedy, Agathocles, with independent allegorical prologue. No chorus is present. A ballet, Louis le Grande, with overture and 3 parts with allegorical characters. Cast list for the main tragedy not provided. Character names but not performers (except for a few in the ballet) are provided for the prologue and the ballet. Cast of ballet appears to include at least two dance pairs consisting of husband and wife.


Notes:
Pastorale performed as part of celebrations for a guest. Appears to have been sung at least in part, 'cantus' in the synopses. Might also have concluded with a ballet.


Dedication To:
D.D. Henrico Gabrieli van Gameren, XVI. Antwerpiensium Episcopo

Notes:
Pastorale in honour of guest, with a chorus of eight, possibly completely sung, possibly concluding with a ballet. No indication in the synopses whether the work was sung or included music, although likely as it is a pastorale.


Dedication To:
D. D. Humberto Guilielmo a Praecipianon, en Baronius de Soye, Duodecimo Brugensium Episcopo

Notes:
This is probably a pastorale but possibly an allegorical tragedy. Cast size deduced from the synopses; no characters or cast list provided.


Notes:
This pastorale does not include any mention of music or dance, but as the work is a pastorale, it is probable. The character of Daphnis, who is not included in the cast, is prominent in the synopses, and probably appears in a concluding ballet not indicated in the programme. Names of actors included but not year in school. Allegorical representations of each character specified in the synopsis.


Notes:
3 act tragedy with no chorus or concluding ballet indicated.


Notes:
3 Act tragedy, Leonides, in which 2 separate interludia are inserted. 1 interludium is mythological (Hercules), the 2nd is allegorical. Handwritten on the programme are the names of the boys acting the tragedy character. No cast list for the two interludia.


Notes:
A second copy of the printed programme is in the same archive, shelfmark VH 27.398, item 1.  This festival piece is a type of tableau on horseback; a parade of the rulers and major nobles of the region from the 16th c to the present. At the end of the second and third part is a series of scenes with allegorical characters: the first, virtues, the second, geographical regions within Belgium. The only instruments referred to are trumpets and drums.


Dedication To:
D.D. Philippo Erardo Vander Noot, Gandavensium Episcopo Decimo Tertio

Notes:
Believe this work to be in the form of a pastorale. If so, the work may conclude with ballet and would have at least instrumentalists and possibly a chorus or various mute characters.


Notes:
This work is divided into 'Ingressus,' each with a brief synopsis. The title of this work might be Luna D'Allamontia Eugenii Antistitis. The form of this might be a pastorale or a tableau. A cast list or a list of characters is not provided.


Notes:
May be C.144.W.N.B rather than a 13; check in catalogue


Dedication To:
D.D. Paul Godefroy, Comte de Berlo, de Frandouaire, Eveque de Namurz

Notes:
The 3 act pastorale, Daphnis,  is paired with a 4 part allegorical/pastorale ballet, Le Merite eleve aux Honneurs. The ballet follows the conclusion of the pastorale. The cast list include the character, name of the actor, and their birth city. The pastorale includes an overture sung by a choir, although no choir is listed in the cast. A chorus concludes each act, labeled 'Cantate.' The chorus is not independent of the pastorale plot.


Dedication To:
D.D. Felici Josepho Huberto De Wavrans, Decimo Septimo Iprensium Episcopo

Notes:
Believe this work to be in the form of a pastorale. If so, the work may conclude with ballet and would have at least instrumentalists. A chorus is mentioned in the synopsis. The allegorical associations of each character is provided in the synopsis. Daphnis, who appears in the synopsis, is not among the characters in the cast list, leading to the supposition that there is a ballet led by Daphnis.


Dedication To:
D. D. Guilielmo Delvaulx, XVI Iprensium Episcopo


Dedication To:
D.D. Philippe Hippolyte Charles Spinola Comte de Bruay

Notes:
This 5 act tragedy has 4 separate interludia inserted between acts I - IV. The interludia are difference dramatic forms. Interludium 1 = ballet. 2 - 4 are not labeled ballets, but may be as the personnel are the same; they may also be tableaux or moving representations. The interludia are spectacle rather than drama and may be a 4 part ballet, as their plots are different aspects of Spinola. No cast list provided for the ballet and interludia. Language of performance is not known; probably vernacular for at least the ballet and interludia; possibly also the main tragedy.


