# Performance Main Table

Source/Archive/Library Shelfmark:
Mus.Hs.18959. Mus & Mus.Hs.18959. Mus Leopoldina

Notes:
Opus dramaticum, musicis numeris ornatum. Praecedit partem manu scriptam libellus impressus, in cuius fine notantur nomina actorum et cantorum. Incip.: "Ego dominus ab India"; desin.: "... da robur fer auxilium". Part. ch. XVII. 31. f. et 4°. 


Source/Archive/Library Shelfmark:
Mus.Hs.18875. Mus  & Mus.Hs.18875. Mus. Leopoldina & MS1580-4°. 132 Mus LD

Notes:
Drama complectens prologum, tres actus et epilogum; insertae sunt operi partes cantabiles. Notantur in scenario impresso, operi praecedenti, nomina actorum et cantorum (fol. 3b - 4b). In volumine manu scripto (5a - 65b) totum opus ita distribuitur: 5a repetitur inscriptio ex libello impresso, sed brevior est; 5b argumentum. 6a - 13a prologus, musicis numeris ornatus; 13b vacat. 14a - 27a textus prologi et actus I.; 19a - 26a modi musici partium cantabilium inserti sunt. 26b vacat. 27a - 43b actus II. (textus); 30a - 32a inserti sunt modi musici partium cantabilium (chorus I.); 32b - 33b vacant; 36a - 42b: inserti sunt modi chori II. 43b - 53b actus III. (textus et modi musici, qui inserti sunt 45a - 46b et 48a - 49b). 54a - 65b epilogus numeris musicis ornatus; 66a - 68b vacant. Incip.: "Triumpho! Iam subacta marte pressa"; desin.: "... in sera vive saecula, in posteris triumpha". Part. ch. XVII. 67. f  ALSO: Ferdinandus Quintus, Rex Hispaniae Maurorum Domitor. Drama des Wiener Jesuitenkollegs anläßlich der Befreiung von den Türken 1683. Veröffentl. v. Walter Pass. Textbearb. u. Übers. v. Karl Plepelits. [Part.] - Graz: Akad. Druck- u. Verlagsanstalt 1981. IX, 147 S. (Denkmäler der Tonkunst in Österreich. 132.) = MS1580-4°. 132 Mus LD.


Source/Archive/Library Shelfmark:
Mus.Hs.18906. Mus & Mus.Hs.18906. Mus Leopoldina 

Notes:
Drama complectens prologum, tres actus et epilogum; insertae sunt partes cantabiles. Opus praecedit (fol. 3a - 6a) scenarium impressum, lingua latina et germanica scriptum, complectens etiam nomina actorum et cantorum; 6b vacat. 7b argumentum; 7b vacat. 8a - 15a modi musici prologi; 15b vacat; 16a - 20b textus prologi et actus I; 21a - 27b modi musici chororum actus I.; 28a - b vacant. 29a - 33b textus chori act. I., et actus II. (integri); 34a - 40a modi musici chori actus II.; 40b - 41b vacant; 42a - 49a textus chori actus II., actus II. (integri) et epilogi; 49b vacat. 50a - 57b modi musici epilogi. Incip. (prologus): "Iam fessa sum"; desin. (epilog.) "... aeternitas palmis coronabit ..." Part. ch. XVII. 57. f


Source/Archive/Library Shelfmark:
Mus.Hs.18874. Mus &  Mus.Hs.18874. Mus Leopoldina

Notes:
Opus complectens 3 "inductiones" et "epilogum", Praccedit volumini manu scripto libellus impressus, in cuius ultima pagina (fol. 6a) nomina actorum et cantorum; fol. 6b vacat. Fol. 7a - 27b: continentur numeri musici super textum; 28a - 31b vacant, exceptis paucis notis de foliis, in codice contentis. Incip.: "Venite gentes, et accurrite populi"; desin.: "... qui totus pro vobis fixus fuit in cruce". Part. ch. XVII. 31. f. 


Notes:
Include Prologue and Epilogue. Upon examination of the the synopses, this tragedy was most likely sung throughout.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 47, item #54.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

Quarto size, 8 pages.  Publisher "In Roma, appresso Giacomo Mascardi, 1616. Con licenza de' Superior.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938.p 63


Source/Archive/Library Shelfmark:
Mus.Hs.18927. Mus  & Mus.Hs.18927. Mus Leopoldina

Notes:
Oratorium sacrum, divisum in tres partes. Praecedit libellus impressus, in cuius fine notantur nomina cantorum. 1a - 2b vacant; 3a - 6b libellus impressus: 7a - 32b textus modis musicis instructus, manu scriptus. Incip.: "Exiguum et cum taedio est tempus vitae nostrae"; desin.: "... mi Iesu, mea vita, mea salus, tibi consecro me". Part. ch. XVII. 33.


Notes:
In: Bibliographie Namuroise. 1473 - 1799. 3 vols. M. F.-D. Doyen. Namur: Imprimerie de Ad. Wesmael-Charlier, Éditeur, 1887.

p. 83.

"1616. Tragedie du glorieux et illustre Martyre de cinq Japonis, Joachime, Michel avec Thomas son Filz aagé douze ans, Jean et Pierre son petit filz, n'ayant pas plus de six ans. Dediée à Messieurs Messieurs les Mayeurs, Echevins de la ville de Namur. Elle s'exhibera par les Estudians de la Compagnie de Jesus, en la salle de leurs Escolles le 14 septembre 1616. A Liége, par Jean Ouwerx, impr. Juré. Auprés des PP Jésuites. MDCXVI.

In 4o, 2 pp.


Notes:
Declamata a Poetis Lycaei litterarii, Audusfino-Gandensis is written at the bottom of the title page before the date. 

Two scenes per act: 2:2:2. 

Photographs in folder Augustin Playbills Gent I #11 - 15.


Notes:
Handwritten, very difficult to decipher writing. It seems as though there is a choral or at least singing sections because of verses at the end of Act I and II. Each act is titled.

There is also a Prologue that might also have been sung. 

