# Drama Main Table

Programme Title Page:
Tragedie du glorieux et illustre Martyre de cinq Japonis, Joachime, Michel avec Thomas son Filz aagé douze ans, Jean et Pierre son petit filz, n'ayant pas plus de six ans

Programme Main Title:
Tragedie du glorieux et illustre Martyre de cinq Japonis, Joachime, Michel avec Thomas son Filz aagé douze ans, Jean et Pierre son petit filz, n'ayant pas plus de six ans

Performance Referenced In:
McCabe, William H., S. J. An Introduction to the Jesuit Theatre: A Posthumous Work. St. Louis: The Institute of Jesuit Sources, 1983, p. 11; Aguilera, Emmanuel, S.J., Provinciae Siculae ortus es res gestae. Partes I & II. Palermo, 1737–1740; in vol I, 69.

Notes:
In: Bibliographie Namuroise. 1473 - 1799. 3 vols. M. F.-D. Doyen. Namur: Imprimerie de Ad. Wesmael-Charlier, Éditeur, 1887.

p. 83.

"1616. Tragedie du glorieux et illustre Martyre de cinq Japonis, Joachime, Michel avec Thomas son Filz aagé douze ans, Jean et Pierre son petit filz, n'ayant pas plus de six ans. Dediée à Messieurs Messieurs les Mayeurs, Echevins de la ville de Namur. Elle s'exhibera par les Estudians de la Compagnie de Jesus, en la salle de leurs Escolles le 14 septembre 1616. A Liége, par Jean Ouwerx, impr. Juré. Auprés des PP Jésuites. MDCXVI.

In 4o, 2 pp.


Programme Main Title:
Summarischer Innhalt Einer Comedi von der H. Hiltegard so man die Grosse nennet des mächtigen Keysers Caroli Magni Ehegemahel was sich mit ihr für ein wunderbarliche Histori agen inn dem Ehestand


Programme Title Page:
Vindicta Christiana, Das ist: Christ-milte Weiß, das böse zu vergelten, Vor Zeiten von Alexandro einem heiligen Patriarchen hochrühmblich geübet. . .Anjetzo Auff offentlicher Büne vorgestelt von der löblichen studierenden Jugend deß Churfürstl. Gymnasij der Societet Jesu zu München. Den 2. vnd 5. Septembris, Anno M.DC.LXXV

Programme Main Title:
Vindicta Christiana, Das ist: Christ-milte Weiß, das böse zu vergelten, Vor Zeiten von Alexandro einem heiligen Patriarchen hochrühmblich geübet

Notes:
Prologue + 5 dependent choruses, each with a separate cast. Production concludes with a chorus. The chorus to Act IV is not labelled a chorus: 'Repraefentatur denique manfuetudo, & Longanimitas Chrifti, Capitales inimicos, etiam reluctantes ad gratiam, & amplexum quaerentis, ac invitantis.' - representations of multiple OT characters and NT parables.


Programme Title Page:
Laurea Christiano-Lotharingica Hierosolyma Capta Primo Illius Regi Imposita Anno M.XCIX. Christlicher Sig-Crantz Godefridi Bullionii Hertzogen Auß Lothringen Und Ersten König von Jerusalem. Auff der Schaw-Bihne verehret Von dem ... Gymnasio Societatis Jesu zu Ynßprugg, Den 1. und 3. Tag Herbstmonats Im Jahr Christi 1682

Programme Main Title:
Laurea Christiano-Lotharingica Hierosolyma Capta Primo Illius Regi Imposita Anno M.XCIX. Christlicher Sig-Crantz Godefridi Bullionii Hertzogen Auß Lothringen Und Ersten König von Jerusalem. Auff der Schaw-Bihne verehret Von dem ... Gymnasio Societatis Jesu zu Ynßprugg, Den 1. und 3. Tag Herbstmonats Im Jahr Christi 1682

Notes:
Cast is listed by class. Production is entirely sung.  Prologue + 4 choruses, all of which are transitional. Of especial interest is the chorus concluding act I, which uses the OT character Moses and Judith Bethuliam as examples. The prize giving distribution is integrated as the final scene of the productionl


Programme Title Page:
Conjugium / cum benedictione / repetitum. / Ehe-Verbindnus / mit Seegen widerholt, / seu / Carolus I. et Hildegardis, / infeliciter separati, sed / feliciter reuniti conjuges, / tituloque Magni et Magnae / in prima augusta Germanici imperij capita / coronati: / augustissimis S. R. I. majestatibus Leopoldo I. / et / Eleonorae / Magdalenae Theresiae, / in Viennensi domo professa societatis Iesu / humanissimis hospitibus, / die divo Ignatio Lojolae societatis Iesu fundatori sacra / XXXI. mensis Iulij / scenice propositum / a studioso memoratae domus gymnasio, / natae salutis anno M. DC. LXXXII.

Programme Main Title:
Conjugium cum benedictione repetitum. Ehe-Verbindnus mit Seegen widerholt, seu Carolus I. et Hildegardis, infeliciter separati, sed feliciter reuniti conjuges, tituloque Magni et Magnae in prima augusta Germanici imperij capita coronati

Notes:
Drama complectens prologum, quinque actus, epilogum, quibus insertae sunt partes cantabiles. Opus praecedit scenarium impressum, in cuius fine notantur "personae recitantes". 8a - 67a textus e modi musici partium cantabilium ad singulos actus pertinentes alternant; 67b - 69b vacant. Incip.: "O Iux ocelli ad alta coeli"; desin.: "... tandem virtus una triumphat". Part. ch. XVII. 69. f. et 4°. 


Programme Title Page:
Julianus Pseudo-Politicus... Falsche Policey Juliani ; In einem Schau-Spiel vorgestellt Von Dem Bischöffl. Academischen Gymnasio der Societet Jesu zu Dillingen, Den 2. und 4. Septembris

Notes:
Prologue + 3 dependent choruses. Chorus concludes production. All are allegorical commentary/representations of key points of main title drama. Cast of main title drama is by school class, nobles listed first. Singers: 2 Rhet, 2 Human., 4 Synt Maj, 2 Synt Min, 1 Gramm., 3 Rud.


Programme Title Page:
Comoedia: Habita Hispali in festo Corporis Christi

Translated Title:
Spanish customs in the Feast of Corpus Christi

Programme Main Title:
Comoedia: Habita Hispali in festo Corporis Christi

Performance Referenced In:
Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890

Notes:
This play appears in a ms., "Comoedia, dialogi et orationes quas P. Acevedus, Sacerdos Societatis Jesu, componebat," held in the Royal Academy of History in Madrid, written between 1556 - 1572. Contains 6 plays:
1. Actio in honorem Virginis Mariae
2. Comoedia: Lucifer furens
3. Trofes de el divino amor etc
4. Comoedia prodigi filii
5. Comoedia habita Hispali etc
6. Comoedia Bellum virtutis etc


Programme Title Page:
Vita seu comoedia divi Stephani proto martyris

Programme Main Title:
Vita seu comoedia divi Stephani proto martyris


Programme Title Page:
Amphitheatrum Basilicae Virtutis, et Malitiae in quo S. Elesbaani, Aethiopum Regis Candorem, et Sanctimoniam, ac Dunaani, Arabiael Foelicis, Tyranni perfidiam, horrendumque; inferitum…

Programme Main Title:
Amphitheatrum Basilicae Virtutis, et Malitiae in quo S. Elesbaani, Aethiopum Regis Candorem, et Sanctimoniam, ac Dunaani, Arabiael Foelicis, Tyranni perfidiam, horrendumque; inferitum…

Notes:
Amplitheatrum...1567.
Cast: 42
Characters: S. Elesbaanus Rex Aethiopi; S. Aretas Mart.
Language: Latin and German (old script). 
The page edges are gilded.


This is more likely a Sodality production rather than a school production
Page 1

AMPHITHEATRUM
BASCILICAE VIRTUTIS
ET MALITIAE,
IN QUO
S. ELESBAANI,
AETHIOPUM REGIS CANDOREM,
ET SANCTIMONIAM,
AC 
DUNAANI,
Arabiae Foelicis, Tyranni perfidiam, horrendumq; 
interitum;
Optatissimis, Faelilcissimisq, Natalibus Reverendissimi, atq
Amplissimi Domini,
DN. NICOLAI,
CELEBERR. EXEMP. ET IMMEDIAT.
SAC. ROM. IMP. CAN. ORD. PRAEM. 
COENOBII
MARCHTALLENSIS VIGILANTISSIMI
ABBATIS,
Patris in Chrifto, ac Domini fui
GRATIOSI,
Ex debita obfervantia, Syncero affectu, obfequentis animi vene-/rantia, & fubjectione, Humilis ejusdem Conventus per Studio-/fam juventutem.
TRAGICO-COMICE
Ibidem exhibuit, ac celebravit, 
VIII. NON. DECEMB.
ANNO
â partu Parthenio
1567. (written in Roman numbers, the old style I can’t type on the computer: C I backwards C. I backwards C. LXVII.).

AUGUSTAE VINDEL. apud Joannem Praetorium.

Page 2: Synopsis in Latin

Page 3: Synopsis in German

Page 4:

Prologus

Amor a Concordia ex Corde innumeris cordibus provocatus, cum alternante Choro inter incendium egreditur, atque Reverendissimi Dn. Dn. Abbatis in Conventum suum, hujusque in Reverendiss. Dn. Dn. Abbatem Amorem, & Concordiam explicat, optatissimisq; Natalibus congratulatur. Choro finito editoque tonitru, Prologus de bello Elesbanaanum inter, & Dunaanum Reges inito, totaque Actione futura feriem pandit.

Actus Primus 
Scene I – III

Page 5:

Scene IV – VI (Scene VI is the Chorus)

Actus Secundus
Scene I - II

Page 6:

Scene III – VI

Actus Tertius

Scene I – II

Page 7:

Scene III – VI

Actus Quartus

Scene I – II

Page 8

Scene III – VI

Page 9

Epilogus

Personae in actu productae.  [lists the character’s name but not who played them.].

Signed L. D. S. B. V. M. S.N.S.E.S.A. & CCCXL. Mart. 

Page 10: Blank.


Programme Title Page:
Prologus: Amor a Concordia ex Corde innumeris cordibus provocatus, cum alternante Choro inter incendium egreditur, atque Reverendissimi Dn. Dn. Abbatis in Conventum suum, hujusque in Reverendiss. Dn. Dn. Abbatem Amorem, & Concordiam explicat, optatissimisq; Natalibus congratulatur. Choro finito editoque tonitru, Prologus de bello Elesbanaanum inter, & Dunaanum Reges inito, totaque Actione futura feriem pandit.

Programme Main Title:
Dependent Prologus, Epilogue: Amor a Concordia ex Corde innumeris cordibus provocatus, cum alternante Choro inter incendium egreditur, atque Reverendissimi Dn. Dn. Abbatis in Conventum suum, hujusque in Reverendiss. Dn. Dn. Abbatem Amorem, & Concordiam explicat, optatissimisq; Natalibus congratulatur. Choro finito editoque tonitru, Prologus de bello Elesbanaanum inter, & Dunaanum Reges inito, totaque Actione futura feriem pandit.


Notes:
Listed in British Library Manuscripts.

See complete notes in BL catalogue. Dido, A Latin Tragedy. Performed in the hall at Christ Church, Oxford, June 12 1583. Written by William Gager, Chancellor of Ely. The document includes the 2nd & 3rd acts w/ prologue, argument, and epilogue: the 1st act is missing.  F 34b.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

Pg. 45. Item 29.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times. 

Pg. 45, item #30.


Notes:
Held by: The Morgan Library and Museum, 225 Madison Avenue, NY, NY, USA. Website address: www.themorgan.org/research.  Appears under keyword search term "Jesuit"

This the unpublished ms of a 5 act drama, 79 pages. I have not seen this item.


Performance Referenced In:
Sommervogel, 1898. Vol 7, pg. 45 Item 34

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #34.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #35.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Performance Referenced In:
Sommervogel Vol 1 pg 76 (author).  SV IV, 573, no. 103 (performance).

Notes:
Sommervogel's notes:  "D'apres le Syllabus perum P. Gretseri, manuscrip du. P. Hugo Roth, le P.Gretser fit representer en 1593 a Ingoldstadt: Comoedia de Regno Humanitatis. Le P. Roth ajoute: "quan posteris annis P. Georgius Agricola plurimum auxit." (Le P. Roth died 1636).


Programme Title Page:
Crispvs: Tragoedia. Acta. Ludis. Parthenicis. Anno. Salvtis Fvndatae MCXCVII. Feriis. Antecineralibvs. Modos. Fecere. Mvsici. Praestantissimi. Egere. Nobilissimi. Adolescentes. Gemina. Cvm. Hippolyto. Ter. Data. Romae. Semper. Placvit.

Synopsis:
Argument (Incipit): Iulius Flauius Crifpus Caefar Flauij Constantini Augufti ex Mineruina Filius S. Helenae Augstae Nepos, & Minoris Helenae gemellus, Christianis facris expiatus, bello clarus, & faepe victor, & ex Germanorum clade triumphalis tertiùm Conful occiditur iuffu Patris, crimine Nouercae.

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #37.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Programme Main Title:
Chorus Iuuenum Romanorum ex conuictu Crifpi, & difciplina & educatu S. Helenae.

Notes:
I. Concluding Chorus: (Incipit): Qvaefitis decoras quifquis honoribus / Mentes ingenuis laudibus inclytas / Laudandus ftudio, premis / Coeptum gratus inutile.Act II. Scene i. Senex Fauftae Moderator. Chorus. (dialogue)
Incipit: 
Senex: dici beatum quempiam vere vetat….
Chorus: Quos his metus, quas narrat humanas vices?Act II. Scene iii. Chorus ends the scene.
Chorus (incipit): Omnia vereri prouide, timidi est nimis: / Nihil vereri prouide, stupidi est nimis.
Act II. Scene iv. Chorus included within the scene.
Chorus First entrance in the scene (complete): Accurre Roma; Conful en tandem tuus / Adeft Parentis Crifpus accitu redux.
II. Concluding Chorus: (Incipit): O Sator Mundi, columenque praesens / Chriftus defenfi Moderator Orbis / Saecla qui ducis, ftabilque rerum / Fine coerces.
III. Concluding Chorus: (Incipit): Vtinam falfo iactata metu / Pennata volet Fama fatelles, / Author inanis faepe tumultus: / Saepe tumultus nuncia veri.Act IV:  4 scenes
IV.i Nuntius and ChorusL
Nuntius (incipit): Odvra femper iura famulatus mei?
Chorus First entrance (complete): Fare quid portas noui?

IV.v Ablauius. Chorus
Ablauius (incipit): Tybure relicto Confulum notum genus
Chorus first entrance (complete): Heu quantas moues / Romae querelas Ablaui? Crispus tuus / 
(Heu vulnus Auiae) Crispus (heu faeuum piae / Vulnus fororis ) Cripus (infelix Soror). 

IV. Concluding Chorus: (Incipit): Te ne Romuleae rei / Sidus & Cuftos: Ducum / Terror, & votum breue, Vafta terrarum graui / Regna quaffantem manu: Te ne Dardaniae togae / Iura fundantem, & cito / Summa scandentem gradu, / Culmine è tanto, Patris / Sternet ad planum dolor / Criminum vindex atrox?
Act V: 4 scenes
V.i Conftantinus Imp. Crifpus. Praefectus Vrbis cum Iudicibus. Chorus.
Imp. (Incipit): Quem praefidere rebus humanis Deus
Chorus first entrance: (incipit): Vitalis effe Ductor infelix nequit / Res act. Iuuenis praefidij  quicquid fuit,

V.ii Ablauius. Eunuchus. Chorus.
Ablauius (Incipit): Simulata remoue verba. quem fruftra paras
Chorus first entrance (incipit): Ecce alia clades. crimen in Faustam redit.

V.iv: Nuntius alius. Conftantinus Imp. Chorus.
Nun. (Incipit): O Dira iuffa Regis, o Romae fides,
Chorus first entrance (incipit):  Patris heu moeror, Patris heu luctus / Puer infelix: miferande Puer. 

Final Chorus statement  (no concluding chorus; Imp has the final verses): Heu, heu, heu heu, heu, heu, heu, heu / Ducis indigni decus heu raptum / Ducis immeriti funus acerbum.


Programme Main Title:
Trivmphvs Divi Michaelis Archangeli Bavarici

Vocal Ensemble Size:
Soloists + 13 angels + 17 chorus angelorum + 25 chorus Christianorum + 30 other singing characters

Notes:
1 programme in Latin, 1 programme in German. Bavar. 2193, I, 1 & 2. Entirely sung/partially sung work with a dependent prologue. Every member of the chorus, except the Chorus militum, is given a character name.The tale, although presented as symbolic allegory, is the Archangel Michael vs. the Dragon.


Programme Title Page:
Trophaea Bavarica Sancta Michaeli archangelo

Programme Main Title:
Trophaea Bavarica Sancta Michaeli archangelo


Programme Main Title:
Argumentum oder Inhalter der Comedi von S. Benno

Notes:
Chorus (Choir of Angels): V:iv, V:v. No other use of a chorus. No epilogue. It is possible that this work is entirely sung, but there is insufficient evidence in the programme. Dependent prologue; no choruses, no epilogue.


Performance Referenced In:
Sommervogel 4, pg. 1541; William S. McCabe, SJ in The Musical Quarterly, July 1938, p 62

Notes:
Dr. Sypherd lists the author: Martin Laski

Found listed in Sommervogel IV. 1541

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 45, item #38.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Performance Referenced In:
Sommervogel, 6 pg 1154; William S. McCabe, SJ in The Musical Quarterly, July 1938, p 62

Notes:
Found listed in Sommervogel VI.1154

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Programme Title Page:
Tragedie Albert Cardinal et Eiusque de Liege, Fils de Godefroy III

Programme Main Title:
Tragedie Albert Cardinal et Eiusque de Liege, Fils de Godefroy III

Notes:
Separate from the comedy Isabelle (not interleaved). This document bears a closer look.  Is it the story of the Carmelites?
Full Title: Tragedie Albert, Cardinal et Evesque de Liege, Fils de Godefroy III, Duc de Loraine & de Brabant, & de Marguerite fille d'Henry Ducq de Lembourg & d'Ardenne, frere d'Henry premier Ducq de Brebant, endure le Martyre pour la tuition de la liberte de l'Eglise aupres de Rheims l'an 1192. L'an 1612 en Novembre il est eleve de terre a Rheims, par l'instance & conduitte de noz Serenissimes Princes Albert & Isabelle, place au Monastere tres-auguste des Dames Religieuses Carmelines en Bruxelles.  L'autre page monstrera la Comedie de S. Isabel.


Programme Title Page:
S. Isabelle, Fille d'Andre II Roy D'Hongrie

Programme Main Title:
S. Isabelle, Fille d'Andre II Roy D'Hongrie

Notes:
Separate from the tragedy - not interleaved with it.   All in French.
Act I Chorus: Les vertus amies d'Isabelle, & adversaires du monde, chantent, CUR MUNDUS MILITAT
Act II Chorus: Les cinq filles du monde se promettent sollement qu'Isabelle retournee es dignitez premieres, s'enlaschera es fillets & rets mondains, prendra nonuelle partie. Le voeu de Religious, & les vertus, presagent le contraire.
No chorus at the end of Act III. Instead:
Le triomphe du transport du sacre corps de Sainct Albert de France en Bruxelle, parseme d'applaudissemens, & faults (saults) excellents des lettres du nom ALBERTUS. Fin.


Notes:
Production includes dependent Prologue + 1 dependent chorus (concl Part 1) + Epilogue. All are allegorical commentaries. The Musici and Symphoniaci are presented as a single ensemble of 15 without distinction.


Vocal Ensemble Size:
29 char + 10 Cives + 4 angeli + 4 Affentatores + 12 Umbrae + 12 Milites + 21 Choreutae + 4 Recitatores Chor + 2 Evangelifta Campi

Notes:
As the entire cast participates in one or more choruses, believe this work to be entirely sung, except perhaps for the Recitatores Chor. 4 dependent choruses; no prologue or epilogue. Production does not conclude with chorus.


Programme Title Page:
Act I Chorus: Les vertus amies d'Isabelle, & adversaires du monde, chantent, CUR MUNDUS MILITAT. Act II Chorus: Les cinq filles du monde se promettent sollement qu'Isabelle retournee es dignitez premieres, s'enlaschera es fillets & rets mondains, prendra nonuelle partie. Le voeu de Religious, & les vertus, presagent le contraire.

Programme Main Title:
Dependent: Act I Chorus: Les vertus amies d'Isabelle, & adversaires du monde, chantent, CUR MUNDUS MILITAT. Act II Chorus: Les cinq filles du monde se promettent sollement qu'Isabelle retournee es dignitez premieres, s'enlaschera es fillets & rets mondains, prendra nonuelle partie. Le voeu de Religious, & les vertus, presagent le contraire.


Programme Title Page:
Le triomphe du transport du sacre corps de Sainct Albert de France en Bruxelle, parseme d'applaudissemens, & faults (saults) excellents des lettres du nom ALBERTUS.

Programme Main Title:
Dependent: Le triomphe du transport du sacre corps de Sainct Albert de France en Bruxelle, parseme d'applaudissemens, & faults (saults) excellents des lettres du nom ALBERTUS.

Notes:
THIS CHORUS INSEPARABLE FROM COMEDY.'Separate from the tragedy - not interleaved with it.   All in French.
Act I Chorus: Les vertus amies d'Isabelle, & adversaires du monde, chantent, CUR MUNDUS MILITAT
Act II Chorus: Les cinq filles du monde se promettent sollement qu'Isabelle retournee es dignitez premieres, s'enlaschera es fillets & rets mondains, prendra nonuelle partie. Le voeu de Religious, & les vertus, presagent le contraire.
No chorus at the end of Act III. Instead:
Le triomphe du transport du sacre corps de Sainct Albert de France en Bruxelle, parseme d'applaudissemens, & faults (saults) excellents des lettres du nom ALBERTUS. Fin.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 47, item #49  .

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

Uncertain if this is actually a drama.


Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 47, item #51.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.


Programme Title Page:
Der Tragoedi von Mauritio dem Komischen Kaiser

Programme Main Title:
Der Tragoedi von Mauritio dem Komischen Kaiser

Notes:
4 dependent choruses; no prologue or epilogue. Chorus I occurs between I:v and I:vi. Act II has no chorus. Acts III  & IV conclude with a chorus. All are allegorical interactions with main title drama characters.


Programme Main Title:
Summarischer bericht Einer Tragödi von dem heiligen Martyrer Nicephoro und Sapricio welcher als er Nicephoro seinem besten


Programme Title Page:
Argumento del Mimo che si recita in Collegio Romano della Compagnia di Giesú. Nella distributione de' premi à gli Scolari della Rettorica, Humanità, e Grammatica: Con un breve racconto Atto per Atto, scena per scena de' Personnagi ch'escono à parlare. Ad instanza del Sig. Francesco Lucini Convittare del Seminario Romano

Programme Main Title:
Argumento del Mimo che si recita in Collegio Romano della Compagnia di Giesú. Nella distributione de' premi à gli Scolari della Rettorica, Humanità, e Grammatica: Con un breve racconto Atto per Atto, scena per scena de' Personnagi ch'escono à parlare. Ad instanza del Sig. Francesco Lucini Convittare del Seminario Romano

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 47, item #54.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

Quarto size, 8 pages.  Publisher "In Roma, appresso Giacomo Mascardi, 1616. Con licenza de' Superior.


Notes:
College of Agen, fouded in province of Aquitaine, 1581. This programme is reproduced on p.36-7 of the Notice sur le college d'Agen by M. P. Lauzun.


Programme Title Page:
Der Comedi bon einem Jungling Leutscher Nation welchen als er zu Pariss mehr dem bosen Leden als den frenen Kunsten abwartet…

Programme Main Title:
Der Comedi bon einem Jungling Leutscher Nation welchen als er zu Pariss mehr dem bosen Leden als den frenen Kunsten abwartet…

Notes:
Prologue + Epilogue in Comedy.  The sung and spoken ensembles are integrated in the comedy; there are no distinct choruses, and choruses do conclude the acts or the production. I.v, for example, uses both Recitantium and Cantatium ensembles. 6 OT characters, presumably in dialogue but NOT play within a play are used to illustrate parallel points in the drama. Transitional.


Programme Main Title:
Elzearius comes Comoedien von dem H. Eltzeario Graven so zur Zeit Roberti konigs zu Neapel unnd Sicilien vor 300 Jahren mit Dalphina seiner Gemahlin Jungfrawlich gelebt

Performance Referenced In:
Szarota 2:1, 307-317. Valentin, I, p. 106, no. 915. Weller, 1864, p. 235. Sommervogel, II, 1376. Muller, II, p. 65. Seidenfaden, p. 181.


Programme Title Page:
Heroicae juventutis Pinacotheca Excellmo Principi F. Antonio Barberino Smi Dmi Nri Urbani VIII. Fratris Filio dicata. Et modulis musicis celebrata, dum Josephus Rubeus ex So Angelo in vado Philosophicas Theses defenderet in Collegio Romano Society Jesu

Programme Main Title:
Heroicae juventutis Pinacotheca Excellmo Principi F. Antonio Barberino Smi Dmi Nri Urbani VIII. Fratris Filio dicata. Et modulis musicis celebrata, dum Josephus Rubeus ex So Angelo in vado Philosophicas Theses defenderet in Collegio Romano Society Jesu

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7. pg. 49, item #83.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times.

*Unsure if this document contains a play or not. Could be only theses*


Vocal Ensemble Size:
43 + 3 Symphoniaci & Nymphae + 9 Cives + 6 Chori + 16 allegorical cities/instutions

Notes:
Believe this work to be entirely sung productions, as the chorus members take leading roles in every scene. No prologue. 2 spectacle choruses conclude Act I 'Docet Fortunam profperam virtute firmati.'; Act II ' Virtutes Epifcopales per Symbola repraefentat.' The Apodosis concluding Act III has 6 separate parts: 1. Ex tempore Infcriptiones, Emblemata…fiunt elogia Eminentiffimi Principis Electoris. 2. Encomiaftae quatuor…quae reditis commoda tubis & lituis adverfus intercalares, applaudentibus. 3. Applaudent tripudiando Rhenus, Mofella, Liganus, Sarauus, Sura, & Alifonia fiue Etza. 4. Nymphae diuerfae choros agunt. 5. Montes, & Colles vitiferi, una cum Satyris & Faunis exultant. 6. Acclamatur a ftudiofis & alijs circumftantibus. Viuat. Viuat. Production concludes with a Denique: 'Quaternis choris accinitur Te Deum Laudamus Interftrepentibus tubis & Tympanis.'


Programme Main Title:
Wenceslaus Das ist Tragoedia Von dem H. Wenceslao Fursten und ersten Konig in Boheimb


Programme Title Page:
Abderamenes Tragoedia, In victissimp Potentissimoque Principi Ludovico Valesio Comite d'Alais, levioris equitatus in Gallia Praefecto, regiorum ordinum Equiti Torquato; Provinciae Proregi Munerario suo in Solemni Praemiorum distributione regii Collegii Borbonii Societatis Iesu

Programme Main Title:
Abderamenes Tragoedia, In victissimp Potentissimoque Principi Ludovico Valesio Comite d'Alais, levioris equitatus in Gallia Praefecto, regiorum ordinum Equiti Torquato


Programme Title Page:
Tragoedia de Gundeberto Longobardorum Rege

Programme Main Title:
Tragoedia de Gundeberto Longobardorum Rege

Notes:
D. Iacobus Spindler, apud B. V. Musicae Praefectus. Choruses conclude Acts I - IV. 12 characters. No prologue or epilogue. Chorus does not conclude the production. Several choruses are spectacle choruses (military)


Programme Main Title:
Dependent: 4 choruses. Miles Facularius, Gracias

Notes:
D. Iacobus Spindler, apud B. V. Musicae Praefectus. Choruses conclude Acts I - IV. 12 characters. No prologue or epilogue. Chorus does not conclude the production. Several choruses are spectable choruses (military)


Notes:
Production programme does not indicate where the Musici ensemble performs; perhaps as the epilogue. size of 117.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938.

Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
Comedie devote sur la vie tres admirable de S. Vincent patron des Soignies, et de S.te Waudrv sa femme patronne de Haynnau, Laquelle sera reprenteé à Soignies

Programme Main Title:
Comedie devote sur la vie tres admirable de S. Vincent patron des Soignies, et de S.te Waudrv sa femme patronne de Haynnau, Laquelle sera reprenteé à Soignies

Performance Referenced In:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.294

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.294

"…par la Ieunesse, Et par icelle dedieé à Messeigneurs les venerables prevost, doyen et chanoines du college de S. Vincent. A Mons. De l'Imprmerie de Waudrét Fils, à la Bible.

In 4o, 11 pp. [In Rouselle's own library - current location unknown].


Programme Title Page:
Wenceslaus diss Namens erster Konig un Böhem

Programme Main Title:
Wenceslaus diss Namens erster Konig un Böhem

Performance Referenced In:
Sommervogel, p. 63. Szarota 3:2, 1015-1022.

Notes:
Production includes dependent Prologue + 4 transitional chorues + 1 dependent chorus (Act V). Production concludes with a chorus. Transitional choruses use 4 tales from OT David, King of Israel. The correlation to Wenceslaus is specified in the programme; unknown if the correlation is also presented in the chorus; therefore, this chorus is labelled transitional, but may later be revised to independent.


Performance Referenced In:
Sommervogel, p. 63.Szarota 3:2, 1015-1022.


Cast Size:
38 + 5 Chorus Tragicus + 6 Chorus Comicus

Notes:
Production includes 2 dependent choruses, which are performed by a single ensemble without character names; therefore, most likely in the form of a motet or similar. No prologue or epilogue. Production does not conclude with a chorus. Production includes 2 spoken choral ensembles, Chorus Tragicus and Chorus Comicus.


Vocal Ensemble Size:
12 Chorus Musicus  (possibly also 18 Ephebis)


Programme Title Page:
S. Thomas Cantuariensis Archiepiscopus & Martyr

Programme Main Title:
S. Thomas Cantuariensis Archiepiscopus & Martyr

Instrumental Ensemble Size:
7. One each of Lyranus, Fidicanus, Lauterius, Cornublassus, Paufanias, Canarinus, Filiolus Orbilii

Cast Size:
7 musici + 1 cantor + 1 Prologus + 70 characters

Performance Referenced In:
Szarota 3:2, 1375-1387. Valentin, I, p. 112, no. 958. Weller, 1864, p. 238 - 239. Sommervogel, II, 1376. Muller, II, p. 66. Seidenfaden, p. 181. Szarota, Geschichte, p. 21.

Notes:
13 pp. Latin and German. Manuscript text of play survives, Munich S.B. cod. Lat. Mon. 26017, ff.165 - 222.Production includes Prologue. No choruses or epilogue; chorus does not conclude the production. 7 musicians performing instruments suitable for military are included in the cast, also a cantor and a Prologus. Do not believe this work to be entirely sung b/c of absence of strings/keyboard instruments in programme cast.


Performance Referenced In:
Szarota 2:1, 681-696. Weller, 1864, p. 238. Sommervogel, I, 647. Muller, II, p. 66. Valentin, I, p. 112, no. 956.

Notes:
Author provided by J-M Valentin. Valentin notes that this play is an adaption of a work by Nicolaus Caussin, who is listed as the author of this tragedy.


Programme Title Page:
Gedeon encaenicus Iudex Israelils quintus

Programme Main Title:
Gedeon encaenicus Iudex Israelils quintus

Notes:
College d'Aix-la-Chapelle, founded in 1603.


Programme Title Page:
Herodes ou l'ambition trop insolente punie en la persone d'Herodes, Roy des Iurfs

Programme Main Title:
Herodes ou l'ambition trop insolente punie en la persone d'Herodes, Roy des Iurfs

Performance Referenced In:
'Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p. 222 - 23.

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p. 222 - 23.  Rouselles' norwa: "Le style de ce libretto est d'une bonhomie réjouissnat. Au premier act un Choeur musical célébre l'apparition de l'étoile des mages et la naissance de l'Enfant Jésus. <<Le soleil, la lune, avec les astres, à l'exemple des Roys, invitent par leur chant toutes créatures à recognoitre le vray Dieu frechement nai. Les quatre parties du monde exitée par ceste melodic, ensēble avec les astres benissent la naissance de ce petit-grande  Roy, detestands. Herodes au possible Herodes deçu par les Mages porte sentence de mont contre tous les petits poupons de la Judée, que ses soldats, aprés avoir invoqué leur de'esse Bellone, passent par le fil de l'epée. Un grand père pleure sur le cadacer de son petit-fils.  (New paragraph) Anti pater fils d'Herode conspire contre lui, il est trahi par son la quay, mais comme il ignore cetle trahison il se rend en poste à Jérusalem ou il est mis par son père en bas de fosse. Herode tombe malade et l'un des conjurés exhorte la jeune noblesse d'abattre, contre toutes loix. L'aigle impérial du frontispice du temple. Enfin Herodes vomit son âme  malheureuse.

Rest of information  from the title:
Representée par les Estudiants de la Compagnie de Iesus, le 13 Sept 1629 a 2 heurs apres midy. A Mons de l'imprimerie François De Waudré, à la Bible 1629. 
Quarto, 8 pp.

Rouselles' Note: 
Le style de ce libretto est d'une bonhomie réjouissant. Au premier act un Choeur musical célébre l'apparition de l'étoile des mages et la naissance de l'Enfant Jésus. <<Le soleil, la lune, avec les astres, á


Programme Main Title:
Dapiferi das ist heroifche oder Eitterliche Thaten

Performance Referenced In:
Szarota 3:2, 2041-2048. Valentin, I, p. 121, no. 1025. Weller, 1864, p. 240. Sommervogel, II, 1376. Muller, II, p. 68. Seidenfaden, p. 181. Szarota, Geschichte, p. 192

Notes:
8 pp. Latin and German. Prologue + 5 Act Tragedy + Epilogue. Prologue and Epilogue are dependent and apparently spoken rather than sung. There are no choruses in this production and no musicians/singers identified in the cast.


Programme Title Page:
Andronicus Comnenus: Empereur de Constantinople

Programme Main Title:
Andronicus Comnenus: Empereur de Constantinople

Cast Size:
At least 29 characters + inhabitants of Constantinople, merchants, soldiers

Notes:
Structure: 7:7:4:7:11
End of acts I - IV = Coeur Musical (not listed separately in database). Act III specifically incorporates the choir into the end of the act.


Notes:
Prologue and synopsis scene by scene in French. Chorus synopses in  Jesuit Drama Arguments Synopses.doc. Last page dedicatio: A la plus grande gloire de Dieu, de la Vierge Mere & de Sainct Gallican. Except for title page, all synopses in French. 
Le Proloque/explicque la substance de ce qui se duibt representer.

Act Premier
Scene i - vi

Le Choeur
Bellone trouble tout, & lance sur la terra plusieurs Pestes & Boutefeux, qu’elle fait fortir de la teste de <ars & y emserre [emferre?] la Paix prisonniere. C’est pour faire entendre combien de maulx proviennent d’une seditieufe [seditieuse?]  mauvaise teste; comme estoit Taiphal.

Act II 
Scene i – v

Le Choeur
Par le roue de fortune se monstre qu’es choses humaines la chance se tourne bien-tout & malheureusement, à l’example de Gallican qui abandonné des siens, est roulé du plus haut au plus bas de la roué.

Act III

Scene i – vi

Le Choeur

Les Anges sont le Triomphe de la Croix qui avoit donné la victoire,  & monstrent comme les faux dieux & les Scythes sarouches à guise des bestes sauvages, ont esté subiuguez.

Act IV
Scene i – v

Le Choeur

Le mauvais Genie de Iulian appelle ‘Idolatrie, ‘Impiete, la vanite mondaine & autres monstres infernaux oppressex par Gallican; & leur promet que bientost onen prendra vengeance ceux la couronnans le susdict mauvais  Genie representent l’advancement de Iulian à l’empire.

Act V
Scene i – ix
No chorus.


Ursinus Drama Pastoritium
January 1637
Collegium Atrebatense Societatis Jesu
Atrebaii
Precieux Reserves: KBR, Bruxelles, Belgium.  II 91.153 Item 13


Act I. Chorus

Coelorum gaudiam de Ursino brevi inter Indigetes suus referendo.

Act II. Chorus

Mortem de imperio in mortales nimiũ gloriabundem, appositisque; inscuto suo vacuo Ursini Insignibus superbă, comprimitis, qui ea inibi fixerat, Divinus Amor.