Notes:
5 act tragedy, Heraclius. There are 5 actors who speak the French synopsese for each act before the opening of the act. There are also two other persons who apparently open and close the performance. A cast list with the characters, name of the actors, and the actors' birthplace is included. There is no evidence of a ballet or any other inserted work in the programme.


Performance Venue:
Salle des Penfionaires du College de la Compagnie de Jesus

Notes:
1 page document. Appears to be play, presumed to be a tragedy, Plaidoye. There is also either another drama with 1 character, Jugera, or a spectacle character. For now, Jugera is listed separately in the database under Other genre category. Cast list,  'Noms Des Concurrens' includes character, actor name, birthplace.


Notes:
1 page document. This may be a series of tableau rather than a play.


Notes:
This document remains the sole example of a printed programme from Ireland and is the only known programme to be printed in English. In addition to the 5 Act tragedy, Titus, there are three separate interludia, Rustic Clowne, The Soldier and the Doctor, Two Soldier-Robbers. A cast list is not included. No evidence of music. It is proposed that this programme was the only one to be printed of all the Kilkenny productions because 1643  - 1644 was the only time in which the Catholics controlled Waterford and likewise its presses.


Dedication To:
Josephus Chrysostomus Wissman. Regensburg magistrate or secrary to the magistrate.

Notes:
This tragedy, in 1 part/act in 12 scenes, is preceded by a musical work, Job, whose structure is unknown. Cast list with character name, name of actor, year in school.


Notes:
Incomplete entry. Awaiting copy from British Library. There is a comedy which is not entered in the database.

Jesuit playbill. 1665. Frenburg.
Language: Latin & German
3 Parts
Includes cast list: 77 + 24 Personae Musicae (no composer mentioned).
Tragedy; Comedy; Choruses which comment on the tragedy.

Page 1:

Consilivm in Arena
Pvgna et Victoria
ANGELICI IVVENIS
THOMAE AQVINATIS
In Theatro Archiducalis Gymnafij Societatis IESU
à ftudiofa Iuventute Academica repraefentata.

Glorwürdiger Sig
In dem Geiftlichen Kampff von dem Englifchen Jüngling
Thomas bon Aquin
Erhalten
Auff der Schawbinen Spilweiss von der Academifchen
Jugendt vorgeftellt

In dem Academifchen Gymnasio der Societat Jesu zu Frenburg in Branssgaw den Erstsen 
anno Dritten Herbstmonat 1665

Getruckt Frenburg im Brenssgaw ben Theodor Meyer. (the first letter of the last name is smudged).

Page 2:

Argumentum Historicum [Thomas Aquinus]
Synopsis Comica [ below]

Minus foecundum, quin & arduum non nemini videbitur Dramatij argumentum: illud, quod tota cataftrophe eiusfcemodi abfoluatur victoria, quae peripetiarum & epifodioru vix effe capax videatur: iftud autem, quod gloriofum facinus non ita proponi poffit, vt & caftae aures non offendantur, & fimul nihil, quod ad generofam Protagoniftae mentem exprimendam facit, omittatur. Dedimus tamen operam, ut & infoecunda copiose, & lubrica caute tractaremus. Primum ab Hiftoriae adiunctis, alterum a comica lilcentia edocti; qua prolectantem mulierculam in Cupidine, hunc in illa a Thoma induximus triumphtum. Eadem lilcentia tunc vfi, quando iam facrae D. Dominici, familiae veftibus indutum Thomam, eiufdemque cum Matre loquentem Superiorem inducere oportebat. De caetero totius Dramatic oeconomia ita eft inftituta, vt praemiffa in prima parte Protafi, fubiecta fit Epitafis, hiuc vero, omiffa (vtpote minus neceffaria) cataftafi, cataftophe fuerit annexa.

[follows the same, but in German]

Page 3:

German synopses con’t

Prologus

Pars I: Scena I – II

Page 4

Pars I: Scena III – VII

Chorvs Antistrophvs

Page 5

Pars II: Pugna

Scene I – VII

Page 6

Scene VIII

Chorvs Apocalypticvs

Pars III: Victoria
Scena I – V

Page 7

Scena VI – VIII

Epinicion

Syllabus Personarvm

Page 8
Syllabus Personarvm con’t
Personae Musicae
Signed: Omnia ad Maiorem Dei Gloriam


Notes:
10 characters + 12 + 1 organist, Franciscus Schwepp, Rhetor.