Photographs: Augustin Playbills Gent I #16 - 21.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938. p. 63

Notes:
Dr. Sypherd lists this work as an Oratorio. Author is Pietro Giubilei.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Performance Referenced In:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.318

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.318

"…Tragi-comedie dedieè a monsieur Martin Steyeert Docteur et professeur Royal en Théologie, Président du College de Bay en l'Universitié de Louvain. Representeè par la Ieunesse du College de la Ville d'Ath le 25 d'Aoust 1688, á deux heures aprés midy. A Mons, chez Gilles Ursmer Havart, Imprimeur, au Paradis. 1688.

In 4o, 8 pp. In the library of the University of Louvain (pre-war; present location unknown).


Notes:
14 characters  + 15 characters + 10 choir


Notes:
Possibly includes Comites Vindicta (cast of 4)


Notes:
Includes a Prologue and an Epilogue by allegorical characters


Performance Referenced In:
Sommervogel I.622; William S. McCabe, SJ.  in The Musical Quarterly, July 1938, p. 63

Notes:
Found in Sommervogel I.622

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
Amplitheatrum...1567.
Cast: 42
Characters: S. Elesbaanus Rex Aethiopi; S. Aretas Mart.
Language: Latin and German (old script). 
The page edges are gilded.


This is more likely a Sodality production rather than a school production
Page 1

AMPHITHEATRUM
BASCILICAE VIRTUTIS
ET MALITIAE,
IN QUO
S. ELESBAANI,
AETHIOPUM REGIS CANDOREM,
ET SANCTIMONIAM,
AC 
DUNAANI,
Arabiae Foelicis, Tyranni perfidiam, horrendumq; 
interitum;
Optatissimis, Faelilcissimisq, Natalibus Reverendissimi, atq
Amplissimi Domini,
DN. NICOLAI,
CELEBERR. EXEMP. ET IMMEDIAT.
SAC. ROM. IMP. CAN. ORD. PRAEM. 
COENOBII
MARCHTALLENSIS VIGILANTISSIMI
ABBATIS,
Patris in Chrifto, ac Domini fui
GRATIOSI,
Ex debita obfervantia, Syncero affectu, obfequentis animi vene-/rantia, & fubjectione, Humilis ejusdem Conventus per Studio-/fam juventutem.
TRAGICO-COMICE
Ibidem exhibuit, ac celebravit, 
VIII. NON. DECEMB.
ANNO
â partu Parthenio
1567. (written in Roman numbers, the old style I can’t type on the computer: C I backwards C. I backwards C. LXVII.).

AUGUSTAE VINDEL. apud Joannem Praetorium.

Page 2: Synopsis in Latin

Page 3: Synopsis in German

Page 4:

Prologus

Amor a Concordia ex Corde innumeris cordibus provocatus, cum alternante Choro inter incendium egreditur, atque Reverendissimi Dn. Dn. Abbatis in Conventum suum, hujusque in Reverendiss. Dn. Dn. Abbatem Amorem, & Concordiam explicat, optatissimisq; Natalibus congratulatur. Choro finito editoque tonitru, Prologus de bello Elesbanaanum inter, & Dunaanum Reges inito, totaque Actione futura feriem pandit.

Actus Primus 
Scene I – III

Page 5:

Scene IV – VI (Scene VI is the Chorus)

Actus Secundus
Scene I - II

Page 6:

Scene III – VI

Actus Tertius

Scene I – II

Page 7:

Scene III – VI

Actus Quartus

Scene I – II

Page 8

Scene III – VI

Page 9

Epilogus

Personae in actu productae.  [lists the character’s name but not who played them.].

Signed L. D. S. B. V. M. S.N.S.E.S.A. & CCCXL. Mart. 

Page 10: Blank.


Notes:
Probably composed by P. Joannes Walther. 7 characters + 4 choir


Source/Archive/Library Shelfmark:
Mus.Hs.18954. Mus & Mus.Hs.18954. Mus Leopoldina

Notes:
Drama continens prologum, tres actus, epilogum, quibus insertae sunt partes cantabiles, quae omnia ita disponuntur: 1a inscriptio; 1b argumentum; 2a - 9a prologi textus et modi musici alternantes; 9b - 10b vacant; 11a - 21a textus et modi musici actus I., 21b - 22b vacant, 23a - 32b textus et modi musici actus II., 33a - 36b textus actus III.; 37a vacat; 37b - 43b textus et modi musici alternantes; 44a - b vacant. Ineip.: "Nullo diademate quidem gloriosus"; desin.: "... gloriosa potietur Austria". Part. ch. XVII. 44. f. 


Source/Archive/Library Shelfmark:
Mus.Hs.18924. Mus & Mus.Hs.18924. Mus Leopoldina  

Notes:
Drama divisum in prologum, sex inductiones et epilogum, ac anno 1690 exhibitum. Numeri musici partium cantabilium fol. 3a - 18a; 18b vacat. 19a - 24b textus integer; 25a - 26b vacant. Incip.: "Inquieta semper vivet mea mens"; desin.: "... non nobis gloria. sed numini". Part. ch. XVII. 26. f. 


Notes:
Includes a Prologue and Epilogue by Venus and Cupid preparing/summing up the tragedy. There are also 3 Interludium with no further information. It is highly likely that this tragedy was sung throughout after examining the synopses.


Notes:
Includes a 4 part Adludii. This tragedy was probably sung throughout, after examining the synopses.


Notes:
College of Agen, fouded in province of Aquitaine, 1581. This programme is reproduced on p.36-7 of the Notice sur le college d'Agen by M. P. Lauzun.


Source/Archive/Library Shelfmark:
Mus.Hs.18903. Mus & Mus.Hs.18903. Mus Leopoldina  

Notes:
Drama, complectens prologum, tres actus et epilogum, quibus insertae sunt partes cantabiles. Opus praecedit scenarium, impressum, lingua latina et germanica scriptum, continens etiam nomina actorum, cantorum, saltatorum (fol. 1a - 6a; 6b vacat). Sequuntur (fol. 7a - 64b) modi musici partium cantabilium; deinde (fol. 65a - 82b) libellus, characteribus elegantissimis exaratus, ommissis tamen prologo et epilogo. Incip. (Prologus): "Quid agam, quo me vertam?" desin. (epilogus): "... sit immunis Emanuelis filius". Part. ch. XVII. I + 83. f


Notes:
Includes a 4 part 'Adludii Satyrici' - Lingua. . . Universitas iniquitatis


Notes:
Multiple performances. See Sommervogel note. College d'Alost, founded 1621. Other names for the city: Alost, Aelst, Aalst.