Act III. Chorus

Naiades ad Ursini mortem muestimissimae Fluviis Artesiae lacrymas suas admiscent.

Act IV Chorus

Põpa funebris instituitor. Mausoleũ eius adjuncta haec, inter çetera, Symbola illustrăt. I . Manipulus florum collectus ex Stemmate gentilitia Ursini vasculo affervatus cum hac Epigraphe, POST FATA SUPERSTES, Memoriam virtutum illius non inter-morituram declarat. II. Ecclypsis Solis cum hac Inscriptiones, ALIBI SPLENDET, terris occidisse eum quidem, at coelo vivere ostendit. III. Parmula vacua hoc dicto adjecto, PAR NULLA FIGURA DOLORI, dolorem nostrum exprimi nonposse demonstrat. IV. Sol occidens, cui inscribitur, NATURAE SATIS, NOBIS PARUM, desiderium omnium de eius longiori vitâ exprimit.  V. Ursus Vedastinus substitutus in locum Ursae coelestis, cum hoc addito, MAIORI CEDITO FLAMMAE, summam eius in coelo gloriam significat. VI. Acus nautica Ursum respiciens, cum hoc lémate, RESPICIAM SEMPER, beneficiorum eius memoriam apud nos immortalem futuram promietit.

No chorus for Act V.


Notes:
Prologue and synopsis scene by scene in French. Chorus synopses in  Jesuit Drama Arguments Synopses.doc. Chorus inseparable from tragedy.'Prologue and synopsis scene by scene in French. Chorus synopses in  Jesuit Drama Arguments. Last page dedicatio: A la plus grande gloire de Dieu, de la Vierge Mere & de Sainct Gallican. Except for title page, all synopses in French. 
Le Proloque/explicque la substance de ce qui se duibt representer.

Act Premier
Scene i - vi

Le Choeur
Bellone trouble tout, & lance sur la terra plusieurs Pestes & Boutefeux, qu’elle fait fortir de la teste de <ars & y emserre [emferre?] la Paix prisonniere. C’est pour faire entendre combien de maulx proviennent d’une seditieufe [seditieuse?]  mauvaise teste; comme estoit Taiphal.

Act II 
Scene i – v

Le Choeur
Par le roue de fortune se monstre qu’es choses humaines la chance se tourne bien-tout & malheureusement, à l’example de Gallican qui abandonné des siens, est roulé du plus haut au plus bas de la roué.

Act III

Scene i – vi

Le Choeur

Les Anges sont le Triomphe de la Croix qui avoit donné la victoire,  & monstrent comme les faux dieux & les Scythes sarouches à guise des bestes sauvages, ont esté subiuguez.

Act IV
Scene i – v

Le Choeur

Le mauvais Genie de Iulian appelle ‘Idolatrie, ‘Impiete, la vanite mondaine & autres monstres infernaux oppressex par Gallican; & leur promet que bientost onen prendra vengeance ceux la couronnans le susdict mauvais  Genie representent l’advancement de Iulian à l’empire.

Act V
Scene i – ix
No chorus.


Ursinus Drama Pastoritium
January 1637
Collegium Atrebatense Societatis Jesu
Atrebaii
Precieux Reserves: KBR, Bruxelles, Belgium.  II 91.153 Item 13


Act I. Chorus

Coelorum gaudiam de Ursino brevi inter Indigetes suus referendo.

Act II. Chorus

Mortem de imperio in mortales nimiũ gloriabundem, appositisque; inscuto suo vacuo Ursini Insignibus superbă, comprimitis, qui ea inibi fixerat, Divinus Amor.

Act III. Chorus

Naiades ad Ursini mortem muestimissimae Fluviis Artesiae lacrymas suas admiscent.

Act IV Chorus

Põpa funebris instituitor. Mausoleũ eius adjuncta haec, inter çetera, Symbola illustrăt. I . Manipulus florum collectus ex Stemmate gentilitia Ursini vasculo affervatus cum hac Epigraphe, POST FATA SUPERSTES, Memoriam virtutum illius non inter-morituram declarat. II. Ecclypsis Solis cum hac Inscriptiones, ALIBI SPLENDET, terris occidisse eum quidem, at coelo vivere ostendit. III. Parmula vacua hoc dicto adjecto, PAR NULLA FIGURA DOLORI, dolorem nostrum exprimi nonposse demonstrat. IV. Sol occidens, cui inscribitur, NATURAE SATIS, NOBIS PARUM, desiderium omnium de eius longiori vitâ exprimit.  V. Ursus Vedastinus substitutus in locum Ursae coelestis, cum hoc addito, MAIORI CEDITO FLAMMAE, summam eius in coelo gloriam significat. VI. Acus nautica Ursum respiciens, cum hoc lémate, RESPICIAM SEMPER, beneficiorum eius memoriam apud nos immortalem futuram promietit.

No chorus for Act V.


Programme Main Title:
B. Stanislaus Kostka Das ist Summarischer Innhalt der Comoedi von dem Leben dess seeligen Junglings Stanislai Kostkae

Performance Referenced In:
Szarota 3:1, 165-172. Valentin, I, p. 125, no. 1049. Weller, 1864, p. 254. Sommervogel, II, 391. Muller, II, p. 68.


Programme Title Page:
Maurice Tragedie. Dedice a messeigneurs les Bourguemaisters de la Cite' de Li'ege, Noble & Illustre Seigneur Edmont, Baron de Swartzembergh, & Hoehenlansberg, Sr. de Herek S. Lambert, &c Gentilhomme de la chambre de S. A. Serme, Prince Electeur de Cologne, Govuerneur & Drossart de Stochem, &c. Consul Pour la Premiere Fois. Et Seigneur Gerard Charle, Conseiller de S. A. Serme en son Conseil Ordinaire, & l'undes Deputez des Estats, &c. Consul pour la Premiere Fois. Represente'e par la Ievnesse Liegeoise du College de la Compagnie de Iesus, le [left blank] de Septembre, 1631 a' 2 heures apres midy. A Liege, chez les Heratiers de Guillaume Hovius. A l'Enseigne du Paradis Terreste. M DC XXI

Notes:
4 Dependent choruses, no prologue or epilogue. Production does not conclude with a chorus; concludes with distribution of prizes. Last page: 'Les Prix se distribueront par le liberalité de Messaigneurs les Bourguemaisters. A la Plus Grande Gloire de Dieu, et de la Vierge sa Mere.

[As the date is left blank, this is most likely a printer's blank; or printed for the college before a date had been set with the intention that the date would be handwritten, as often seen].

Cast list included, with names. The Chorus of Soldiers are not in the cast list.  Rhet = 3. Poetes = 31 Syntax = 12.


Synopsis:
Act I
Choeur: Quelques Soldat armez representent l'image du combat passe', par diversite' d'approches, tours, retours, et autres actes du guerre
Act II
Choeur: Les Soldats restez celebrant a' la façon militaire les exeques & funerailles de leurs compagnons occis.
Act III
Choeur: Ces ombres toutes balaffrées & (f?) sanglantes (s?)fortent des tobeaux & demandent vengeance. A ces cris le ciel s'ovúre, & Dieu pressé par les voix de ces pauvres occis decerne de punir Maurice, luy laissant (laiffant in orig.) neantmoins le choix de fon supplice. Maurice à demy sommeillant choisit d'estre puny en ce monde: surquoy Dieu arreste de le faire passer avec toute sa race par le glaive de Phocas son successeur futur à l'Empire.
Act IV
Choeur: Quelquesieux & passetemps militaires à l'honeur de Phocas nouvel Empereur.
Act V = No Choeur.


Programme Main Title:
Der teutschen Comoedi von dem H. Apostel Fürsten Paulo


Programme Title Page:
Artabanus: Ghetrocken ex Iustino Tragi. Pompeii Hi

Programme Main Title:
Artabanus: Ghetrocken ex Iustino Tragi. Pompeii Hi

Notes:
Structurre: 7:5:6. 
End of acts I - II = "Choor" (not listed separately in database). Both times specifically incorporates the choir into the end of the act as a commentary.


Programme Main Title:
Dependent: Chorus: Artabanus: Ghetrocken ex Iustino Tragi

Notes:
Chorus Inseparable from Tragedy. 'Structurre: 7:5:6. 
End of acts I - II = "Choor" . Both times specifically incorporates the choir into the end of the act as a commentary.


Notes:
College d'Alost, founded 1621. Other names for the city: Alost, Aelst, Aalst.


Programme Title Page:
Iephte, Ductor Hebraeorum, Victor Ammonitarum, Victimarius Filiae Coram Serenissimis Utriusque Bavariae Ducibus. Elisabeth Electrice. Alberto Patre, Mechtilde Matre. Et Ioanne Francisco Carolo. Maximilianlo Henrico. Alberto Sigismundo. Lectissimis Filiis. In Theatrum productus a Collegio Academico PP Ord. S. Benedicti Salilsburgi

Programme Main Title:
Iephte, Ductor Hebraeorum, Victor Ammonitarum, Victimarius Filiae Coram Serenissimis Utriusque Bavariae Ducibus


Programme Title Page:
Anastasius Fortunae Pila, Terrae Piaculum, Orci Monstrum In Bonorum Album Manu Magnae Matris relatus, Et ... In Theatrum A Collegio Academico Ordinis S. Benedicti Salisburgi ... productus, VI. Id. Novembr. Anno M.DC.XXXII

Programme Main Title:
Anastasius Fortunae Pila, Terrae Piaculum, Orci Monstrum In Bonorum Album Manu Magnae Matris relatus


Programme Title Page:
Cursus Gloriae Mortalis Dramatica Poësie expressus sive Jason Fabula ab Studiosa Juventute Gymnasii Reossel

Programme Main Title:
Cursus Gloriae Mortalis Dramatica Poësie expressus sive Jason Fabula ab Studiosa Juventute Gymnasii Reossel

Notes:
This item is found in:
Sommervogel, Carlos S. J. Bibliothèque de la Compagnie de Jésus Bruxelles. Oscar Schepens. Société Belge de Librairie. 16 Rue Treurenberg. 1898. Vol. 7.

Viewed this volume at the University of Liège, Belgium; the series is available elsewhere. Work is in French. Unsure if this document has survived to modern times. 

Pg. 8. Roessel, Collége de dans la Province de Lithuanie. Founded in 1631.  
Remainder of title page: S.J. cum Illsus ac Revms Dominus D. Nicolaus Szyszkowski Episcopus Varmiens etc.: etc. Idem Gymnasium suum uti Fundator ac Mecaenas primum reviseret ludis autumnlibus. 
Bib notes: 1633. 4 acts. ff 11. Ms. dans un recueil de Cologne (Par le P. Th. Clagius, t II, coll. 1196, n.1)


Programme Title Page:
Tragoediae Selectiae Patrum Societatis Jesu

Programme Main Title:
Tragoediae Selectiae Patrum Societatis Jesu


Programme Title Page:
Pietas victrix sive Flavius Constantinus Magnus de Maxentio tyranno victor

Programme Main Title:
Pietas victrix sive Flavius Constantinus Magnus de Maxentio tyranno victor

Performance Referenced In:
Fleming, Willi. Das Ordensdrama. Leipzig: Philipp 185 - 303 (complete text).

Notes:
The choruses appear within the play as well as between the acts. There are three chorus groups. This work might be intended to be completely sung.


Programme Title Page:
Petrus Und Paulus, Das ist: Ein Christliches Schawspil vom Leben, Wandel, Marter und Todt zweyer Fürsten deß rechten und wahren Glaubens ...Gehalten und vorgestellt Von dem Augspurgischen Gymnasio der Soc. Iesu den 3. und 5. Herbstmonat Im Jahr Christi 1659

Programme Main Title:
Petrus Und Paulus, Das ist: Ein Christliches Schawspil vom Leben, Wandel, Marter und Todt zweyer Fürsten deß rechten und wahren Glaubens

Performance Referenced In:
Valentin, I, p. 232, no. 1864. Weller, 1865, p. 112. Sommervogel, I, 651. Muller, II, p. 84.

Notes:
Programme, 4pp. Text to play is 112 pp., Munich, S.B., cod. Lat. Mon. 2130: 'SS. Petrus et Paulus Christi nobiles Athlethae Religionis incorruptae Parentes et Magistri Tragoedia.


Programme Title Page:
Achates Comes  Pessimi Magistri Malus Discipulus

Notes:
Latin and German interleaved.  School year provided for cast. Signed AMDG.

Prologus
Part I: 3 scenes
Chorus
Part II
Scene 2 has Episodium under it
Chorus
Part II
Chorus

Actors: 12 characters, 5 Genii, 4 Ephebi


Programme Main Title:
Achates Comes  Pessimi Magistri Malus Discipulus


Programme Title Page:
S. Vitus Elvacensis Patronus ad inaugurationem

Programme Main Title:
S. Vitus Elvacensis Patronus ad inaugurationem

Vocal Ensemble Size:
53 characters + 62 singers w/o specific character name

Notes:
Prologue + 4 Chorus + Epilogue. Chorus II = spectacle chorus of crowned martyrs singing.


Programme Title Page:
Maria Exhilaratrix Comoedia Historice Digesta

Programme Main Title:
Maria Exhilaratrix Comoedia Historice Digesta

Notes:
Production consists of 3 dependent concluding choruses. The distribution of the prizes concludes the production. The choruses appear to be sung by a single ensemble with organ accompaniment without characters.


Programme Title Page:
Rarum Fraternae Charitatis Exemplum in Iustino Martyre Erga Fratrem Iustinianum Spectatum

Programme Main Title:
Rarum Fraternae Charitatis Exemplum in Iustino Martyre Erga Fratrem Iustinianum Spectatum

Notes:
Prologue + 2 dependent choruses + Epilogue within a 3 Part Tragedy. All allegorical commentary.


Programme Main Title:
Dependent:  Prologue + Chorus + Epilogue. Idololatria, Christus


Programme Title Page:
Dei Admiranda Clementis Erga Peccatricum Animam In Parabola Demonstrata

Notes:
Latin and German interleaved.  Signed OAMDG.

Act I: Propositio Parabolae
Chorus I: Applicatio Parabolae
Act II: Propositio Parabolae
Chorus II: Explicatio Parabolae
Act III: Prop. Parabolae
Episodium: Ad famam hostilis incursos fistit (sistit?) se improvisa peregrini militis manus, cui pro acie est Theatrum.
Chorus III: Expositio Parabolae
Act IV: Prop. Parabolae
Chorus IV: Applicatio Parabolae
Act V: Pro Parabolae
Chorus V: Applicatio Parabolae

Distributio Praemiorum
Ex Fabula nascitur Historia
Actors 8 (main); 4 (Aula reges); 11 Ephebi; 9 Genii; 3 Legati Mauri; 5 Ventores; 9 Duces Belli; 6 Satellites. 

No chorus given in the cast list.


Programme Main Title:
Dei Admiranda Clementis Erga Peccatricum Animam In Parabola Demonstrata


Programme Title Page:
TRAGICO-COMICA S S. FELICITATIS ET SEPTEM FILIORVM FELICITATIS,
Das ift, Das Leben und der Todtk der henligen Martyrer und Wittive FELICITATIS, Und ihrer Sieben Söhnen Durch ein Schawspiel
Vondem Gymnasio der Mündern Brůdern Convert:
S. Francifci, in der Löbk Alt-Catholifchen dess Römi-/schen Reichs-Statt Uberlingen/ vorgeftelt/ Den 5 Septembris, Im Jahr 1661.

Programme Main Title:
Tragico-Comica SS. Felicitatis et Septem Filiorum Felicitas

Synopsis:
Incomplete entry.

ARGVMENTVM:

Damus mundi theatro verâ Dei felicitate viduo SS. Felicita-tem Viduam & Martyrem fub M: Aur: Antonino Imperato-/ re victricem, quae Romae maximè crefcit, cùm Filiorum numerus,/ fub martyrio, Matri Felilcitati decrefcit; nunquam tamen felicor/ Felicitas orbi vixit, quàm cùm mundus infelix Felicitatem Gra-/tis orbam vidit. Publius Praefectus hanc Romae invidet, quae in-/ vidia fidemel, hâc vice felix fuit, dum feptem Filios Felicitatis fu-/ftulit virgis, vt fafces Felicitatis triumpho praeirent; fuftibus, qui-/ bus caninam Caefaris invidiam ac Poparum abigerent feliciores;/ praecipitio, vt ab altiori cafu ad majorem caelitū felicitatem afcen-/ derent; ferro, quo laurus fanguine tinctae rofeo magis purpurarent./ Quid mirum? fi jam mundo Felicitas nulla foret, cùm coelum hac/ Felicitate fuam aeternùm auxit.

Page 3
PROLOGUS

A
nima Christiana per muficam inquirit veram huius mundi felicitatem, / cui Angelus Cuftos quietem & filentium fuader, dum brevi in thea-/ trum Felicitatem viduam & M: feptem cum filijs dandam effe revelat.

ACTUS I
Sena I.
Sancta Felicitas docet feptem filios crucis felicitatem, quam vno pectore amplectuntur.

	Scena II. Ianuarius natu maximus, cum aliquibus fuorum Fratrum/ jocos miros facit cum Idolo Veneris, quod domi oft endit.

	Scena III. Summam felicitatem ftarek cum pauperie poffe docet vir/ multus filijs.

	Scena IV. Venus, Mars, Saturnus vltimas moliuntur infidias in S. Felicitatis familiam.

	Scena V.  Manaffar & Pelio thura Dijs ferunt; contrà fulmine illos fer-/ iunt Dij, reclamant Caefaris Victoriae, & evomunt omne malum.

	Chorus. Anima Christiana iactat fuam inventam felicitatem, totique mundo vulgat.

Page 4

ACTUS II

Scena I.
Manaffar & Pelio iram Deorum Caefari Antonino pandunt, qui illicet/ furias in S. Felicitatem agit, omniq; vi ad thura litanda Dijs cogere il-/los decernit.

Scena II.  Dolifax nova ftratagemata in Christianos ad invidiam dae-/ monum excogitat.

Scena III. Ianuarius, Philippus, Felix audaci ora tela Publij Praefecti/ promifsis aureis minifque illita contemnunt.

Scena IV.  Mufica nihil fuavius, nil deterius.

Scena V. Silvanus dum fuam felicitatem cantu monftrat, proditur &/ vix manibus Publij Praefecti elabitur.

Chorus. Angelus Cuftos per faltum Faunoruml, quibus leones, Iupi,/ vulpes, vrfi cheli ludunt, nullam effe mundi felicitatem, Animae Christia-/ nae probat. 

ACTUS III
Scena I.


Sancta Felicitas territos à Publio filios audit, quorum animofam indo-/ lem commendat Deo.

Scena II. Dolifax, vt quofdam Christianos iuvenes melius feduceret,/ fimulat fe Christianiffmum. 

Page 5


Scena III.  Caefar Antoninus S. Felicitatem ergaftulo adjudicat.

Scena IV.  A malo corvo malum ovum.

Scena V.  Filij defolati animantur ad veram Dei Felicitatem à matre/ in ergaftulo.

Chorus. Animae fomnianti variae felicitatis fpecies ofteruntur.


ACTUS IV
Scena I.

Popae nituntur omni confilio S. Felicitatem à fide Chrifti avertere, quae/ faniori mentre conftanter eludit.

Scena II.  Similis fimili gauder. 

Scena III. Aulici cun Caefari Antonino vnâ fententiâ S S. Felicitatem,/ & feptem, filios morti adiudicant.

Scena IV.  Variae mundi felicitates infelicem exitum fortiuntur.

Scena V.  Septem Felicitatis filij inter Echonis Iufus Publio Praefecto/ lufum in ferium cedunt.

Chorus. Animae de vera Numinis felicitate dubitanti reftimonio Angelus Cuftos fuccurrit. 

Page 6

ACTUS V
Scena I.
 Caefar Antoninus vltimo in juventutem promifsis pugnat, fed incaffum/ ideo ad palum virgis caedi iubet, vique dum cedat anima.

Scena II. Mater inter tragicucm fpectaculum ex ergaftulo revocatur, / ad fortiter morientes pro Chrifto filios.

Scena III. Mater roborat reliquos ad novum Martyrij genus, qui/ fpontè tamen Caefari infultant.

Scena IV. Caefar Antoninus Alexandrum ipfa Matre aggreditur, fed cùm furdo canit, crudeli praecipitio perire cogitur.

Scena V.  Furor tandem grandinat in natu minimum & ipfam Felici-/ tatem demetijubet. Vah! nefas!

Chorus.  Anima fibi cum fociis Felicitatem triumphantem, fimulque/ S S. Felicitati & feptem Filiis aeternam gratulatur.

Distributio Proemiorum

Caefar Antoninus laetatus bonis à felicitate relictis, qui feliciores Mufa-/rum Affleclas convocari jubet, & annuum illorum ftudium proemijs compenfat.

Page 7

NOMINA ACTORUM

Sancta Felicitas. Ioannes Victor, Hisperti, Rhetor.

 Filij.
Ianuarius. Nicolaus Roth, Rhetor.
Felix. Iannes Leonardus Compier, Hum.
Philippus. Ioan. Georgius Geir, Min. Synt.
Silvanus. Georgius Adamus Sulger, Minor Synt.
Martialis. Praenobilis Matthaeus à Pfumern, Gram.
Alexander. Ioan. Cafparus Mader, Minor Syntaxifta
Vitalis. Ioannes Conradus Roth, Rudimen.
Antoninus Caefar. Ioan. Georgius Weitkardt, Rhetor.

etc.


Cast List: 
Sancta Felicitas = 1
Filij= 8
Filij Caefaris = 10
Confiliarij = 4
Chorus (all with named characters) = 29
Ephaebi = 9
Fauni = 4
Instrumentistae = 6
Syrenes = 3
Lictores = 5
+ Milites, Famuli & turma reliqua.

FINIS

Notes about the Chorus & Instrumentalists:

Instrumentalists:
Rhetor Cand = 1
Rhetor = 3
Minor Synt = 2

Syrens: 
Minor Synt = 2
Rhetor =1

Chorus:
Anima. Minor
Angelus. Humanista
Providentia. Rhetor
Fides. Minor Synt.
Spes. Major Syntaxifta
Charitas. Min. Synt
Mundus. Rhetor.
Caro. Humanista.
Voluptas. Minor Synt.
Ludiafter. Rhetor.
Perdidius and Filiolog (played by the same boy). Human.
Xantippe. Major Synt.
Vitriarius. Hum.
Caminarius. Rhetor.
Dolifax. Rhetor.
Milipondius. Gramm.
Arnefter. Minor Synt.
Obstemius. Gram.
Aviphilax. Minor Synt.
Hofpes. Major Synt.
Narciffus. No year.
Choridon. No year.
Mammulus, Minor Synt.
Lambertus, Gram.
Nifus, Major Synt
Timophilus, Major Syntax
Sathan, Human.
Gugucorbius, Min Synt.

Notes:
Incomplete entry.

ARGVMENTVM:

Damus mundi theatro verâ Dei felicitate viduo SS. Felicita-tem Viduam & Martyrem fub M: Aur: Antonino Imperato-/ re victricem, quae Romae maximè crefcit, cùm Filiorum numerus,/ fub martyrio, Matri Felilcitati decrefcit; nunquam tamen felicor/ Felicitas orbi vixit, quàm cùm mundus infelix Felicitatem Gra-/tis orbam vidit. Publius Praefectus hanc Romae invidet, quae in-/ vidia fidemel, hâc vice felix fuit, dum feptem Filios Felicitatis fu-/ftulit virgis, vt fafces Felicitatis triumpho praeirent; fuftibus, qui-/ bus caninam Caefaris invidiam ac Poparum abigerent feliciores;/ praecipitio, vt ab altiori cafu ad majorem caelitū felicitatem afcen-/ derent; ferro, quo laurus fanguine tinctae rofeo magis purpurarent./ Quid mirum? fi jam mundo Felicitas nulla foret, cùm coelum hac/ Felicitate fuam aeternùm auxit.

Page 3
PROLOGUS

A
nima Christiana per muficam inquirit veram huius mundi felicitatem, / cui Angelus Cuftos quietem & filentium fuader, dum brevi in thea-/ trum Felicitatem viduam & M: feptem cum filijs dandam effe revelat.

ACTUS I
Sena I.
Sancta Felicitas docet feptem filios crucis felicitatem, quam vno pectore amplectuntur.

	Scena II. Ianuarius natu maximus, cum aliquibus fuorum Fratrum/ jocos miros facit cum Idolo Veneris, quod domi oft endit.

	Scena III. Summam felicitatem ftarek cum pauperie poffe docet vir/ multus filijs.

	Scena IV. Venus, Mars, Saturnus vltimas moliuntur infidias in S. Felicitatis familiam.

	Scena V.  Manaffar & Pelio thura Dijs ferunt; contrà fulmine illos fer-/ iunt Dij, reclamant Caefaris Victoriae, & evomunt omne malum.

	Chorus. Anima Christiana iactat fuam inventam felicitatem, totique mundo vulgat.

Page 4

ACTUS II

Scena I.
Manaffar & Pelio iram Deorum Caefari Antonino pandunt, qui illicet/ furias in S. Felicitatem agit, omniq; vi ad thura litanda Dijs cogere il-/los decernit.

Scena II.  Dolifax nova ftratagemata in Christianos ad invidiam dae-/ monum excogitat.

Scena III. Ianuarius, Philippus, Felix audaci ora tela Publij Praefecti/ promifsis aureis minifque illita contemnunt.

Scena IV.  Mufica nihil fuavius, nil deterius.

Scena V. Silvanus dum fuam felicitatem cantu monftrat, proditur &/ vix manibus Publij Praefecti elabitur.

Chorus. Angelus Cuftos per faltum Faunoruml, quibus leones, Iupi,/ vulpes, vrfi cheli ludunt, nullam effe mundi felicitatem, Animae Christia-/ nae probat. 

ACTUS III
Scena I.


Sancta Felicitas territos à Publio filios audit, quorum animofam indo-/ lem commendat Deo.

Scena II. Dolifax, vt quofdam Christianos iuvenes melius feduceret,/ fimulat fe Christianiffmum. 

Page 5


Scena III.  Caefar Antoninus S. Felicitatem ergaftulo adjudicat.

Scena IV.  A malo corvo malum ovum.

Scena V.  Filij defolati animantur ad veram Dei Felicitatem à matre/ in ergaftulo.

Chorus. Animae fomnianti variae felicitatis fpecies ofteruntur.


ACTUS IV
Scena I.

Popae nituntur omni confilio S. Felicitatem à fide Chrifti avertere, quae/ faniori mentre conftanter eludit.

Scena II.  Similis fimili gauder. 

Scena III. Aulici cun Caefari Antonino vnâ fententiâ S S. Felicitatem,/ & feptem, filios morti adiudicant.

Scena IV.  Variae mundi felicitates infelicem exitum fortiuntur.

Scena V.  Septem Felicitatis filij inter Echonis Iufus Publio Praefecto/ lufum in ferium cedunt.

Chorus. Animae de vera Numinis felicitate dubitanti reftimonio Angelus Cuftos fuccurrit. 

Page 6

ACTUS V
Scena I.
 Caefar Antoninus vltimo in juventutem promifsis pugnat, fed incaffum/ ideo ad palum virgis caedi iubet, vique dum cedat anima.

Scena II. Mater inter tragicucm fpectaculum ex ergaftulo revocatur, / ad fortiter morientes pro Chrifto filios.

Scena III. Mater roborat reliquos ad novum Martyrij genus, qui/ fpontè tamen Caefari infultant.

Scena IV. Caefar Antoninus Alexandrum ipfa Matre aggreditur, fed cùm furdo canit, crudeli praecipitio perire cogitur.

Scena V.  Furor tandem grandinat in natu minimum & ipfam Felici-/ tatem demetijubet. Vah! nefas!

Chorus.  Anima fibi cum fociis Felicitatem triumphantem, fimulque/ S S. Felicitati & feptem Filiis aeternam gratulatur.

Distributio Proemiorum

Caefar Antoninus laetatus bonis à felicitate relictis, qui feliciores Mufa-/rum Affleclas convocari jubet, & annuum illorum ftudium proemijs compenfat.

Page 7

NOMINA ACTORUM

Sancta Felicitas. Ioannes Victor, Hisperti, Rhetor.

 Filij.
Ianuarius. Nicolaus Roth, Rhetor.
Felix. Iannes Leonardus Compier, Hum.
Philippus. Ioan. Georgius Geir, Min. Synt.
Silvanus. Georgius Adamus Sulger, Minor Synt.
Martialis. Praenobilis Matthaeus à Pfumern, Gram.
Alexander. Ioan. Cafparus Mader, Minor Syntaxifta
Vitalis. Ioannes Conradus Roth, Rudimen.
Antoninus Caefar. Ioan. Georgius Weitkardt, Rhetor.

etc.


Cast List: 
Sancta Felicitas = 1
Filij= 8
Filij Caefaris = 10
Confiliarij = 4
Chorus (all with named characters) = 29
Ephaebi = 9
Fauni = 4
Instrumentistae = 6
Syrenes = 3
Lictores = 5
+ Milites, Famuli & turma reliqua.

FINIS

Notes about the Chorus & Instrumentalists:

Instrumentalists:
Rhetor Cand = 1
Rhetor = 3
Minor Synt = 2

Syrens: 
Minor Synt = 2
Rhetor =1

Chorus:
Anima. Minor
Angelus. Humanista
Providentia. Rhetor
Fides. Minor Synt.
Spes. Major Syntaxifta
Charitas. Min. Synt
Mundus. Rhetor.
Caro. Humanista.
Voluptas. Minor Synt.
Ludiafter. Rhetor.
Perdidius and Filiolog (played by the same boy). Human.
Xantippe. Major Synt.
Vitriarius. Hum.
Caminarius. Rhetor.
Dolifax. Rhetor.
Milipondius. Gramm.
Arnefter. Minor Synt.
Obstemius. Gram.
Aviphilax. Minor Synt.
Hofpes. Major Synt.
Narciffus. No year.
Choridon. No year.
Mammulus, Minor Synt.
Lambertus, Gram.
Nifus, Major Synt
Timophilus, Major Syntax
Sathan, Human.
Gugucorbius, Min Synt.


Programme Main Title:
Dependent: Chorus, Tragico-Comica SS. Felicitatis et Septem Filiorum Felicitas


Programme Main Title:
Dependent: Prologue, Tragico-Comica SS. Felicitatis et Septem Filiorum Felicitas

Synopsis:
PROLOGUS

A
nima Christiana per muficam inquirit veram huius mundi felicitatem, / cui Angelus Cuftos quietem & filentium fuader, dum brevi in thea-/ trum Felicitatem viduam & M: feptem cum filijs dandam effe revelat.



Chorus:
Anima. Minor
Angelus. Humanista
Providentia. Rhetor
Fides. Minor Synt.
Spes. Major Syntaxifta
Charitas. Min. Synt
Mundus. Rhetor.
Caro. Humanista.
Voluptas. Minor Synt.
Ludiafter. Rhetor.
Perdidius and Filiolog (played by the same boy). Human.
Xantippe. Major Synt.
Vitriarius. Hum.
Caminarius. Rhetor.
Dolifax. Rhetor.
Milipondius. Gramm.
Arnefter. Minor Synt.
Obstemius. Gram.
Aviphilax. Minor Synt.
Hofpes. Major Synt.
Narciffus. No year.
Choridon. No year.
Mammulus, Minor Synt.
Lambertus, Gram.
Nifus, Major Synt
Timophilus, Major Syntax
Sathan, Human.
Gugucorbius, Min Synt.


Programme Title Page:
Friede und Religion sind das Fundament aller Staaten

Notes:
Prologue + 2 dependent choruses + Chorus/Epilogue in a 3 Act tragedy. Each act of the tragedy is formally divided into two parts, each containing approx 4 - 6 scenes. The programme is typed in German in Szarota; the original is not reproduced. Allegorical characters in commentary upon main title drama.


Programme Main Title:
Friede und Religion sind das Fundament aller Staaten


Programme Title Page:
Semen Evangelicum Sive Verbum Dei Lucae 8. . .Jn viererley Erden zwar außgesprenget, aber nur in Einer fruchtbar ... Von der Jugend deß löblichen Gymnasii bey S. Salvator der Societet Iesv zu Augspurg Jn einem Schau-Spil vorgestellt, Den 5. vnd 6. Herbst-Monat deß 1661. Jahrs

Programme Main Title:
Semen Evangelicum Sive Verbum Dei Lucae 8

Performance Referenced In:
Valentin, I, p. 241, no. 1934. Weller, 1865, p. 144. Sommervogel, I, 651. Muller, II, p. 85.

Notes:
4pp. Valentin reports that both the Augsbourg Augsb. Gym. I, 57; Harbourg, III, 7, 4o, 55 (IV) and Munich, S.B., 4o Bavar. 2197, V, 2 programmes are 8 pp.


Programme Title Page:
Mundi Instabilis Vanitas Olim Ab Orbe Spoectata Nunc A S. Francisco Borgia considerata

Instrumental Ensemble Size:
1 (org), Joan. Geog. Wideman, Synt Major

Vocal Ensemble Size:
14 char + 2 Genii Prov. + 8 Genii Fortunae + 4 Praeficae + 13 Socii Graeciae

Notes:
Prologue + 3 dependent choruses. Chorus concludes production. All are allegorical representations/commentaries upon main title drama.Chorus concluding Part II is a scene (viii) in which the chorus participates.


Notes:
Malines  = modern city of Mechelen. Found in Sommervogel V.422

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Programme Title Page:
Grundliche adels Contrafeh Liffardo einem anfange Hoch Adelichen Jüngling hernach Herächclichen Bürtten

Programme Main Title:
Grundliche adels Contrafeh Liffardo einem anfange Hoch Adelichen Jüngling hernach Herächclichen Bürtten

Notes:
4 dependent choruses, Act I - IV. Act V does not conclude with a chorus. No prologue or epilogue. All are allegorical commentaries on main title drama. 'P. Georgius Hueber, Rhet. Prof.  Choragus' handwritten on programme frontispiece. There is a 2nd choir, 'Choraulae,' with 9 characters such as as Acion and Orpheus; this chorus is placed within the spoken cast.


Programme Main Title:
Dependent: 4 Choruses. Christus, Religio


Programme Title Page:
Minerval Cassiano Martyri ferro, non auro expunctum

Programme Main Title:
Minerval Cassiano Martyri ferro, non auro expunctum

Notes:
8 pp. Latin and German. P.  Leopoldus Trestendorffer Rhet. Prof. Choragus on Munich copy of programme, possible author (listed here). Prologue + 3 choruses + Chorus/Epilogue. All are allegorical commentary. Symphoniaci instruments are not specified.


Programme Main Title:
Dependent: Prologue  + 3 choruses + Epilogue. Christus, Divina Nemesis


Programme Title Page:
Amor Paternus Ope Caelesti ab Interitu Vindicatus

Programme Main Title:
Amor Paternus Ope Caelesti ab Interitu Vindicatus

Notes:
Dependent Prologue + Independent CH 1 + Dependent CH 2 + Dependent CH 3 (scene viii in Act III) in 3 Act tragedy. Production does not conclude with chorus. CH 1 is mythological; CH 2 is OT.


Programme Main Title:
Independent: Chorus I: Ludo vulgari oftenditur, quantis animum fibi mancipatum ignominijs, ac damnis immoderatae cupiditatis involvant


Programme Main Title:
Transitional: Chorus II: Welfonem in fomnum forte dalapfum acri objurgatione adoritur Amor Paternus, atque propofitis ob oculos Davidis, Pyladis, brutorum animalium exemplis, hortatur, vitae periculum ne cunctaretur profalute unici & obfesequentis filij fufcipere; quod Pater pro perduelli filio, aminus pro amico, aves pro pullis fubire non dubitarent


Programme Main Title:
Dependent: Prologue, Chorus III.viii. Crudelitas, Fauni

Vocal Ensemble Size:
11 char + 6 choir + 2 Angelus Tutelaris + 13 Adjutores


Programme Title Page:
Noxia Procrastinatio Scenis Theatralibus in Macrobio Adumbrata

Programme Main Title:
Noxia Procrastinatio Scenis Theatralibus in Macrobio Adumbrata

Notes:
1 independent chorus (CH 1) + 2 dependent choruses  (CH 2, 3). Production concludes with a chorus. No prologue or epilogue.Independent chorus is in the form of an allegorical spectacle: Time & the 12 Hours. All musicial characters are the singing versions of main title characters or are allegorical.