Performance Occasion:
Performed for the Benedictine Marian Congregation


Performance Occasion:
Centenary celebration of Salzburg University


Notes:
Dramatic structure might be 1  - 4 parts


Notes:
Dramatic structure might be 1 or 2 parts


Notes:
Organoedus = Christophorus Vogt + Christus


Notes:
17 characters + 1 organist (Ioannes Rem, Poetry class)


Performance Occasion:
To celebrate Innozenz Deixlberger's birthday


Notes:
5 characters + 9 choir. Co-composed with  Johannes Ferdinand Iele


Notes:
Dramatic structure might be 2 - 6 parts. Performed in Lat, german title.


Notes:
Finalkomedie fur die Frauen - evidence of gender sep?Dramatic structure might be 2 - 6 parts.


Notes:
14 characters + 34 choir + 1 organoedus (Ioannes Rem, Rhetor.)


Performance Occasion:
For visit of Berthold Vogl, abbot of Kremsmunter


Performance Occasion:
for the Rector Gregor Zallwein's birthday


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Dramatic structure might be 2 - 6 parts.


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Florian Reichssiegel wrote the text to the pantomime


Performance Occasion:
Dramatic structure might be 2 - 6 parts.

Notes:
Dramatic structure might be 2 - 6 parts.


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Florian Reichssiegel wrote the text to the pantomime. Dramatic structure might be 2 - 6 parts.


Notes:
Main tite: Clementia Croesi Tragoedia'. Dramatic structure might be 2 - 5 parts. Auctor Operis Musici Nobilis Dominus Wolfangus Mozart, undecennis Filius Nobilis ac Strenui Domini Leopoldi Mozart Capellae Magistri


Notes:
Ballet is the Naer-spel. No choir specified at this time. Ends with a Ballet. See the attached photographs. - Voor-spel Part I, Tusschen-Spel, Part II, Naer-Spel (not listed separately in the database).

Title page: " Speel-wijs  vertoont Aende feer Edele, Wijfe ende voorfienighe Heeren, Mijn Heerem Hoogh-Balliv, Voor-Schepen, End Magistraet Der Stede van Ghendt."


Notes:
Choragus et Poeta erat P. Andreas Vogt, Rhetorices professior'


Dedication To:
3 Sept performance for Leopold and Claudia de Medici


Notes:
Alternate title :Diligentia et Negligentia


Notes:
6 November performance is for prize distribution


Dedication To:
April 7 in honor of the Abbot of Kremsmunster; second April performance in honor of the Cardinals of Dietrichstein

Notes:
April 7 in honor of the Abbot of Kremsmunster; second April performance in honor of the Cardinals of Dietrichstein


Performance Referenced In:
Sommervogel IX, p.560; William S. McCabe, SJ.  in The Musical Quarterly, July 1938.p.63.

Notes:
Found in Sommervogel IX.560

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.p.63


Notes:
Nov 11 performace for the Bishop of Chiemsee


Notes:
Interludium, Pantomimicus Choreuta et olea


Notes:
Co-written with Thomas Weiss. 2 Nov. "Am 2. November Probe in Kostümen' Boberski, 228.


Performance Occasion:
Oct 2: in honor of Erzberzog Sigismund. Nov 9, prize distribution

Notes:
Oct 2: in honor of Erzberzog Sigismund. Nov 9, prize distribution


Notes:
First 3 acts given on 29th,  the remainder on the 30s with the prize distribution


Performance Occasion:
18 August, performed in Hellbrunner Steintheater


Notes:
Also performed  24 September 1665 under the title Pax conciliante augustissimo imperatore Leopoldo Austriaco telluri restituto.


Notes:
Declamatio Rhetorum., in qua rusticus ad praesepe ductus


Notes:
Alternate title: De Hercule Christo reduce ab inferi


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 47, item #49  .

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

Uncertain if this is actually a drama.


Dedication To:
28 Sept for consecration of Bishop Guidobald Thun

Performance Occasion:
28 Sept for consecration of Bishop Guidobald Thun; 6 Oct, prize distribution

Notes:
28 Sept for consecration of Bishop Guidobald Thun; 6 Oct, prize distribution


Notes:
9 characters + 3 genii + 1 organist (matistae Georgius Scheck, Poetry class)


Notes:
In honour of visit by Leopold I; prize distribution


Notes:
This is four separate 1 act plays of instances of Christian history/triumphs. Each act is in two parts; the first part deals with the story and the second is a commentary on the story, usually by allegorical characters.  This is the last playbill in this volume.