Notes:
Composer performs roles Idololatri and S. Petrus. 16 characters


Notes:
11 characters. Author or composer possibly P. Josephus Braun, Th Prof. Choragus


Notes:
No publisher, 4o size, 15 cm.  Title page "Archimandrita inauguratus, sive: Applausus gratulatorius. . . D. Gregorio Piera. . . Ecclesiae Tongerloensis abbati. . . In . . . Ejusdem consecratione exhibitus per juventem gymnasii literarii m.p. Augustini in aula episcopali


Notes:
Photographs: folder Augustin Playbills Gent I #22 - 26.

Use of Chorus unknown.  The 3 Interludi appear to be separate works 

Structure: 4:2;  3 Part Interludium and 3 part Mythological commentary on the tragedy.

Prologus: Mars dormientem Palladem ad Bellum excitat Romanque Bello afflictam Rex Tullus consolatur.
Act I
Interludium I: Semper avarus eget.
Act II
Interludium II: Divitiae suscitant vixas (rixas?)
Mars & Pallas hortantur tres Horatios ad pugnam, certamque de Albanis Victoriam suo favore spondent. 
Act III: Scenes 1,2
Interludium III: Lachrymae diluunt crimina
Act III: Scene 3, 4
Epilogue: Mars & Pallas laetantur ob partam de Albanis Victoriam

Signed: Ad majorem Dei, Deiparaeque Virginis ac Mag. P. Augustini Gloriam & Honorem.


Notes:
13 in the Choris Musicus only; there are also 19 in the Saltu cast


Notes:
137 Personae Musici: Cant = 14; Altista = 12; Tenoristae = 14; Bassus = 10; Unknown = 85


Source/Archive/Library Shelfmark:
Mus.Hs.18961. Mus & Mus.Hs.18961. Mus Leopoldina  

Notes:
Opus complectens tres "inductiones" et epilogum. Partem manu scriptam praecedit libellus impressus, in cuius fine notantur nomina actorum (3a - 6b); sequuntur modi musici (7a - 30a); 30b - 32b vacant. Incip.: "Exsurge gloria mea"; desin.: "... coelo data amica redit pax". Part. ch. XVII. 32. f. 


Notes:
Has a prologue (Voor-spel)and epilogue (Naer-spel) connected to the action of the main drama. It appears that this entire work was spoken (Speel-wys verthoont worden).
Each act has 4 scenes.

Photographs: in folder Augustin Playbills Gent I, #27 - 31.


Notes:
This item has many musical items listed with full text.  Closer examination required; see the photographs. References to instruments and instrumental music, including a courante. Possibly duos and trios.  Very complex. 

Structure: 3 Acts with many multi-verse musical items. Also includes brief interludes whose cast is mythological.  This work is different in structure from the majority. Recommend having the work translated in order to study this piece.  

Photographs: Augustin Playbills Gent I, #32 - 78.


Notes:
See Red Notebook Vol V for information written there.


Notes:
Fried Europae. Der verolhrne...1698.

Old library mark: I Fr 11 a g
The actors’ names, characters, and years are included immediately after the scene,
Cast: approx 130.
Lang: German and Latin interleaved, Latin always first. 
Page 1:

PAX EUROPAE

Amiffa, Quaefita, Reperta;
Ludis theatralibus inducta.
Das ift:
Der velohrne gefuchte und wiederumb gefundene
FRIED EUROPAE
Zwifchen Teutschland und Franctreich
Auf der Schaubühnen vorgeftellt.
In dem Benedictinischen Gymnafio der Rayferl. D. D. [Ravferl? Rauferl? The f is an s].
Stadt Ehingen.
Den 3. und 5. September Anno 1698.

* * *
Argumentum.

Habe, Spectator! in nuce Iliadem. Claudit Europa/ Martio Furori fcenam; nos aperimus; eò confultius/ quidem, quò arctius poftmodum, feliciusque Paci/ occludendam. Ut & fic notae paffim paroemiae a perti-/ ùs fubfcribamus:
Nulla falus bello, pacem depofcimus omnes.
Vale; & fi tibi dulce eft meminiffe laborum; veni, vide, me-/mento. 

[Argument given in German]

Page 2

Prologus

Europae ex inufitata Coeli conftellatione attonitae nunciatur/ bellum, indeq Pax Germaniae nascitura. Ipfa rei feriem gerendae/ paucis promit.

Actus I
Pax Amifsa

Scena I.
Mars, evocatô ex inferis Dracone, difcordiae ignem diffeminat; Pacis templum diruit; e cujus lapidibus Deucalionicè poft terga ja-/ctis fufcitat Belli-Duces.

[Scene synop in German]

Perfonae. Mars. Praenob. D. Jo. Ignatius à Pflaumern Logicus. Megara. Jo. Guilielnus Sartor Rhetor. Duces & Salii. Jofephus Lan Rhetor, Franc. Jofephus Epple Poëta. Antonius Beck Poët. Chriftophorus Kremer Synt. Ephebi. Jofephus Mayr Poët. Joannes Beffon Synt.

Scena II

Saltu Pyrrhicô velitationem armorum exercent.

[Synop in German]

Scena III

Fama Europae bellum nunciat.

[Synop in German]

Perfonae. Fama. Josephus Geiffer Rhet. Germania. Joannes Bueler Rhet. Hifpania. Jo. Conradus Fauler Poët. Gallia. Laur. Antonius Weiss Rhet. Anglia. Jofephus Gietinger Rhet.

Scene IV – VI


Interludium
Murillus longa deliberatione fufpenfus, militiae dare noman ftatuit: Atriolo mago prius in cocnfilium vocato, qui falvus inter bombardarum tonitrua ftare poffit.