Performance Referenced In:
Backer-Sommervogel, IV, col. 779, no. 51. Uncertain if this a single item or a book of choruses

Notes:
Comprises the Liber dramaticus and Liber de choreis dramaticis from pt. 2 of the author's Bibliotheca rhetorum.


Performance Referenced In:
Backer-Sommervogel, III, col. 1006, no. 11

Notes:
Volume contains 4 tragedies. Full volume title: Andreae Friz e Societate Jesu provinciae Austriae Tragoediae duae, et totidem dramatia.
 Viennae Austriae : Typis Leopoldi Joannis Kaliwoda ..., 1757.


Notes:
No choruses. Ed. Esperanza Torrego Salcedo. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Notes:
Has 3 concluding choruses (I, IV, V). Ed. Ángel Sierra de Cózar. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Synopsis:
Act I: Sis memor aetatis, puer heus, nunc disce pudorem, / nominis esto memor, purus et esto, puer. NONE FOR ACT II. NONE FOR ACT III. Act IV Concluding Chorus (incipit): Quid te, stultem fugax fallit florensque iuuenta?/ Nescis ut tacito peruolat illa pede? Act V: Chorus lugentium (incipit): Dolore nostrum langueat / pectus, prematur artius.

Notes:
Has 3 concluding choruses (I, IV, V) inseparable from tragedy. Ed. Ángel Sierra de Cózar. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Notes:
No choruses. Edited by Vicente Picón García. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.
2nd critical edition of these texts: Plays. Spanish & Latin. Teatro escolar latino del s. XVI : la obra de Pedro Pablo de Acevedo S.I. / V. Picón (coord.), A. Cascón ... [et al.].1. ed. Madrid : Ediciones Clásicas : UAM Ediciones, 1997-. ed., Picón, V. (Vicente), Cascón Dorado, Antonio.Harvard University.Widener | WID-LC | PQ6271.A28 A17 1997x. Also in Griffin, Nigel. Pg 6


Notes:
Contains 4 Choruses (I, II, III, IV). Edited by Primitiva Flores Santamaría, Carmen Gallardo Mediavilla. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Synopsis:
Act I:  (Entran dos ninos que son los que an de representar lleuando el jugo del Senor): Felix ac nimium felix quem turba reorum / non tenet, aduersam nec petit ille uiam. Act II (Los cantores): Euntes ibant et flebant mittentes semina sua. Act III (cantores): Los que senbrais en lagrimas y lloro coged en alegria:’ Act IV. Very extended singing sections between Mors, Libertas falsa, and the chorus

Notes:
Contains 4 Choruses (I, II, III, IV) in both Latin and Spanish. Final chorus IV very extended. Edited by Primitiva Flores Santamaría, Carmen Gallardo Mediavilla. Modern edition of 4 Jesuit comedies by 4 Spanish Jesuit authors in volume I of 2 volumes.  Full title: La tragedia de San Hermenegildo y otras obras del teatro español de colegio / estudio y edición de Julio Alonso Asenjo.
[Madrid, Spain] : UNED ; [Seville, Spain] : Universidad de Sevilla ; [Valencia, Spain] : Universidad de València, 1995.
2 v. (820 p.) ; 21 cm.
1. Comedia metánea / Pedro Pablo de Acevedo. Dança para el santíssmo sacramento / Juan Bonifacio. Coloquio de Moisés / Hernando de Avila. Diálogo hecho en Sevilla por el padre Francisco Ximénez, a la venida del padre visitador a las escuelas -- 2. Tragedia de San Hermenegildo /Hernando de Avila.


Notes:
This is a modern critical edition of text to 1Jesuit tragedy and 1 intermedi by Hernando de Avila, late 16th century.  Title of volume: Los jesuitas y el teatro en el Siglo de Oro / Jesús Menéndez Peláez, ed. "Edición crítica de la 'Tragedia de San Hermenegildo' y del entretenimiento 'Hercules vencedor de la ignorancia'": p. 175-431.
Includes bibliographical references (p. [521]-534).


Programme Title Page:
Victoria Crucis, Sive Constantinus devicto Maxentio Triumphans. . .Summis Honoribus ... Domini Engelberti S.R.I. Principis, Ducalis Ecclesiae Campidonensis Abbatis ... Scena comica pro solemniter finiendis Studiis exhibita a Ducali Lyceo Campidonensi, die 3. Septembris M.D.CC.L.

Programme Main Title:
Victoria Crucis, Sive Constantinus devicto Maxentio Triumphans


Programme Main Title:
Victrix Filialis Pietas Tragoedia Cum Dramate Musico

Notes:
68pp. Dedication: "Atque Amplissimis Honoribus. . . Domini Ludovico Josephi"


Programme Main Title:
Vindica Gloriosa Sive Fronto Hispaniarum Rex Iustus et Pius Scelerum Vindex


Programme Main Title:
Vindiciae S. Joannis Nepomuceni Adversus Wenceslaumpigrum, Bohemiae Regem

Notes:
Latin and then German.
Structure:
Prologus:; Praesagit vindicias adversus Wenceslaum
Part I  - 7 scenes
Chorus I: Sauli post interfectum Achimelech Sacerdotem praedicitur transferenda in alium corona.
Part II - 7 scenes
Chorus II: David, pro Saul Rex salutus, honorem Sacerdotii se vindicaturum promittit.
Part III  - 6 scenes

Year in school provided for entire cast list. 
Personae Musicae
Theol Mor. Cand. = Eccles Prag. Michol
Theol. Mor Stud Seminarii S Pauli Vice-Praef = Genius Pragens. Saul
Phys Stud = Umbra Samuelis & David
Rhet = Achimelech & Legatus Tyri
Synt Min = Doeg & Legatus Israelis
Synt Min = Ephebus
Gram = Abiathar
Prin = Ephebus
Choir: Syn Maj = 2; Synt Min = 9; Gram = 6; Rud = 12. Total = 29
Signed OAMDG

Possible musical families:
Fux, Franc. Xav.
Obermayr, Barth. Jof.  And Caspar.


Notes:
Incomplete record. Gent IV 005 - 010. Paired with untitled comedy, Lampadio and Grillus


Notes:
Include complete music text. 4 Personae Canentes + choir ; 13 = Personae in Scene Intermedia


Programme Main Title:
Henricus Henrici II. Angliae Regis Filius Tragoedia


Programme Main Title:
Henricus Magnus Rex Galliae et Navarrae Conversus


Programme Main Title:
Hercules Christianus sive Godefredus Bullionius Jerosolyma expugnata Victor sui


Programme Main Title:
Hercules ein neuer Atlas, Auf der Schau-Buhne

Notes:
The subject is mythological. Latin and German are interleaved.
Structure:
Prologus: Aquila Jovis, senio sessa (fessa?), id agit, ut munus gestandi fulmina in alium Armigerum transferatur.
Part I:  8 scenes
Chorus I: Volucres Aquila ministerium certatim ambiunt.
Part II: 8 scenes
Chorus II: Fulmen Jovis, ejusque gestandi potestas ab Aquila ad Aquilam transfertur.
Part III: 8 scenes.

Personae Musicae:
Theol Mor ac Polem Stud: Aquila Jovis
Phys Stud: Struthio
Rhet: Cygnus; Pavo
Humanista: Corvus
Min Synt: Pullus Aquil; Aquila Lucida
Rudim: Cornicula; Gallus gallinaceus; Regulus

Volucres aliae: Maj Synt = 1; Min Synt = 7; Gram = 6; Rud = 9; Prin = 2. Total = 25/


Programme Title Page:
Hercules / successor Atlantis. / Hercules / ein Nachfolger deß Atlas. / Drama / augustissimis caesareis, regiisque / majestatibus, / et / serenissimis Austriae archiducibus Iosepho I. / et / Wilhelminae / Amaliae, / in scena propositum / a juventute scholastica caesarei gymnasii domus / professae soc. Iesu; anno 1706. ultima Iulii / dum caesarea munificentia eidem juventuti annua / praemia distribuerentur. / Musicam composuit / ... eiusdem domus professae capellae magister. / Viennae Austriae, typis Ioannis Georgii Schlegel, univ. typogr. Also in Sommervogel vol 1:54.

Notes:
Opus complectens prolusionem, duas partes et clausulam. Praecedit scenarium impressum, duabus linguis, latina sc. et germanica compositum, ad cuius calcem notantur nomina actorum, cantorum, saltatorum. Quae continentur ita disposita sunt: 1a - 3b vacant; 4a - 7b scenarium impressum; 8a inscriptio; 8b argumentum; 9a - 19a prolusionis textus et numeri musici, variantes; 19b vacat, 20a - 39b partis I. textus et numeri musici variantes; 40a - 47a partis II. textus et numeri musici variantes; 47b - 57b clausulae textus et modi musici variantes. Iucip.: "Hu, hu, hu! Tacete funesti bubones!" desin.: "... vivat Hercules, vivat". Part. ch. XVIII. 58. 4° et f


Programme Main Title:
Popae aprum a Clodoaldo caesum laetic consumunt


Notes:
Finalkomedie fur die Frauen - evidence of gender sep?


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Language is probably either German or French


Notes:
Finalkomedie fur die Frauen - evidence of gender sep? Language of the work might be German or Spanish


Notes:
Production includes 3 part tragedy + 2 interludium (entre-jeu) + epilogue, all dependent. Interludium II is a Vision of Daniel. Interludium I is Seven Planets, probably a ballet. Epilogue is spectacle, a funeral. Cast list not included in programme.


Programme Main Title:
Ritterlicher Kampff In welchem der heylige Wencesslaus / Hertzog inn Bohem wider den Thrannen Radisslaum / von den Englen defchusst und verfoch ten worden

Vocal Ensemble Size:
85 char + 5 Chorus Justitiae + 18 Chorus Bohaemiae

Notes:
8 pp. Believe this work to be entirely sung; the chorus and allegorical characters typically associated with the chorus are active throughout the drama and within scenes. There is, however, no identification of music personnel in the programme cast list. The work appears most similar in characters and dramatic structure to sung allegorical music-dramas.


Notes:
4 dependent choruses, no prologue, no epilogue. 6 Actors. Act V has only 1 scene. Acts I - IV end with synopsis of a chorus. 
Act 1 Chorus: Coelorum gaudium de URSINO brevi inter Indigetes suos referendo.
Act 2 Chorus: Mortem de imperio in mortales nimiu gloriabundam, appositisq; in scuto suo vacuo URSINI insignibus superba, comprimitis, qui ea inibi fixerat, Divinus Amor. 
Act 3 Chorus: Naiades ad URSINI mortem moestissimae Fluuijs Artesiae lacrymas suas admiscent.
Act 4 Chorus: Popa funebris instituitur. Mausolcu eius adjuncta haec, inter cetera, Symbola illustrat. I. Manipulus florum collectus ex Stammate gentilitio URSINI valculo afferuatus cum hac Epigraphe, POST FATA SUPERSTES, Memoriam virtutum illius non intermorituram declarat. II. Ecclypsis Solis cun hac Inscriptione, ALIBI SPLENDET, terris occidisse eum quidem, at coelo vivere ostendit. III. Parmula vacua hoc dicto adjecto, PAR NULLA FIGURA DOLORI, dolorem nostrum exprimi non posse demonstrat. IV. Sol occidens, cui inscribitnr, NATURAE SATIS, NOBIS PARUM, desiderium omnium de eius longiori vita exprimit. V. Ursus Vedastinus substitutus in locum Ursae coelestis, cum hoc addito, MAIORI CEDITO FLAMMAE, summam eius in coelo gloriam significat. VI. Acus nautica Ursum respiciens, cum hoc lemate, RESPICIAM SEMPER, beneficiorum eius memoriam apud nos immortalem futuram promittit.
Act 1 Chorus: Coelorum gaudium de URSINO brevi inter Indigetes suos referendo.
Act 2 Chorus: Mortem de imperio in mortales nimiu gloriabundam, appositisq; in scuto suo vacuo URSINI insignibus superba, comprimitis, qui ea inibi fixerat, Divinus Amor. 
Act 3 Chorus: Naiades ad URSINI mortem moestissimae Fluuijs Artesiae lacrymas suas admiscent.
Act 4 Chorus: Popa funebris instituitur. Mausolcu eius adjuncta haec, inter cetera, Symbola illustrat. I. Manipulus florum collectus ex Stammate gentilitio URSINI valculo afferuatus cum hac Epigraphe, POST FATA SUPERSTES, Memoriam virtutum illius non intermorituram declarat. II. Ecclypsis Solis cun hac Inscriptione, ALIBI SPLENDET, terris occidisse eum quidem, at coelo vivere ostendit. III. Parmula vacua hoc dicto adjecto, PAR NULLA FIGURA DOLORI, dolorem nostrum exprimi non posse demonstrat. IV. Sol occidens, cui inscribitnr, NATURAE SATIS, NOBIS PARUM, desiderium omnium de eius longiori vita exprimit. V. Ursus Vedastinus substitutus in locum Ursae coelestis, cum hoc addito, MAIORI CEDITO FLAMMAE, summam eius in coelo gloriam significat. VI. Acus nautica Ursum respiciens, cum hoc lemate, RESPICIAM SEMPER, beneficiorum eius memoriam apud nos immortalem futuram promittit.


Programme Main Title:
Dependent: 4 choruses. Ursinus, Drama Pastoritium


Performance Referenced In:
William S. McCabe, SJ in The Musical Quarterly, July 1938.

Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.62


Notes:
Tragedy in 5 acts, without prologue, epilogue, or chorus. No use of music evident in the programme. By Rhetoric Class.


Programme Title Page:
Exilium Tarquinii, Regis Romani, et Mirandam Lucre

Programme Main Title:
Exilium Tarquinii, Regis Romani, et Mirandam Lucre

Notes:
No choir or music specified. Last line of poster: Ter eeren Godts, fyne ghebenedyde Moeder, den grooten Doctoor des H. Kercke Augustinus, ende vervoorderinghe vaade Ionckheydt
Scenes per Act: 6:10:9

Photographs 17 - 20 on the hyperlink


Programme Title Page:
De Ionckheydt vanden H. Ioannes Baptista

Programme Main Title:
De Ionckheydt vanden H. Ioannes Baptista


Programme Title Page:
Le Lion de Belgique, Poursuiuy par ses Ennemis, Secouru par les armes victorieuses

Programme Main Title:
Le Lion de Belgique, Poursuiuy par ses Ennemis, Secouru par les armes victorieuses

Notes:
Interesting topic for the play. Seems to be tableau inserted. Not sure of this type of drama.  Seems to be more related to the mystery era than the modern era.


Programme Main Title:
Pelagij. Und welcher wegen ihme Zeno der Lafterhafftige Kanfer hat laffen das Leben nemen

Notes:
Prologue includes Prologue + Final chorus + 5 Act Tragedy + 4 Part Comedy. Prologue is dependent and spoken. Chorus is dependent, ensemble not identified in programme, and consists of single brief poetic text referencing Pelagius - no use of character. The synopsis for each part of the comedy are together on the page before the cast list; the comedy cast list is present on the final page of the programme.


Notes:
Production consists of dependent Prologue + 2 dependent choruses (conclude Acts II & III) within a 5 Act tragedy. Production does not conclude with chorus. Act II chorus is spectacle (death of Carolus V); Act III chorus, which concludes the final scene, is chorus of angels.


Programme Title Page:
Alexander Pontifex Martyr Drama dabitur à Poëtis Scholae Publicae Mechl. P. P. Oratoris Nobilissimo & Generso Domino D. Christiano de Lathem dicti loci & legies Domino Mecoenati suo. In Aulâ Collegii Die  [blank line] Septembris 1643. Mechliniae, Typis Viduae Henrici Iaye.

Notes:
10:13:11. Synopsis scene by scene. 

Last page:
Subsequetur annua Proemiorum distributia Ex Munifica Nobilissimi Viri Domini D. Christiani Van Lathem dicti loci & legies Domini liberaltitare. [liberalitate].


Programme Title Page:
Philothea hoc est, Anima deo Dilecta sive Admirandus Dei Amor in Animam Hominis ex Sacris Litteris Depromptus, et Modulis Musicis Expressus in Scena Oculis, Auribusque Proponitur

Programme Main Title:
Philothea hoc est, Anima deo Dilecta sive Admirandus Dei Amor in Animam Hominis ex Sacris Litteris Depromptus, et Modulis Musicis Expressus in Scena Oculis, Auribusque Proponitur

Notes:
Parts I - IV conclude with a chorus, Part 5 concludes with an Epilogue, performed by the ensemble. Also performed in 1658 (MJTD 184).17 (8 Sop, 1 Mezz Sop, 2 contra alto, 4 Tenore,  2 basso) + 15 orchestra ( 2 Violino, 3 violetta, 1 violine, 1 Cornettina, 1 Cornettino, 3 trombone, 1 fagotto, 1 clavicimbalo, 1 arpacordo, 1 tiorba). Entirely sung work. Choruses are dependent and use same characters as the main title drama. Prologue appears to be a separate 1 part work on King David (OT)


Programme Main Title:
Independent Prologue: David, King of Israel


Programme Title Page:
Theophilus seu Charitaas Hominis in Deum cantat Dramate in Scenam Datus

Programme Main Title:
Theophilus seu Charitas Hominis in Deum cantat Dramate in Scenam Datus

Instrumental Ensemble Size:
24 Orchestra (4 cornet; 3 tromb; 2 fagot; 6 violin; 2 viola da braccio; 2 violon; 4 fiaut; 2 tiorba; 2 organist)

Vocal Ensemble Size:
46 characters (17 Cant, 7 alto; 11 ten; 4 bass)

Notes:
Choruses integrated in the play. Texts from the Mass, such as the Laudamus in I:ii. Entire text, including choral text and source, included in the programme. Entirely sung work. "Chori cabtati sunt & in theatro & in edao ad Organum a variis musicis


Programme Title Page:
Verheffinghe van t'H. Cruys door den Keyser. . . Cosrhoes

Programme Main Title:
Verheffinghe van t'H. Cruys door den Keyser. . . Cosrhoes


Performance Referenced In:
Sommervogel, 3, pg 288. Also William S. McCabe, SJ.  in The Musical Quarterly, July 1938.

P.63

Notes:
Found in Sommervogel III.288

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
Production includes dependent Prologue and 5 dependent choruses within a 5 Act play. Production concludes with a chorus. All 5 choruses, rather unusually, appear to have 1 to 5 internal scenic divisions. The prologue does not have internal scenic divisions. Multiple parts for actors and musicians. Chorus may be considered transitional as OT Biblical characters are used as examples: David, Abel, etc.


Programme Main Title:
Dependent: P + 5 choruses. Christus, Mundus


Programme Main Title:
SS. Iulianus et Basilissa Coniuges Virgines Martyres Christliches Jungkfrawliches Leben und Wandel

Performance Referenced In:
Szarota 2:1, 789-796. Valentin, I, p. 164, no. 1363. Weller, 1864, p. 352. Sommervogel, II, 391. Muller, II, p. 75.


Programme Title Page:
Tragico-Comoedia de Seniore, et Juniore Tobia, Saraque Raguelis Filia

Programme Main Title:
Tragico-Comoedia de Seniore, et Juniore Tobia, Saraque Raguelis Filia


Programme Main Title:
Prologus: Quatuor Angeli in coelo hominu malitiam muice perfequuntur (persequuntur), quibus Misercordia occurrit, dari viros Misercordiae, ac dein in terris duobus cum comitibus scrutans corda hominu, alia reperit lapidea, lignea alia. Solius Tobiae carneum. Ubi Chytropus, & Marpesius duritiam in pauperem exercent, in Naufragum (Nausragum) Tobias misericordiam.

Synopsis:
Prologus: Quatuor Angeli in coelo hominu malitiam muice perfequuntur (persequuntur), quibus Misercordia occurrit, dari viros Misercordiae, ac dein in terris duobus cum comitibus scrutans corda hominu, alia reperit lapidea, lignea alia. Solius Tobiae carneum. Ubi Chytropus, & Marpesius duritiam in pauperem exercent, in Naufragum (Nausragum) Tobias misericordiam.
Epilogus: Quatuor elementa musice gratias agunt Raphaeli Archangelo, illeq. Claudit actionem.

Note: the chorus is part of the main play.

Main characters: 41

Patriarchae & Prophetaeantiquite N?emeti ex Limbo introducit  - unknown

Milites & servi: 7

Opfices & mercenarii octo: 8?

Diaboli: 11

Pueri:  2

XVI Choreutae

Poeta: Cynchluspauper; Naus?f?ragus ;Dagoneuta Sacrificulus Dagonis; Nes?f?rothinuts sacrificulus Nes?f?roth; Magus

Notes:
Includes Prologue and Epilogue. School year provided. Latin and German interleaved.
This may have been entirely sung, as characters from the the Prologue and Epilogue are included in the main cast list. Also, although there is music & singing, there is no Musicae Personae separate from the speaking cast. 

Prologus: Quatuor Angeli in coelo hominu malitiam muice perfequuntur (persequuntur), quibus Misercordia occurrit, dari viros Misercordiae, ac dein in terris duobus cum comitibus scrutans corda hominu, alia reperit lapidea, lignea alia. Solius Tobiae carneum. Ubi Chytropus, & Marpesius duritiam in pauperem exercent, in Naufragum (Nausragum) Tobias misericordiam.

Act I: 6 scenes
Chorus lamentantium Judaeorum.
Act II: ;6 scenes
Act III: 7 scenes
ActIV: 10 scenes
Act V: 7 scenes
Epilogus: Quatuor elementa musice gratias agunt Raphaeli Archangelo, illeq. Claudit actionem.

Note: the chorus is part of the main play.

Main characters: 41

Patriarchae & Prophetaeantiquite N?emeti ex Limbo introducit  - unknown

Milites & servi: 7

Opfices & mercenarii octo: 8?

Diaboli: 11

Pueri:  2

XVI Choreutae

Poeta: Cynchluspauper; Naus?f?ragus ;Dagoneuta Sacrificulus Dagonis; Nes?f?rothinuts sacrificulus Nes?f?roth; Magus


Programme Main Title:
Epilogus: Quatuor elementa musice gratias agunt Raphaeli Archangelo, illeq. Claudit actionem.


Programme Main Title:
Dependent: Cynchluspauper; Naus?f?ragus ;Dagoneuta Sacrificulus Dagonis; Nes?f?rothinuts sacrificulus Nes?f?roth; Magus


Programme Main Title:
Nihil est Opertum Quod Non Reveletur. Act II.vii - II.xi + dependent Chorus II. Joseph interprets Potiphar's dreams in Egypt

Cast Size:
Unknown; cast page missing from programme

Notes:
Chorus II: Rusticorum de nimia agrorum fertilitate conquerentium, Iofephi vaticiania regifque fomnia pro fomnijs fpernentium. Programme is missing approximately 2 pages comprising the cast for Acts and Choruses I - IV. Each act examines 1 - 2 biblical or hagiographic subjects. Work is connect through two characters, Clusius and Patulcius (closer and opener), two names for the two-faced Roman god Janus. These character represents the symbolic entrance of a city or house, or here, the heart/soul. Structure: Structure: Prologue - Dependent. I:I - I:iii, Clusiusn Patulcius & Namaan. I:iv - vii - C, P & Susanna. Chorus I: Susanna. II:I - II:vi - C, P & Daniel. II:vii - II:ix - C, P & Joseph in Egypt. II:xii, Chorus II: Rusticus & Joseph. III:I - III:v- C, P & Joseph. III.vi - III.ix Joseph & Benjamin. III:ix - Chorus, 12 Tribes of Israel. IV:I - IV:v - C, P & Joshua at Jericho. IV:vi - IV:ix - C, P & David and Saul. IV:xii - David & Saul. V:i - V.v St. Fridolinus. V.vi - V:ix - C, P & St Bruno. Epilogus Musicus: St. Bruno. Production consists of 8 one-act plays within a 5-act structure, each play approx. 5 scenes long. Each play is introduced by the Clusius/Patulcius characters, but there is not conclusion bringing all the plays together. The choruses are dependent upon their respective plays.


Programme Title Page:
S. Sigismundus Rex Burgundionum Tragoedia

Programme Main Title:
S. Sigismundus Rex Burgundionum Tragoedia

Synopsis:
Latin and German interleaved. Includes Prologue and Epilogue. Chorus at the end of Acts I - IV. For the actors, 10 are characters, the remainder in groups. 
Chorus = 9, all with character names.

Structure:
Act I: Sigismundi conversio ad Fidem Catholican. 5 scenes
Chorus, Ecclesiae Catholica triumphus & firmitas contra Hareses & Tyrannos, per sedecim secula, a SS. Apostoli Petro & Paulo ostenditur.
Act II: Accusatio Filii Sigerici: 6 scenes.
Chorus Nouercaecalumniam detestatur
Act III: Caedes Filii. 6 scenes
Chorus symbolicus de Vanitate & brevitate vita.
Actus IV: Poenitentia Sigismundi. 5 scenes
Chorus ostendit paratam Dei misericordiam ad recipiendo peccatores, sub allegorita Filii prodigi a Patre in gratiam recepti.
Actus V:  Sigismundi Mors. 6 scenes

Syllabus Actorum
Main characters: 10
Aulici: 8
Ephebi: 6
Duces Bellici: 5
Ariani: 5
Legati: 11
Cives: 30
In Chorus luserunt: 9
Milites: 11

Chorus: Year in school not given except for the last name.
S. Petrus  D. Wolfgangus Schlosser
S. Paulus  Georg Schauser
Tempus  Georg Lenger
Ecclesia   Joan. Leonard Ebbles
Pater familias  D. Wolfgangus Starckh
Filius Prodigus  Maximiliesus Hoebar (name on an old fold, nearly obliterated)
Andreas Finster, Ioan. Adamus Gazin, Adamus Krafz Rudim. = 3 boys, no character name.


Signed OAMDG

Notes:
Latin and German interleaved. Includes Prologue and Epilogue. Chorus at the end of Acts I - IV. For the actors, 10 are characters, the remainder in groups. 
Chorus = 9, all with character names.

Structure:
Act I: Sigismundi conversio ad Fidem Catholican. 5 scenes
Chorus, Ecclesiae Catholica triumphus & firmitas contra Hareses & Tyrannos, per sedecim secula, a SS. Apostoli Petro & Paulo ostenditur.
Act II: Accusatio Filii Sigerici: 6 scenes.
Chorus Nouercaecalumniam detestatur
Act III: Caedes Filii. 6 scenes
Chorus symbolicus de Vanitate & brevitate vita.
Actus IV: Poenitentia Sigismundi. 5 scenes
Chorus ostendit paratam Dei misericordiam ad recipiendo peccatores, sub allegorita Filii prodigi a Patre in gratiam recepti.
Actus V:  Sigismundi Mors. 6 scenes

Syllabus Actorum
Main characters: 10
Aulici: 8
Ephebi: 6
Duces Bellici: 5
Ariani: 5
Legati: 11
Cives: 30
In Chorus luserunt: 9
Milites: 11

Chorus: Year in school not given except for the last name.
S. Petrus  D. Wolfgangus Schlosser
S. Paulus  Georg Schauser
Tempus  Georg Lenger
Ecclesia   Joan. Leonard Ebbles
Pater familias  D. Wolfgangus Starckh
Filius Prodigus  Maximiliesus Hoebar (name on an old fold, nearly obliterated)
Andreas Finster, Ioan. Adamus Gazin, Adamus Krafz Rudim. = 3 boys, no character name.


Signed OAMDG


Programme Main Title:
Dependent: Act I Chorus: Ecclesiae Catholica triumphus & firmitas contra Hareses & Tyrannos, per sedecim secula, a SS. Apostoli Petro & Paulo ostenditur


Programme Title Page:
Scena Demortuae Isabellae Augustae a Francisco Borgia Duce Gandiae Salubriter olim Spectata

Notes:
Entirely sung work. Prologue + 3 dependent choruses + Epilogue. Chorus III is placed in III.iii. All are allegorical commentaries.


Programme Title Page:
Didacus Garzias Comes de Viriddi Valle, Ob Sacrilegam Libidinem Post Frequentes Dei Admonitiones Impoenitens, A Molosso Tartareo Discerptus Comico-Tragoedia

Programme Main Title:
Didacus Garzias Comes de Viriddi Valle, Ob Sacrilegam Libidinem Post Frequentes Dei Admonitiones Impoenitens, A Molosso Tartareo Discerptus Comico-Tragoedia

Notes:
Prologue + 4 Choruses. 3 choruses appear to be independent: Cain; Samson & Solomon, Lot in Sodom. No epilogue; chorus concludes production. Main title drama sings II.viii 'Semimusica.' and III.iii 'Iidem eum fuis ad Muficam conuiuialem fe exercent.'Dependent: Prologue, Chorus Act V  - these are not related to the dependent choruses in any way, but are fully integrated with the main title drama.


Programme Main Title:
Independent: Chorus Act I: Cain Fratridice

Notes:
Prologue + 4 Choruses. Act II has no chorus. 3 choruses appear to be independent: Cain; Samson & Solomon, Lot in Sodom. No epilogue; chorus concludes production. Main title drama sings II.viii 'Semimusica.' and III.iii 'Iidem eum fuis ad Muficam conuiuialem fe exercent.'Dependent: Prologue, Chorus Act V  - these are not related to the dependent choruses in any way, but are fully integrated with the main title drama.


Programme Main Title:
Independent : Chorus, Act  III: Salomon & Samson


Programme Main Title:
Dependent: Prologue, Chorus Act V (final chorus)


Notes:
Production consists of Prologue + 1 Interludium (opens Act II) + 1 Interludium (concludes Act III) + 1 Interludium (concludes Act IV). Cast list is all inclusive - no distinction/listing of musical and interludium cast members. Although there are no choruses, several characters include Infans Choricus, Iosephi Choricus, Saltator Choricus.


Programme Title Page:
Ephrem Syrus Adolescens Illustre Divinae Providentiae ac Iustitiae Argumentum Comoedi

Programme Main Title:
Ephrem Syrus Adolescens Illustre Divinae Providentiae ac Iustitiae Argumentum Comoedi

Notes:
15 + 1 organist, Udalricus Beer, Synt maj. Production consists of 5 Acts + Epilogue. It appears that the Musici ensemble, which consists of 15 members without character names and an organist, performs only as the final concluding chorus (Epilogue); there are no choruses identified between or within the acts.


Programme Title Page:
Trophaea Virtutibus A S. Daniele Propheta Indice et Vindice

Programme Main Title:
Trophaea Virtutibus A S. Daniele Propheta Indice et Vindice

Notes:
Prologue + 5 choruses + Epilogue. Chorus does conclude Act V, but not production. Act V chorus appears to be a review of examples from OT: Naboth, Samson, Ammon & Benedab.


Vocal Ensemble Size:
5 char at least in prologue and choruses + 15 choir + 1 epilogus


Performance Referenced In:
Szarota 3:1, 495-502. Valentin, I, p. 205, no. 1661. Weller, 1865, p. 78. Sommervogel, II, 392. Muller, II, p. 81.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938. pg 64

Notes:
Written by Jacob Balde, SJ.  I have seen this item in 2007.

This item is in a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
Finis Gloriosus S. Leonidis Alexandrin Martyris et Eiusdem Filii. Origens Scriptoris Ecclesiastici Felix Initium

Programme Main Title:
Finis Gloriosus S. Leonidis Alexandrin Martyris et Eiusdem Filii. Origens Scriptoris Ecclesiastici Felix Initium

Notes:
No prologue/epilogue. 5 dependent choruses; chorus concludes production. All choruses are commentary.


Programme Main Title:
Dependent: 5 choruses. Christus major; Aegypti Custos


Programme Main Title:
Dependent: Act II Chorus: Nouercaecalumniam detestatur


Programme Main Title:
Dependent: Act III Chorus: symbolicus de Vanitate & brevitate vita


Programme Main Title:
Dependent: Act IV Chorus: ostendit paratam Dei misericordiam ad recipiendo peccatores, sub allegorita Filii prodigi a Patre in gratiam recepti


Programme Title Page:
Tellus Suo Erinophilo Reconciliata. . .Serenissimo Domino ... Maximiliano Comiti Palatino Rheni ... A RR. PP. Ord. S. Benedicti Professoribus humillime dedicata, Et ... ab Ill. et Nob. Academica Iuventute in Theatrum publicum producta. Liebe Friedwünschung Deren Chur- und Hochfürstl. Durchleuchten gnädigsten Gegenwarth ... in Poetischem Gedicht praesentiert und gehalten

Programme Main Title:
Tellus Suo Erinophilo Reconciliata. . .Serenissimo Domino ... Maximiliano Comiti Palatino Rheni ... A RR. PP. Ord. S. Benedicti Professoribus humillime dedicata, Et ... ab Ill. et Nob. Academica Iuventute in Theatrum publicum producta. Liebe Friedwünschung Deren Chur- und Hochfürstl. Durchleuchten gnädigsten Gegenwarth ... in Poetischem Gedicht praesentiert und gehalten


Programme Title Page:
Constantinopl oder Constantinus der Achte Griechische Kanser Tragoediweiss

Programme Main Title:
Constantinopl oder Constantinus der Achte Griechische Kanser Tragoediweiss

Notes:
Production includes 4 dependent chorus; no prologue or epiloguein the 5 Act tragedy. Production does not conclude with a chorus. The programme does not include the list of the cast or a list of characters.


Programme Title Page:
Absolon Rebellis Filius David Mansuetus Pater Dabi

Programme Main Title:
Absolon Rebellis Filius David Mansuetus Pater Dabi

Notes:
5 acts, synopsis scene by scene. 3 scenes to each act.Dedication page to D. Ludovico Francisco, Baron of Geves


Programme Title Page:
Philothee c'est a dire, Charite Divine Envers le Hommes se Fait Paroir en un Spectacle Musical

Programme Main Title:
Philothee c'est a dire, Charite Divine Envers le Hommes se Fait Paroir en un Spectacle Musical

Cast Size:
10 characters + 10 instrumentalists + 7 prize distributors

Notes:
10 characters +  9 orchestra (labeled Pro Symphoniae & Choris) + 1 organist + Apollo and six Ephebi to distribute prizes. The Prologue and 4 choruses are all dependent. David, King of Israel is used as an example & is played by the same student in the role of Orcus.


Notes:
Prologue + 5 act tragi-comedy + 1 Episodium in 2 parts + 4 dependent choruses. The production does not conclude with a chorus.


Programme Title Page:
Marcus et Marcellianus Fratres Nobiles Romani Martyrio

Programme Main Title:
Marcus et Marcellianus Fratres Nobiles Romani Martyrio

Performance Referenced In:
Sommervogel I, p. 101, no. 4. Bahlmann, p. 11 - 12, 136  - 138. Fritz, p. 223. Muller, II, p. 79.

Notes:
College d'Aix-la-Chapelle, founded in 1603. Programme is discussed in Bahlmann, Aachener Jesuitendramen, p. 178 - 179; German portion of the programme is published in Bahlmann, p. 136 - 138.


Performance Referenced In:
Szarota 3:1, 127-134. Valentin, I, p. 194, no. 1583. Weller, 1865, p. 48. Sommervogel, I, 270. Blössner, p. 62. Müller, II, p. 79.


Programme Title Page:
Triumphus Verae Virtutis: Illustrissimo Et Reverendissimo Paridi S.R.I. Principi Archiepiscopo Salisburgensi Consecratus A PP. Academicis Ordinis S. Benedicti ... in Theatro dicatus A Studiosa Iuventute adornatus Anno M.DC.LI. Die 13. Novembris


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938; Sommervogel 3, p. 1163

Notes:
Found in Sommervogel III.1163

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
Ferdinandina Mexicana Insula Mariae Dei Parentis Auxilio ad Fidem Conversa

Programme Main Title:
Ferdinandina Mexicana Insula Mariae Dei Parentis Auxilio ad Fidem Conversa

Cast Size:
55 actors, majority of whom perform 3 roles

Notes:
Productions includes a dependent spoken prologue that concludes with a chorus + 4 dependent sung Choruses + 1 Chorus recitatus (conclusion of Act 2) + Epilogue. Both actors and musicians perform multiple roles


Notes:
Dependent Prologue + 4 choruses. Production does not conclude with a chorus. OT Characters:  Nabal; Mithridates. Historical characters include Nero.