Notes:
Poetry: also Fides resurrectionis Pythagorae et Epicuro


Notes:
Summary:
Jesuit playbill. 1671. Vienna.
Language: Latin & German
11 scenes (labelled Inductio)
Includes Cast List: 23 boys, some playing 2 parts
Main Characters: Genius Caroli V; Caftitas. 
Story: S. Francisco Borgia

Page 2: Argument

Page 3: 
Inductio I
Inductio II

Page 4:
Inductio III
Inductio IV
Inductio V

Page 5
Inductio V con’t
Inductio VI
Inductio VII

Page 6
Inductio VII con’t
Inductio VIII
Inductio IX

Page 7
Inductio IX con’t
Inductio X
Inductio Ultima

A.	M. D. G. 

Page 8:

Nomina Actorum
Includes 2 cantantes; 2 Syrenes. No other mention of music except the last item on the page.

After the list of actors (many with noble names):

His accedunt Chori Saltatorum
Affectuum Hifspaniae,
& Tentationum


Dedication To:
For the Abbot of Fulda, Cardinal Bernhard Gustav von Baden

Performance Occasion:
For the Abbot of Fulda, Cardinal Bernhard Gustav von Baden


Performance Referenced In:
Boberski no.188; Demetrius in Willi Flemming (Das Ordensdrama)


Notes:
20 characters + 11 orchestra (Musici Concinentes)


Notes:
Malines  = modern city of Mechelen. Found in Sommervogel V.422

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 47, item #51.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Notes:
14 (Act 1); 10 (Act 2); 7 (Act 3): some play multiple parts


Dedication To:
Promulgation of the Congregatio Angelicana

Performance Occasion:
Promulgation of the Congregatio Angelicana


Notes:
19 characters, incl. organist (Io. Georg. Wideman, Poetry class)


Dedication To:
Bishop Johann Ernst von Thun; prize-giving


Notes:
Also: Noxius parentum amor exhibitus in Fernando


Performance Referenced In:
Fleming, Willi. Das Ordensdrama. Leipzig: Philipp Reclam, 1930. II, 47 - 183 (complete text).

Notes:
Choruses, performed by allegorical characters between Acts I - IV, are not independent of the main title work.


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 103, no. 3


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. III: 204, no. 1


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 111, no. 1


Dedication To:
Didicato da Montepulciano al Serenissimo Gran Duca di Toscana


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 107, no. 1


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. II: 107, no. 2


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. I: 115, no. 1


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. I: 171, no. 27


Performance Referenced In:
Perini, David Aurelius, P. Biblioteca Agostiniana. 4 Vols. Firenze: Tipografia Sordomuti. 1929 - 1937. I: 222, no. 2


Notes:
Not a true drama, but a festival/funeral with a choir, instruments, concertante, aria, recitative.


Notes:
25 at least; difficult to tell for certain. Chorus and characters listed together.


Dedication To:
D.D. Dominico de Gentis ex Sacro Praedicatorum Ordine Decimo Quinto Antverpiensium Episcopo

Notes:
27 pp. 4o. Music & spoken odes throughout. Spectacle/tableaux, not a true drama.


Notes:
4 pages from a play in Spanish from the Augustinian cloister in Diest, Belgium.  4pp. 4o


Dedication To:
A tres-havte et tres-vertvevse Princesse Madame Lovise de Lorraine, Princesse de Ligne, D'Amblise, et Dv s. Empire

Performance Venue:
Convent des Poenitentes Capucines a Douay

Notes:
Opens with a prologue. Choruses, concluding all acts, are moral summaries of preceding action. Performed by the students/sisters of the convent in honour of the princess; an example of theatrical activity in female religious orders. Requires 5 choirs.


Notes:
Believe S. Servatius to be a Benedictine school, but not certain. Libretto & programme performance notice. Choruses fully integrated into the action. Possible for this work to have been entirely sung.


Notes:
Choruses at conclusion of Acts I - IV; single moralizing summaries of preceding action. MS is fairly legible and clear, although faded. 22 pp. 4o.