Personae: Murilllus: D. Dominicus Herbert. Atriolus. D. Christianus Schmucker Phyfici.

Scena VII. Chorus

Compaffio Divinae Mifericordiae caufas belli fimulq Christum tribus faggitis in Germaniam armatum oftendit. 

Personae: Jo. Jacobus Guldin Rhet.

Actus II
Pax Quaefita

Scene I – VIII (see Scena VII – chorus of innocents)

Scene IX. Chorus.
Fortuna ftatuam a Gloria honori Ludovici XIV erectam fubruit; in conftantia fua per figuras ad vivum depicta. 

Actus III
Pax Reperta

Scena I – III

Interludium
Hanfum confilia ex infidiis fubodorata vehementius habent; amovendo igitur perpetuo militi (licet in vanum) extreme tentat.

Personae. Hanfus. Jo. Guilielmus Sartor Rhey. Miles. D. Dominicus Hueber Phyficus.


Scena IV – IX

Epilogus

Dum Artes LL in chorum abeunt; per faltum erigitur Gloriae Imperatoris ftatua: & concordi omnium plaufu dantur.

Personae. Gloria Imperat. Jo. Jacob Guldin Rhet. Europa. qui fuprae in Prologo. Juftitia. Jofeph Umbhorer Rhet. Pax. Franc. Ant. Breülin Synt. Artes LL Muficae. D. Andr. Wolffgangus Vogel[;] D. Henricus Mack [;] D. Jofep. Fendt[=]Logici. Joannes Schmidt.[;] Laur. Antonius Weifs: Rhetores. Francifcus Werrer, Daniel Ylin: Poetae. Salii. Jofephusk Meyer Poet. Jo. Martinus Kremer: Joannes Beffon: Joannes Volz: Syntaxistae. Franc. Ant. Bueler: Joannes Menne: Grammatiftae.

Soli Deo Honor,
Virgini Matri sine labe Conceptae, cunctisq, coelitibus Gloriae & condigna Studiosae Iuventuti pro labore annuo Praemia.


Notes:
Photographs: Augustin Playbills Gent II, #1 - 5
The final tusschen-spel divides up the final scene, scene 2, of Act 3. Tusschen-spel listed separately in the database.

Structures:
Act I: Scene 1, 2
Tusschen-spel I
Act I: Scene 3
Act II: Scene 1
Tusschen-spel II
Act II: Scene 2
Tusschen-spel III
Act III; Scenes 1,2a
Tusschen-spel IV
Act III: Scene 2b


Notes:
Incomplete entry
PROLUSIO
G
enius urbis Villinganae, iratos inter nubium fra-/
tores & fulgura pene naufragus, benignô trium/ siderum, recèns è coelis emicantium, fulgore recrea-/tus, eluctatur ad portum: Ubi Triadem Divorum/ Benedicti, Modesti ac Reparatae, ternis fub/ aftris delitefcentem, intelligens, Genio Sanct-Geor-/giano ludos feftivos, in tantorum Hofpitum felicem/adventum, indicit.

VORFPIHL
[editor’s note: Vorspihl = Vorspel as seen in the Dutch playbills]

V
illingen/ fo fchon offt in groffen Gefahren ge-[/]standen/ erfreütfich hertzlich der Antunfft breven/ neuen heiligen Stats Befchüsseren: Verlange/ derowegen von fhrem verpflicht und obligierten Sanct-Georgifschen Gymnasio, dass folche mit einem/ Ehren-Spihlbewilltommet werden.

PARS I

HONORIS COMICI AP-
paratio

DESS EHREN – SPIHLS VOR-
beraitung.

EXHIBITIO I

Theologia, Gymnasio Sociabus evocatis, accepta/ Genij Sanct-Georgiani, in rem praefentem imperia, /difpertitur.

Die Göttliche Wiffenfchafft tünde deu underge-/benen Schulen die aubefohlne Ehren-Begrüffung an.

EXHIBITIO II

Nonnulli pueriliter inter fe de perfonarum distri-/

Page 5

butione difeptant; quam futilem pugnam fuî ludi-/ brio cummutat interveniens Simplicius.

Ziwelchen will die Ausst(?)heilung der Perfonen nit in Kopff (Ropff): Simplicus, ein einfältiger Actor, tombe/ entzwifchen; mitt (nitt?) welchen fte ihren läppifchen Zand vergeffen.

EXHIBITIO III

Haerefis in Duliam exardefcit: eujus fatuos ignes/ Ecclefiae Genius exfibilat & conculcat.

Die Re

EXHIBITIO IV

Jupiter, & religui Deaftri Planetae, coelô praeci-/ pites acti, melioribus Aftris, Divis fcililcet Hofpitibus, locum cedere compelluntur.


CHORVS I
Theopronaea ter felicis novorum Tutelarium in/ hanc urbem adventûs caufas etymologicè pandit.

PARS II

HONORIS COMICI
Praestatio

Schuldige Ehr-Beweifung

EXHIBITIO I

Theologia Duliana adverfus Haerefin acriter pro-

Page 6

pugnat; quam pervicacitur obgannientem in vincula/ compingit.


EXHIBITIO II

Urbis janitor capere non poteft, quo demum mo-/
do, fe prorfus infciö, Trias S. S.  Hofpitum Villian-/gam devenerit.


EXHIBITIO III



Feftiva Trium Divorum Patronorumk Salutatio.


EXHIBITIO IV

Janitor, furtivus antè rei fpectator, honorem/  Divis exhibitum etiam ipfe, repentinâ fanctitatis fa-/ me ftimulatus, efurit: at experimenta martyrij pa-/ rùm feliciter fuccedunt.


CHORVS II


Virtutis Christianae Genius viam ad aedem Honorisk/ regiam effe docet per templum Virtutis.


Page 7

PARS III

STIMVLVS CHRISTIA-/nae Virtutis etymologicus


EXHIBITIO I
Benedictio Divina, D. Benedicti neo-Patroni/ juffu profpera quaeque denunciat & adpromittit; fe/ modò virtutes, Sanctorum Comitum Modefti ac Re-/ paratae nominibus exprefsae, cordi futurae fint.