Notes:
Prologue - 2 actors
3 Acts - 19 actors
Epilogue - 2actors


Notes:
Prologue - 2 actors
3 Acts - 19 actors
Epilogue - 2 actors


Programme Title Page:
Fortunae Theatrum Varia Personarum, Miraque Sortis Mutatione Apertum Actore Demetrio III Magno Moscorum Duce

Programme Main Title:
Fortunae Theatrum Varia Personarum, Miraque Sortis Mutatione Apertum Actore Demetrio III Magno Moscorum Duce

Performance Referenced In:
Szarota 2:2, 1973 - 1980. Valentin, I, p. 219, no. 1768. Weller, 1865, p. 95. Sommervogel, I, 270. Blössner, p. 62. 270. Blössner, p. 62. Rixner, p. 148. Müller, II, p. 82

Notes:
8 pp. Characters arranged on playbill in alpha order; musicians not separated from spoken cast. Dependent choruses conclude Acts I - IV. Production does not end with a chorus.Total cast size includes musicians.


Programme Main Title:
Dependent: 4 choruses. Honoris, Mars, Pluto, Sapienta

Performance Referenced In:
Szarota 2:2, 1973 - 1980. Valentin, I, p. 219, no. 1768. Weller, 1865, p. 95. Sommervogel, I, 270.  Blössner, p. 62. Rixner, p. 148. Müller, II, p. 82

Notes:
8 pp. Characters arranged on playbill in alpha order; musicians not separated from spoken cast. Dependent choruses conclude Acts I - IV. Production does not end with a chorus.


Programme Title Page:
Regiae Virtutes se Initia Regni Salomonis Pietate & Justitia, Consilio & Industria, Duce Sapientia semper felicia

Programme Main Title:
Regiae Virtutes se Initia Regni Salomonis Pietate & Justitia, Consilio & Industria, Duce Sapientia semper felicia

Notes:
Prologue + 3 Choruses. Only Acts I, II, IV have choruses labelled in the programme. A chorus does not conclude production.


Programme Main Title:
Dependent: Chorus Sapientiae - Confilium, Ratio, Docilitas


Programme Title Page:
Cyrus Adoptatus Reguis Divinae Providentiae Ludus

Programme Main Title:
Cyrus Adoptatus Reguis Divinae Providentiae Ludus

Notes:
Prologue is dependent, as are the choruses. Two adult musicians performed in this production: Mars = D. Albertus Rorer ad D. Mich. Musicus (St. Michael is the Jesuit college church) & Vulcanus - D. Andreas Friz ad D. Petrum Musiccus (St. Peter's is the oldest Catholic church in Munich, 13th c, not related to Jesuits).


Programme Main Title:
Dependent: Prologue + 2 choruses. Theophronesis

Vocal Ensemble Size:
10 primary soloists + 5 Cyclopes (2 with character names) + 11 Chorus Arborum (with character names)


Notes:
Prologue + 2 dependent choruses + Epilogue. Most of the personae musicae perform a different role in each chorus, with 3 roles per student. 2 - 4 char per chorus, rest are ensemble, approx. 11 - 9 choristers. Choir of the damned; Choir of souls; Choir of angels


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Diabolus, Mors

Vocal Ensemble Size:
40 characters (approx 13 per Chorus). 15 singers.


Programme Title Page:
Vulpes capta seu litterae A de vos per se ipsas confutatae a gymnasio S.S. Trinitatis Lovanii

Programme Main Title:
Vulpes capta seu litterae A de vos per se ipsas confutatae a gymnasio S.S. Trinitatis Lovanii


Programme Title Page:
Tolluntur in Altum, ut lapsu graviore ruant

Programme Main Title:
Tolluntur in Altum, ut lapsu graviore ruant


Programme Title Page:
Votum Marciani Cuiuspiam Sub Umbra Thunianarum Aquilarum Quiescentis, Dum ... Reverendissimus Princeps Joannes Ernestus Ex Comitibus de Thun, Electus, ac confirmatus Archiepiscopus Salisburgensis ... Solemni ritu Pontificale Pallium capesceret

Programme Main Title:
Votum Marciani Cuiuspiam Sub Umbra Thunianarum Aquilarum Quiescentis


Notes:
Production includes dependent Prologue + 2 dependent choruses + Epilogue in a 3 Part tragedy. Musicians not evident in the programme, except for the Chorus luserunt.


Notes:
Prologue + 4 dependent choruses  + Epilogue. All are commentaries or symbolic re-enactments (Act II chorus) of main title drama. Lead singer, playing roles of Deus Pater, Petrus, and Iulianus, is D. Ioannes Settele, cantor at S. Iodocum


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue. Deus Pater, Petrus, Iulianus


Programme Title Page:
Protasius Rex Arimae Ex Pervido Perfidus Christianus

Programme Main Title:
Protasius Rex Arimae Ex Pervido Perfidus Christianus

Notes:
8 pp. German. Musici cast = 22, no characters. No chorus synopses or prologue in the programme. It is possible that a) this is an entirely sung work, and the Musici is the instrumental ensemble b) Musici is a choral ensemble, and there are one or more concluding choruses in the form of motets and therefore not included in the programme. As the speaking cast includes the character names, it is unlikely that the character names were left off for the entire musical cast.


Programme Title Page:
Grande Fortunae Ludibrium Baldvinus Graecorum Imperator Bis Caesar, Bis Nihil, Quia Bis Captus, Liber, Et Mortuus, Tandem A Nepote Stangulatus

Programme Main Title:
Grande Fortunae Ludibrium Baldvinus Graecorum Imperator Bis Caesar, Bis Nihil, Quia Bis Captus, Liber, Et Mortuus, Tandem A Nepote Stangulatus

Notes:
15 in Musici list. Prologue + 3 dependent choruses. Chorus IV is placed between III.vi and III.vii (scena ultima).


Programme Main Title:
Dependent: Prologue + 3 choruses. Fama, Idololatria


Programme Title Page:
Iacobi Patriarchae Adventus in Aegyptum Ad Filium Ioseph & Regem Pharaonem

Programme Main Title:
Iacobi Patriarchae Adventus in Aegyptum Ad Filium Ioseph & Regem Pharaonem

Notes:
3 dependent allegorical choruses. Production concludes with a chorus. No prologue or epilogue.


Programme Main Title:
Dependent: 3 Choruses. Divina Providentia, Phobetor, Calum


Programme Title Page:
Eheliche Trewgeflissenheit Oder Ansberta Ihres Gemahels Bertulfi. . . Trewe Erlöserin

Programme Main Title:
Eheliche Trewgeflissenheit Oder Ansberta Ihres Gemahels Bertulfi. . . Trewe Erlöserin

Notes:
Prologue + 4 dependent choruses + Epilogue. All allegorical. All except one of the dancers are noble-born.


Programme Title Page:
Iephtias Jurata a Patre pro Patriae Salute Victima Christi Patiens Typus

Programme Main Title:
Iephtias Jurata a Patre pro Patriae Salute Victima Christi Patiens Typus

Notes:
Chorus to Acts I - IV; a chorus does not conclude the production. No prologue or epilogue. There is a choral ensemble of 9 (Cives Galadini) which perform within the main title drama.


Programme Main Title:
Dependent: 4 Choruses. Providentia divina, Jephtias


Programme Title Page:
Romanum Par Nobile Fratrum Domitianus, Verpasianus. Verus Inconstantis Mundi Gratiae Dei Gratia Contemnendae Typus

Programme Main Title:
Romanum Par Nobile Fratrum Domitianus, Verpasianus. Verus Inconstantis Mundi Gratiae Dei Gratia Contemnendae Typus

Notes:
8 pp. Latin and German.Semi-independent Prologue + 2 semi-independent choruses. Transitional choruses led by St. John the Baptist. Prologus Allegoricus: ' Florentem Ecclesia Romanae hortum, a Furore & morte devastatum Christiano sanguine rigandum…' Chorus I: 'S. Ioannes pro Incolumitate recens electorum Principum Christo supplicat…Ex quo S. Ioannes persecutionem Regibus imminentem colligit.' Chorus II (spectacle chorus): Varia & fluxa humanae gratiae & gloria exhibentur Symbola…'


Programme Title Page:
Rogerius Adolescens Vana Longioris Vitae Spe Delusus et Aeternis Flammis Addictus

Programme Main Title:
Rogerius Adolescens Vana Longioris Vitae Spe Delusus et Aeternis Flammis Addictus

Performance Referenced In:
Szarota 2:1, 895-902. Valentin, I, p. 224, no. 1801. Weller, 1865, p. 96. Sommervogel, II, 393. Muller, II, p. 83.

Notes:
8 pp. Latin and German. D. Andreas Sicherer plays the leading role, Deus Pater. D. Andreas Schleifelder, performs 2nd leading role, Christus. No prologue or epilogue. Chorus does not conclude production. 2 choruses are dependent.


Programme Title Page:
Bamba Gothicus Hispaniae Rex Variae Fortunae In Eremitica Vita Triumphator

Programme Main Title:
Bamba Gothicus Hispaniae Rex Variae Fortunae In Eremitica Vita Triumphator

Notes:
15 characters. Act I chorus is a spectacle chorus. 5 dependent choruses, no prologue or epilogue, concluding each act of 5 Act tragedy.


Programme Main Title:
Dependent: 5 Choruses: Rex Saracenus, Neptune, Dux Saracens


Instrumental Ensemble Size:
15 musicians. 2 violin; 3 Violetta; 1 Violone; 2 Cornettino; 3 Trombono; 1 Fagotto; 1 Clavicembalo; 1 Arpachorda; 1 Tiorba

Vocal Ensemble Size:
17 characters. 8 sop; 1 mezz; 2 contralto; 4 tenore; 2 basso

Notes:
Orig performed 1643 (MJTD 109). Parts I - IV conclude with a chorus, Part 5 concludes with an Epilogue, performed by the ensemble.17 (8 Sop, 1 Mezz Sop, 2 contra alto, 4 Tenore,  2 basso) + 15 orchestra ( 2 Violino, 3 violetta, 1 violine, 1 Cornettina, 1 Cornettino, 3 trombone, 1 fagotto, 1 clavicimbalo, 1 arpacordo, 1 tiorba). Entirely sung work. Choruses are dependent and use same characters as the main title drama. Prologue appears to be a separate 1 part work on King David (OT)


Notes:
Orig performed 1643 (MJTD 109). Parts I - IV conclude with a chorus, Part 5 concludes with an Epilogue, performed by the ensemble.17 (8 Sop, 1 Mezz Sop, 2 contra alto, 4 Tenore,  2 basso) + 15 orchestra ( 2 Violino, 3 violetta, 1 violine, 1 Cornettina, 1 Cornettino, 3 trombone, 1 fagotto, 1 clavicimbalo, 1 arpacordo, 1 tiorba)


Programme Title Page:
Basilius Adolescens Constantinopolitanus Divinae laudis assertor invictus

Programme Main Title:
Basilius Adolescens Constantinopolitanus Divinae laudis assertor invictus

Notes:
Production includes dependent prologue and 3 dependent choruses. Choruses conclude each of the 3 acts. Chorus II is a spectacle chorus. Musici cast, but not spoken cast, is arranged by school class, are without character names.


Programme Title Page:
Eulogius ex Latomo Aulicus ex Aulico Denvo Latomus Comoedia

Programme Main Title:
Eulogius ex Latomo Aulicus ex Aulico Denvo Latomus Comoedia

Notes:
8 pp. Latin and German. Prologue + 5 dependent choruses. Production concludes with a chorus. The choruses combine NT, OT, and allegorical characters in dialogue with main title characters.


Programme Main Title:
Dependent: Christus, B. Virgo., S. Joseph


Programme Main Title:
Pergentinus Italus Dass ist Schimpff und Ernstliches Schawspill von verubten Ubermuth eines Welschen Graffens an einem Todten-Kopff

Performance Referenced In:
Szarota 2:1, 1031-1037. Valentin, I, p. 231, no. 1860. Weller, p. 110 - 111. Sommervogel, VIII, 220. Muller, II, p. 84.


Programme Title Page:
Solem Austriacum Exsurgentem Francofurti Et Aquilam Rursus Iuvenescentem In Theatro publico Salisburgi PP. Benedictini cum Academica Iuventute adorarunt. . .Die New-Auffgehend Oesterreichische Sonn, und jüngst-gekrönte Reichs-Adler, Welche Zu Saltzburg ... die Academische Jugent auff offentlichem Theatro vorgestellet ... Den 16. Octobr. Im Jahr 1658

Programme Main Title:
Solem Austriacum Exsurgentem Francofurti Et Aquilam Rursus


Programme Title Page:
Xaverius Ex Cosmophilo Theophilus, Das ist Bekehrung Xaverii von der Welt- und Aignen Lieb zu Gott und der Seelen Heyl. . .Der Weltliebenden Jugendt zu einem Beyspil Vorgestellt Von der Universitet zu Dilingen, Anno M.DC.LVIII. Die 3. et 5. Septembris

Programme Main Title:
Xaverius Ex Cosmophilo Theophilus, Das ist Bekehrung Xaverii von der Welt- und Aignen Lieb zu Gott und der Seelen Heyl


Programme Title Page:
Via Vitae ac Mortis, Dramate aperta a  Studiosa Juventute Gymnasii Societatis Jesu Ratisbonae

Notes:
Includes a Prologue.  Chorus at the end of parts I and II.  School year provided.

There is a musical comedy not mentioned in the synopsis, as in evidence by the cast list: Chorus Comicus = 23 (included in the total cast number above.

Prologue: Extemporali Musica schema futuri Dramatis proponitur.


Programme Title Page:
Pretium Veritatis Ab Angelo Custode in Falcone Bizantino Demonstratum

Programme Main Title:
Pretium Veritatis Ab Angelo Custode in Falcone Bizantino Demonstratum

Notes:
Prologue + 5 choruses +  Epilogue. Act 5 concludes with a chorus and then the epilogue immediately afterwards. All are dependent allegorical commentary upon or dialogue with main title drama. The spoken cast is comprised entirely of 20 (9 noble) students in Phil Stud or above (seminary students). The musical cast consists of 8 seminary and 1 noble student + 10 non-noble students in smaller roles.


Programme Main Title:
Dependent: P + 6 choruses + E. Iustitia Divina, Fama

Vocal Ensemble Size:
8 Seminary students + 1 noble + 10 commoners, class unknown


Programme Title Page:
Acharistus seu Status Animae Peccantis & Peonitentis Filio Prodigo adumbratus

Programme Main Title:
Acharistus seu Status Animae Peccantis & Peonitentis Filio Prodigo adumbratus

Notes:
Production includes 5 Part tragedy + 1 dependent prologue + 5 transitional choruses. Production concludes with a chorus. Programme mixes the musical and spoken cast together, except for the clearly labelled Chorus Musicus. The cast sizes are therefore an educated guess.


Programme Main Title:
Dependent: Prologus, Teleotus puer, Udalricus

Notes:
Production includes 5 Part tragedy + 1 dependent prologue + 5 transitional choruses. Production concludes with a chorus. Programme mixes the musical and spoken cast together, except for the clearly labelled Chorus Musicus. The cast sizes are  therefore an educated guess.


Performance Referenced In:
Sommervogel, 5, pg 1404; Duhr, 1, pg 342-344, Müller, 2, pg 45; Valentine, I, pg 8; Wittwer (Chorus), pg 78

Notes:
Chorus by Orlando di Lasso - from Wittwer. Text published under title 'Samson Tragoedia ex Sacra Judicum Historia' (1569) - from Valentin.


Performance Referenced In:
Dürrwächter, Aus der Frühzeit, p. 6; Ehret, p.50; Müller, 2, pg 49; Valentine, I, pg 24; Wittwer (Chorus), pg 79

Notes:
In Valentin: Texte latin manuscript, Dillingen, cod. Dil. 223, ff. 1 - 64. Mentions manuscripts, f.1 Sum Jacobi Gretseri and Comoedia Ex XI, et XII Capite Evangelii S. Ioannis Scripta Friburgi 1584. Ad. R. P. Petrum lovaniensen Societatis Jesu.  The text is followed by 'Parodia in Calvinum' and 'Parodia in Lutherum.'  From Witter's dissertation, the transcription of the chorus at the end of Act 2 survives.


Notes:
From Witter's dissertation, the transcription of the chorus at the end of Act 2 survives, the polyphonic 4vv 'Chor der Engel,' 18 bars, 1 text, Latin. Text incipit: 'Aetheris regem socii.' Chorus is for 4 trebles. Composer Attr. Orlando di Lasso.


Programme Main Title:
Chorus: Lazarus resuscitatus, Act 4 conclusion

Notes:
Gretser calls for Orlando di Lasso's motet 'Tremuit Jesus,'  at the end of Act 4 in 'Lazarus resusitatus.' 6vv, polyphonic. The text from Gretser, reproduced in Wittwer, pg. 79. 'Finito hoc actu canitur in lymbo cantio suavis ac iucundus quae laetitiam indicet...His cantetur cantio Orlandi 'Tremuit Jesus' quae est in Thesauro 24, 6 vocum, vel Praenestini, qui de eadem materia cantionen composuit.'


Performance Referenced In:
Kennedy, T. Frank. ‘Jesuits and Music: Reconsidering the Early Years.’ Studi Musicali..17:1 [Sept 1988]: 71 - 101.


Performance Referenced In:
Duhr, I, p. 331 - 223; Muller, II, p. 43, Valentin, I, p.1


Performance Referenced In:
Prof. Dom. Vienn., p. 6; Muller, II, p. 44; Adel, Jarhbuch, p. 94; Valentin, I, p. 1; Szarota 3:2, 1137-1144


Performance Referenced In:
Prof. Dom. Vienn., p. 6;  Valentin, I, p. 1


Performance Referenced In:
Duhr, I, p. 340; Muller, II, p. 44; Haas, p. 107, Valentin, I, p. 2; Szarota 1:1, 491-498

Notes:
Published as Lazarus mendicus, Ultraiecti, 1541


Programme Main Title:
Ecclesia ejusque in populos auctoribus Comoedia

Performance Referenced In:
Sommervogel, VI, 1152; Muller, II, p.44; Valentin, I, p. 2

Notes:
Production includes dependent Prologue + 2 dependent Chorus. Production does not conclude with a chorus.


Performance Referenced In:
Rädle, Daphnis, 1978, 3, p. 430 - 431; Valentin, I, p.2


Performance Referenced In:
Rädle, Literaturwissenschaftliches Jahrbuch, NF 21, 1980, p. 394; Valentin, I, p.2


Performance Referenced In:
Teuber, p. 17; Sommervogel, VI, 1152; Muller, II, p. 44; Valentin, I, p.2


Performance Referenced In:
Prof. Dom. Vienn., p. 9, Duhr, I, p. 332; Muller, II, p. 44; Valentin, I, p. 2

Notes:
This was performed on Easter Sunday (Pâques)


Programme Title Page:
Tragoedia cui nomen inditum Saul Gelboeus Anno 1559

Programme Main Title:
Tragoedia cui nomen inditum Saul Gelboeus Anno 1559

Performance Referenced In:
Muller, II, p. 44; Valentin, I, p. 2; Griffin, 'Miguel Venegas', Modern Language Review (68), 1973, p. 796 - 806. MS: Dillingen, cod. Dil. 219, ff. 101 - 186; also, Munich, U.B., cod. 521, ff. 32-75


Cast Size:
89 + 3 Tubicines (trumpets) + 1 Tympanista

Notes:
4 dependent choruses; no prologue or epilogue. A chorus does not conclude this production. It is possible that the choral ensemble consists of 3 Tritones, 6 Aulici, and 5 Pastores: not clear from the programme whether these are singing or speaking parts. 2 tpt + 1 timpani in the company of Soldiers in the main title drama & these are not counted with the 6 instrumentalists playing in the Symphoniacj.


Programme Main Title:
Dependent: 4 Choruses: B. Virgo, Religio

Instrumental Ensemble Size:
6 Symphoniaci (no instruments specified)

Vocal Ensemble Size:
19 (5 of whom are characters, all allegorical)


Vocal Ensemble Size:
16 char (with voice parts: 8 Sop, 1 Mezzo Sop; 4 contralto; 2 tenor; 1 bass) + 22 choir

Notes:
"Datus est in Scenam a Studiosa Iuventute Gymnasii Soc: IESU Veldkirchi modulis Musicis expressus". "Viene rappresentato nel Teatro con Musici Concerti.' Prologue + 5 Acts + Epilogue. Programme printed in 3 languages: Latin, German, Italian. Voice parts for characters provided, but not for choral ensemble.


Programme Title Page:
Tragica Contemptae Vocationis Scene Ober Trawriger Undergang Sigismundi

Programme Main Title:
Dependent: P + 2 choruses. Christus, Anima Sigismundus

Vocal Ensemble Size:
Prologue: 2; Part I: 2 or more; Part II: 5 + 8 at least. Part III: none

Notes:
Prologue + 2 dependent choruses. A chorus does not conclude this production. There are 5 Musici + 9 Comites Cofini Chorevtae; possibly the Musici indicates an instrumental ensemble.


Programme Main Title:
Tragica Contemptae Vocationis Scene Ober Trawriger Undergang Sigismundi


Notes:
Dependent Prologue + 5 Choruses. Chorus concludes the production. All are commentary upon main title drama.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Christus, Beata Virgo


Programme Main Title:
Erschröckliches und gerechtes Urthail Gottes in Mauritio Dem Römischen Kayser Tragaediweiss vorgestellt

Notes:
8 pp. Rdo. P. Francisco Ruesch, currently listed as author, but not confirmed.


Programme Title Page:
Procope Martyr. Tragedie dediee a Messieurs les Consuls de la Ville d'Aix et Procurers du Pays

Programme Main Title:
Procope Martyr. Tragedie dediee a Messieurs les Consuls de la Ville d'Aix et Procurers du Pays


Programme Title Page:
David Cadens et Resurgens, Tragice Exhibitus

Programme Main Title:
David Cadens et Resurgens, Tragice Exhibitus

Synopsis:
David Cadens et Resurgens, Tragice Exhibitus. A R. D. Guillielmo Jennyn, Pastore in Waestcappelle prope sLVsam DIoeCesIos BrUgensIs. 
Argument: David Isai filius a Samuele in Regem unctus, devicto Goliath, & mortuo Saule, in regno confirmatus, homicidium aldulterio jungit, Bethsabaeam ducit, adulterinae prolis morte punitur, & post superbam populi numberationem e tribus plagis unam eligere cogitur, spetennalem samen, vel trimestrem hostis persecutionem, vel triduanam pestilentiam, quam elegit. 2 Regum II.12 & 24.

Notes:
Includes 2 duets in printed music; the first between the characters David (Tenor) and Bethsebea (Superius)., the second between Angelus Tutelaria (Superius) and Nemesis Davidem (Bassus) (angel & devil)Includes the feature of an Echo. No continuo part provided, nor other instrumental parts mentioned. A Chorus is included in the cast list.


Notes:
Production includes Prologue + 4 dependent choruses. Production does not conclude with a chorus or epilogue. Choral ensemble is single ensemble without characters.


Programme Title Page:
Providentiae Divinae Ingeniosa vis in Ivvene Corso ad Christum Reducendo

Programme Main Title:
Providentiae Divinae Ingeniosa vis in Ivvene Corso ad Christum Reducendo

Notes:
Identifies the author, Jacob Bidermann, in the first line of the Argument in the printed programme. Production includes dependent Prologue + 3 choruses in a 3 Part tragedy. All are allegorical commentary upon/ representations of main title drama.


Programme Main Title:
Dependent: Prologue + 3 Choruses. Christus, Providentia Divina, Ecclesia


Programme Title Page:
Innocentia a Zelotypia Condemnata a S. Udalrico Augustanorum Episcopo Prodigiose Vindicata

Programme Main Title:
Innocentia a Zelotypia Condemnata a S. Udalrico Augustanorum Episcopo Prodigiose Vindicata


Programme Main Title:
Transitional: Bma. Virgo, Sapientia, Brabantinus

Notes:
Prologue + 4 dependent choruses  + Epilogue. Choruses are transitional: Uses 6 'figures' examples from the OT: Joseph, Susanna, Job, Anna, David, Sara. Programme cast divided into Recitantium and Cantantium ensembles.


Programme Title Page:
Vinea Parabolica sive Parabola Evangelica a Christo Domino Proposita

Programme Main Title:
Vinea Parabolica sive Parabola Evangelica a Christo Domino Proposita

Notes:
Production includes dependent prologue and 3 dependent choruses. Production concludes with the distribution of prizes. The main title drama is a re-enactment of the parable of the Prodigal Son.


Programme Main Title:
Dependent: Prologue + 3 Choruses. Providentia Divina, Josue

Vocal Ensemble Size:
14 Personae Parabolae + 6 Chorus Musicus


Programme Title Page:
Gloria Sacerdotum S. Franciscus Xaverius Soc. Iesu Indiarum Apostolus

Programme Main Title:
Dependent: 2 Choruses + Epilogue. Christus

Vocal Ensemble Size:
37 at least. Music personae not separate. Believe: 8 Angeli + 12 Apostles + 6 virtues + 1 Anima Francisci + 1 Christus + 1 Ecclesia + 8 Choreutae

Notes:
Might be entirely sung comedy, as musical cast is not separate from spoken cast. Or the choruses could have been spoken. 2 dependent choruses + Epilogue. Prize distribution integrated as the conclusion of the Epilogue. Choruses and Epilogue allegorical with Apostles as NT examples.


Programme Main Title:
Gloria Sacerdotum S. Franciscus Xaverius Soc. Iesu Indiarum Apostolus


Programme Title Page:
Boece Tragedie. Dediee a Nosseigneurs de Parlement.

Programme Main Title:
Boece Tragedie. Dediee a Nosseigneurs de Parlement.


Programme Title Page:
Hungaria Ludovico I. rege pugnante, augustissima coeli regina propugnante Victrix olim contra Turcas in acie spectata nunc in theatro a studiosa iuventute Gymnasii Societ. Jesu Augustae exhibita

Programme Main Title:
Hungaria Ludovico I. rege pugnante, augustissima coeli regina propugnante Victrix olim contra Turca


Notes:
May be C.144.W.N.B rather than a 13; check in catalogue


Programme Title Page:
Consilivm in Arena Pvgna et Victoria ANGELICI IVVENIS THOMAE AQVINATIS

Programme Main Title:
Consilivm in Arena Pvgna et Victoria ANGELICI IVVENIS THOMAE AQVINATIS

Synopsis:
Consilivm in Arena
Pvgna et Victoria
ANGELICI IVVENIS
THOMAE AQVINATIS
In Theatro Archiducalis Gymnafij Societatis IESU
à ftudiofa Iuventute Academica repraefentata.

Glorwürdiger Sig
In dem Geiftlichen Kampff von dem Englifchen Jüngling
Thomas bon Aquin
Erhalten
Auff der Schawbinen Spilweiss von der Academifchen
Jugendt vorgeftellt

In dem Academifchen Gymnasio der Societat Jesu zu Frenburg in Branssgaw den Erstsen 
anno Dritten Herbstmonat 1665

Getruckt Frenburg im Brenssgaw ben Theodor Meyer. (the first letter of the last name is smudged).

Translated Synopsis:
Incomplete entry. Awaiting copy from British Library. There is a comedy which is not entered in the database.

Jesuit playbill. 1665. Frenburg.
Language: Latin & German
3 Parts
Includes cast list: 77 + 24 Personae Musicae (no composer mentioned).
Tr

Notes:
Incomplete entry. Awaiting copy from British Library. There is a comedy which is not entered in the database.

Jesuit playbill. 1665. Frenburg.
Language: Latin & German
3 Parts
Includes cast list: 77 + 24 Personae Musicae (no composer mentioned).
Tragedy; Comedy; Choruses which comment on the tragedy.

Page 1:

Consilivm in Arena
Pvgna et Victoria
ANGELICI IVVENIS
THOMAE AQVINATIS
In Theatro Archiducalis Gymnafij Societatis IESU
à ftudiofa Iuventute Academica repraefentata.

Glorwürdiger Sig
In dem Geiftlichen Kampff von dem Englifchen Jüngling
Thomas bon Aquin
Erhalten
Auff der Schawbinen Spilweiss von der Academifchen
Jugendt vorgeftellt

In dem Academifchen Gymnasio der Societat Jesu zu Frenburg in Branssgaw den Erstsen 
anno Dritten Herbstmonat 1665

Getruckt Frenburg im Brenssgaw ben Theodor Meyer. (the first letter of the last name is smudged).

Page 2:

Argumentum Historicum [Thomas Aquinus]
Synopsis Comica [ below]

Minus foecundum, quin & arduum non nemini videbitur Dramatij argumentum: illud, quod tota cataftrophe eiusfcemodi abfoluatur victoria, quae peripetiarum & epifodioru vix effe capax videatur: iftud autem, quod gloriofum facinus non ita proponi poffit, vt & caftae aures non offendantur, & fimul nihil, quod ad generofam Protagoniftae mentem exprimendam facit, omittatur. Dedimus tamen operam, ut & infoecunda copiose, & lubrica caute tractaremus. Primum ab Hiftoriae adiunctis, alterum a comica lilcentia edocti; qua prolectantem mulierculam in Cupidine, hunc in illa a Thoma induximus triumphtum. Eadem lilcentia tunc vfi, quando iam facrae D. Dominici, familiae veftibus indutum Thomam, eiufdemque cum Matre loquentem Superiorem inducere oportebat. De caetero totius Dramatic oeconomia ita eft inftituta, vt praemiffa in prima parte Protafi, fubiecta fit Epitafis, hiuc vero, omiffa (vtpote minus neceffaria) cataftafi, cataftophe fuerit annexa.

[follows the same, but in German]

Page 3:

German synopses con’t

Prologus

Pars I: Scena I – II

Page 4

Pars I: Scena III – VII

Chorvs Antistrophvs

Page 5

Pars II: Pugna

Scene I – VII

Page 6

Scene VIII

Chorvs Apocalypticvs

Pars III: Victoria
Scena I – V

Page 7

Scena VI – VIII

Epinicion

Syllabus Personarvm

Page 8
Syllabus Personarvm con’t
Personae Musicae
Signed: Omnia ad Maiorem Dei Gloriam


Synopsis:
Incomplete entry. Awaiting copy from British Library. There is a comedy which is not entered in the database.

Jesuit playbill. 1665. Frenburg.
Language: Latin & German
3 Parts
Includes cast list: 77 + 24 Personae Musicae (no composer mentioned).
Tragedy; Comedy; Choruses which comment on the tragedy.

Page 1:

Consilivm in Arena
Pvgna et Victoria
ANGELICI IVVENIS
THOMAE AQVINATIS
In Theatro Archiducalis Gymnafij Societatis IESU
à ftudiofa Iuventute Academica repraefentata.

Glorwürdiger Sig
In dem Geiftlichen Kampff von dem Englifchen Jüngling
Thomas bon Aquin
Erhalten
Auff der Schawbinen Spilweiss von der Academifchen
Jugendt vorgeftellt

In dem Academifchen Gymnasio der Societat Jesu zu Frenburg in Branssgaw den Erstsen 
anno Dritten Herbstmonat 1665

Getruckt Frenburg im Brenssgaw ben Theodor Meyer. (the first letter of the last name is smudged).

Page 2:

Argumentum Historicum [Thomas Aquinus]
Synopsis Comica [ below]

Minus foecundum, quin & arduum non nemini videbitur Dramatij argumentum: illud, quod tota cataftrophe eiusfcemodi abfoluatur victoria, quae peripetiarum & epifodioru vix effe capax videatur: iftud autem, quod gloriofum facinus non ita proponi poffit, vt & caftae aures non offendantur, & fimul nihil, quod ad generofam Protagoniftae mentem exprimendam facit, omittatur. Dedimus tamen operam, ut & infoecunda copiose, & lubrica caute tractaremus. Primum ab Hiftoriae adiunctis, alterum a comica lilcentia edocti; qua prolectantem mulierculam in Cupidine, hunc in illa a Thoma induximus triumphtum. Eadem lilcentia tunc vfi, quando iam facrae D. Dominici, familiae veftibus indutum Thomam, eiufdemque cum Matre loquentem Superiorem inducere oportebat. De caetero totius Dramatic oeconomia ita eft inftituta, vt praemiffa in prima parte Protafi, fubiecta fit Epitafis, hiuc vero, omiffa (vtpote minus neceffaria) cataftafi, cataftophe fuerit annexa.

[follows the same, but in German]

Page 3:

German synopses con’t

Prologus

Pars I: Scena I – II

Page 4

Pars I: Scena III – VII

Chorvs Antistrophvs

Page 5

Pars II: Pugna

Scene I – VII

Page 6

Scene VIII

Chorvs Apocalypticvs

Pars III: Victoria
Scena I – V

Page 7

Scena VI – VIII

Epinicion

Syllabus Personarvm

Page 8
Syllabus Personarvm con’t
Personae Musicae
Signed: Omnia ad Maiorem Dei Gloriam


Programme Main Title:
Dependent: Part II: Chorus Apocalypticus


Programme Title Page:
D. Adrianus e Maximiani Aulico, Coeli Purpuratus, Tragico Dramate

Programme Main Title:
D. Adrianus e Maximiani Aulico, Coeli Purpuratus, Tragico Dramate

Notes:
Lead Perfonae Musicae role, Amor Divinus, performed by Reverend D. Sebastianus Seiz; role of D. Paulus is performed by R. D. Wolffgangus Rotter. All other singers are students. 2 transitional choruses ; no prologue or epilogue. Production does not conclude with chorus. Chorus I features St. Paul; Chorus II involves in dialogue 4 martyrs, St. Paul, St. Peter, St. Stephen, and St. Laurence - related to the main title drama hero, Adrianus, by Amor Divinus.


Programme Main Title:
Transitional: 2 Choruses: Amor Divinus, D. Paulus, D. Petrus


Programme Title Page:
Tribunal Justitiae & Clementiae Divinae Erga Mauritium Imperatorem Severe clemens & clementer severum

Programme Main Title:
Tribunal Justitiae & Clementiae Divinae Erga Mauritium Imperatorem Severe clemens & clementer severum

Notes:
No prologue or epilogue. Act I does not have a chorus. Dependent chorus in Act II occurs between scenes iii and iv. Dependent chorus concludes Act III. Independent? Chorus concludes Act IV: 'Vita communis omnium fecurifsima.' Independent/dependent chorus concludes Act V and the production: 'Proponitur Deus erga poenitentes in feveritate mifericors, in mifercordia feverus.'


Programme Main Title:
Dependent & Independent (Act IV): anima Mauritius, anima Phocas (presumed)

Instrumental Ensemble Size:
23 singers and/or instrumentalists, no characters

Vocal Ensemble Size:
23 singers and/or instrumentalists, no characters


Notes:
Prologue + 5 dependent chorus. Although not labelled chorus, the final scene of Act V (scene v) is sung by characters listed under Personae Musici. Therefore, Chorus concludes the production.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Christus, Iacobus, Idololatria


Programme Title Page:
Fructus Misericordiae olim in Eulogio Spectatus

Programme Main Title:
Fructus Misericordiae olim in Eulogio Spectatus

Notes:
Prologue + 4 dependent choruses + Epilogue.Mythological and allegorical characters in the musical personnel.


Programme Title Page:
Abraham Obediens Tragico-Comoedia ; Fürgestellet von dem Löblichen Gymnasio bey S. Salvator der Societet Iesu zu Augspurg


Programme Title Page:
Vindicta Ioannis Gualberti in Consanguinei Interfectorem Olim Florentiae In Italia

Programme Main Title:
Vindicta Ioannis Gualberti in Consanguinei Interfectorem Olim Florentiae In Italia

Notes:
No prologue or epilogue. 3 dependent choruses; chorus concludes the production. All are allegorical commentaries upon main title drama.


Programme Title Page:
Filius Prodigus ad Patrem Redux Peccatricis Animae ad Deum Revertentis Imago

Programme Main Title:
Filius Prodigus ad Patrem Redux Peccatricis Animae ad Deum Revertentis Imago

Notes:
Prologue + 4 Choruses. 11 character + 7 chorus. Chorus concludes the production. Uses David, King of Israel, as an example.Cast includes comedy main title drama cast; characters for Personae Scenica; Personae Musica.


Notes:
3 dependent allegorical choruses. Chorus concludes the production. No prologue or epilogue. Organoedus = Christophorus Vogt, Poetry student


Notes:
5 dependent choruses which are allegorical/representational commentary on the main title drama. Choruses conclude each act; Chorus concludes the production


Programme Main Title:
Dependent: 5 Choruses: Iustitia, Misercordia, Providentia


Programme Title Page:
Scena Demortuae Isabellae Augustae a Francisco Borgia Duce Gandiael Salubriter Olim Spectata

Programme Main Title:
Scena Demortuae Isabellae Augustae a Francisco Borgia Duce Gandiael Salubriter Olim Spectata

Notes:
Dependent Prologue + 5 dependent choruses. Chorus concludes production.