Dedication To:
Serenissime Prince, Guillaume Louys, Duc de Wirtemberg

Notes:
Haider includes only the title page information.


Dedication To:
H. Christian Ludowigs, Hertzogen zu Brunswig und Lüneburg / Fraulein Dorothea, Hertzogin zu Schlesswig


Notes:
Includes two part Interludi, each with a sentence synopsis. Tragedy most like spoken.


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Notes:
33 characters + 22 choir + 11 instrumentalists


Notes:
16 characters + unspecified choir. EXAMPLE OF NON MUSIC CHOIR & MUSIC CHOIR


Notes:
Written by D. Joan. Ignatius Glettl, Phil. Baccal. Metaph. Stud.


Source/Archive/Library Shelfmark:
Eine Verzeichnisse Jesuiten Schul-Dramen-Univ. Munchen

Performance Referenced In:
Found in Eine Verzeichnisse Jesuiten Schul-Dramen-Univ. Munchen; William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63

Notes:
Found in Eine Verzeichnisse Jesuiten Schul-Dramen-Univ. Munchen

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Performance Referenced In:
Szarota 2:2, 1727-1734;' Grove Music Online under

Notes:
6 actors; 16 characters. This work also mentioned in Grove for his entry - WHOSE?


Notes:
6pp '4 choirs. Have complete musical text.


Notes:
10 characters. The Choruses are all-sung


Notes:
The playbill in Flemish followed by the play in Latin, both handwritten, difficult to read in faded ink and small writing. Cast list for both the tragedy and comedy on the last page. No indication of music. Cast: approx 20

Photographs: Gent 30 - 75 

Interleaved with 'Sales' comedy (listed separately in database).

Cannot decipher name on author's signature.


Notes:
13 characters + 1 organist (Georgius Schnevogl) + 30 choir


Notes:
21 vocalists + 11 Orchestra: Praefectus musica: D. Petrus Nidermayr, ad D. Michaelis Musicae Praefectus. Organist: D. Georgius Schnevogl, Casista. 3 church musicians, 3 rhet and 3 humanista students


Notes:
8 characters + 24 choir. Schnevogel also directed the music.


Notes:
8 musicae characters: 4 Personae Mute (Ioab, Abner, Iudas, Bannaias)


Notes:
24 characters + 29 choir. Different work for prologue and each chorus


Source/Archive/Library Shelfmark:
Mus.Hs.18960. Mus & Mus.Hs.18960. Mus Leopoldina

Notes:
Drama complectens prologum, quinque actus, epilogum, quibus insertae sunt partes cantabiles. Opus praecedit scenarium impressum, in cuius fine notantur "personae recitantes". 8a - 67a textus e modi musici partium cantabilium ad singulos actus pertinentes alternant; 67b - 69b vacant. Incip.: "O Iux ocelli ad alta coeli"; desin.: "... tandem virtus una triumphat". Part. ch. XVII. 69. f. et 4°. 


Notes:
19pp. 4o size. 15 cm. Title page: "Applausus panegyricus admodum . . . D Philipo van Tuycom. . . Canonicorum ordinis praemonstratensis. . . Caenobii Parchensis. . . Abbati. . . Recenter inaugurato. . . Exhibitus a gratulabunda juventate gymnasii literarii Loveniensis M P Augustini 1682


Notes:
Synopsis of the play, handwritten in Latin with corrections. Year was added later in pencil.  3 Acts, each act labeled Ganda Enthnica, Ganda Catholica, and Ganda Hispanica, respectively. 

Coupled with comedy, Conviviam Philofoxgirum non munus eixidi quam aruti ab Efoxo xgilofoxganti inffvuertum Drama comicum.

Photographs are in folder Augustin Playbills Gent I #1- 4.


Notes:
Full title of play difficult to decipher. Synopsis of the play, handwritten in Latin with the college clearly identified on the title page. This is a very short comedy of 5 scenes with an addition at the end of the fifth scene that I cannot translate at.
+ C(G)ovonis, 5 scenes

Interleaved with tragedy ''Ganda: Ethnica, Catholica, Hispanica''

Much interpolation of Greek in the Latin. 

The pictures are in Augustin Playbills Gent I, #5- 10.


Notes:
Most likely spoken. No interludi, no comedy.


Performance Referenced In:
Sommervogel, IX, p.28;  William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63

Notes:
Found in Sommervogel IX.28

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