EXHIBITIO II

Modestia, D. Modefti nomine, rudi & incultae/ pueritiae leges fuas, fecuturae Benedictionis prodro-/ mas, inculcat.

EXHIBITIO III

Etiam Alastor ftygius, perfonatus Doctor, Scho-/ lam aperit, infelicis patientiae magiftram.

EXHIBITIO IV

Pulcherrimus Sanctorum terni. Quodvultdeus,


Page 8

Deusdedit, ae Deogratias, heroicum Divae Repara-/tae nomen explanant; in quo inexhaustum Divinae/ Benedictionis fontem latere teftantur.


CHORVS III

Genius Sanct-Georgianus ac Villinganus, Domui/ ac Civitati fuae falutem factam animitus gaudent;/ mox patulo Divorum Trium Neo-Tutelarium Cordi/ fe fe, fuorúmque corda confecrant; à quibus amoris/ reciproci, ac patrocinij praefentiffimi promifsis ex-/ hilarantur.

Alles zu grösserer Ehr Gottes/ der H H Martyrer Benedicti Modefti, Reparatae; und henl dess Reben (Keben, Neben?) -/ menfchens


Notes:
Listed in British Library Manuscripts.

See complete notes in BL catalogue. Dido, A Latin Tragedy. Performed in the hall at Christ Church, Oxford, June 12 1583. Written by William Gager, Chancellor of Ely. The document includes the 2nd & 3rd acts w/ prologue, argument, and epilogue: the 1st act is missing.  F 34b.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 49, item #83.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

*Unsure if this document contains a play or not. Could be only theses*


Notes:
Contains a chorus with 3 instruments and 1 character (Phonacus).


Performance Referenced In:
Sommervogel, 1898. Vol 7, pg. 45 Item 29

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

Pg. 45. Item 29.


Performance Referenced In:
'Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p. 222 - 23.

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p. 222 - 23.  Rouselles' norwa: "Le style de ce libretto est d'une bonhomie réjouissnat. Au premier act un Choeur musical célébre l'apparition de l'étoile des mages et la naissance de l'Enfant Jésus. <<Le soleil, la lune, avec les astres, à l'exemple des Roys, invitent par leur chant toutes créatures à recognoitre le vray Dieu frechement nai. Les quatre parties du monde exitée par ceste melodic, ensēble avec les astres benissent la naissance de ce petit-grande  Roy, detestands. Herodes au possible Herodes deçu par les Mages porte sentence de mont contre tous les petits poupons de la Judée, que ses soldats, aprés avoir invoqué leur de'esse Bellone, passent par le fil de l'epée. Un grand père pleure sur le cadacer de son petit-fils.  (New paragraph) Anti pater fils d'Herode conspire contre lui, il est trahi par son la quay, mais comme il ignore cetle trahison il se rend en poste à Jérusalem ou il est mis par son père en bas de fosse. Herode tombe malade et l'un des conjurés exhorte la jeune noblesse d'abattre, contre toutes loix. L'aigle impérial du frontispice du temple. Enfin Herodes vomit son âme  malheureuse.

Rest of information  from the title:
Representée par les Estudiants de la Compagnie de Iesus, le 13 Sept 1629 a 2 heurs apres midy. A Mons de l'imprimerie François De Waudré, à la Bible 1629. 
Quarto, 8 pp.

Rouselles' Note: 
Le style de ce libretto est d'une bonhomie réjouissant. Au premier act un Choeur musical célébre l'apparition de l'étoile des mages et la naissance de l'Enfant Jésus. <<Le soleil, la lune, avec les astres, á


Notes:
Structure: 7:7:4:7:11
End of acts I - IV = Coeur Musical (not listed separately in database). Act III specifically incorporates the choir into the end of the act.


Notes:
Prologue and synopsis scene by scene in French. Chorus synopses in  Jesuit Drama Arguments Synopses.doc. Last page dedicatio: A la plus grande gloire de Dieu, de la Vierge Mere & de Sainct Gallican. Except for title page, all synopses in French. 
Le Proloque/explicque la substance de ce qui se duibt representer.

Act Premier
Scene i - vi

Le Choeur
Bellone trouble tout, & lance sur la terra plusieurs Pestes & Boutefeux, qu’elle fait fortir de la teste de <ars & y emserre [emferre?] la Paix prisonniere. C’est pour faire entendre combien de maulx proviennent d’une seditieufe [seditieuse?]  mauvaise teste; comme estoit Taiphal.

Act II 
Scene i – v

Le Choeur
Par le roue de fortune se monstre qu’es choses humaines la chance se tourne bien-tout & malheureusement, à l’example de Gallican qui abandonné des siens, est roulé du plus haut au plus bas de la roué.

Act III

Scene i – vi

Le Choeur

Les Anges sont le Triomphe de la Croix qui avoit donné la victoire,  & monstrent comme les faux dieux & les Scythes sarouches à guise des bestes sauvages, ont esté subiuguez.

Act IV
Scene i – v

Le Choeur

Le mauvais Genie de Iulian appelle ‘Idolatrie, ‘Impiete, la vanite mondaine & autres monstres infernaux oppressex par Gallican; & leur promet que bientost onen prendra vengeance ceux la couronnans le susdict mauvais  Genie representent l’advancement de Iulian à l’empire.

Act V
Scene i – ix
No chorus.


Ursinus Drama Pastoritium
January 1637
Collegium Atrebatense Societatis Jesu
Atrebaii
Precieux Reserves: KBR, Bruxelles, Belgium.  II 91.153 Item 13


Act I. Chorus

Coelorum gaudiam de Ursino brevi inter Indigetes suus referendo.

Act II. Chorus

Mortem de imperio in mortales nimiũ gloriabundem, appositisque; inscuto suo vacuo Ursini Insignibus superbă, comprimitis, qui ea inibi fixerat, Divinus Amor.

Act III. Chorus

Naiades ad Ursini mortem muestimissimae Fluviis Artesiae lacrymas suas admiscent.