Programme Title Page:
S. Franciscus Salesius Episcopus et Princeps Genevensis

Programme Main Title:
S. Franciscus Salesius Episcopus et Princeps Genevensis

Notes:
Prologue + 4 dependent allegorical choruses. Act III does not have a chorus. The production concludes with a chorus. Cast is by prologue and chorus. Musici cast & the prologue and choruses in which they performed: Antonius Abentheures, Phil Stud - P, 1, 2, 4. Christophorus Fischauer, Rud - P, 4, 5. Andreas Weinmair, Phil Stud - P, 1, 5. Ioan. Michael Reichwein, Poeta - P, 2, 4, 5. Ioannes Strang, Poeta - P, 4, 5. Georgius Cablaner, Maj. Syn. - P, 1, 2, 4, 5. Casparus Schilling, Rhetor - 1, 2, 4. Ioan. Christophorus Thomas, Gramm - 1. Aloysius Mezger. Rud - 1. Georgius Mezler, Phil Stud - 1, 2. Ioannes Geiger, Phil Stud - 1. Ioannes Egele, Phil Stud - 2. Ioannes Karg, Phil Stud - 2.


Vocal Ensemble Size:
31 char (13 singers) In Prologo: 2 char + 4 Operarii. Choro I: 9 char. Choro II: 2 char + 4 choir. No chorus for Act III. Choro IV: 6 char.  Choro V: 5 char.


Programme Title Page:
Anicius Manlius Torquatus Severinus Boethius Omnium Academicarum Scientiarum Princeps

Programme Main Title:
Anicius Manlius Torquatus Severinus Boethius Omnium Academicarum Scientiarum Princeps

Notes:
Co-composed with  Johannes Ferdinand Iele. Choruses conclude Acts I  - IV. The production does not concludes with a chorus. The choruses are all allegorical or genius of main drama characters. Choruses are all allegorical commentary/re-enactments.


Vocal Ensemble Size:
10 characters (5 singer)  + 9 choir (Varia actionis)


Notes:
1 Independent chorus  + 4 dependent choruses. Production concludes with chorus. No prolgoue or epilogue. Independent chorus (might prove to be transitional) concerns 3 OT characters as examples parallel to the main title drama: Abraham, Isaac, Jacob.


Programme Main Title:
Transitional: Chorus III: Abraham, Isaac, Jacob


Vocal Ensemble Size:
1 char + 3 Legati Divini + 6 Angeli Pacis + 23 chorus


Programme Title Page:
Absolon Parentis Optimi Pessimus Filius Fortunae ludibrium, Vindictae Divinae Scopus

Programme Main Title:
Absolon Parentis Optimi Pessimus Filius Fortunae ludibrium, Vindictae Divinae Scopus

Cast Size:
64 char + 6 Ephebi Davidis + 5 Thilon + 12 Milites Davidis + 12 Milites Absalonis

Notes:
1 Independent Chorus (CH 1) + 4 depedent choruses in 5 Act OT tragedy. Production concludes with a chorus. No prologue or epilogue. Independent chorus uses Cain as a parallel example of Absalon's attempt to assassinate David.


Programme Main Title:
Independent: Chorus I: Exemplo Caini oftenditur Ultio in Parricidas

Vocal Ensemble Size:
26 char (14 singers + 8 Chorus Manium + 6 Chorus Arborum + 4 Choreutae + 16 Chorus lugubris

Notes:
1 Independent Chorus (CH 1) + 4 depedent choruses in 5 Act OT tragedy. Production concludes with a chorus. No prologue or epilogue. Independent chorus uses Cain as a paralle example of Absalon's attempt to assassinate David.


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue. Vulcanus, Consilium, Apollo

Vocal Ensemble Size:
14 char + 9 choir in various small roles + 'Chori militiae aereae Amorum & Furorum'

Ballet Troupe Size:
21 Choris Saltatorum, 20 of whom are nobles


Programme Title Page:
De Ghecroode Memorie des Doodts inden Heylighen Henricus: De Verlofte Onnoofelheyt Inde Heylighe Chunegundes Zijn Huyfvrauwe

Notes:
Ballet is the Naer-spel. No choir specified at this time. Ends with a Ballet. See the attached photographs. - Voor-spel Part I, Tusschen-Spel, Part II, Naer-Spel (not listed separately in the database).

Title page: " Speel-wijs  vertoont Aende feer Edele, Wijfe ende voorfienighe Heeren, Mijn Heerem Hoogh-Balliv, Voor-Schepen, End Magistraet Der Stede van Ghendt."


Programme Main Title:
De Ghecroode Memorie des Doodts inden Heylighen Henricus: De Verlofte Onnoofelheyt Inde Heylighe Chunegundes Zijn Huyfvrauwe


Programme Title Page:
Wenceslaus auss einem Durchleichtigen Herssog in Böhem ein Glorwürdigister Martyrer Christi

Programme Main Title:
Wenceslaus auss einem Durchleichtigen Herssog in Böhem ein Glorwürdigister Martyrer Christi

Notes:
2 dependent choruses conclude Parts I & II. Part III does not have a separate chorus - chorus might be intergrated into the action in scenes III.vi and III.viii. There is no prologue or epilogue.This production does not conclude with a chorus. The musical cast characters are found in many scene synopses - either the chorus is fully integrated into the spoken drama or this work is completely sung. This entry treats the production as a spoken tragedy with fully integrated chorus. Cain is used as Biblical parallel.


Programme Main Title:
Dependent: 2 choruses. Deus Pater, Christus

Vocal Ensemble Size:
13 char (10 singers) + 17  choir (Varia Actionis)


Notes:
Prologue + 4 Choruses. 12 characters, no separate chorus ensemble. Cast includes comedy main title drama cast; characters for Personae Scenica; Personae Musica.Uses King David of Israel (OT) as an example.


Programme Main Title:
Dependent: Prologue + 4 Choruses. Anima, Christus, David


Programme Title Page:
Fortuna Naufraga Emmanvelis Sosae Sepulvedae

Programme Main Title:
Fortuna Naufraga Emmanvelis Sosae Sepulvedae

Notes:
Prologue + 5 dependent choruses performed by mythological and allegorical characters. Chorus III and VI feature a dance. Act I contains 2 choruses, at scene v and concluding. Acts II, III, IV conclude with a chorus


Programme Main Title:
Dependent: Prologue + 5 Acts. Fortuna Sosa, Providentia Divina, Neptunus

Ballet Troupe Size:
Present, numbers unknown  Chorus III, VI


Performance Referenced In:
Sommervogel 9, p.560; William S. McCabe, SJ.  in The Musical Quarterly, July 1938.p.63.

Notes:
Found in Sommervogel IX.560

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.p.63


Programme Title Page:
Fortitudo Gloriosa Sancti Agapiti Martyris Olim Praeneste Spectata

Programme Main Title:
Fortitudo Gloriosa Sancti Agapiti Martyris Olim Praeneste Spectata

Notes:
Prologue + 4 dependent choruses + Epilogue. Choruses are chiefly symbolis representations of key points in main drama.  Majority of singers play a different role in each chorus.


Programme Main Title:
Dependent: Prolouge + 4 Choruses + Epilogue. Christus, Regina Magdalena


Programme Title Page:
Minami Gorozaimon Joannes Nobilissimus Iapon A Fide Christiana in Idolotatriam Prolapsus, et ab hac Denvo Expeditus, Gladio, Eiusque Filius Ludovicus Cruci Adiudicatus

Programme Main Title:
Minami Gorozaimon Joannes Nobilissimus Iapon A Fide Christiana in Idolotatriam Prolapsus, et ab hac Denvo Expeditus, Gladio, Eiusque Filius Ludovicus Cruci Adiudicatus

Notes:
Prologue + 5 dependent choruses. A chorus concludes the production. Musical characters include St. Peter, David, and Solomon (Salomon).


Programme Main Title:
Dependent: Prologue + 5 Choruses. Ecclesia, Pluto, S. Petrus


Notes:
8 pp. Latin and German. P. Vitus Wagner Thet. Chorag., possible author (listed here).


Programme Title Page:
Apostasia Fortiter Profuso Sanguine Eluta

Programme Main Title:
Apostasia Fortiter Profuso Sanguine Eluta

Music Drama Title or Characters:
Apostasia Fortiter Profuso Sanguine Eluta

Notes:
8 pp. Latin and German programme. This production is entirely sung. The main title characters perform in the prologue and all 4 choruses and also there is no choral ensemble.


Programme Title Page:
Alphonsus Rex Congi in Aethiopia de mundo Victor

Programme Main Title:
Alphonsus Rex Congi in Aethiopia de mundo Victor

Notes:
Production includes dependent Prologue + 3 dependent Choruses. All allegorical commentaries.


Programme Main Title:
Dependent: Prologue + 3 chorues.  Justitia Divina, Christus

Instrumental Ensemble Size:
1 1 organist (matistae Georgius Scheck, Poetry class)


Notes:
P. Maximilianus Dirhainer (?), Chorag. Rhet. Profefs.is written on title page. Musical personae fully integrated into the drama (more similar to a Singspiel, perhaps?); they appear to be present in every scene. There are no separate choruses in the production.


Programme Main Title:
Dependent: 3 choruses. Tiberius, Pluto, Fama


Programme Title Page:
Triumphe Vande Vier Cardinaele Deughden, Speel-vvijs verthoont in vier dicersche Historien

Programme Main Title:
Triumphe Vande Vier Cardinaele Deughden, Speel-vvijs verthoont in vier dicersche Historien

Notes:
This is four separate 1 act plays of instances of Christian history/triumphs. Each act is in two parts; the first part deals with the story and the second is a commentary on the story, usually by allegorical characters.  This is the last playbill in this volume.


Programme Title Page:
Mundus Ad Hifpana Virtute triumphatus
Victore Glorioso
S. Francisco
Borgia
Gandiae Duce, deine vero Socie-/tatis JESU Generali Tertio
CUIUS INVICTUM ANIMUM
AUGUSTISSIMIS
MAJESTATIBUS
In Theatro exhibuit Gymnafium
Domûs Profeffae Societatis JESU,
Viennae ultimâ die Julii: [note: no date]
ANNO M. DC. LXXI


Viennae Auftriae, Typis Joannis Jacobi Kürner,
Inferioris Auftriae Procerum Typographi.

Programme Main Title:
Mundus Ad Hispana Virtute triumphatus Victore Glorioso S. Francisco Borgia

Notes:
Summary:
Jesuit playbill. 1671. Vienna.
Language: Latin & German
11 scenes (labelled Inductio)
Includes Cast List: 23 boys, some playing 2 parts
Main Characters: Genius Caroli V; Caftitas. 
Story: S. Francisco Borgia

Page 2: Argument

Page 3: 
Inductio I
Inductio II

Page 4:
Inductio III
Inductio IV
Inductio V

Page 5
Inductio V con’t
Inductio VI
Inductio VII

Page 6
Inductio VII con’t
Inductio VIII
Inductio IX

Page 7
Inductio IX con’t
Inductio X
Inductio Ultima

A.	M. D. G. 

Page 8:

Nomina Actorum
Includes 2 cantantes; 2 Syrenes. No other mention of music except the last item on the page.

After the list of actors (many with noble names):

His accedunt Chori Saltatorum
Affectuum Hifspaniae,
& Tentationum


Notes:
P. Ignatius Braitt, Rhet. Choragus, written on frontispiece. Perfonae Mutae include 6 Trophea Vanitatis (Amon, Solomon, Abfalon, Herodes, Tarqintus, Belifarius) and 2 unspecificed Pedifequi Vanitatis. Prologue + 3 dependent choruses. Chorus concludes the production.  Cast is divided according formal division  (pars prima, etc). Personae Musici and Perfonae Mutae conclude the cast list.


Programme Main Title:
Dependent: Prologue + 3 Choruses. Veritas; Philosophia Sacra


Notes:
8 pp. Latin and German. P.  Leopoldus Trestendorffer Rhet. Prof. Choragus on Amberg copy of programme, possible author (listed here). Prologue + 5 dependent choruses. Production concludes with a chorus - this might be a spectacle chorus of Christian martyrs.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Furor, Tyrannis

Vocal Ensemble Size:
7characters (5 singers) + 5 Comites Furoris + 6 Comites Religionis


Programme Title Page:
Borgia Deliberans inter Naturam et Gratiam Comedia (the two works)

Programme Main Title:
Borgia Deliberans inter Naturam et Gratiam Comedia (the two works)

Notes:
Prologue + 4 choruses; a chorus synopsis or label is not provided for Act I. As Acts II - V each have a chorus, this is possibly a mistake in the programme. All are allegorical commentaries or representations. Acclaim of the Society of Jesus is prominent among the choruses.


Programme Main Title:
Dependent: Prologue + 4 Choruses. Lar Borgianus, Promethius

Instrumental Ensemble Size:
11(Musici Concinentes), no instrum specified. 1 Log; 4 Rhet; 4 Poetry; 2 Maj Synt


Programme Main Title:
Mundi Instabilis Vanitas Olim Ab Orbe Spoectata Nunc A S. Francisco Borgia considerata


Programme Main Title:
Dependent: 2 Choruses. Tempus, Gerontius Senex

Instrumental Ensemble Size:
1 (org, Io. Georg. Widemann, Poetry student; he also performed the singing roles Stasimus, Liporius, and Mercantius


Programme Title Page:
Speculum Divinae Providentiae, Sive Abdolonymus Ex Hortulano Sidoniorum Rex. . .In Salisburgensi PP. Benedictinorum Theatro Exhibitus Ab Academica Iuventute Anno M.DC.LXXII. Mense Maio

Programme Main Title:
Speculum Divinae Providentiae, Sive Abdolonymus Ex Hortulano Sidoniorum Rex. . .In Salisburgensi PP. Benedictinorum Theatro Exhibitus Ab Academica Iuventute Anno M.DC.LXXII. Mense Maio


Programme Title Page:
Innocentia Dolo Circumventa, Seu Demetrius Philippi Macedonum Regis Filius, Insidiis Fratris Persei crudeliter peremptus ... In Theatrum productus Ab Academica Iuventute Salisburgensi Apud P.P. Benedictinos Anno M.DC.LXXII. Die 10. Mensis Octobris

Programme Main Title:
Innocentia Dolo Circumventa, Seu Demetrius Philippi Macedonum Regis Filius, Insidiis Fratris Persei crudeliter peremptus ... In Theatrum productus Ab Academica Iuventute Salisburgensi Apud P.P. Benedictinos Anno M.DC.LXXII. Die 10. Mensis Octobris


Programme Title Page:
Sigericus sive Innocentia Novercalis Odii Victima

Programme Main Title:
Sigericus sive Innocentia Novercalis Odii Victima

Notes:
4 dependent choruses. No prologue or epilogue; production does not conclude with a chorus. Each chorus has a label: Chorus Prognosticus; Chorus Allegoricus; Chorus Historicus; Chorus Symbolicus


Programme Title Page:
Ernestus et Albertus Friderici II. Serenissimi Saxoniae Ducis Filii Mariae Eberstorfensis Divae Beneficio Liberatri

Programme Main Title:
Ernestus et Albertus Friderici II. Serenissimi Saxoniae Ducis Filii Mariae Eberstorfensis Divae Beneficio Liberatri

Notes:
Prologue, 4 choruses, and Epilogue are dependent allegorical commentaries.


Programme Main Title:
Dependent: P + 4 choruses + E. Constantinus M.  Ira., Providentiae Dei


Programme Title Page:
S. Henricus ex Duce Bavariae Imperator Invictissimus

Programme Main Title:
S. Henricus ex Duce Bavariae Imperator Invictissimus

Notes:
Prologue + 5 choruses. Chorus concludes production. Choruses all commentary.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Eremtia Paphnutius

Vocal Ensemble Size:
Prologue: 1; Prologue for each act: 5 + 1 choragus + 5 choir; Act I: 19. Act II: 3. Act III: 13. Act IV: 2 char + 18 choir. Act V: 10 char  + unsp choir


Notes:
P. Ignatius Braitt, Chorag. Is written on the frontispiece. Prologue + 3 dependent choruses. Production concludes with a chorus.  Joab & Amasa OT Biblical characters in the chorus.


Programme Main Title:
Trasitional: Prologue + 3 Choruses. Amor Divina, Amicitia, Ioab, Amasa, Senectus


Programme Title Page:
Iustus und Pastor zwen hoch-adeliche und Leibliche Bruder Auss Lehr-Jungeren Aussgemachte Maister und Sigreiche Martyrer

Programme Main Title:
Iustus und Pastor zwen hoch-adeliche und Leibliche Bruder Auss Lehr-Jungeren Aussgemachte Maister und Sigreiche Martyrer

Notes:
P. Georgius Hueber, Rhet. Chorag. Is written on the frontispiece. 4 dependent choruses. No prologue or epilogue. Production does not conclude with a chorus.


Programme Main Title:
Dependent: 4 choruses. Christus, Iustitia Divina, Pastor


Programme Main Title:
Justus Ucondonuss Achilles Japoniae In tuenda Christi Fide Fortis et felix Justus Ucondonus Ein Japonischer eld und sowol starckmutig als glucklicher Verfechter dess Christlichen Glaubens

Notes:
12 pp. Latin and German programme. Munich programme, p. 1: Composuit M. Josephus Franck Monachij ao 1663 exhibuit nunc iterum in scena Landishuti 1673.


Notes:
Includes two part Interludi, each with a sentence synopsis. Tragedy most like spoken.


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Notes:
5 oldest students peform 2 - 5 roles. Prologue + 5 dependent choruses. Chorus concludes the production.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Mercurius, Nemesis


Programme Title Page:
Solimannus Id est Immanis Patris in Filium Crudelitas

Programme Main Title:
Solimannus Id est Immanis Patris in Filium Crudelitas

Notes:
Prologue + 4 dependent allegorical choruses. 4 Act production concludes with a chorus. All are allegorical commentaries.


Programme Main Title:
Dependent: Prologue + 4 Choruses. Ecclesia, Dux Christianae militiae


Programme Title Page:
Comico-Tragoedia von Quadbacondono einem Japonesischen Inrannen

Programme Main Title:
Comico-Tragoedia von Quadbacondono einem Japonesischen Inrannen

Notes:
Dependent Prologue + 5 Act Tragedy + 2 dependent choruses (Act II, Act IV) + Epilogue. The chorus ensemble are not included in the programme & the characters are difficult to determine as the programme cast does not differentiate between spoken and musical performers.


Programme Main Title:
Dependent: P + 5 choruses. Sphinx, Hymne, Christus

Instrumental Ensemble Size:
11 'Choros Inftrumentis Muficis exornarun' + 2 'Inftrumentifta Carbonarij'

Vocal Ensemble Size:
33 characters + 22 choir + 6 Genii in final chorus. Prologue: 6 char. Act I: 9 char. Act II: 6 char. Act III: 5 char  + 8 choir. Act IV: 7 char + 9 choir. Act V: All musicians. Many sing more than one role in the production

Notes:
Prologue + 5 dependent choruses. Production concludes with a chorus. The musical cast is displayed by act & musicians perform more than 1 role.


Programme Main Title:
Transitional: Prologue + 2 Choruses. S. Ioannes, Mors, Furor

Notes:
8 pp. Latin and German. P. Wenceslaus Stadler Rhet. Prof. Choragus on Munich programme. On Eichstatt programme, Commendat se R. P. Rectori Choragus et Servus Wagner. Semi-independent Prologue + 2 semi-independent choruses. Transitional choruses led by St. John the Baptist. Prologus Allegoricus: ' Florentem Ecclesia Romanae hortum, a Furore & morte devastatum Christiano sanguine rigandum…' Chorus I: 'S. Ioannes pro Incolumitate recens electorum Principum Christo supplicat…Ex quo S. Ioannes persecutionem Regibus imminentem colligit.' Chorus II (spectacle chorus): Varia & fluxa humanae gratiae & gloria exhibentur Symbola…'


Programme Title Page:
Superbia Saporis Persarum Regis Coelitus Correcta

Programme Main Title:
Superbia Saporis Persarum Regis Coelitus Correcta

Cast Size:
39 + 2 Chori non Musici + 13 Chori Saltatorum

Notes:
PE dependent allegorical + 2 independent mythological choruses in 3 act tragedy. Example of a production with a musical and reciting (recitantium) choruses. Also a chorus that dances  (Chori Saltatorum, 5 of whom also sing)


Programme Main Title:
Independent: Chorus I: Bellerophon ob caefam Chimaeram infolefcens Pegafo in coelum elatus a Jove praecipitatur


Programme Title Page:
Symbola Hospitalis quam Udalricus Episcopus Augustanus Sanctissimus Ariovisto Rheni Comiti, Brevis Hospes, Miraculose numeravit

Programme Main Title:
Symbola Hospitalis quam Udalricus Episcopus Augustanus Sanctissimus Ariovisto Rheni Comiti, Brevis Hospes, Miraculose numeravit

Notes:
Prologue + 3 dependent choruses. Production concludes with a chorus. Only the chorus for Part I is labelled 'Chorus;' the concluding scenes for Part II and III include celebratory singing and representations in music, showing that these were acted. Part II:v includes a dance, a 'faltatione Pyrrhica,' but it is not clear from the programme which students performed the dance.


Programme Main Title:
Dependent: P +  3 choruses. Bartholus, Advocatus, Glycas Venator


Programme Title Page:
Innocentia sive ab Iphigenia Orestes Liberatus Augustissimis Caesareis Maiestatibus Leopoldo Invictissimo Romanorum Imperatori et Eleonorae Madgalenae Theresiae

Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Austria, Providentia

Notes:
Prologue + 2 dependent choruses + Epilogue. Choruses are allegorical commentary on mythological plot.


Programme Title Page:
Sigismundusio E Parricida Sanctus Martyr

Programme Main Title:
Sigismundusio E Parricida Sanctus Martyr

Notes:
4 choruses. Act I allegorical dependent chorus presented with the Interludium. Act II dependent chorus uses mute figures Joab and Judas as examples. Chorus concluding Act III is transitional: Cain (singer) used as example for main character. Act IV concludes with a dependent chorus. 4 Personae Mute (Ioab, Abner, Iudas, Bannaias) from OT and NT.


Programme Main Title:
Transitional: 3 choruses. Christus, Cain, Genius Burgundia


Programme Title Page:
Mirabilis & suavis Dispositio Divinae Providentiae in Lupoldo Comite e Bavaria Ejusdemque Filio Henrico Exhibita

Programme Main Title:
Independent: Chorus I: Perseus and Andromeda

Notes:
Production includes Independent mythological Prologue + 2 independent mythological choruses + dependent Epilogue with 3 part tragedy. Prologue and 2 choruses symbolize events in the main title drama but are independent as there is no sharing of characters nor direct reference to the main title drama. 13 in the Choris Musicus, who play one role in the first chorus and a second or third in the second chorus; there are also 19 in the Saltu Militum cast and 6 other students.


Programme Title Page:
Alfonsus Huius Nominis Decimus Hispaniarum Rex, Superbiae vindicatae Luculentum Exemplum... In Theatrum Productus Ab Illustrissima ... Iuventute Academica Salisburgensi, Apud PP. Benedictinos mixto Cothurno actus Die 3. Mensis Septembris Anno M.DC.XCVI.

Programme Main Title:
Alfonsus Huius Nominis Decimus Hispaniarum Rex, Superbiae vindicatae Luculentum Exemplum... In Theatrum Productus Ab Illustrissima ... Iuventute Academica Salisburgensi, Apud PP. Benedictinos mixto Cothurno actus Die 3. Mensis Septembris Anno M.DC.XCVI.


Programme Title Page:
S. Michael Archangelus Ecclesiae Militantis Adversus Impietatem, Idolomaniam, and Haeresin Archistragtegus Victor Triumphans, Boiariae Singulari titulo devinctus Munificentissima Pietate Wilhelmi V. Utriusque Bavariae Ducis, &c.

Programme Main Title:
S. Michael Archangelus Ecclesiae Militantis Adversus Impietatem, Idolomaniam, and Haeresin Archistragtegus Victor Triumphans, Boiariae Singulari titulo devinctus Munificentissima Pietate Wilhelmi V. Utriusque Bavariae Ducis, &c.

Music Drama Title or Characters:
S. Michael Archangelus Ecclesiae Militantis Adversus Impietatem, Idolomaniam, and Haeresin Archistragtegus Victor Triumphans, Boiariae Singulari titulo devinctus Munificentissima Pietate Wilhelmi V. Utriusque Bavariae Ducis, &c.

Notes:
137 Personae Musici: Cant = 14; Altista = 12; Tenoristae = 14; Bassus = 10; Unknown = 85


Performance Referenced In:
Found in Eine Verzeichnisse Jesuiten Schul-Dramen-Univ. Munchen; William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63

Notes:
Found in Eine Verzeichnisse Jesuiten Schul-Dramen-Univ. Munchen

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Programme Title Page:
Mauritius Imperator Divinae Vindictae Exemplar Tristissimum

Programme Main Title:
Mauritius Imperator Divinae Vindictae Exemplar Tristissimum

Notes:
Prologue + 3 dependent choruses + Epilogue in this 4 act main title drama. Singers listed under the term 'Musici.' Johann Beer, the composer, performs 1 char; Christoph Hen. Durr, 2 char; Joh. Christian Heerwagen, 2 char; Georg. Sigism. Baumgartner, 5 char; David Frendl, 3 char; Daniel Scharff, 3 char.


Programme Main Title:
Dependent: Prolouge + 3 choruses + Epilogue. Nemesis, Tyrannis


Programme Title Page:
Providentia Dei Ludens in rebus humanis Pervarios casus Fortunae Henrici Filii Comitis Caloviensis Lupoldi sub imperatore Romano Conrado II

Programme Main Title:
Providentia Dei Ludens in rebus humanis Pervarios casus Fortunae Henrici Filii Comitis Caloviensis Lupoldi sub imperatore Romano Conrado II

Notes:
Prologue is a 1 part separate work (Providentia Divina and Joseph, son of Jacob from OT).  Acts I - III are dependent chorus. Act IV chorus is 1 part independent chorus, David and Saul.


Programme Main Title:
Dependent: Chorus I, II, IIIProvidentia Dei…Henricii Filii Comitis Caloviensis Lupoldi


Programme Main Title:
Dependent: Prologue + 5 Choruses. Pater Caiestis, Philosophus dives, Serupuli

Vocal Ensemble Size:
Prologue: 3 char + 24 choir); CH I: 3 char; CH II: 2 char + 4 choir;  CH III: 16 choir + 'alias inftrumentis Muficis lusere'; CH IV: 20 char + 24 choir; CH V: 3 char + 64 choir. 71 singers total.


Programme Title Page:
Theophilus in Conflictu triplici, contra Mundum, Carnem & Orcum, Bellator & Victor

Programme Main Title:
Theophilus in Conflictu triplici, contra Mundum, Carnem & Orcum, Bellator & Victor

Notes:
8 pp. Latin and German. P. Wenceslaus Stadler Rhet. Prof. Choragus, possible author (listed here). Dependent Prologue + 3 dependent choruses. Allegorical commentaries.


Programme Main Title:
Dependent: Prologue + 3 Choruses. Christus, Beata Virgo


Programme Title Page:
Virtutis De Perfidia Cruenta Et Incruenta Victoria Flavii Cuniberti Longobardorum Regis Patientia, Fortitudine, Iustitia, Pietate, comparata ... Das ist: Der Tugendt über die Trewlosigkeit blutiger und unblutiger Sieg Durch Flavii Cuniberti Der Longobarden König Gedult ... und Gütigkeit erhalten. . .vorgestellt Von der Fuldisch- und Kemptischen studierenden Adelichen Jugend in dem Fürstl. Stüfft Kempten, Den 10. und 12. Tag Herbstmonats

Programme Main Title:
Virtutis De Perfidia Cruenta Et Incruenta Victoria Flavii Cuniberti Longobardorum Regis Patientia, Fortitudine, Iustitia, Pietate, comparata ... Das ist: Der Tugendt über die Trewlosigkeit blutiger und unblutiger Sieg Durch Flavii Cuniberti Der Longobarden König Gedult


Notes:
Prologue + 2 dependent choruses. Choruses are spectacle allegorical choruses, and might be considered independent.


Programme Main Title:
Transitional: Prologue + 2 choruses. Christus, Mors

Instrumental Ensemble Size:
18. Ensemble includes: Organoedus (1), Oxyphonus I (1), Oxyphonus II (1), Cheltodi (2), Auloedus (1), Gingrio (1), Tibicin (1), Pandurius (2), Lyricen (1), Citharoedus (2),  Tubicen (1), Buccinator (1), Sambucifter (1), Pithaules (1), Hoptachordifta (1)

Vocal Ensemble Size:
16 char (14 singers) + 12 various choirs + 20 'In Plausi' + 12 Angeli


Programme Title Page:
Balduinus Orientis Imperator Castitatis Victima

Programme Main Title:
Balduinus Orientis Imperator Castitatis Victima

Notes:
Prologue + 3 dependent choruses. Production concludes with a chorus. All allegorical commentaries.


Programme Main Title:
Dependent: P + 3 choruses. Christus, S. Paulus, Mors


Programme Title Page:
Sanctus Landelinus Viso Seductoris sui interitu ad frugem recovatus

Programme Main Title:
Sanctus Landelinus Viso Seductoris sui interitu ad frugem recovatus

Notes:
4 dependent choruses. Production does not conclude with a chorus. No prologue or epilogue.


Programme Main Title:
Dependent: 4 choruses. Providentia Divina, Hercules


Programme Title Page:
Filius Prodigus Animae Labentis et Surgentis Typus

Programme Main Title:
Filius Prodigus Animae Labentis et Surgentis Typus

Notes:
11 pp. Latin and German. P. Wenceslaus Stadler Rhet. Prof. Choragus possible author (listed here). Prologue + 3 Choruses. Uses Judas (NT) as an example. Use of OT examples in the main title drama: David, Solomon, Absalon, Herod, Manasses. Much use of spectacle through a troupe of Laplanders et al.


Programme Main Title:
Dependent: Prologue + 3 choruses. Christus, Anima


Programme Title Page:
S. Franciscus Xaverius Neapoli Prodigiis Clarus

Programme Main Title:
S. Franciscus Xaverius Neapoli Prodigiis Clarus

Notes:
Prologue + 3 Chorus. Chorus concludes production. Chorus II might be an independent allegorical chorus.


Programme Main Title:
Dependent: Prolouge + 3 choruses. Genius S. Xaverii, Mors


Programme Title Page:
Wunderliche Betherung und Marter Neaniae

Programme Main Title:
Wunderliche Betherung und Marter Neaniae

Notes:
Prologue + 3 dependent choruses. All are celebrations of Christianity. Cast list, except for Musici, are by school class.


Programme Main Title:
Dependent: Prolouge + 3 choruses. Christus, Angels, Martyrs

Vocal Ensemble Size:
7 Musici, no characters or parts in programme


Programme Title Page:
Innocentia Philarchiae Immolata, das ist, Theobaldus und Gontarus, Von ihrem Vetter Clotario mit blutiger Hand aus dem Reich geraumet vorgestellet Von der Studirenden Jugendt Des Gymnasii der Societet Jesu Zu Regenspurg, Den 2. und 4. September Anno M.DC.LXXVI

Programme Main Title:
Innocentia Philarchiae Immolata, das ist, Theobaldus und Gontarus, Von ihrem Vetter Clotario mit blutiger Hand aus dem Reich geraumet vorgestellet Von der Studirenden Jugendt Des Gymnasii der Societet Jesu Zu Regenspurg, Den 2. und 4. September Anno M.DC.LXXVI


Programme Title Page:
Glorievse Doodt [writing faint] Adrianus [Judex du] Maximus

Programme Main Title:
Glorievse Doodt [writing faint] Adrianus [Judex du] Maximus

Notes:
Handwritten, signed by author. The playbill in Flemish followed by the play in Latin, both handwritten, difficult to read in faded ink and small writing. Cast list for both the tragedy and comedy on the last page. No indication of music. Cast: approx 20

Photographs: Gent 30 - 75 

Interleaved with 'Sales' comedy (listed separately in database).

Cannot decipher name on author's signature.


Notes:
Handwritten, signed by author. The playbill in Flemish followed by the play in Latin, both handwritten, difficult to read in faded ink and small writing. Cast list for both the tragedy and comedy on the last page. No indication of music. Cast: 3

Interleaved with the tragedy 'Glorievse Doodt [writing faint] Adrianus [Judex du] Maximus'

Cannot decipher name on author's signature.


Programme Title Page:
Deipara in Ernestoet Alberto Saxoniae Ducibus Innocentiae Propugnatrix in Kunonevero, et Theodorico De Kauffing ac Conjuratis Perfidiae Vindex Acerrima

Programme Main Title:
Deipara in Ernestoet Alberto Saxoniae Ducibus Innocentiae Propugnatrix in Kunonevero, et Theodorico De Kauffing ac Conjuratis Perfidiae Vindex Acerrima

Performance Referenced In:
Szarota 1:1, 765-772. Valentin, I, p. 317, no. 2475. Weller, 1865, p. 351. Sommervogel, II, 1379. Seidenfaden, p. 184. Muller, II, p 112.

Notes:
8 pp. Latin and German. Prologue + 5 Choruses. Chorus concludes the production. Prologue and Choruses are allegorical illustrations or commentary. Personae Mutae for examples include David, Saul, Job, Amasa, Banaias, Mardochaeus, and Aman.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Genius Saxoniae, Perfidia


Programme Title Page:
Boetius Scientiarum Cultor, Aequitatis Amator, Religionis Assertor

Programme Main Title:
Boetius Scientiarum Cultor, Aequitatis Amator, Religionis Assertor

Notes:
Prologue + 4 dependent choruses. Production does not conclude with a chorus. Allegorical characters in all.  The organist is listed under Phonafci Regij with 28 other student names without character or instrument. Unclear if these represent a choir, an instrumental ensemble, or combination of the two. The 44 cast size includes these 28 musicians.


Programme Main Title:
Dependent: Prologue + 4 choruses. Livor, Furor

Instrumental Ensemble Size:
1 org (Georgius Schnevogl), listed under Phonafci Regii under Perfona Mufic. + 28 other names (instr? Choir?)

Vocal Ensemble Size:
25 char (13 singers) + 3 Ephebi choir.28 names + org under Phonafci Regij (instr? Choir?)


Programme Title Page:
Leontius Comes Florentinus Machiavelli Discipulus ab Avo Suo ad Infernum Olim Abstractus

Programme Main Title:
Leontius Comes Florentinus Machiavelli Discipulus ab Avo Suo ad Infernum Olim Abstractus

Notes:
Prologue + 2 choruses + Epilogue. All are allegorical. 1 Episodium between II.iv & II.v. Cast list by class; cannot determine size of vocal ensemble.


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Nemesis, Chiromantes


Programme Title Page:
Misothea Animae Deo Perfidae in aeternum exitium ruentis Tragoedia

Programme Main Title:
Misothea Animae Deo Perfidae in aeternum exitium ruentis Tragoedia

Notes:
No prologue or epilogue. 4 Choruses. Chorus does not conclude production. All are allegorical, some the singing version of characters in the main title drama.


Programme Main Title:
Dependent: 4 Choruses. Iustitia, Ecclefia


Programme Title Page:
Sigismundus Rex Burgundionum Divinae Justitiae Exemplum

Programme Main Title:
Sigismundus Rex Burgundionum Divinae Justitiae Exemplum

Notes:
Prologue + 2 dependent choruses + Epilogue. All are allegorical commentaries upon the main title drama.


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Sigismundus Peregrinus, Nemefis, Genius Tutelaris


Programme Main Title:
S. Francis Xaverivs Societatis Jesu, Indiae et Japoniae Apostolus

Notes:
Programme separate Latin programme (3 pp) and German programme (4 pp). The cast list appears at the end of the German programme. Cast is listed by school class; cast for the choruses not identified. Therefore, the cast size includes all cast names appearing in the programme. A number of actors performed 2 or more roles. There are also 5 Personae Honorariae not associated with the name of an actor: Xaverius, Rex Bungi, Ataides, Regi Frater, Epifcopus Goae.Production consists of dependent allegorical Prologue + 4 dependent choruses + Epilogue (which the chorus concludes). All are allegorical parallels or commentaries.


Programme Title Page:
Interitus Ambitionis In Absalone, Das ist Wolverdienter Untergang Des Ehrgeitzigen Absalon vorgestellet von der Studirenden Jugendt Des Gymnasii der Societet Jesu zu Regenspurg, den 2. und 6. September Anno M.DC.LXXVII

Programme Main Title:
Interitus Ambitionis In Absalone, Das ist Wolverdienter Untergang Des Ehrgeitzigen Absalon vorgestellet von der Studirenden Jugendt Des Gymnasii der Societet Jesu zu Regenspurg, den 2. und 6. September Anno M.DC.LXXVII


Programme Title Page:
Ruina Monarchiae Babylonicae in Balthasare Sacrilego

Programme Main Title:
Ruina Monarchiae Babylonicae in Balthasare Sacrilego

Notes:
Prologue + 4 dependent choruses. Production does not conclude with a chorus.  The choruses are interactions between main title drama choruses and allegorical characters.


Programme Main Title:
Dependent: P + 4 choruses. Daniel, Cellarius, Iustitia


Programme Title Page:
Orthodoxae Veritatis Prodigiosa vis in Hibernia ad Christum Conversa per D. Patritium Britanniae Apostolum Thaumaturgum

Programme Main Title:
Orthodoxae Veritatis Prodigiosa vis in Hibernia ad Christum Conversa per D. Patritium Britanniae Apostolum Thaumaturgum

Notes:
Prologue + 3 Chorus: Chorus concludes productions. 3 Choruses in the Syllabus Personae: Chorus ludi magici (9); Chorus ludi satyrici (8); Chorus Ephebolorum (6)


Programme Main Title:
Dependent: P + 3 choruses. Christus, Veritas Orthodoxa


Programme Title Page:
Via Mirabilis Divinae Providentiae Principem Hedvinum ad Terrenum et Caeleste Regnum evehentis

Programme Main Title:
Via Mirabilis Divinae Providentiae Principem Hedvinum ad Terrenum et Caeleste Regnum evehentis

Notes:
Prologue + 5 dependent Choruses. A chorus concludes the production. Chorus II = 'saltu Pyrrhico.' 21 vocalists + 11 Orchestra: Praefectus musica: D. Petrus Nidermayr, ad D. Michaelis Musicae Praefectus. Organist: D. Georgius Schnevogl, Casista. 3 church musicians, 3 rhet and 3 humanista students


Programme Main Title:
Dependent: Prologue + 5 choruses. Divina Providentia, Tutelaris Hedvini


Programme Title Page:
Divinae Providentiae Lusus in Jobo Olim Exhibitus

Programme Main Title:
Divinae Providentiae Lusus in Jobo Olim Exhibitus

Notes:
Dependent prologue + 3 dependent choruses. Chorus III occurs before the final scene of the production, which is the distribution of prizes. That is, the prize ceremony is incorporated into the production. There is a dance of shades/spirits within the production. Composer also performed role of Mors.


Programme Main Title:
Dependent: Prologue + 3 choruses. Mors, Providentia Divina, Innocentia, Job

Vocal Ensemble Size:
7 characters + 2 spirits + 6 angels + 4 nuntii


Notes:
Prologue + 3 dependent choruses. Chorus concludes the production. Choruses use OT characters Joshua, Moses, Samson, Elias, Sisara, Gedeon, and David


Programme Main Title:
Dependent: Prologue + 3 choruses. S. Michael, Bethulia


Programme Title Page:
Victima Paschalis seu Hermenegildus Martyr Hispaniam in Pristinam Catholicae Rehgionis Libertatem asserens

Programme Main Title:
Victima Paschalis seu Hermenegildus Martyr Hispaniam in Pristinam Catholicae Rehgionis Libertatem Asserens

Instrumental Ensemble Size:
Not included in the programme or not identified

Ballet Troupe Size:
None, or none identified in the programme

Notes:
Prologue and each act concludes with a chorus. CH IV is spectacle chorus re-enacting the Crucifixion.


Programme Title Page:
Artes Daemonis Falsa Specie Pietatis Hominibus illudentis, detectae et ad spectandum propositae

Programme Main Title:
Artes Daemonis Falsa Specie Pietatis Hominibus illudentis, detectae et ad spectandum propositae

Notes:
Prologue + 2 dependent choruses. Singers are allegorical characters. Chorus I, 'Fraudes Daemonis deteftatur, & ab iis cavendum monet.'  is a spectacle chorus, using 19 demon pirates from the spoken cast. Chorus II 'Chrifti amore indigos pronunciat, qui non perfecte Christum sequuntur,' is also a spectacle chorus of converting indigenous peoples to Christianity.


Programme Main Title:
Dependent: Prologue + 2 choruses. Christus, Amor, Religio


Programme Title Page:
Archangel Michael visits Jephte and Samson

Performance Referenced In:
Szarota 1:1, 159 - 166. Valentin, I, p. 333, no. 2588. Sommervogel, IX, 102 - 103. Seidenfaden, p. 184. Muller, II, p. 108

Notes:
8 pp. German programme. Production consists of 5 choruses, CH II & III both concern Jephte and Samson are transitional choruses. CH I, IV, V appear to be dependent. In the spoken action, actors performed several of the smaller roles. Similarly, the singers typically performed at least 2 characters.


Programme Main Title:
Transitional: Act II Chorus: Archangel Michael visits Jephte and Samson


Programme Title Page:
Felix Catastrophe Genesii e Comoedo Christiani, e Mimo Martyris

Programme Main Title:
Felix Catastrophe Genesii e Comoedo Christiani, e Mimo Martyris

Notes:
Schnevogel also directed the music.Further research may prove this production to be entirely sung, as the lead character, Diocletianus, is performed by a member of the music ensemble at S. Michael. Prologue + 3 dependent choruses. Chorus III is scene ix in Part III, placed between III:vii and III.x. Each chorus has a label: Chorus Antipatheticus, Chorus Paraeneticus, Chorus Epiphoneticus. Chorus  Paraeneticus is a spectacle chorus of martyrs.


Programme Main Title:
Dependent: Prologue + 3 choruses. Tyrannis, Histrionia

Vocal Ensemble Size:
8 characters + 6 Comitatus Historioniae + 8 Chorus Pueritia Christianae + 5 Chorus SS. MM. Roman. + 5 Chorus Civium Roman.


Programme Main Title:
Innocentia sive ab Iphigenia Orestes Liberatus Augustissimis Caesareis Maiestatibus Leopoldo Invictissimo Romanorum Imperatori et Eleonorae Madgalenae Theresiae


Programme Title Page:
Nubium Christi Domini cum Sponsa sua Ecclesia In Translatione quatuor Sanctorum Martyrum Romanorum Feliciani, Fortunati, Bonifacii, Justi ... Das ist, Geistliche Vermählung Christi deß Herrn Mit seiner Gesponß der Christlichen Kirchen, So an dem grossen Ehren-Tag ... Der 4 Heiligen Romanischen Martyrer Als Feliciani, Fortunati, Bonifacii und Justi In dem ... Gottshauß Wiblingen Von der studierenden Jugend auff einer Schaubühne celebriert worden, Anno 1681 die 14. Septembris

Programme Main Title:
Nubium Christi Domini cum Sponsa sua Ecclesia In Translatione quatuor Sanctorum Martyrum Romanorum Feliciani, Fortunati, Bonifacii, Justi


Performance Referenced In:
Szarota 2:2, 1577-1584. Valentin, I, p. 342, no. 2661. Weller, 1866, p. 16. Sommervogel, II, 1379. Seidenfaden, p. 185.

Notes:
8 pp. Latin and German programme. Prologue + 2 dependent coruses + Epilogue. No musical personnel listed for Prologue.


Programme Main Title:
Dependent: P + 2 choruses  + E. Iustitia Divina, Genus Humanum

Vocal Ensemble Size:
29 char + 20 choir + unspec. Ch.Poenitentium. No personnel listed for Prologue. Act I: 14 char + 8 choir. Act II: 8 char. Act III: 7 char + 4 Chorus Mortuorum + 2 Misericordia + 6 Chorus Puerorum + Chorus Poenitentium (unspecified number of singers)


Programme Title Page:
Maria, Refugium Peccatorum, In Joanne, Nobili Artifice Contantinopolitano

Programme Main Title:
Maria, Refugium Peccatorum, In Joanne, Nobili Artifice Contantinopolitano

Notes:
8 pp. Latin and German. On Munich programme, P. Tobias Kienle Rhet. Prof. Choragus, possible author (listed here). Prologue + 3 Chorus. Chorus concludes the production. Prologue and Choruses are allegorical illustrations or commentary. Tragedy cast size includes entire cast. Cast arranged in programme by school year.


Programme Main Title:
Dependent: Prologue + 3 choruses. Christus, Pluto


Programme Title Page:
Prodigiosa Tutela Innocentiae sue Genovesa Palatina

Programme Main Title:
Prodigiosa Tutela Innocentiae sue Genovesa Palatina

Notes:
Prologue + 2 dependent choruses + Epilogue. All allegorical commentary. Believe the composer conducted the performance, 'Musicus Aulicus'


Programme Main Title:
Dependent: Prologue + 3 choruses + Epilogue. Innocentia, Patientia

Vocal Ensemble Size:
5 char + 3 Iuvenis Hebrai + 8 Chorus Anachoretic + 4 Chori Partium Annum (4 seasons) + 5 Chorus Virtutem


Programme Title Page:
Triumphus Mariani Amoris in Theodoro Poenitente

Programme Main Title:
Triumphus Mariani Amoris in Theodoro Poenitente

Ballet Troupe Size:
Present, numbers unknown.  Act I.v; Act II.iv

Notes:
Prologue + 3 dependent choruses. Production concludes with chorus. All choruses are allegorical commentaries. No use of Biblical characters as examples.


Programme Main Title:
Dependent: Prologue + 3 choruses. Genius Theodori, Blafphemia, Amor Marianus

Notes:
Prologe + 3 dependent choruses. Production concludes with chorus. All choruses are allegorical commentaries. No use of Biblical characters as examples.


Programme Title Page:
Unglückseliger Aussgang Der Sorglosen Kinder-Zucht. . . In Clotario König in Franckreich Und Seinem Sohn Chramno

Programme Main Title:
Unglückseliger Aussgang Der Sorglosen Kinder-Zucht...In Clotario König in Franckreich Und Seinem Sohn Chramno

Notes:
Prologue + 4 dependent chorus. Chorus I use OT char in dialogue: 3 Israeli kings David, Roboam, Iehu and Nathan the Prophet. Production includes 2 interludia (Episodium). Episodium II is a pastorale. Cast is listed by individual Prologue, Chorus, and Episodium.


Programme Main Title:
Dependent: Divina Providentia, David Rex, Christus

Vocal Ensemble Size:
29 Prologue: 5 char + 12 choir. Choro I: 6 char + 12 choir. Choro II: 4 char + 3 angeli. Choro III: 7 char. Choro IV: 2 char + 3 cyclopes. Some singers perform more than one role.


Notes:
19pp. 4o size. 15 cm. Title page: "Applausus panegyricus admodum . . . D Philipo van Tuycom. . . Canonicorum ordinis praemonstratensis. . . Caenobii Parchensis. . . Abbati. . . Recenter inaugurato. . . Exhibitus a gratulabunda juventate gymnasii literarii Loveniensis M P Augustini 1682


Notes:
Synopsis of the play, handwritten in Latin with corrections. Year was added later in pencil.  3 Acts, each act labeled Ganda Enthnica, Ganda Catholica, and Ganda Hispanica, respectively. 

Coupled with comedy, Conviviam Philofoxgirum non munus eixidi quam aruti ab Efoxo xgilofoxganti inffvuertum Drama comicum.

Photographs are in folder Augustin Playbills Gent I #1- 4.


Programme Title Page:
Convivium Philologirum  non minus eixidi quam arutic ab esoxo xgilosoxganti inffvertum Drama Comicum

Programme Main Title:
Convivium Philofsogirum  non minus eixidi quam arutic ab esoxo xgilosoxganti inffvertum Drama Comicum

Notes:
Full title of play difficult to decipher. Synopsis of the play, handwritten in Latin with the college clearly identified on the title page. This is a very short comedy of 5 scenes with an addition at the end of the fifth scene that I cannot translate at.
+ C(G)ovonis, 5 scenes

Interleaved with tragedy ''Ganda: Ethnica, Catholica, Hispanica''

Much interpolation of Greek in the Latin. 

The pictures are in Augustin Playbills Gent I, #5- 10.


Notes:
Most likely spoken. No interludi, no comedy.


Performance Referenced In:
Sommervogel, IX, p.28;  William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63

Notes:
Found in Sommervogel IX.28

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
p.63


Programme Title Page:
Epulum fortium. / In sumptuoso Assveri convivio adumbratum, / Mahlzeit deren Starcken, / unter der Sinnbildnuß deß kostbahren Gast-/Mahl Aßueri vorgestellet. / Et caesareis majestatibus, / Leopoldo / et / Eleonorae / a gymnasio domus professae societatis Iesu Viennae / dominica theophoriae in scenam datum, / dum consueta Austriaca pietate publicae ejusdem domus / processioni eucharisticae interesse dignabantur. Die 20. Iunij, anno 1683. / Viennae Austriae, typis Petri Pauli Viviani, universitatis typograph

Notes:
Opus dramaticum, musicis numeris ornatum. Praecedit partem manu scriptam libellus impressus, in cuius fine notantur nomina actorum et cantorum. Incip.: "Ego dominus ab India"; desin.: "... da robur fer auxilium". Part. ch. XVII. 31. f. et 4°. 


Programme Title Page:
In Solo Deo Unica Quies. Per Septem Fratres Dormientes Martyres

Programme Main Title:
In Solo Deo Unica Quies. Per Septem Fratres Dormientes Martyres

Notes:
Prologue + 2 Choruses, Chorus does NOT conclude the production. Chorus I is text from St. Augustine; Chorus II is text from Psalm 118. One singer, D. Ignat. Murschhauser from the choir of St. Michael's plays 3 characters, Idololatria, Anima, Bellum. In addition to the Personae Musica, there is an Opera cast: 12 Rhet (no characters); 4 Synt maj (2 characters, Timor and Tremor); is used in I:ii & I:iii at least. Not certain whether sung or spoken.


Programme Main Title:
Dependent: Prologue + 2 choruses. Christus, Idololatria


Programme Main Title:
Non est consilium contra Dominum Sive Vienna anno M DC LXXXIII 15 Juli praecipitato consilio arcte a Turcis obessa

Performance Referenced In:
Szarota 3:1, 763-765. Valentin, I, p. 351, no. 2731. Bahlmann, p. 86. Kuckhoff, Geschichte, p. 500 - 501. Sommervogel, IX, 87

Notes:
Latin. Valentin confirmed author. Programme typed in Szarota; original not reproduced. Spoken tragedy with singers opening each part and providing a Scena Muta as the prologue and songs of praise as the epilogue. Also sung are all or portions of I.iv, v; II.i, v; and III.i


Programme Main Title:
Dependent: Prologue, Epilogue + Prolusio to I, II, III + I.iv, v; II.i, v + III.i

Vocal Ensemble Size:
No cast list available: at least 5 from the synopses

Performance Referenced In:
Szarota 3:1, 763-765. Valentin, I, p. 351, no. 2731. Bahlmann, p. 86; programme reproduced 212 - 214. Kuckhoff, Geschichte, p. 500 - 501. Sommervogel, IX, 87


Programme Title Page:
Ferdinandus / quintus / rex Hispaniae / Maurorum domitor. / Ferdinand der Fünffte / König in Hispanien / Wider die Mohren obsiegend. / Augustissimis caesareis / majestatibus / Leopoldo / et / Eleonorae / dum / bene meritis in arena literaria athle/tis caesarea munificentia ago/nisma decernerentur. / Theatro datus / a / juventute caesarei et academi/ei collegii sociotatis Iesu / Viennae, / Anno aerae sacrae M. DC. LXXXIV. / Viennae Austriae, / typis Ioannis Christophori Cosmerovii. S. C. M. typographi aulici.

Programme Main Title:
Ferdinandus quintus rex Hispaniae Maurorum domitor. Ferdinand der Fünffte König in Hispanien Wider die Mohren obsiegend

Notes:
Drama complectens prologum, tres actus et epilogum; insertae sunt operi partes cantabiles. Notantur in scenario impresso, operi praecedenti, nomina actorum et cantorum (fol. 3b - 4b). In volumine manu scripto (5a - 65b) totum opus ita distribuitur: 5a repetitur inscriptio ex libello impresso, sed brevior est; 5b argumentum. 6a - 13a prologus, musicis numeris ornatus; 13b vacat. 14a - 27a textus prologi et actus I.; 19a - 26a modi musici partium cantabilium inserti sunt. 26b vacat. 27a - 43b actus II. (textus); 30a - 32a inserti sunt modi musici partium cantabilium (chorus I.); 32b - 33b vacant; 36a - 42b: inserti sunt modi chori II. 43b - 53b actus III. (textus et modi musici, qui inserti sunt 45a - 46b et 48a - 49b). 54a - 65b epilogus numeris musicis ornatus; 66a - 68b vacant. Incip.: "Triumpho! Iam subacta marte pressa"; desin.: "... in sera vive saecula, in posteris triumpha". Part. ch. XVII. 67. f  ALSO: Ferdinandus Quintus, Rex Hispaniae Maurorum Domitor. Drama des Wiener Jesuitenkollegs anläßlich der Befreiung von den Türken 1683. Veröffentl. v. Walter Pass. Textbearb. u. Übers. v. Karl Plepelits. [Part.] - Graz: Akad. Druck- u. Verlagsanstalt 1981. IX, 147 S. (Denkmäler der Tonkunst in Österreich. 132.) = MS1580-4°. 132 Mus LD.


Programme Main Title:
Dependent: Prologue, Chorus, Epilogue: Ferdinandus quintus rex Hispaniae Maurorum domitor


Programme Title Page:
Valerianus Romanorum Imperator, Barbarorum Ludibrium, Regiae Infelicitatis Exemplum

Programme Main Title:
Valerianus Romanorum Imperator, Barbarorum Ludibrium, Regiae Infelicitatis Exemplum


Programme Title Page:
Daniel Divinae Providentiae Exemplum et Christi Patientis ac Resurgentis Figura

Programme Main Title:
Daniel Divinae Providentiae Exemplum et Christi Patientis ac Resurgentis Figura

Notes:
Production includes a dependent Prologue and 5 dependent choruses. A chorus concludes the production. All are allegorical.


Programme Main Title:
Dependent: Prologue + 5 choruses. Divinae Providentia, Gratia


Programme Title Page:
Charietta Typus Aberrantis a Deo & Poenitentis Animae Tragico-Comoedia

Programme Main Title:
Charietta Typus Aberrantis a Deo & Poenitentis Animae Tragico-Comoedia

Notes:
Prologue + 3 choruses. Chorus concludes the production. All choruses are allegorical commentaries.


Programme Main Title:
Dependent: Prologue + 3 choruses. Sapientia, Iustitia Divina, Spes


Programme Title Page:
Gloriosus / de / tyrannide et mundi / illecebris triumphus / sanctae Eugeniae virgi/nis et martyris. / Herrlicher Siegs-Pracht / wider die Wütterey und Welt-Lüste. / In Eugenia / einer heiligen Jungfrauen und Blut-Zeugin. / Quae / jussu Terentii in odium fidei marty/rium passa est. / Augustissimis caesareis / majestatibus / Leopoldo / et Eleonorae / dum / bene meritis literaria ex arena victoribus caesarea / munificentia praemia decernerentur. / Theatro datus / a / studiosa juventute caesarei et academici / collegij societatis Iesu Viennae. / Musicam composuit / ... Chori regens in domo professa. / Anno aerae sacrae M. DC. LXXXV. / Viennae Austriae. / Apud Susannam Christinam, Matthaei Cosmerovij, S. C. M. typogr. aul. viduam

Programme Main Title:
Gloriosus de tyrannide et mundi illecebris triumphus sanctae Eugeniae virginis et martyris

Notes:
Drama complectens prologum, tres actus et epilogum; insertae sunt partes cantabiles. Opus praecedit (fol. 3a - 6a) scenarium impressum, lingua latina et germanica scriptum, complectens etiam nomina actorum et cantorum; 6b vacat. 7b argumentum; 7b vacat. 8a - 15a modi musici prologi; 15b vacat; 16a - 20b textus prologi et actus I; 21a - 27b modi musici chororum actus I.; 28a - b vacant. 29a - 33b textus chori act. I., et actus II. (integri); 34a - 40a modi musici chori actus II.; 40b - 41b vacant; 42a - 49a textus chori actus II., actus II. (integri) et epilogi; 49b vacat. 50a - 57b modi musici epilogi. Incip. (prologus): "Iam fessa sum"; desin. (epilog.) "... aeternitas palmis coronabit ..." Part. ch. XVII. 57. f


Programme Main Title:
Dependent: Prologue, Chorus, Epilogue: Gloriosus de tyrannide


Programme Title Page:
Patientis Christi / memoria. / Dramate musico / augustissimis Romani imperii / majestatibus / Leopoldo / et / Eleonorae / in academico templo caesarei col / legii societatis Iesu Viennae / proposita, / dum / sabbato sancto / consueta pietate sacra sepulchra per urbem / inviserent / die 21. aprilis M. DC. LXXXV. / Musices compositore / ... / Chori regente in domo professa. / Viennae Austriae, / typis Ioannis Christophori Cosmerovii, S. C. M. typogr. / aulici.

Notes:
Opus complectens 3 "inductiones" et "epilogum", Praccedit volumini manu scripto libellus impressus, in cuius ultima pagina (fol. 6a) nomina actorum et cantorum; fol. 6b vacat. Fol. 7a - 27b: continentur numeri musici super textum; 28a - 31b vacant, exceptis paucis notis de foliis, in codice contentis. Incip.: "Venite gentes, et accurrite populi"; desin.: "... qui totus pro vobis fixus fuit in cruce". Part. ch. XVII. 31. f. 


Programme Title Page:
De Al-verblijdende Victorie becomen door de wapenen der Christene Princen Teghen Den Al-ghemeynen Vyandt Mahomet Den IV; Turckschen Keyser

Programme Main Title:
De Al-verblijdende Victorie becomen door de wapenen der Christene Princen Teghen Den Al-ghemeynen Vyandt Mahomet Den IV; Turckschen Keyser

Notes:
Include Prologue and Epilogue. Upon examination of the the synopses, this tragedy was most likely sung throughout.


Programme Main Title:
Dependent: Prologue and Epilogue: De Al-verblijdende Victorie


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938.p 63


Programme Title Page:
George Castriot nomme Scanerbeg Le vray Modele des Heros Chretiens de ce temps, victorieux sur les Infideles

Programme Main Title:
George Castriot nomme Scanerbeg Le vray Modele des Heros Chretiens de ce temps, victorieux sur les Infideles

Notes:
Cast listed in programme by class in school. Prologue + 4 dependent choruses + Epilogue. Programme in German (1st) and French (2nd). All choruses allegorical or genii of main title drama characters. Cast for tragedy reflect entire cast.


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue. Tyranni; Genii Scanderbeg; Religio

Vocal Ensemble Size:
13 characters at least; cannot be determined; programme cast list by class in school

Notes:
Cast listed in programme by class in school. Prologue + 4 dependent choruses + Epilogue. Programme in German (1st) and French (2nd). All choruses allegorical or genii of main title drama characters.


Programme Title Page:
Joseramnus Liderici Principis in Flandria Filius Paternae Justitiae Exemplum

Programme Main Title:
Joseramnus Liderici Principis in Flandria Filius Paternae Justitiae Exemplum

Notes:
Prologue + 3 dependent choruses. Production concludes with chorus. Production includes non-musical chorus (10 members).


Programme Main Title:
Dependent: Prologue + 3 choruses. Justitia, Amor Paternus

Notes:
Prologue + 3 dependent choruses. Production concludes with chorus. Production includes an apparently non-musical chorus (10 members, labelled Choreutae).


Notes:
Prologue + 5 choruses. Chorus concludes production. In addition to the Personae Musicae, there are Personae Mutae, consisting OT & NT characters: Tobias, Christ, Virgin Mary, John the Evangelist, Joseph (in Egypt), et al.


Programme Title Page:
Reconciliatio / naturae humani generis / cum auctore suo, facta / per filium Dei in assumpta hu-/manitate oblata / Deo Patri / in ara crucis super montem / Calvariae / Augustissimis caesareis / majestatibus / Leopoldo / et / Eleonorae, / in templo caesareo academici collegij / societatis Iesu Viennae / exhibita, / dum / sabbatho sancto / consueta pietate sacra Christi sepulchra / inviserent, / die 13. Aprilis, anno MDCLXXXVI. / Musices compositore / ... capellae / magistro in domo professa. / Viennae Austriae, apud Susannam Christinam, Matthaei Cosmerovij / S. C. M. typographi aulici viduam

Programme Main Title:
Reconciliatio naturae humani generis cum auctore suo, facta per filium Dei in assumpta humanitate oblata Deo Patri in ara crucis super montem Calvariae

Notes:
Oratorium sacrum, divisum in tres partes. Praecedit libellus impressus, in cuius fine notantur nomina cantorum. 1a - 2b vacant; 3a - 6b libellus impressus: 7a - 32b textus modis musicis instructus, manu scriptus. Incip.: "Exiguum et cum taedio est tempus vitae nostrae"; desin.: "... mi Iesu, mea vita, mea salus, tibi consecro me". Part. ch. XVII. 33.


Programme Title Page:
Laurea triumphalis Sancto Fideli Martyri adornata, Cum Sacrum Eiusdem Corpus ... Templo Academico Soc. Jesu Dilingano ritu solenni inferretur A Collegio eiusdem Soc. Jesu in theatro exhibita Mens. Jun. M.DC.LXXXVI

Programme Main Title:
Laurea triumphalis Sancto Fideli Martyri adornata, Cum Sacrum Eiusdem Corpus


Programme Title Page:
Ludovicus Grittus Ambitiosum Lunae Turciae Mancipium a sole Divinae Iustitiae Merito Supplicio castigatus

Programme Main Title:
Ludovicus Grittus Ambitiosum Lunae Turciae Mancipium a sole Divinae Iustitiae Merito Supplicio castigatus

Notes:
Prologue + 2 dependent choruses. Production concludes with a 'Pro Diftributione Praemiorum' by the characters. Choruses are allegorical commentaries/re-enactments.


Programme Main Title:
Dependent: Prologue + 2 choruses. Ambitio, Tyrannis

Instrumental Ensemble Size:
1 (org), composer D. Dominic Deuchl, master


Programme Title Page:
Ludus Divinae Providentiae in Theodulo S. Nili Filio

Programme Main Title:
Ludus Divinae Providentiae in Theodulo S. Nili Filio

Notes:
Chorus II is a transitional chorus: Job and Abraham used as examples. Prologue and choruses are allegorical commentaries.


Programme Main Title:
Dependent: Prologue + 3 choruses. Providentia Divina, Theodolus


Programme Title Page:
Controversia inter diem et Noctem Anno Preside: Declamata a Poetis Lycaei Litterary

Programme Main Title:
Controversia inter diem et Noctem Anno Preside: Declamata a Poetis Lycaei Litterary

Notes:
Declamata a Poetis Lycaei litterarii, Audusfino-Gandensis is written at the bottom of the title page before the date. 

Two scenes per act: 2:2:2. 

Photographs in folder Augustin Playbills Gent I #11 - 15.


Notes:
Handwritten, very difficult to decipher writing. It seems as though there is a choral or at least singing sections because of verses at the end of Act I and II. Each act is titled.

There is also a Prologue that might also have been sung. 

Photographs: Augustin Playbills Gent I #16 - 21.


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938. p. 63

Notes:
Dr. Sypherd lists this work as an Oratorio. Author is Pietro Giubilei.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
L'amour et fidélité coniugal ld'Ausberta envers son cher marit Bertuphus prince alleman

Programme Main Title:
L'amour et fidélité coniugal ld'Ausberta envers son cher marit Bertuphus prince alleman

Performance Referenced In:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.318

Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.318

"…Tragi-comedie dedieè a monsieur Martin Steyeert Docteur et professeur Royal en Théologie, Président du College de Bay en l'Universitié de Louvain. Representeè par la Ieunesse du College de la Ville d'Ath le 25 d'Aoust 1688, á deux heures aprés midy. A Mons, chez Gilles Ursmer Havart, Imprimeur, au Paradis. 1688.

In 4o, 8 pp. In the library of the University of Louvain (pre-war; present location unknown).


Programme Title Page:
S. Paulinus Episcopus Nolanus Prodigium Charitatis

Programme Main Title:
S. Paulinus Episcopus Nolanus Prodigium Charitatis

Music Drama Title or Characters:
S. Paulinus Episcopus Nolanus Prodigium Charitatis

Notes:
Production includes dependent allegorical prologue, 3 dependent allegorical choruses, and 3 dependent interludia. The interludia are all concerned with military activites. A chorus concludes the production.


Programme Title Page:
S. Iacobus Ma. Ap. Burghusii Patronus Tutelaris Gloriosus Magiae Victor: Generosa Tyrannidis Victima Comico-Tragoedia

Programme Main Title:
S. Iacobus Ma. Ap. Burghusii Patronus Tutelaris Gloriosus Magiae Victor: Generosa Tyrannidis Victima Comico-Tragoedia

Notes:
8 pp. Latin. Munich programme, P. Ignatius Inderstorffer Rhet. Prof. Choragus, possible author (listed here). Prologue + 3 Chorus + Epilogue. All are allegorical commentaries upon the main title drama


Programme Main Title:
Dependent: Prologue + 3 choruses + Epilogue. Christus, Genius Ecclesiae

Notes:
8 pp. Latin. Prologue + 3 Chorus + Epilogue. All are allegorical commentaries upon the main title drama


Notes:
Prologue + 3 dependent choruses. Production concludes with a chorus. OT examples include Jonathan, Saul, Roboam, and David - cannot tell whether they are figurae or in dialogue with other characters.


Programme Main Title:
Dependent: Prologue + 3 choruses. Pastor, Ouicula, Ecclesia

Vocal Ensemble Size:
12 characters + 3 Lex Mahometica + 8 Genii + 6 mythological char + 4 Biblical char + 8 Orcini canes


Programme Title Page:
Divina Providentiae Optima Principum Protectio in Ernesto et Alberto Saxoniae Ducibus Ludo Comico Repraesentata

Programme Main Title:
Divina Providentiae Optima Principum Protectio in Ernesto et Alberto Saxoniae Ducibus Ludo Comico Repraesentata

Notes:
Prologue + 3 Choruses (a chorus concludes the tragedy rather than an Epilogue).


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Divinae Providentia, Saxonia


Programme Title Page:
Animae a Deo Aversae & Denuo Conversae Typus. . .Actione parabolica in scenam datus a Florentissima Iuventute Convictorum In Collegio S. Hieronymi, Dilingae 24. et 27. Februarii M.DC.LXXXVIII

Programme Main Title:
Animae a Deo Aversae & Denuo Conversae Typus


Programme Title Page:
Vera Felicitas In S. Felicitate M. ...reperta Et In Theatro aperta Sub Ferias Autumnales A Literaria Iuventute Inclyti Electoralis Gymnasii Soc. Jesu, Monachii, 3. et 6. Septembris 1688


Programme Title Page:
Der Zeiten Glück und Unglück, Oder der approbierte Siges-Stein

Programme Main Title:
Der Zeiten Glück und Unglück, Oder der approbierte Siges-Stein


Programme Title Page:
Weder-strydt Tusschen Het Doorluchtighste Huys van Oostenryck Bestiert door de Goddelijcke Voorsichtigheydt, ende Het ramp-saligh Huys van Otthoman Opghehitst door de Ongheloovigheydt, Helsche Furien &c

Programme Main Title:
Weder-strydt Tusschen Het Doorluchtighste Huys van Oostenryck Bestiert door de Goddelijcke Voorsichtigheydt, ende Het ramp-saligh Huys van Otthoman Opghehitst door de Ongheloovigheydt, Helsche Furien &c

Cast Size:
40 characters + chorus + instrumentalists + 4 ballets

Notes:
Includes a Prologue and an Epilogue by allegorical characters


Programme Title Page:
Ortus in Occasu, sive Semiramidis Ad Solium Assyriae per Interitum Nini Ascensus

Notes:
Includes a 4 part 'Adludii Satyrici' - Lingua. . . Universitas iniquitatis


Programme Title Page:
Cyrus Regium Divinae Providentiae in orbe ludentis Paradigma

Programme Main Title:
Cyrus Regium Divinae Providentiae in orbe ludentis Paradigma

Notes:
8 pp. Latin and German. Prologue and 2 Choruses, all dependent, all a mixture of mythological and allegorical characters, and characters from the main title drama. There may be a comic interludia within the production, perhaps integrated into a scene, as the cast list includes the comic stock characters Faustulus, Mopsulus etc.


Programme Main Title:
Dependent: Prologue + 2 choruses. Providentia Divina, Diana


Programme Title Page:
Caesar Caccabensis Ludio Ludo Suo Immortuus

Programme Main Title:
Caesar Caccabensis Ludio Ludo Suo Immortuus

Music Drama Title or Characters:
Caesar Caccabensis Ludio Ludo Suo Immortuus

Notes:
Production consists of dependent Prologue and 2 dependent choruses. Production does not conclude with chorus. Cast list for both spoken comedy and personae musicae organised by school class.


Programme Title Page:
Palatinatus Ab Haeresi Deformatus, A  Bavaria Informatus, et A Fide Reformatus

Programme Main Title:
Palatinatus Ab Haeresi Deformatus, A  Bavaria Informatus, et A Fide Reformatus

Performance Referenced In:
Szarota 3:1, 649-656. Valentin, I, p. 401, no. 3090. Weller, 1866, p. 160. Sommervogel, I, 272; Sommervogel, VIII, 1625. Rixner, p. 149. Blossner, p. 64

Notes:
Latin text to main title drama and dependent portions survives: Munich, S. B., cod. Lat. Mon. 2140, ff. 5 - 60. Valentin confirms author. Prologue + 2 dependent choruses + Epilogue. All are allegorical commentaries on main title drama.


Programme Main Title:
Dependent: Prologue + 3 choruses. Ecclesia Triumphans, Militans

Vocal Ensemble Size:
16 characters + 6 choir (Duces Bavariae)


Performance Referenced In:
Backer-Sommervogel, IV, col. 779, no. 51


Programme Main Title:
Revocata virtutem inter et fortunam concordia


Programme Main Title:
Dependent: Prologue and Epilogue: Weder-strydt Tusschen Het Doorluchtighste


Programme Title Page:
Innocentia Novercali Odio Oppressa seu Sigericus a Rege Sigismundo Iniuste Occisus

Programme Main Title:
Innocentia Novercali Odio Oppressa seu Sigericus a Rege Sigismundo Iniuste Occisus

Notes:
8 pp. Latin and German programme. Prologue + 3 dependent choruses. Production concludes with a chorus. All are allegorical commentaries/interactions with main title drama.


Programme Main Title:
Dependent: Prologue + 3 choruses. Odium, Providentia Divina, Suspicio


Programme Title Page:
Partharitus Italiae et Longobardorum Rex Post varias Fortunae vicissitudines ad Regnum reductus

Programme Main Title:
Partharitus Italiae et Longobardorum Rex Post varias Fortunae vicissitudines ad Regnum reductus

Notes:
Prologue + Chorus after all 5 acts. Chorus concludes the main title drama. 6 of the 9 singers performed 2 roles.


Programme Main Title:
Dependent: Prologue + 5 Choruses. Providentia Divina, Fortuna, Perfidia


Programme Title Page:
Sigismundus Burgundionum Rex, Pro Peccato Parricidii Hostia Liberalis

Programme Main Title:
Sigismundus Burgundionum Rex, Pro Peccato Parricidii Hostia Liberalis

Notes:
Prologue + 3 dependent choruses. Production concludes with a chorus. All choruses allegorical commentaries. Author provided by Valentin.


Programme Main Title:
Dependent: Prologue + 3 choruses. Ambitio, Providentia Divina, Suspicio

Vocal Ensemble Size:
53 char (26 singers + 20 Genii Infernales)


Performance Referenced In:
Sommervogel I.622; William S. McCabe, SJ.  in The Musical Quarterly, July 1938, p. 63

Notes:
Found in Sommervogel I.622

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
Amici Veri et Falsi Oppositio Dramate Parabolico exhibita

Programme Main Title:
Amici Veri et Falsi Oppositio Dramate Parabolico exhibita

Notes:
P. Henricus Abendheurer, Rhet. Prof. Choragus is written on the frontispiece. The composer, D. Antonius Deichel, directed the music in performance, 'Muficus Aulicus.'  Prologue + 3 dependent choruses. All allegorical commentaries. Production concludes with chorus. Cast for both the main title drama and the musical personnel listed by school class.