Act IV Chorus

Põpa funebris instituitor. Mausoleũ eius adjuncta haec, inter çetera, Symbola illustrăt. I . Manipulus florum collectus ex Stemmate gentilitia Ursini vasculo affervatus cum hac Epigraphe, POST FATA SUPERSTES, Memoriam virtutum illius non inter-morituram declarat. II. Ecclypsis Solis cum hac Inscriptiones, ALIBI SPLENDET, terris occidisse eum quidem, at coelo vivere ostendit. III. Parmula vacua hoc dicto adjecto, PAR NULLA FIGURA DOLORI, dolorem nostrum exprimi nonposse demonstrat. IV. Sol occidens, cui inscribitur, NATURAE SATIS, NOBIS PARUM, desiderium omnium de eius longiori vitâ exprimit.  V. Ursus Vedastinus substitutus in locum Ursae coelestis, cum hoc addito, MAIORI CEDITO FLAMMAE, summam eius in coelo gloriam significat. VI. Acus nautica Ursum respiciens, cum hoc lémate, RESPICIAM SEMPER, beneficiorum eius memoriam apud nos immortalem futuram promietit.

No chorus for Act V.


Performance Referenced In:
Sommervogel, 1898. Vol 7, pg. 45 Item 30

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times. 

Pg. 45, item #30.


Notes:
Last page: 'Les Prix se distribueront par le liberalité de Messaigneurs les Bourguemaisters. A la Plus Grande Gloire de Dieu, et de la Vierge sa Mere.

[As the date is left blank, this is most likely a printer's blank; or printed for the college before a date had been set with the intention that the date would be handwritten, as often seen].

Cast list included, with names. The Chorus of Soldiers are not in the cast list.  Rhet = 3. Poetes = 31 Syntax = 12.


Notes:
Structurre: 7:5:6. 
End of acts I - II = "Choor" (not listed separately in database). Both times specifically incorporates the choir into the end of the act as a commentary.


Notes:
Held by: The Morgan Library and Museum, 225 Madison Avenue, NY, NY, USA. Website address: www.themorgan.org/research.  Appears under keyword search term "Jesuit"

This the unpublished ms of a 5 act drama, 79 pages. I have not seen this item.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times. 

Pg. 8. Roessel, Collége de dans la Province de Lithuanie. Founded in 1631.  
Remainder of title page: S.J. cum Illsus ac Revms Dominus D. Nicolaus Szyszkowski Episcopus Varmiens etc.: etc. Idem Gymnasium suum uti Fundator ac Mecaenas primum reviseret ludis autumnlibus. 
Bib notes: 1633. 4 acts. ff 11. Ms. dans un recueil de Cologne (Par le P. Th. Clagius, t II, coll. 1196, n.1)


Notes:
6 Actors. Act V has only 1 scene. Acts I - IV end with synopsis of a chorus. 
Act 1 Chorus: Coelorum gaudium de URSINO brevi inter Indigetes suos referendo.
Act 2 Chorus: Mortem de imperio in mortales nimiu gloriabundam, appositisq; in scuto suo vacuo URSINI insignibus superba, comprimitis, qui ea inibi fixerat, Divinus Amor. 
Act 3 Chorus: Naiades ad URSINI mortem moestissimae Fluuijs Artesiae lacrymas suas admiscent.
Act 4 Chorus: Popa funebris instituitur. Mausolcu eius adjuncta haec, inter cetera, Symbola illustrat. I. Manipulus florum collectus ex Stammate gentilitio URSINI valculo afferuatus cum hac Epigraphe, POST FATA SUPERSTES, Memoriam virtutum illius non intermorituram declarat. II. Ecclypsis Solis cun hac Inscriptione, ALIBI SPLENDET, terris occidisse eum quidem, at coelo vivere ostendit. III. Parmula vacua hoc dicto adjecto, PAR NULLA FIGURA DOLORI, dolorem nostrum exprimi non posse demonstrat. IV. Sol occidens, cui inscribitnr, NATURAE SATIS, NOBIS PARUM, desiderium omnium de eius longiori vita exprimit. V. Ursus Vedastinus substitutus in locum Ursae coelestis, cum hoc addito, MAIORI CEDITO FLAMMAE, summam eius in coelo gloriam significat. VI. Acus nautica Ursum respiciens, cum hoc lemate, RESPICIAM SEMPER, beneficiorum eius memoriam apud nos immortalem futuram promittit.


Performance Referenced In:
Sommervogel, 1898. Vol 7, pg. 45 Item 34

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #34.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Performance Referenced In:
William S. McCabe, SJ in The Musical Quarterly, July 1938.

Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
No choir or music specified. Last line of poster: Ter eeren Godts, fyne ghebenedyde Moeder, den grooten Doctoor des H. Kercke Augustinus, ende vervoorderinghe vaade Ionckheydt
Scenes per Act: 6:10:9

Photographs 17 - 20 on the hyperlink


# Plot Source Table

Plot Description:
Also: Emeric, Emerick, Emmerich, Americus


Plot Description:
English 12thc child martyr; or History of Catholic Church for kings


Plot Description:
By Macropedius, based on the medieval Dutch morality play Elckerijc (Everyman)


Plot Description:
Mother of the Virgin Mary; husband was Eliud


Plot Description:
St. Procopius's birthname is Neanias. Or: Secular -Shepherd


Plot Description:
If Rudolph I of Hapsburg, History of Catholic Church


Plot Description:
Daughter of Iobates, King of Lycia and wife of Proteus of Tiryns. Accused Bellerophon of advances, Proteus requested the king put him to death. Iobates sent Bellerophon to battle the Chimaera


Plot Description:
Princess Roselle (Susanna) of Italy b: Abt. 945 in Luxembourg d: Jan 26, 1002/03 in Ghent, Flanders


Plot Description:
King of Lacedemon; wife is Leda (mother of Castor and Pollux and Helen of Troy)


Plot Description:
Also: Esarhaddon. King of Assyria, 681 - 668 B.C. Son of King Sennacherib


Plot Description:
Colette, Jeannot, Amain, Colette, Colas, La Fleur in the opera Den Nagt-Stryd


Plot:
St. Placido, Benedictine abbot of Sicily


# Possible Composers - To be Researched

Notes on Location 1:
Kempis  (or A Kempis) was organist there.