Programme Main Title:
Dependent: Prologue + 3 Choruses. Mors, Justitiae, Nemesis


Programme Title Page:
S. Marquardus Hildesheimensium Episcopus Pro Fide et Patria Caesus

Programme Main Title:
S. Marquardus Hildesheimensium Episcopus Pro Fide et Patria Caesus

Performance Referenced In:
Szarota 2:1, 131-138. Valentin, I, p. 384, no. 2967. Weller, 1866, p. 111. Sommervogel, II, 1380. Seidenfaden, p. 185.

Notes:
8 pp. Latin and German programme. Prologue + 3 dependent choruses. Chorus concludes the production. All choruses are commentaries/celebrations


Programme Main Title:
Dependent: Prologue + 3 choruses. Tyrannis, Idoloatria, Bacchus

Vocal Ensemble Size:
11 characters (9 asolo singers) + 4 Genii


Programme Title Page:
Henricus Lupoldi Comitis Filius Miram Dei Providentiam Olim Expertus

Programme Main Title:
Henricus Lupoldi Comitis Filius Miram Dei Providentiam Olim Expertus

Notes:
A chorus concludes each of the five acts. Twelve allegorical characters. Prologue contains 6 OT characters and 2 others in speaking roles, and 6 characters in singing roles


Programme Main Title:
Dependent: P + 4 choruses. Providentia Divina, Fortuna


Programme Title Page:
Eutropii Malis ad Summa Elati et Deo Vindice Dejecti Interitus

Programme Main Title:
Eutropii Malis ad Summa Elati et Deo Vindice Dejecti Interitus

Performance Referenced In:
Szarota 3:2, 923-929. Valentin, I, p. 382, no. 2959. Weller, 1866, p. 110. Sommervogel, I, 271; Sommervogel, VIII, 1625. Rixner, p 148. Blössner, p. 64.

Notes:
Valentin confirms the author of main title drama  and dependent portions as Wolfgang Yrsch. P. Joannes Walther, Rhet. Choragus is written on frontispiece. Prologue + 3 dependent choruses.  Cast is printed by school year.


Programme Main Title:
Dependent: Prologue + 3 choruses. Pseudopolitia, Jusfitia Divina, Dolus

Vocal Ensemble Size:
17 characters (7 singers) + 4 choir (Comites Juftitiae Divina)


Programme Title Page:
Erkembaldus Brabantiae Dux Filialis Improbitatis Iustus sed severus ultor

Programme Main Title:
Erkembaldus Brabantiae Dux Filialis Improbitatis Iustus sed severus ultor

Notes:
Prologue + 2 dependent allegorical choruses. Production does not conclude with a chorus.


Programme Title Page:
Mansuetudo principum, laureata messe diadematum coronata, in gloriosissimo Scotorum rege Kennutho augustissimis caesareis regiisque majestatibus Leopoldo I., Eleonorae ac Iosepho data, dum eadem caesarea munificentia in cultura literaria desudantes musas sub aestivae messis exitum die divo Ignatio de Loyola sacro (= 31. Iulii) liberalissima messe praemiorum remunerari dignata est. Viennae Austria in caesareo domus professae societ. Iesu gymnasio, anno qVo IosephVs VngarIae reX aD IMperII fasCes eLatVs fVerat" (= 1690)

Programme Main Title:
Mansuetudo principum, laureata messe diadematum coronata

Notes:
Drama continens prologum, tres actus, epilogum, quibus insertae sunt partes cantabiles, quae omnia ita disponuntur: 1a inscriptio; 1b argumentum; 2a - 9a prologi textus et modi musici alternantes; 9b - 10b vacant; 11a - 21a textus et modi musici actus I., 21b - 22b vacant, 23a - 32b textus et modi musici actus II., 33a - 36b textus actus III.; 37a vacat; 37b - 43b textus et modi musici alternantes; 44a - b vacant. Ineip.: "Nullo diademate quidem gloriosus"; desin.: "... gloriosa potietur Austria". Part. ch. XVII. 44. f. 


Programme Main Title:
Dependent: Prologue, Chorus, Epilogue. Mansuetudo principum


Programme Title Page:
Orbis eucharisticus, instar sanctioris fortunae orbitae, multiplices volventis coronas; in serenissimum devotae Austriae Salomonem, sacris caes. regiisque maiestatibus theophoricam processionem e templo domus professae soc. Iesu Viennae praesentia sua & comitiva dignantibus, propositus a gymnasio eiusdem domus, die 28. Maij. Musices compositore ... domus professae soc. Iesu Viennae capellae magistro

Programme Main Title:
Orbis eucharisticus, instar sanctioris fortunae orbitae, multiplices volventis coronas

Notes:
Drama divisum in prologum, sex inductiones et epilogum, ac anno 1690 exhibitum. Numeri musici partium cantabilium fol. 3a - 18a; 18b vacat. 19a - 24b textus integer; 25a - 26b vacant. Incip.: "Inquieta semper vivet mea mens"; desin.: "... non nobis gloria. sed numini". Part. ch. XVII. 26. f. 


Programme Main Title:
Dependent: Prologue, Chorus, Epilogue: Orbis eucharisticus


Programme Title Page:
Amarum Amare in Sthenoboea: Elati animi Inconstantia in Bellerophonte Scenice

Programme Main Title:
Amarum Amare in Sthenoboea: Elati animi Inconstantia in Bellerophonte Scenice

Notes:
Includes a Prologue and Epilogue by Venus and Cupid preparing/summing up the tragedy. There are also 3 Interludium with no further information. It is highly likely that this tragedy was sung throughout after examining the synopses.


Programme Main Title:
Dependent: Prologue and Epilogue: Amarum Amare


Programme Title Page:
Justitia Vapulans in Theatrum Producta In Colono Quodam Germano

Programme Main Title:
Justitia Vapulans in Theatrum Producta In Colono Quodam Germano

Notes:
Prologue + 2 dependent? Choruses + Epilogue. Chorus I: Mythological; Chorus II: Allegorical. Chorus also takes part in Part II:iii (comedy)


Programme Main Title:
Dependent: P + 2 choruses + E. Mars, Pecunia


Notes:
Production consists of dependent prologue and 3 dependent choruses. Production ends with chorus. One or more of the choruses may be transitional, using OT characters Daniel, Cain, and NT character Herod as comparison examples. Cast list is given by school class, and therefore the comedy cast size field reflects the entire cast and the musical ensemble is an estimate.


Programme Title Page:
Poenitentiae Dilatae Finis Pessimus in Amone Ierosolymae Rege

Programme Main Title:
Poenitentiae Dilatae Finis Pessimus in Amone Ierosolymae Rege

Notes:
Prologue + 3 dependent choruses. Chorus concludes production. All are allegorical commentaries. Musical cast includes the 5 senese in addition to the genii of Ezechiel and Manasses as example from the OT.


Programme Main Title:
Dependent: Prologue + 3 choruses. Natura Humana, Providentia Divina


Programme Title Page:
Humbertus Guicardi Comitis Belliocensis Vitiis & Poenitentia haud degener Filius inter adbasiantis Jesu amplexus exspirans ... Das ist, Humbertus Deß Belliocensischen Grafens Guicardi Sohn ... stirbt in den Armen unsers Lieb-reichisten Heylands Von der Studirenden Jugend In Dem ... Reichs-Gottshauß Ottobeyren auf der Schaubühnen vorgestellt, den 17. Tag Septembris, Anno 1691

Programme Main Title:
Humbertus Guicardi Comitis Belliocensis Vitiis & Poenitentia haud degener Filius inter adbasiantis Jesu amplexus exspirans


Programme Title Page:
Campana Arragonica seu Petrus Arragoniae Rex, Perduellionis Vindex Justissimus

Programme Main Title:
Campana Arragonica seu Petrus Arragoniae Rex, Perduellionis Vindex Justissimus

Notes:
Includes a 4 part Adludii. This tragedy was probably sung throughout, after examining the synopses.


Programme Title Page:
Victrix in Bello Pietas Alphonsi I. Regis Portugalliae

Programme Main Title:
Victrix in Bello Pietas Alphonsi I. Regis Portugalliae

Notes:
Prologue + 3 choruses (presumed). Choruses not labelled in the synopses.


Programme Main Title:
Dependent: Prologue + 3 choruses. Mars, Mahometes


Programme Title Page:
Filiorum Ingratitudo Punita, Pietas Coronata In Garsia Ferdinando et Ramiro Regis Sanctii, et Elvirae Filiis, Tragico-Comoedia

Programme Main Title:
Filiorum Ingratitudo Punita, Pietas Coronata In Garsia Ferdinando et Ramiro Regis Sanctii, et Elvirae Filiis, Tragico-Comoedia

Notes:
Prologue + 2 choruses + Epilogue together appear to be an independent work featuring three OT stories in each of the Prologue and choruses. The prologue and chorses are listed as independent works.The Prologue and 2 choruses could be performed as 1 part independent works, their stories (Susanna, Joseph in Egypt, and David and Absalon, in order) are introduced by an historicus/testus, Innocentia, with other allegorical figures. The Epilogue brings all three stories together.


Programme Main Title:
Independent: Chorus I. Innocentia, Justitia Divina, Joseph

Notes:
Prologue + 2 choruses + Epilogue together are an independent work featuring three OT stories in each of the Prologue and choruses. The Prologue and 2 choruses could be performed as 1 part independent works, their stories (Susanna, Joseph in Egypt, and David and Absalon, in order) are introduced by an historicus/testus, Innocentia, with other allegorical figures. The Epilogue brings all three stories together.


Programme Title Page:
Inga Amaro Rex Peruanus Mira Providentia ex Ethnico Tyranno Christianus

Programme Main Title:
Inga Amaro Rex Peruanus Mira Providentia ex Ethnico Tyranno Christianus

Performance Referenced In:
Szarota 1:1, 423 - 430. Valentin, I, p. 393, no. 3040. Weller, 1866, p. 127. Sommervogel, I, 272. Blossner, p. 64. Rixner, p. 148

Notes:
Latin text survives: Munich, S.B., cod. Lat. Mon. 2139, ff. 5 - 50, 'Inga Amaro ex Ethnico Tyranno Christianus.' P. Christophorus Deiner Rhet. Choragus. Valentin confirms author. Prologue and 3 transitional choruses. The Figurae used include David & Belisarius, Manasses & Aman, played by two students, two roles each. These choruses are not listed separately, as they appear to be chiefly dependent upon the main title drama to a greater degree than they are transitional. .


Programme Main Title:
Dependent: Prologue + 3 choruses. Christus, Providentia Divina

Vocal Ensemble Size:
3 main characters + 8 Peace Angels (4 with character names) + 8 spirits + 2 Figurae (both OT); 11 other singers


Programme Title Page:
Ludus Providentiae Divinae cum Humana Prudentia de Henrico Comite Calvensi in Pilae Modum Sursum Deorsum Verso

Programme Main Title:
Ludus Providentiae Divinae cum Humana Prudentia de Henrico Comite Calvensi in Pilae Modum Sursum Deorsum Verso

Notes:
Production include dependent Prologue + 2 dependent choruses + 1 transitional chorus. Production concludes with a chorus. The chorus to Part II, Innocentiem Henrici solarur, exemplo Josephi Aegyptiaci,' is considered a transitional chorus.


Programme Main Title:
Dependent Prologue, Chorus I, Chorus III: Invidia, Prudentia


Programme Title Page:
Partharitus Italiae et Longobardorum Rex, Post Varias Fortunae Vicissitudines ad Regnum Reductus

Programme Main Title:
Partharitus Italiae et Longobardorum Rex, Post Varias Fortunae Vicissitudines ad Regnum Reductus

Notes:
Only the frontispiece of the programme is available in Szarota.


Vocal Ensemble Size:
13 characters + 12 Genii Furoris  (choral ensemble).

Notes:
Dependent Prologue and 2 Choruses, all allegorical commentary on main title drama. Production concludes with a festival (not labelled as a chorus and epilogue), 'Festivo omnium applaufu redux Partharitus in folium reftituitur.'


Programme Title Page:
Humilis patientia / in / b. Henrico Daniae regis filio / coelitus coronata. / Demüthige Gedult / In / den Seeligen Henrico deß Königs in Dännemarck / Sohn von dem Himmel gekrönet. / Et / augustissimo imperatori / Leopoldo I. / augustissimae imperatrici / Eleonorae, / augusto Romanorum et Hun/gariae regi, / Iosepho I. / a studiosa juventute caesarei & aca/demiei collegij societatis Iesu / cum litterarijs victoribus caesarea munificentia / annua praemia decernerentur, / exhibita / anno MDC. XCII. mense Decembri, die 3. / Musices compositore / ... domus professae / soc. Iesu Viennae capellae magistro. / Viennae Austriae, / apud Susannam Christianam, Matthaei Cosmerovij, sac. caes. majest. / typographi aulici viduam

Programme Main Title:
Humilis patientia in b. Henrico Daniae regis filio coelitus coronata.Demüthige Gedult In den Seeligen Henrico deß Königs in Dännemarck Sohn von dem Himmel gekrönet

Notes:
Drama, complectens prologum, tres actus et epilogum, quibus insertae sunt partes cantabiles. Opus praecedit scenarium, impressum, lingua latina et germanica scriptum, continens etiam nomina actorum, cantorum, saltatorum (fol. 1a - 6a; 6b vacat). Sequuntur (fol. 7a - 64b) modi musici partium cantabilium; deinde (fol. 65a - 82b) libellus, characteribus elegantissimis exaratus, ommissis tamen prologo et epilogo. Incip. (Prologus): "Quid agam, quo me vertam?" desin. (epilogus): "... sit immunis Emanuelis filius". Part. ch. XVII. I + 83. f


Programme Main Title:
Dependent: Prologue, Chorus, Epilogue: Humilis patientia


Programme Title Page:
Laurus Christianae Fortitudinis, D. Georgio, Germaniae Patrono atrocissimis tormentis Expugnata. . .Lorber-Krantz Christlicher Starckmütigkeit, Von dem H. Georgio, Einem Gewaltigen Schutz-Herrn Teutscher Nation, durch grausame Marter erfochten ... Jetzt aber Von der studirenden Jugend des Chur-Fürstl. Gymnasii der Societet Jesu zu Landsperg, Auf offentlicher Schau-Bühne vorgestellet Den 2. und 4. Tag Herbstmonats, Im Jahr 1692

Programme Main Title:
Laurus Christianae Fortitudinis, D. Georgio, Germaniae Patrono atrocissimis tormentis Expugnata


Programme Main Title:
Ortus in Occasu, sive Semiramidis Ad Solium Assyriae per Interitum Nini Ascensus


Programme Title Page:
Clodoaldus Daniae Princeps Trium Liberorum amissione & iterata Inventione Ad Fidem Orthodoxam Mirabiliter Conversus

Programme Main Title:
Clodoaldus Daniae Princeps Trium Liberorum amissione & iterata Inventione Ad Fidem Orthodoxam Mirabiliter Conversus

Notes:
Prologue + 4 dependent choruses. Production does not conclude with a chorus. All are allegorical re-enactments/commentaries on main title drama.


Programme Main Title:
Dependent: Prologue + 4 choruses. Casus, Idololatria, Dolus


Notes:
Production contains a dependent prologue, an independent chorus (Chorus I ) and 2 dependent chorus. The main comedy is an allegorical tale of the evils of wealth. Chorus I is the tale of the philosopher Diogenes.


Programme Title Page:
Litera Occidit seu Julianus ex Infelici Doctore Infelicissimimus Apostata, Magus, & Tyrannus, a Divina Nemesi Macello Traditus

Programme Main Title:
Litera Occidit seu Julianus ex Infelici Doctore Infelicissimimus Apostata, Magus, & Tyrannus, a Divina Nemesi Macello Traditus

Notes:
Production includes a Prologue + 3 dependent choruses. Chorus concludes the production. All are allegorical commentary. Author provided by Valentin.


Programme Main Title:
Sven Deo ac Patri Perfidus Treulosigkeit Svenonis

Notes:
8 pp. Latin and German. On programme page 1: P. Sigismundus Harant, possible author (not listed here b/c not identified as Rhetoric professor). Prologue + 2 dependent choruses + Epilogue. Choral ensemble of 4. cyclops. The two lead musicians, D. Joannes Arnhohover and D. Franc. Eberle, are church musicians from S. Jacobs; Arnhohover is a cantor for the church.


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Pluto, Seelandia, Jutlandia


Programme Title Page:
Carolus Baquevilllus Post Septem Annorum inter Turcas captivitatem Patriis Bonis Divina ope restitutus

Programme Main Title:
Carolus Baquevilllus Post Septem Annorum inter Turcas captivitatem Patriis Bonis Divina ope restitutus

Music Drama Title or Characters:
Carolus Baquevilllus Post Septem Annorum inter Turcas captivitatem Patriis Bonis Divina ope restitutus

Notes:
Production includes a prologue and 3 dependent choruses. Production concludes with a chorus. Programme cast list is organised by year in school; the cast size for tragedy includes all actors in the production. From the evidence available in the synopses, the musical roles included at least 13 characters.


Programme Title Page:
Ferale Vadimonium Obitum a Chrysandro Comite Matisconensi

Programme Main Title:
Ferale Vadimonium Obitum a Chrysandro Comite Matisconensi

Music Drama Title or Characters:
Ferale Vadimonium Obitum a Chrysandro Comite Matisconensi

Notes:
Production includes dependent prologue, 2 dependent choruses, and dependent epilogue. All are allegorical commentaries upon main title drama. Cast list in the programme does not differentiate between spoken and musical cast, and the cast is organised by school class. The musical cast size is as best as could be determined from the programme information; the tragedy cast size includes the entire cast.


Notes:
Prologue + 3 choruses, 2 of which are transitional (OT play within the main title play) choruses. CH 2: Kilianno (main title char) dormienti ab Angelo Martyrium nunciatur, eique idea in decollatione S. Joannis Baptiftae fpectanda exhibetur. CH 3: Ruina exhibetur Ducum Franconum (main title drama char) ob Geilam fub fchemate excidii, quo domus Achab periit ob Jezabelem. Production does not conclude with chorus.


Programme Main Title:
Transitional: Prologue. Samson, David, Solomon

Instrumental Ensemble Size:
1 (org), Composer Joannes Carolus Treibler


Programme Title Page:
Praemium Angelici Cultus Victoria Ferdinando Antolino Collata, Et in scena proposita

Programme Main Title:
Praemium Angelici Cultus Victoria Ferdinando Antolino Collata, Et in scena proposita

Notes:
Prologue + 2 dependent choruses. Chorus concludes the production. Cast list for spoken tragedy is organised by school class; musical cast is organised by characters/ensembles.


Programme Main Title:
Dependent: Prologue + 3 choruses. Angelus Tutelaris, America


Notes:
Dependent choruses conclude Acts I, II, IV. Act III and V do not have choruses. A chorus does not conclude this production. Choruses are allegorical commentaries on main title drama.


Vocal Ensemble Size:
8 char (8 singers) + 5 Choraulae Reginae (2 of whom play Citheras) + 6 Praeficae + 6 Statuoe mortuales (uncertain if these are mute  - counted as singers here)


Notes:
Production includes a parallel untitled dramatic work in 4 parts, 'Phaeton and Phoebus,' in the prologue and Choruses I, II, III: the choruses are labelled [Chorus parallelus]. The Epilogue is dependent and appears to be allegorical characters of geographic locations from the main title drama. Each act appears to open with a symbolic prelude [Praeludium symbolicum] presenting in action or recitation the contents of the act. The original programme is not available in facsimile; Szarota provides a typed version, without the cast list (if the original had one).


Programme Title Page:
S. Venantius Martyr Christi ...Der heilige Venantius ein Blutzeug Christi auff offentlicher Schawbühne Vorgestellt Von der Hoch Adelich Studirenden Jugend deß Hochfürstlichen Stiffts Kempten, Den 13. und 16. Septembris 1694


Notes:
Multiple performances. See Sommervogel note. College d'Alost, founded 1621. Other names for the city: Alost, Aelst, Aalst.


Programme Title Page:
Palmae Gloriosae Virtute Verae Fidei Obtentae seu Gallicanus Post Editum Religionis Votum Gloriosus Scytharym Victor

Programme Main Title:
Palmae Gloriosae Virtute Verae Fidei Obtentae seu Gallicanus Post Editum Religionis Votum Gloriosus Scytharym Victor

Notes:
P. Georg. Mandl is Rhet. Prof. Chorag. (handwritten, programme frontispiece) = Author, confirmed by Valentin. Prologue + 3 choruses. Chorus concludes production. All choruses commentary on main title drama.


Programme Main Title:
Dependent: Prologue + 3 choruses. Mars, Idololatria, Scythia

Vocal Ensemble Size:
15 char (14 singers) + 12 genii caeleftes + 5 Nymphae Hortenfes + 14 Furiae


Programme Title Page:
Sacra Solitudo a S. Maria Magdalena Poenitente Apud Marilienses Quondam Obita

Programme Main Title:
Sacra Solitudo a S. Maria Magdalena Poenitente Apud Marilienses Quondam Obita

Notes:
This production was possibly entirely sung, as characters appear to be present in both the scenes and choruses, but insufficient information is available in the programme to make a final determination. The cast is listed by school class without differentiation between a spoken and musical cast. Production includes a prologue and a chorus concludes each formal division; a chorus concludes the production.


Notes:
Composer performs main musical roles Idololatri and S. Petrus. Prologue + 1 dependent chorus (concludes Part I) & Epilogue (concludes Part III). Part II does not appear to use the chorus. Allegorical characters or genius of main title characters.


Programme Main Title:
Dependent: Prologue + 1 Chorus + Epilogue. Idololatria, S. Petrus


Programme Title Page:
Theatrum Fidei & Perfidiae in Christum. In Glorioso S. Mart. Nicephoro, et Perfido Apostata

Programme Main Title:
Theatrum Fidei & Perfidiae in Christum. In Glorioso S. Mart. Nicephoro, et Perfido Apostata

Notes:
8 pp. Latin and German. On Munich programme, page 1: P. Balthasar Hämerle Chorag., possible author (listed here). Prologue + 2 chorus + Epilogue. All are allegorical commentary. Spoken cast organised by school class.


Programme Main Title:
Dependent: P + 2 Chorus + E. Perfidia, Christus


Programme Title Page:
Orientis Imperium Graecorum Scelere Perditum Latinorum Virtute Occupatum

Programme Main Title:
Orientis Imperium Graecorum Scelere Perditum Latinorum Virtute Occupatum

Notes:
Prologue + 2 dependent choruses. Production does not conclude with a chorus. Allegorical commentaries/re-enactments of key point in main drama.


Programme Main Title:
Dependent: P + 2 choruses. Vis, Ratio-Status


Programme Title Page:
Prodigiosus Deiparentis Favor, in Tribus Nobilibus Equitibus cum Ismeria ex Aegypti captivitate in Franciam translatis demonstratus

Programme Main Title:
Prodigiosus Deiparentis Favor, in Tribus Nobilibus Equitibus cum Ismeria ex Aegypti captivitate in Franciam translatis demonstratus

Ballet Troupe Size:
6 Saltu Nobilium + 15 Saltu Nili + 19 Saltu Phantasorum

Cast Size:
45 characters + 40 dancers + Satrapae, Milites, Pastores, Furores, Monstrae

Notes:
Tragedy in 3 acts includes 2 independent choruses, independent epilogue & prologue pair. Three dance troupes: Saltu Nobilium (comprised of noble students); Saltu Nili; Saltu Phantasorum. 2 singers appear to be hired from outside


Programme Title Page:
Ernestus et Albertus Saxoniae Principes Coeli subsidio in libertatem vindicati

Programme Main Title:
Ernestus et Albertus Saxoniae Principes Coeli subsidio in libertatem vindicati

Notes:
Prologue + 3 Choruses. 3rd chorus concludes the main title tragedy. All except the final are allegorical commentaries; final is a spectacle chorus, a coronation


Programme Main Title:
Dependent: Prologue + 3 choruses. Germania, Vindicta


Notes:
P. Josephus Braun, Rhet. Prof. Choragus, written on frontispiece. Prologue + 2 dependent choruses conclude Parts I and II + Epilogue. Chorus is integrated into the action in Part I chorus (play within a play).  All are allegorical commentaries/representations of main title drama.


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Perfidia, Mauritania


Programme Title Page:
Leontares, Paternae Curae Pro Filiorum Salute Exemplum Omnibus Parentibus Imitandum ... Das ist: Leontares, Ein Beyspihl Der Vätterlich-gepflegten Obsicht über der Kinder Heil Auf offentlicher Schau-Bühne Von der studirenden Jugend zu Mindelheim vorgestellt Den 5. und 6. Herbst-Monat im Jahr 1695

Programme Main Title:
Leontares, Paternae Curae Pro Filiorum Salute Exemplum Omnibus Parentibus Imitandum


Programme Title Page:
Archimandrita inauguratus, sive: Applausus gratulatorius

Programme Main Title:
Archimandrita inauguratus, sive: Applausus gratulatorius

Notes:
No publisher, 4o size, 15 cm.  Title page "Archimandrita inauguratus, sive: Applausus gratulatorius. . . D. Gregorio Piera. . . Ecclesiae Tongerloensis abbati. . . In . . . Ejusdem consecratione exhibitus per juventem gymnasii literarii m.p. Augustini in aula episcopali


Programme Title Page:
Horatiorum Curatiorumque Conflictus sub Tullo Hostilio Romanorum Rege ac Metio Suffetio Albanorum Duce

Programme Main Title:
Horatiorum Curatiorumque Conflictus sub Tullo Hostilio Romanorum Rege ac Metio Suffetio Albanorum Duce

Notes:
Photographs: folder Augustin Playbills Gent I #22 - 26.

Use of Chorus unknown.  The 3 Interludi appear to be separate works 

Structure: 4:2;  3 Part Interludium and 3 part Mythological commentary on the tragedy.

Prologus: Mars dormientem Palladem ad Bellum excitat Romanque Bello afflictam Rex Tullus consolatur.
Act I
Interludium I: Semper avarus eget.
Act II
Interludium II: Divitiae suscitant vixas (rixas?)
Mars & Pallas hortantur tres Horatios ad pugnam, certamque de Albanis Victoriam suo favore spondent. 
Act III: Scenes 1,2
Interludium III: Lachrymae diluunt crimina
Act III: Scene 3, 4
Epilogue: Mars & Pallas laetantur ob partam de Albanis Victoriam

Signed: Ad majorem Dei, Deiparaeque Virginis ac Mag. P. Augustini Gloriam & Honorem.


Programme Main Title:
Dependent: Prologus: Mars dormientem Palladem ad Bellum excitat Romanque Bello afflictam Rex Tullus consolatur. Epilogue: Mars & Pallas laetantur ob partam de Albanis Victoriam


Programme Main Title:
Interludium II: Divitiae suscitant vixas


Programme Main Title:
Interludium III: Lachrymae diluunt crimina


Programme Title Page:
Theodoricus magno anio ad obtinendam virtutem se accingit…

Programme Main Title:
Theodoricus magno anio ad obtinendam virtutem se accingit

Notes:
Production includes a dependent Prologue and 2 dependent choruses. Production does not conclude with a chorus. Spoken cast is organised by school class. The main characters were performed by 5 seminary students. The remaining principal roles appear to have been primary the province of noble-born students in the Rhetoric class. Approximately half the cast are noble students.


Programme Title Page:
Arcumenus sive Sua Quisque Sorte Contentus

Programme Main Title:
Arcumenus sive Sua Quisque Sorte Contentus

Notes:
Prologue + 2 dependent choruses + Epilogue. Christus + allegorical characters in commentary upon main title drama.


Programme Main Title:
Dependent: Prologue + 2 chorus + Epilogue. Providentia Divina, Christus


Programme Title Page:
Theodosuis Constantis II Frater Tragoedia

Programme Main Title:
Theodosuis Constantis II Frater Tragoedia

Notes:
Choruses conclude Acts I & III. Chorus I is dependent. Chorus II, 'Cain fratricida,' is OT example in parallel to main title drama, and is a transitional chorus.l Act IV concludes with a Commus, 'Imminens Theodofi mors, omine praecognita, lugetur.' 2 Interludia: between II:ii, iii and IV:I & ii. No prologue or epilogue; production does not conclude with chorus.


Programme Main Title:
Transitional: Legatus Pontus Euxinus, Cain

Vocal Ensemble Size:
25 char (8 singers). Most perform 3 roles: Legatus, Triton, Furor.


Notes:
Prologue + 2 dependent choruses. The production does not conclude with a chorus. Allegorical and symbolic characters in commentary upon main drama action.


Programme Main Title:
Dependent: Prologue + 2 choruses. Sapientia Divina, Fortuna


Programme Main Title:
Mirabilis & suavis Dispositio Divinae Providentiae in Lupoldo Comite e Bavaria Ejusdemque Filio Henrico Exhibita


Notes:
2 interludia, no synopses: Interludium I between II:ii and II.iii; Inteludium II between IV.ii and IV.iii.  4 dependent choruses; conclude Acts I - IV. No prologue, epilogue; production does not conclude with a chorus. Chorus I  is labelled Chorus Mixtus. Musical characters are mixture of mythological and allegorical characters.


Programme Main Title:
Dependent: 4 choruses. Mercurius, Charon

Vocal Ensemble Size:
14 char + 13 Chorus Christianorum in Scene 1 & Amantium in Chorus III + 13 Chorus Saracenorum & Amantium.


Notes:
Prologue + 2 dependent choruses. Production does not conclude with chorus. Allegorical characters in commentary on main title drama.


Programme Main Title:
Dependent: P + 2 choruses. Constantia, Potentia


Programme Title Page:
Imperium Religionis Praemium a Rudolpho I. Habspurgico in Comitiis Francofurtensibus reportatum

Programme Main Title:
Imperium Religionis Praemium a Rudolpho I. Habspurgico in Comitiis Francofurtensibus reportatum

Notes:
Dependent Prologue & Epilogue. 2 independent choruses: CH I: Samuel anointing David; CH II: Aman Mardochaeus.


Programme Main Title:
Dependent: Prologue + Epilogue. Roman Imperium, Pastor


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Innocentia, Providentia

Notes:
'M. Christoph. Widman' is written faintly on the frontispiece. Prologue + 2 dependent choruses + Epilogue. All allegorical commentary.


Notes:
Prologue + 4 dependent choruses conclude Acts  I - IV + Epilogue. All are allegorical commentaries/parallel representations. 5 Interludia I between I:iv & v; II.i & ii; II:iv & v and  III.ii & iii; III.iv & v.


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue. Ambitio, Iustitia, Providentia


Programme Title Page:
Maria Secunda Principum Saxoniae Mater Ernestus und Albertus

Programme Main Title:
Maria Secunda Principum Saxoniae Mater Ernestus und Albertus

Notes:
Prologue + 3 Chorus. Chorus concludes the production. Prologue and Choruses are allegorical illustrations or commentary. Cast list by school year; cast sizes are as best as can be determined from comparison of characters and synopses


Programme Main Title:
Dependent: Prologue + 3 choruses. Germania, Saxonia


Notes:
Prologue + 4 choruses + Epilogue. Each chorus synopsis is 2 rhyming verses. CH I: Selten wirstu Bruder finden / Welche die Lieb thut verbinden. CH II: So starck als du wirst immer seyn / Furcht dich auch vor zweyen allein. CH III: Es ist im Krieg kein Gluck, keyn Heyl / Drumb biete ich die Wapffen feil. CH IV: Der Fried allein bringt uns das Heyl / Ach komme dan in aller Eyl!


Programme Main Title:
Presumed dependent: Prologue + 4 choruses + Epilogue. No characters known.


Notes:
Argument to production typed in Szarota; original programme and full cast and dramatic production information not currently available. Upon further research, choruses may prove to  be transitional, as each includes the interaction of Mopsus with a difference plot (Juvenal, Aesop, and Psalm 4).


Performance Referenced In:
Backer-Sommervogel, v. 5, col. 1973, no. 1.

Notes:
Title Page: Petri Mvssonii Virdvnensis É Societate Iesv. Tragoediae. Datae in Theatrum Collegij Henrici Magni. [My note: from the contents page, this appears to be vol 1 in 2 vols of tragedies]


Programme Title Page:
Tractatus pacis / inter / Deum et peccatorem / mediatore Dei et hominum / Christo Iesu / sub ara crucis conclusae. / Augustissimis / caesareis regiisque / majestatibus / Leopoldo I. / caesari / Eleonorae / imperatrici / Iosepho I. / Romanorum regi, / Eleonorae / Poloniae reginae, / dum consueta pietate / sacra Domini sepulchra inviserent, in templo caesa-/reo academici collegij societatis Iesu. / sabbatho sancto, / drammate musico exhibita. / Anno MDC. XCVII. / Musices compositore / ... domus professae societatis Iesu / Vienna capellae magistro. / Viennae Austriae, / apud Susannam Christinam, Matthaei Cosmerovij, / Sac. Caes. Majest. / typographi aulici viduam

Programme Main Title:
Tractatus pacis inter Deum et peccatorem mediatore Dei et hominum Christo Iesu sub ara crucis conclusae

Notes:
Opus complectens tres "inductiones" et epilogum. Partem manu scriptam praecedit libellus impressus, in cuius fine notantur nomina actorum (3a - 6b); sequuntur modi musici (7a - 30a); 30b - 32b vacant. Incip.: "Exsurge gloria mea"; desin.: "... coelo data amica redit pax". Part. ch. XVII. 32. f. 


Programme Main Title:
Dependent: Prologue, Chorus, Epilogue: Tractatus pacis


Programme Title Page:
Invidia Gloriae Umbra In C. Iulio Caesare repraesentata Et in debitum ... Domino Ioanni Ernesto Ex Illustriss. S.R.I. Comitib. de Thun, Archiepiscopo Salisburg. ... Ab Illustrissima, Nobili, Academica Iuventute Salisburgensi in Scenam producta Anno 1697

Programme Main Title:
Invidia Gloriae Umbra In C. Iulio Caesare


Programme Title Page:
Der Weisse Löw mit dem Rothen Flacken, An dem Chiemseeischen Gestatt mit Freuden und unterthänigsten Glückwünschungs-Bezeigung anlangend. Vorgeführet, auch ... in gegenwärtige Reim verfasset, Dem Hochwürdigen ... Herrn Sigismund Carl Bischoffen zu Chiemsee ... Als an Dero Fürstl. Gnaden Heil. Bischofflichen Weyhungs-Tag ... von Melchior Haan

Programme Main Title:
Der Weisse Löw mit dem Rothen Flacken, An dem Chiemseeischen Gestatt mit Freuden und unterthänigsten Glückwünschungs-Bezeigung anlangend


Programme Title Page:
Langh-Ghewensten Vrede Met Omhelsinghe Der Rechtveerdigheyt in het Ghemoeten Der Bermhertigheyt ende Waerheyt

Programme Main Title:
Langh-Ghewensten Vrede Met Omhelsinghe Der Rechtveerdigheyt in het Ghemoeten Der Bermhertigheyt ende Waerheyt

Cast Size:
14 mythological and allegorical characters at least

Notes:
Has a prologue (Voor-spel)and epilogue (Naer-spel) connected to the action of the main drama. It appears that this entire work was spoken (Speel-wys verthoont worden).
Each act has 4 scenes.

Photographs: in folder Augustin Playbills Gent I, #27 - 31.


Programme Main Title:
Dependent: Prologue and Epilogue: Langh-Ghewensten Vrede


Programme Title Page:
Boecxken/Vanden Oorspronck En Inhout Van Heel Den Ghendtschen Ommeganck, Verciert met stichtighe Ghesanghen en Rymende uyt-legginghen van al de op-ghetoyde Beesten ende Triumph-waeghens

Programme Main Title:
Boecxken/Vanden Oorspronck En Inhout Van Heel Den Ghendtschen Ommeganck, Verciert met stichtighe Ghesanghen en Rymende uyt-legginghen van al de op-ghetoyde Beesten ende Triumph-waeghens

Notes:
This item has many musical items listed with full text.  Closer examination required; see the photographs. References to instruments and instrumental music, including a courante. Possibly duos and trios.  Very complex. 

Structure: 3 Acts with many multi-verse musical items. Also includes brief interludes whose cast is mythological.  This work is different in structure from the majority. Recommend having the work translated in order to study this piece.  

Photographs: Augustin Playbills Gent I, #32 - 78.