Bibliography:
1. Grove. Vol 1 Page 2
2. Coradini, F. 'A.M. Abbatini." (Arezzo, 1922)


Notes on Location 1:
service at the Polish royal court in Warsaw.

Notes on Composer:
Also known as Reggianus, Regianus, Redzian, Radzian.


Possible Manuscript Location 1:
Conservatorio dei Poveri di Gesu Christo, Naples


Notes on Composer:
Italian dramatist & theatrical manager.  Wrote libretto to 'Damira placata;, music by Marco Antonio Ziani, performed (by puppets) at Venice, on a provisional stage, Carnival 1680.


Notes on Composer:
Violinist and composer at Saxon court in Dresden.


Notes on Composer:
Violist and composer at electoral chapel at Dresden until 1772.


Notes on Composer:
Bavarian composer & organist. Collaborated with Michael Haydn and 10 yr old W A Mozart in 1767, each writing one act of 'Die Schuldigkeit des ersten Gebotes.' Constantin Schneider gives full list of works.

Bibliography:
1. Grove Vol 1 Page 59
2. Schneider, C. 'Die Oratorien und Schuldramen Anton Cajetan Adlgassers.' S.M.W., Vol. XVIII, 1931.


Notes on Location 1:
church music director and student of Galuppi there.


Notes on Composer:
Belgian carillionist and composer in Ghent


Bibliography:
1. Grove Vol 1 Page 66
2. Brenet, M. 'Les Musiciens de la Sainte-Chapelle du Palais' (Paris, 1910).


# Publisher Source Table

Alternate Publisher Name(s):
Maria Apollonia Hanctin; Mariae Apolloniae Hanckin


Publisher Address:
in foro Granario ad insigne Bibliorum aureorum; Woonende op de Coor-merct in den Gulden Bybel, Stadts


Alternate Publisher Name(s):
Universidad de Sevilla ; [Valencia, Spain]


Alternate Publisher Name(s):
Konstanz ; Eggingen : Edition Isele, c2005.


Alternate Publisher Name(s):
[Oviedo] : Universidad de Oviedo, Servicio de Publicaciones, 1995.


Publisher Address:
a la placde des Prescheurs; Imprimeur ordinaire de son Altesse


Publisher Address:
At the seminary of the Jesuits in Argentina


Regularised Publisher Name:
Johann und Heinrich denen Sternen Gebrüderen

Alternate Publisher Name(s):
Johann und Heinrich denen Sternen Gebrüderen


Alternate Publisher Name(s):
Verlag der Österreichischen Akademie der Wissenschaften, 2000


Alternate Publisher Name(s):
Literis Regii & Exempti Monasterii Salemitani


Publisher Address:
Gedruckt zu Salzburg ben Melchior Hann/Einer Lobl. Landfchafft: und Stadt-Buchdruckern/ und handlern.


Publisher Address:
inden Enghel; nde Br(z)eydelfteegh inden Enghel; ad signum Angeli


Publisher Address:
Die Terte sind bey dem Buchbinder in dem zwiebelhof zu finden


Alternate Publisher Name(s):
Johann Frank Hand; Joannis Francisci Hanck; Johann Franz Hanct


Alternate Publisher Name(s):
Joan. Bernardi Riepel B. Haeredes; Riepelischen Erben


Alternate Publisher Name(s):
Joannis Baptistae Lang; Johann Baptist Lang


Publisher Address:
Apud Sphiam, Viduam Cornelli Leyferii Electoralis Typographi


Publisher Address:
Platea vulgo dicta de Wolstraet, sub signo S. Josephi; In area Domus Prosessae Societatis JESU, sub signo S. Josephi; in Area Templi Societatis JESU, sub Signo S. Josephi


Publisher Address:
Platea vulgo de Cathelyne-vest sub signo S. Josephi; In platea vulgo de Cathelyne-veit sub signo S. Joseph; in de Huydevetter-straet


Publisher Address:
Platea vulgo de Cathelyne-vest sub signo S. Josephi; Platea vulgo de Wolstraet sub signo S. Josephi; Huydevetter-straet, opden Hoek van de Jod-straet; Boek-drukker ended Verkooper op de Cathelyne-vest by de Meir in den H. Joseph; via Coriariorum sub signo S. Joseph


Publisher Address:
Libraire Iure & Imprimeur, de la Ville, a la Bible d'Or


Publisher Address:
via vulgo dicta Lombaerde-vest sub Bibliis aureis;op de Lombaerde-vests ub Bibliis aureis


Publisher Address:
Imp. Du College de la C. de Jesus a St Jean l'Evangeliste


Publisher Address:
winende op de T(c )raen-Lepe, inde Dr(z)uckerpe; Ghefwozen Boeck-drucker wonende inde Ghelt-munte inde Druckerpe


# School Source Table

School Name:
S. Gallischen, Sankt Gallen; Benedictine Monasterii S. Galli


School Name:
College de la Compagnie de Iesus a Namur


School Name:
Neuburg an der/un der Donau, Donaro, Daunaw, Thonau, Thonaw


School Name:
Academico Collegio Societatis Jesu Olomucii; College of Society of Jesus in Olomuci; Olomuc.


School Name:
Ottoburanis; Ottoburae; Benedictine Monasterii Ottoburani O.S.P.B. Abbatis; Studierenden Jugend In Dem Ohnmittelbahren Gefreyten Reichs-Gotts-Hauß Ottobeyren; Vorgestellt Von der Studierenden Jugend In Dem ohnmittelbahren gefreyten Reichs-Gottshauß Ottobeyren


School Name:
Gymnafio der Soc. JESU zu Amberg; Amberg; Ambergae;Von dem Churfurstlichen Gymnasio der Gefellfchafft JESU zu Amberg vorgeftellt


School Name:
Ratisbon; Regensburg; Society of Jesus of St. Paul, Regensburg


School Name:
Reinburg an der Thonato; Reinburg an der Thonau; Reinburg an der Donau


School Name:
Collegii Canon Regularium S. P. Augustini. . . In Rottenbuech


School Name:
vorgestellt Durch die Salmansweilische Musen; Musis Salemitanis pro Ludis autumnalibus dramate horario exhibitus


School Name:
Benedictine, Salzburg; Academica Iuventute Salisburgensi; Iuventute Academica Salisburgensi Apud PP. Ord. S.


School Name:
Gymnasium Domûs Professae Societatis Jesu, Viennae


School Name:
Collegio Anglicano Societatis Jefu Audomaropoli


School Name:
Collegium Atrebatense Societatis Jesu; Arras


School Name:
Gymnasii bey S. Salvator der Societet Iesv zu Augspurg;Augustae Vindelicorum; Augspurgischen Gymnasio der Soc. Iesu


School Name:
Monasterium S. Georgii, Ord. S. Benedicti


School Name:
Weiler, Allgäu; Schaubühne in der Pfarr-Kirchen S. Blasii zu Weyler im Algey Vorgestellt und zugeschrieben Der ... Frey-Frauen Maria Anna de Billier


School Name:
Gottshauß Wiblingen Von der studierenden Jugend auff einer Schaubühne celebriert worden


School Name:
Conventu Erfurtensi P. P. Augustinianorum


School Name:
Convent des Poenitentes Capucines a Douay


School Name:
Society of Jesus, Tournai; Doornik (Dutch)


School Name:
Sodalibus Academicis B. M. V. Annunciatae Ingoldstadii


School Name:
Gymnasio der mundern Brudern Convent S. Francisci


School Name:
Collegii Societatis Iesu Bruxellis; Brussels; Bruxellis; Bruxellus; Bruxelles


School Name:
Collége de Dijon; Society of Jesus Arquebuse


School Name:
Dilingen; Dilingano; Dilingae; Universitet zu Dilingen; Collegii S. HieronymiFlorentissima Iuventute Convictorum In Collegio S. Hieronymi, Dilingae


School Name:
Sancti Joannis Francisci Regis Societatis Jesu A Maiore Congregatione Academica Dilingana


School Name:
Aichstett; Eichstätt; Eistadt; Anchstatt; Aychstätt; Eychstett


School Name:
Congregationis B.M.V. sine Labe Conceptae


School Name:
Veldfirch; Feldkirch; Veldkirchen; Veldkirchensi; Gymnafij der Gefell-fchafft JESU vorgeftellt
In der Ranferlichen D. D. Statt Beldfirch


School Name:
Frenburg im Brenssgam; Freiburg im Breisgau; Friburgi Brisgoiae


School Name:
Musis Benedictinis Frisingensibus; Benedictinis Episcopal Lycei Frisingensi; Benedictinischen Musen des Hochfurstlilchen Frensingischen Lyceum


School Name:
College de la Compagnie de Jesus a  Agen


School Name:
Frenburg in Üechtland; Freiburg in Achtland; Fribourg en Suisse


School Name:
M. P. Augustini; Collegium S. P. Augustini; Paters Augustiinen binnen Ghendt


School Name:
Academico Societatis Jesu Collegio Graecii; Graz; Gratz


School Name:
Hall; Halae; Ertzherzoglich Oesterreichis. Gymnasio Societatis Jesu Zu Hall;Gymnasii Der Gesellschafft Jesu zu Hall im Yhnthal


School Name:
Collegio S. Ignatii Martyris; College Royal de Bourbon de la Compagnie de Jesus; Ingolstatt; Ingolstadii; Ingolstadt


School Name:
Gymnasio Societatis Jesu Zu Ynsprugg; Innsbruck; Oeniponti; Insprugg


School Name:
Ehrsamen Nachbarschafft bey St. Niclaus zu Ynsprugg


School Name:
Kempten; Campidonum; Kemptischen Adelichen Jugend; Pro-Coronide Anni Scholastici demississime repraesentata a Lyceo publico Campidonensi;Studiis exhibita a Ducali Lyceo Campidonensi;Hoch Adelich Studirenden Jugend deß Hochfürstlichen Stiffts Kempten; Schau-Bühne Von Einem Hochwürdigen Kemptischen Rural-Capitl


Regularised School Name:
College Royal de Bourbon de la Compagnie de Jesus

School Name:
College Royal d'Aix de la Compagnie de Jesus


School Name:
Gymnasii der Societet Jesu zu Landsperg; Landsburg; Landsberg; Gymnasii der Gesellschafft Jesu zu Landsperg


School Name:
Landshuet; Landshut; Landshutt; Gymnasii der Societat Jesu zu Landshuet


School Name:
Liegeoise du College de la Compagnie de Iesus; Leonides


School Name:
College de la Compagnie de Jesus a Luxembourg


School Name:
Society of Jesus, Lugdini; Lugduni; Lyon


School Name:
Poetis Scholae Publicae Mechl[iniae] P. P. Oratoris


School Name:
Studiosa Iuventute Maior-Augiensi; Mehrerau, west of Bregenz


School Name:
studierenden Jugend deß Gymnasii der Gesellschafft Jesu Zu Mindelheim


School Name:
Schau-Bühne Von der studirenden Jugend zu Mindelheim vorgestellt


School Name:
Congregation de Nôtre-Dame; Collége de la Compagnie de Jesus a Mons


School Name:
Monacensis; Munchen; Munich; Monachii; Monachiense; In templo et Gymnasio societatis Jesu; Iuventute Inclyti Electoralis Gymnasii Soc. Jesu, Monachii


School Name:
Sodalitatis Majoris Monacensis B.V. M. ab Angelo Salutae


School Name:
Erofnung nes Neuen Prachtigsten Churfurstl Hof-Schau-Platzes, Auf hochsten Befehl Sr. Churfurstl; Zu hochsten Ehren Der Durchleuchtigsten vermahlung von Sr Churfurstl


School Name:
Theatre des. . . Schulhauses von dem Seminarium des heiligen Georgius zu Munchen


School Name:
Oratorio Congregationis Maioris Latine Beatae Virginis, Matris Propitiae