Programme Title Page:
Ludi Solennes ob Instauratam Feliciter Pacem, Redditamque Publicam Laetitiam, A Senatu Bruxellensi, In Sua Urbe Populo Exhibiti

Programme Main Title:
Ludi Solennes ob Instauratam Feliciter Pacem, Redditamque Publicam Laetitiam, A Senatu Bruxellensi, In Sua Urbe Populo Exhibiti

Notes:
See Red Notebook Vol V for information written there.


Programme Title Page:
Pax Europae Amissa, Quaesita, Reperta; Ludis theatralibus inducta

Programme Main Title:
Pax Europae Amissa, Quaesita, Reperta; Ludis theatralibus inducta

Notes:
Fried Europae. Der verolhrne...1698.

Old library mark: I Fr 11 a g
The actors’ names, characters, and years are included immediately after the scene,
Cast: approx 130.
Lang: German and Latin interleaved, Latin always first. 
Page 1:

PAX EUROPAE

Amiffa, Quaefita, Reperta;
Ludis theatralibus inducta.
Das ift:
Der velohrne gefuchte und wiederumb gefundene
FRIED EUROPAE
Zwifchen Teutschland und Franctreich
Auf der Schaubühnen vorgeftellt.
In dem Benedictinischen Gymnafio der Rayferl. D. D. [Ravferl? Rauferl? The f is an s].
Stadt Ehingen.
Den 3. und 5. September Anno 1698.

* * *
Argumentum.

Habe, Spectator! in nuce Iliadem. Claudit Europa/ Martio Furori fcenam; nos aperimus; eò confultius/ quidem, quò arctius poftmodum, feliciusque Paci/ occludendam. Ut & fic notae paffim paroemiae a perti-/ ùs fubfcribamus:
Nulla falus bello, pacem depofcimus omnes.
Vale; & fi tibi dulce eft meminiffe laborum; veni, vide, me-/mento. 

[Argument given in German]

Page 2

Prologus

Europae ex inufitata Coeli conftellatione attonitae nunciatur/ bellum, indeq Pax Germaniae nascitura. Ipfa rei feriem gerendae/ paucis promit.

Actus I
Pax Amifsa

Scena I.
Mars, evocatô ex inferis Dracone, difcordiae ignem diffeminat; Pacis templum diruit; e cujus lapidibus Deucalionicè poft terga ja-/ctis fufcitat Belli-Duces.

[Scene synop in German]

Perfonae. Mars. Praenob. D. Jo. Ignatius à Pflaumern Logicus. Megara. Jo. Guilielnus Sartor Rhetor. Duces & Salii. Jofephus Lan Rhetor, Franc. Jofephus Epple Poëta. Antonius Beck Poët. Chriftophorus Kremer Synt. Ephebi. Jofephus Mayr Poët. Joannes Beffon Synt.

Scena II

Saltu Pyrrhicô velitationem armorum exercent.

[Synop in German]

Scena III

Fama Europae bellum nunciat.

[Synop in German]

Perfonae. Fama. Josephus Geiffer Rhet. Germania. Joannes Bueler Rhet. Hifpania. Jo. Conradus Fauler Poët. Gallia. Laur. Antonius Weiss Rhet. Anglia. Jofephus Gietinger Rhet.

Scene IV – VI


Interludium
Murillus longa deliberatione fufpenfus, militiae dare noman ftatuit: Atriolo mago prius in cocnfilium vocato, qui falvus inter bombardarum tonitrua ftare poffit.

Personae: Murilllus: D. Dominicus Herbert. Atriolus. D. Christianus Schmucker Phyfici.

Scena VII. Chorus

Compaffio Divinae Mifericordiae caufas belli fimulq Christum tribus faggitis in Germaniam armatum oftendit. 

Personae: Jo. Jacobus Guldin Rhet.

Actus II
Pax Quaefita

Scene I – VIII (see Scena VII – chorus of innocents)

Scene IX. Chorus.
Fortuna ftatuam a Gloria honori Ludovici XIV erectam fubruit; in conftantia fua per figuras ad vivum depicta. 

Actus III
Pax Reperta

Scena I – III

Interludium
Hanfum confilia ex infidiis fubodorata vehementius habent; amovendo igitur perpetuo militi (licet in vanum) extreme tentat.

Personae. Hanfus. Jo. Guilielmus Sartor Rhey. Miles. D. Dominicus Hueber Phyficus.


Scena IV – IX

Epilogus

Dum Artes LL in chorum abeunt; per faltum erigitur Gloriae Imperatoris ftatua: & concordi omnium plaufu dantur.

Personae. Gloria Imperat. Jo. Jacob Guldin Rhet. Europa. qui fuprae in Prologo. Juftitia. Jofeph Umbhorer Rhet. Pax. Franc. Ant. Breülin Synt. Artes LL Muficae. D. Andr. Wolffgangus Vogel[;] D. Henricus Mack [;] D. Jofep. Fendt[=]Logici. Joannes Schmidt.[;] Laur. Antonius Weifs: Rhetores. Francifcus Werrer, Daniel Ylin: Poetae. Salii. Jofephusk Meyer Poet. Jo. Martinus Kremer: Joannes Beffon: Joannes Volz: Syntaxistae. Franc. Ant. Bueler: Joannes Menne: Grammatiftae.

Soli Deo Honor,
Virgini Matri sine labe Conceptae, cunctisq, coelitibus Gloriae & condigna Studiosae Iuventuti pro labore annuo Praemia.


Programme Main Title:
Prologue: Europae ex inufitata Coeli conftellatione attonitae nunciatur bellum, indeq Pax Germaniae nascitura. Ipfa rei feriem gerendae paucis promit. Epilogue: Dum Artes LL in chorum abeunt; per faltum erigitur Gloriae Imperatoris ftatua: & concordi omnium plaufu dantur


Programme Main Title:
Compaffio Divinae Mifericordiae caufas belli fimulq Christum tribus faggitis in Germaniam armatum oftendit


Programme Main Title:
Interludium II: Hanfum confilia ex infidiis fubodorata vehementius habent; amovendo igitur perpetuo militi (licet in vanum) extreme tentat


Programme Main Title:
Interludium I: Murillus longa deliberatione fufpenfus, militiae dare noman ftatuit: Atriolo mago prius in cocnfilium vocato, qui falvus inter bombardarum tonitrua ftare poffit


Notes:
Production includes a prologue and 6 choruses, all allegorical. Chorus I, Bellorum mala, might be a spectacle chorus, likewise 'Fructis pacis,' Chorus II. The choruses concluding Acts III, IV, V are more firmly part of the main title drama. The entire cast is present by school class without differentiation between speaking and singing personnel.


Programme Title Page:
Clodoaldus Daniae Princeps in orbe Terrarum Ludentis Dei Scopus

Programme Main Title:
Clodoaldus Daniae Princeps in orbe Terrarum Ludentis Dei Scopus

Music Drama Title or Characters:
Clodoaldus Daniae Princeps in orbe Terrarum Ludentis Dei Scopus

Notes:
Production includes 3 part tragedy + prologue + 3 choruses. Production concludes with a chorus. Cast listed by school year.  Choreutae members (4) , currently included in the vocal ensemble cast size, may be a reciting rather than a singing ensemble.


Programme Title Page:
Felix in Captivitate Libertas et Felicior ex Liberatate Captivitas, Mulei Mahometi Atafi Serifi Ex Potentissimo Fessae & Marocci Rege Christiani

Programme Main Title:
Felix in Captivitate Libertas et Felicior ex Liberatate Captivitas, Mulei Mahometi Atafi Serifi Ex Potentissimo Fessae & Marocci Rege Christiani

Music Drama Title or Characters:
Felix in Captivitate Libertas et Felicior ex Liberatate Captivitas, Mulei Mahometi Atafi Serifi Ex Potentissimo Fessae & Marocci Rege Christiani

Notes:
Production includes dependent prologue and 2 dependent choruses. The Chorus Afrorum is a reciting, not musical, ensemble. A large percentage of the cast is of noble birth.


Programme Title Page:
Trebellus Rex Hungariae Ac Bulgariae Filii Apostatae Justus Ultor Tragoedia

Programme Main Title:
Trebellus Rex Hungariae Ac Bulgariae Filii Apostatae Justus Ultor Tragoedia

Cast Size:
18 char + 39 soldiers + 25 Iuventus Germanae + 9 Tritones + 8 Fauni

Notes:
Prologue + 3 dependent allegorical choruses + Epilogue. Production includes 1 untitled Interludium between III.iii and iv.


Programme Main Title:
Dependent: Prologue + 3 choruses + Epilogue. Hercules, Iulianus, Danubius

Vocal Ensemble Size:
19 char (8 singers) + 8 choir in various multiple small roles.


Programme Title Page:
Convivium Tragicum Harpago, Abastyage Medorum Rege Adornatum

Programme Main Title:
Convivium Tragicum Harpago, Abastyage Medorum Rege Adornatum

Notes:
Prologue + 4 dependent choruses concluding Acts I - IV + Epilogue. All are allegorical 4-Part Interludium (Intermedium), Bacchanalia, inserted between I:v, vi; II.i, ii; III.ii, iii; IV.i, ii.


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue. Furor, Dux Trojan


Programme Title Page:
Idea Machabaeae Fortitudinis Symphoriano a Matre sua ad Mortem Animato

Programme Main Title:
Idea Machabaeae Fortitudinis Symphoriano a Matre sua ad Mortem Animato

Notes:
Prologue + 2 dependent choruses + Epilogue. Using the same 14 singers, there is one choir of spirits (Ephebi) and, later, a second choir of Jews.


Programme Main Title:
Dependent:Prologue + 2 choruses + Epilogue. Palaeftina, Rex Antiochus


Programme Title Page:
Tonneelspel Wraeck-lust in Octavianus Augustus Teghen de Moordt-Daet van Cajus Julius Caesar Synen Oom Manet alia mente repostum &c. Dat is Noyt en fal Casars Moordt vergaen,/Soo langh de Romsche Wallen staen

Programme Main Title:
Tonneelspel Wraeck-lust in Octavianus Augustus Teghen de Moordt-Daet van Cajus Julius Caesar Synen Oom Manet alia mente repostum &c. Dat is Noyt en fal Casars Moordt vergaen,/Soo langh de Romsche Wallen staen

Notes:
Photographs: Augustin Playbills Gent II, #1 - 5
The final tusschen-spel divides up the final scene, scene 2, of Act 3. Tusschen-spel listed separately in the database.

Structures:
Act I: Scene 1, 2
Tusschen-spel I
Act I: Scene 3
Act II: Scene 1
Tusschen-spel II
Act II: Scene 2
Tusschen-spel III
Act III; Scenes 1,2a
Tusschen-spel IV
Act III: Scene 2b


Programme Main Title:
Interludium: Tonneelspel Wraeck-lust in Octavianus Augustus

Notes:
Photographs: Augustin Playbills Gent II, #1 - 5
The final tusschen-spel divides up the final scene, scene 2, of Act 3. 

Structures:
Act I: Scene 1, 2
Tusschen-spel I
Act I: Scene 3
Act II: Scene 1
Tusschen-spel II
Act II: Scene 2
Tusschen-spel III
Act III; Scenes 1,2a
Tusschen-spel IV
Act III: Scene 2b


Programme Title Page:
Trias Divorum Martyrum Romanorum Benedicti, Modesti, Reparatae; comicis honoribus excepta; & in stimulum Christianae Virtutis etymologice proposita a Musis Sanct-Georgiano Benedictinis

Programme Main Title:
Trias Divorum Martyrum Romanorum Benedicti, Modesti, Reparatae; comicis honoribus excepta; & in stimulum Christianae Virtutis etymologice proposita a Musis Sanct-Georgiano Benedictinis

Notes:
Incomplete entry
PROLUSIO
G
enius urbis Villinganae, iratos inter nubium fra-/
tores & fulgura pene naufragus, benignô trium/ siderum, recèns è coelis emicantium, fulgore recrea-/tus, eluctatur ad portum: Ubi Triadem Divorum/ Benedicti, Modesti ac Reparatae, ternis fub/ aftris delitefcentem, intelligens, Genio Sanct-Geor-/giano ludos feftivos, in tantorum Hofpitum felicem/adventum, indicit.

VORFPIHL
[editor’s note: Vorspihl = Vorspel as seen in the Dutch playbills]

V
illingen/ fo fchon offt in groffen Gefahren ge-[/]standen/ erfreütfich hertzlich der Antunfft breven/ neuen heiligen Stats Befchüsseren: Verlange/ derowegen von fhrem verpflicht und obligierten Sanct-Georgifschen Gymnasio, dass folche mit einem/ Ehren-Spihlbewilltommet werden.

PARS I

HONORIS COMICI AP-
paratio

DESS EHREN – SPIHLS VOR-
beraitung.

EXHIBITIO I

Theologia, Gymnasio Sociabus evocatis, accepta/ Genij Sanct-Georgiani, in rem praefentem imperia, /difpertitur.

Die Göttliche Wiffenfchafft tünde deu underge-/benen Schulen die aubefohlne Ehren-Begrüffung an.

EXHIBITIO II

Nonnulli pueriliter inter fe de perfonarum distri-/

Page 5

butione difeptant; quam futilem pugnam fuî ludi-/ brio cummutat interveniens Simplicius.

Ziwelchen will die Ausst(?)heilung der Perfonen nit in Kopff (Ropff): Simplicus, ein einfältiger Actor, tombe/ entzwifchen; mitt (nitt?) welchen fte ihren läppifchen Zand vergeffen.

EXHIBITIO III

Haerefis in Duliam exardefcit: eujus fatuos ignes/ Ecclefiae Genius exfibilat & conculcat.

Die Re

EXHIBITIO IV

Jupiter, & religui Deaftri Planetae, coelô praeci-/ pites acti, melioribus Aftris, Divis fcililcet Hofpitibus, locum cedere compelluntur.


CHORVS I
Theopronaea ter felicis novorum Tutelarium in/ hanc urbem adventûs caufas etymologicè pandit.

PARS II

HONORIS COMICI
Praestatio

Schuldige Ehr-Beweifung

EXHIBITIO I

Theologia Duliana adverfus Haerefin acriter pro-

Page 6

pugnat; quam pervicacitur obgannientem in vincula/ compingit.


EXHIBITIO II

Urbis janitor capere non poteft, quo demum mo-/
do, fe prorfus infciö, Trias S. S.  Hofpitum Villian-/gam devenerit.


EXHIBITIO III



Feftiva Trium Divorum Patronorumk Salutatio.


EXHIBITIO IV

Janitor, furtivus antè rei fpectator, honorem/  Divis exhibitum etiam ipfe, repentinâ fanctitatis fa-/ me ftimulatus, efurit: at experimenta martyrij pa-/ rùm feliciter fuccedunt.


CHORVS II


Virtutis Christianae Genius viam ad aedem Honorisk/ regiam effe docet per templum Virtutis.


Page 7

PARS III

STIMVLVS CHRISTIA-/nae Virtutis etymologicus


EXHIBITIO I
Benedictio Divina, D. Benedicti neo-Patroni/ juffu profpera quaeque denunciat & adpromittit; fe/ modò virtutes, Sanctorum Comitum Modefti ac Re-/ paratae nominibus exprefsae, cordi futurae fint.

EXHIBITIO II

Modestia, D. Modefti nomine, rudi & incultae/ pueritiae leges fuas, fecuturae Benedictionis prodro-/ mas, inculcat.

EXHIBITIO III

Etiam Alastor ftygius, perfonatus Doctor, Scho-/ lam aperit, infelicis patientiae magiftram.

EXHIBITIO IV

Pulcherrimus Sanctorum terni. Quodvultdeus,


Page 8

Deusdedit, ae Deogratias, heroicum Divae Repara-/tae nomen explanant; in quo inexhaustum Divinae/ Benedictionis fontem latere teftantur.


CHORVS III

Genius Sanct-Georgianus ac Villinganus, Domui/ ac Civitati fuae falutem factam animitus gaudent;/ mox patulo Divorum Trium Neo-Tutelarium Cordi/ fe fe, fuorúmque corda confecrant; à quibus amoris/ reciproci, ac patrocinij praefentiffimi promifsis ex-/ hilarantur.

Alles zu grösserer Ehr Gottes/ der H H Martyrer Benedicti Modefti, Reparatae; und henl dess Reben (Keben, Neben?) -/ menfchens


Programme Main Title:
Villingen/ fo fchon offt in groffen Gefahren ge-[/]standen/ erfreütfich hertzlich der Antunfft breven/ neuen heiligen Stats Befchüsseren: Verlange/ derowegen von fhrem verpflicht und obligierten Sanct-Georgifschen Gymnasio, dass folche mit einem/ Ehren-Spihlbewilltommet werden. Chorus III is part 2


Programme Main Title:
Theopronaea ter felicis novorum Tutelarium in/ hanc urbem adventûs caufas etymologicè pandit.


Programme Main Title:
Virtutis Christianae Genius viam ad aedem Honorisk/ regiam effe docet per templum Virtutis


Programme Main Title:
Genius Sanct-Georgianus ac Villinganus, Domui/ ac Civitati fuae falutem factam animitus gaudent;/ mox patulo Divorum Trium Neo-Tutelarium Cordi/ fe fe, fuorúmque corda confecrant; à quibus amoris/ reciproci, ac patrocinij praefentiffimi promifsis ex-/ hilarantu. Prologus is Part I


Programme Title Page:
Garzias Ramirez Felix Jephte Aemulus Tragico-Comoedia

Programme Main Title:
Garzias Ramirez Felix Jephte Aemulus Tragico-Comoedia

Music Drama Title or Characters:
Garzias Ramirez Felix Jephte Aemulus Tragico-Comoedia

Notes:
Productions consists of 3 part tragi-comedy + dependent prologue + 3 dependent choruses. Production concludes with a chorus. Cast list is by school year, and therefore the cast size of the prologue/chorus and main title drama is as best as can be determined from a comparison of the synopses and cast list characters.


Programme Title Page:
Victima Agni Paschalis seu Hermenegildus Ipsa Nocte, Pascha antecedente pro Christo caesus

Programme Main Title:
Victima Agni Paschalis seu Hermenegildus Ipsa Nocte, Pascha antecedente pro Christo caesus

Notes:
P. Joseph Schwendl, Rhet Choragus written on frontispiece.Prologue + 2 dependent choruses + Epilogue. All are allegorical commentaries upon main title drama.


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Genius Hermenegildus, Affectus Paternus

Vocal Ensemble Size:
14 characters  (4 of whom represent the cities Hispalis, Corduba, Toletum, Madridtum) + 8 choir


Programme Main Title:
Dependent: Prologue + 3 choruses. Macedonius, Mercurius


Programme Title Page:
Amor in Filios Crudelis in summo Israelis Pontifice Heli Filiis suis nimium indulgente

Programme Main Title:
Amor in Filios Crudelis in summo Israelis Pontifice Heli Filiis suis nimium indulgente

Notes:
8 pp. Latin and German. P. Michael Mayr, Choragus written on frontispiece. Final page of the programme may be missing, as there is no emblem/signature: therefore, the musical cast may be larger. D. Franc. Eberle, Musicus ad S. Jacob and D. Laur. Barbarlan, cantor ad S. Jacob play the lead singing roles. Prologue + 4 dependent allegorical and mythological choruses. Production in 4 Acts concludes with a chorus.


Programme Main Title:
Dependent: Prologue + 4 choruses. Asia, Pluto, Diana

Vocal Ensemble Size:
15 char (7 singers) + 9 choir. The final page of the programme may be missing


Notes:
Prologue + 2 dependent choruses + Epilogue. Allegorical and mythological + Christus characters in commentary upon main title drama.


Programme Main Title:
Dependent: Prologue + 2 choruses + Epilogue. Pluto, Mammona, Christus


Notes:
Prologue + 4 Choruses + Epilogue. All choruses appear to be motet setting: Isaiah 41; Romans 3; Psalm 113; Song of Solomon.


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue.


Programme Main Title:
Dependent: Prologue + 3 choruses + Epilogue


Notes:
Production includes a dependent prologue and a single 3-part interludium which concludes Acts I - III. There do not appear to be any choruses in this production. There are no interludia or other dramatic works between Acts IV & V. The programme is typed in Szarota; a cast list is not included in Szarota.


Programme Title Page:
Eigh. Unterschrift u. Siegel auf der "Wienn den lezten Decemb. ao. 1699" datierten "Verfass- und Ordnung. Aller ... in St. Peters Kürchen alhier ... zu haldten habendten Gottesdiensten ..

Programme Main Title:
Eigh. Unterschrift u. Siegel auf der "Wienn den lezten Decemb. ao. 1699"


Programme Title Page:
Twist tusschen de Tragoedie end Comoedie

Programme Main Title:
Twist tusschen de Tragoedie end Comoedie


Programme Title Page:
Hermenegildus door synen Vader Levigibus

Programme Main Title:
Hermenegildus door synen Vader Levigibus


Programme Title Page:
Den Droeven vall van den Grouten Keyser Aquilonius

Programme Main Title:
Den Droeven vall van den Grouten Keyser Aquilonius


Programme Title Page:
De stantuastighyt in het Christen geloof

Programme Main Title:
De stantuastighyt in het Christen geloof


Programme Title Page:
Gratia Divina De Potestate Tenebrarum Triumphans, Seu Magnus Antonius Anchoreta Ab ... Academica Iuventute Salisburgensi in Scenam productus, Die 2. Mensis Septembr. Anno M.DC.XCIX.

Programme Main Title:
Gratia Divina De Potestate Tenebrarum Triumphans, Seu Magnus Antonius Anchoreta


Programme Title Page:
Angelica Custodia in Emmanuele Hyberniae Comite Spectata

Programme Main Title:
Angelica Custodia in Emmanuele Hyberniae Comite Spectata

Notes:
Production consists of 5 act tragedy and dependent Prologue + 3 chorus + Epilogue.


Programme Main Title:
Dependent: Prologue + 4 choruses + Epilogue. Providentia Divina, Pastor Bonus


Programme Title Page:
Carolus I Magnae Britanniae Rex Tragoedia

Programme Main Title:
Carolus I Magnae Britanniae Rex Tragoedia

Notes:
Production includes a prologue and w dependent choruses. Production may have been entirely sung, as the prominent display of the composer's name suggests, but this work is classified as a spoken tragedy until further information is found. Entire cast is presented by school year without differentiation of a spoken and musical cast, another indication that this may be a sung work.


Programme Title Page:
Heroica, Patriarchae Abrahami, Unigenitum Filium Isaacum Immolaturi, Obedientia, in Posteritate, stellis coeli non imparti, Coronata

Programme Main Title:
Heroica, Patriarchae Abrahami, Unigenitum Filium Isaacum Immolaturi, Obedientia, in Posteritate, stellis coeli non imparti, Coronata

Notes:
Production consists of a 5 act tragedy with a dependent prologue and 5 dependent choruses. A chorus concludes the production. Within the main title drama are Personae Mutae for the countries of Italy and Germany, as the tale of Abraham and Isaac is presented as a metaphor for events between these two countries. Except for Lucifer, the prologue and chorus characters are allegorical places and virtues/vices.


Notes:
16 characters, no separate choral ensemble. Prologue + 2 choruses + Epilogue. Uses characters from OT as examples: Joseph & Pharaoh (Pharoa)


Programme Main Title:
Transitional Prologue + 2 choruses + Epilogue. Invidia, Numantius, Pharao


Programme Main Title:
Armenius Germaniae Vindex Primus Augufti Caefaris Victor

Notes:
last digit is blurred with ink blot. Production is without prologue, epilogue, or chorus. No use of music evident in programme. 1 untitled Interludium in 4 parts inserted between Acts I - IV.


Programme Title Page:
Wederlyche liefde van Nisus ende Euryalus

Programme Main Title:
Wederlyche liefde van Nisus ende Euryalus


Programme Title Page:
Tragico-Comoedia: Prodigvs Appellata, A regio Artivm Collegio Societatis Iesv, data Conimbricae in publicum theatrum.Spectavit Ioannes / Suarinus Antiftes longè clarißimus, cum Academia, omnibúfque Vrbis ordinibus. / Autore Ludovico Crvcio eiufdem Societatis Olifiponenfi.

Notes:
This is text; no program yet.  Chorus is inseparable from the tragedy, but included separately.


Notes:
This Prologue opens Tragico-Comoedia: Prodigvs Appellata. Prologue is only Poenitentia.


Synopsis:
Act I: 6 scenes. Concluding Chorus (incipit). Labelled: Seqvitvr Chorvs.: Quò te praecipitem rapit / Vani flamma Cupidinis?Act II: 11 scenes. Conclusion of Scene VIII: Cantus à Pueris Symphoniacis excipientibus Prodigum. (Incipit):Hofpitem vultu canimus decorum, /Laeta fortunae melioris hora, / Quem Dionei genitum fub aftri / Extulit vmbras.Concluding Chorus (Chorvs Secondvs) (Incipit): Quondam vates regius ore / Cecinit vero, dum fila mouet, / Numerof[que] lyrae verfibus aequat: / Quibus ipfe tibi iungis amicum, / Ibis eifdem moribus, inquit.Act III: 3 scenes. Concluding Chorus (Incipit): Quifquis fe maculat deterioribus / Vitae confiliis, aëris halitu / Huius dum fruitur, Numine fentiet / Vlcifcente, viae praemia deuiae.Act IV: 11 scenesIV.iii. Pereginorvm Cantvs (Incipit): Qui Peregrinos amicus, / Aere nos adiuuerit, / Indigentiae fit expers, / Si peregrinabitur. IV.ix Carmen Dulophobi in Prodigum, Siliquas comedentem: (Incipit): Menfa in graminea iacens, fuillae / Gentis delicias habeto glandes.Concluding Chorus (Incipit): Quicumque truci crimine pectus / Horrere notat, patitúrque faces, / Mens quibus ardet confcia culpae: / Furiale malum ne mutus alat, / Ea namque finu crefcit in ipfo / Magis atque magis flamma, latendo: Tacitáque vorat pefte medullas.Act V: 6 scenes V.iii conludes with: Carmen Androphili ad Conuiuium (incipit): Prodigus laetum redit ad parentem: / Prodigum laeto pater ore natumConcluding Chorus: Pueri fymphoniaci cultu Angelico ornati cecinerunt. Argumentum: Ex Lucae cap. 18 Gaudium erit in coelo, fuper vno peccatorie poenitentiam agent. Carmen Saphicvm (incipit): Rector ô ceoli, maris, atque terrae, / Qui corufcanti face pertinacem / Vris autorem fceleris: dolentem / Mentis infectae maculas, eundem. Hortator Post Chorvm ad Spectatores (incipit): Audite, ô Proceres, myfteria claufa figuris / Tam variis referare paro; Quis Prodigus ille / Sit, breuiore canam modo carmine: Sed prius oro, / Ne mea dicta volent celeri ludibria vento.

Cast Size:
10 + 3 (and chorus) + 4 and (chorus). See notes.

Notes:
Chorus Personae:Chorus primus Glyconicus
Dvlophobvs I. timoris feruus
Pamphagvs, Heluo & Sycophanta
Gastrophilvs, ventris amicus, Sycophanta.
Artotrogvs, puer Sycophanticus.
Archedonvs, Heluonum princeps.
Cylindrvs, puer
Phoedromvs, coquus
Melpodivs, tibicen cum fuo grege
Pyrricvs, faltator, & citharoedus
Anarchvs, puer
 Cantus in prodigum à pueris Symphoniacis, 
Cepario, rufticus
Celerdvs, rufticus
Chyronomvs, conuiuio praefectus
Cantus in conuiuio.
 Chorus fecundus Anapaefticus

Actus in terio perfonae, quae in fecundo.

Chorus tertius Afclepiadeus.
Conscientia, 
Philemon, ciuis, cuius fuillum gregem curandum Prodigus accepit.
Carmen Dulophobi in Prodigum,.
Poenitentia. 
 Chorus quartus Anapaefticus.

In quinto actu perfonae quae in quarto agunt.
Carmen Androphili in conuiuio ob receptum filium.
 Chorus quintus Angelorum Saphicus.
Hortatoris carmen heroicum.
Act I: 6 scenes
Concluding Chorus (incipit). Labelled: Seqvitvr Chorvs.: Quò te praecipitem rapit / Vani flamma Cupidinis?
Act II: 11 scenes
Conclusion of Scene VIII: Cantus à Pueris Symphoniacis excipientibus Prodigum. (Incipit):
Hofpitem vultu canimus decorum, /Laeta fortunae melioris hora, / Quem Dionei genitum fub aftri / Extulit vmbras.
Concluding Chorus (Chorvs Secondvs) (Incipit): Quondam vates regius ore / Cecinit vero, dum fila mouet, / Numerof[que] lyrae verfibus aequat: / Quibus ipfe tibi iungis amicum, / Ibis eifdem moribus, inquit.
Act III: 3 scenes
Concluding Chorus (Incipit): Quifquis fe maculat deterioribus / Vitae confiliis, aëris halitu / Huius dum fruitur, Numine fentiet / Vlcifcente, viae praemia deuiae.
Act IV: 11 scenes
IV.iii. Pereginorvm Cantvs (Incipit): Qui Peregrinos amicus, / Aere nos adiuuerit, / Indigentiae fit expers, / Si peregrinabitur.
IV.ix Carmen Dulophobi in Prodigum, Siliquas comedentem: (Incipit): Menfa in graminea iacens, fuillae / Gentis delicias habeto glandes.
Concluding Chorus (Incipit): Quicumque truci crimine pectus / Horrere notat, patitúrque faces, / Mens quibus ardet confcia culpae: / Furiale malum ne mutus alat, / Ea namque finu crefcit in ipfo / Magis atque magis flamma, latendo: Tacitáque vorat pefte medullas.
Act V: 6 scenes
V.iii conludes with: Carmen Androphili ad Conuiuium (incipit): Prodigus laetum redit ad parentem: / Prodigum laeto pater ore natum
Concluding Chorus: Pueri fymphoniaci cultu Angelico ornati cecinerunt. Argumentum: Ex Lucae cap. 18 Gaudium erit in coelo, fuper vno peccatorie poenitentiam agent.
Carmen Saphicvm (incipit): Rector ô ceoli, maris, atque terrae, / Qui corufcanti face pertinacem / Vris autorem fceleris: dolentem / Mentis infectae maculas, eundem
Hortator Post Chorvm ad Spectatores (incipit): Audite, ô Proceres, myfteria claufa figuris / Tam variis referare paro; Quis Prodigus ille / Sit, breuiore canam modo carmine: Sed prius oro, / Ne mea dicta volent celeri ludibria vento.


Programme Main Title:
Sedecias, tragoedia de excidio Hierosolymae per Nabucdonosorem


Notes:
“His Tragoediis anno exeunte addentur Jequentes fi Beneuolo & candido lectori Superiores arriferint.


Notes:
This is a modern critical edition of text to 1Jesuit tragedy and 1 intermedi (to the tragedy?) by Hernando de Avila, late 16th century.  Title of volume: Los jesuitas y el teatro en el Siglo de Oro / Jesús Menéndez Peláez, ed. "Edición crítica de la 'Tragedia de San Hermenegildo' y del entretenimiento 'Hercules vencedor de la ignorancia'": p. 175-431.
Includes bibliographical references (p. [521]-534).


Notes:
This is a modern critical edition of 1 tragedy by Jakob Gretsers


Notes:
Modern Facsimile of 1 tragedy by Bidermann. Heroides : Frauen-Briefe : mit akademischen Würden und der Erlaubnis der Ordensoberen gedruckt, Dillingen 1642/ Jakob Bidermann ; aus dem Lateinischen übersetzt und kommentiert von Christian Sinn.Konstanz ; Eggingen : Edition Isele, c2005.Accompanying critical essay by Christian Sinn (p. 289-304) has title: Byzanz liegt an der Donau : Jakob Bidermann und die Aufgabe des Übersetzers (Frauen-Briefe).


Main Character 2:
Maxentius, Marcus Aurelius Valerius, Emperor of Rome, d. 312

Notes:
Modern critical edition. Pietas victrix = Der Sieg der Pietas / Nicolaus Avancini ; herausgegeben, übersetzt, eingeleitet und mit Anmerkungen versehen von Lothar Mundt und Ulrich Seelbach. Text in German and Latin on facing pages; introduction, notes, and commentary in German.
Includes bibliographical references (p. xxxiii-xxxix).


Performance Referenced In:
Julio Alonso Asenjo. La tragedie de Sam Hermenegildo y otras obras del teatro espanol de collegio. Tome I. PQ6121.R2.T73 1995. pg. 87

Notes:
Published 1529 by G. Gnapheus o Fullonius


Performance Referenced In:
Julio Alonso Asenjo. La tragedie de Sam Hermenegildo y otras obras del teatro espanol de collegio. Tome I. PQ6121.R2.T73 1995. pg. 88


Programme Title Page:
Aaron A Moyse Fratre Sacerdos Inauguratus Drama Musicum Honoribus ... Domini Joannis Theodori ... Episcopi Frisingensis & Ratisbonensis ... Post primi Sacrificii Solennitatem exhibitum a devotissimo Collegio S.J. Monacensi

Programme Main Title:
Aaron A Moyse Fratre Sacerdos Inauguratus Drama Musicum


Translated Title:
Aaron, the High Priest. Aaron, Brother of Moses.

Programme Main Title:
Aaron a Moyse Fratre Sacerdosinauguratus Drama Musicum

Notes:
This work is sung throughout and the playbill contains the complete libretto. The entire text is found in a Word document, along with the complete cast. 

The singers/actors also function as the chorus, as only the characters appear and there is also a chorus. Several of the singers are at least active in the local cathedral as singers, and what their relationship is to the school is unknown.


Programme Main Title:
Abdias und Ariel, die Sohne des Kongs Sedecias


Programme Title Page:
Abdolonymus: Drama musicum honoribus . . . Dominus Bernardi . . . Monasterii Ettalensis Neo-Electi Praesulis . . . Ac Episcopi Frisingensis


Notes:
This playbill lacks the usual synopses and structure of the main play. However, it does include the cast list and composer for Die Zwischenmusit (the mythological plot comedy). The main tragedy is spoken. The comedy is listed separately. Although the name of the school does not appear on the title of the playbill, the actors are all from the school and the seminary.


Notes:
Incomplete record., Paired with a comedy,


Programme Title Page:
Absalon Tragoedia: Absalon, Der Wider seinen Vatter Aufruhrische Sohn, Auf Neuerbauter Schau-Buhne In offentlilchem Traut-spill


Programme Title Page:
Absalon Tragoedia. Absalon, Der Wider seinen Vatter Aufrührische Sohn, Auf Neu-erbauter Schau-Bühne In offentlichem Traur-Spill Vorgestellt Von dem Catholischen Gymnasio Societatis Jesu zu Augspurg bey Sanct Salvator, Den 4. und 6. Herbst-Monaths 1743


Translated Title:
Aegyptus Conservata Procurante Joseph ad Solatium Patriachae Jacob. Exhibebitur ab infimae classis Grammatices Alumnis Gymnasii M. P. Augustini Gandavi 17 March 1723

Programme Main Title:
Aegyptus Conservata Procurante Joseph ad Solatium Patriachae Jacob

Notes:
Photographs: Augustin Playbills Gent 2006 II:058 - 062.

Performed by the Grammar class Alumni. At the end is the Jesuit signature, AMDG.  Includes cast list with names. Includes Prologue and Epilogue. No evident of music.  No sign of intermedi or a comedy.


Programme Main Title:
Agamemnon Christianus in Ramiro Madriti Regulo Repreaesentatus


Translated Title:
Agar departs with Ismael, a play presented in song

Programme Main Title:
Agar met Ismael verjaagt zal in zang verbeeld word

Notes:
VERBEELDERS. Characters: Engel, Abraham, Sara, Agar, Ismael, Meliboeus, Daphis. Translation: Agar departs with Ismael, a play presented in song


Notes:
Call number is Hirsch III. 622. This is the third item in this volume.  Contains 4 pages of music. Request copy if can't do self now. 

Inside page:  Teutscher Poeten Enferig: und lustiges nachfinnen uber das Trostreiche ehren Lied/ Agathnrs/genannt Dom Lob und Wolfstande. Derz oder Mageren Gesellschafft. Unfanglich Lateinisch bescriben von Iacobo Balde Societatis Jesu.

Getructt zu Munchen Ben Lucas Straub. In Berlag Joann. Wagner Buchhandler. Im Jahr Christi M DC XLVII (1648)


Programme Title Page:
Alceste Phoebi & Amoris beneficio Rediviva, Imago Ottoburae per Dena secula Conservatae Honoribus ... Dominorum Josephi Episcopi Augustani ... & Clementis Episcopi Frisingensis & Ratisbonensis ... Quarto Kalendas Octobris a praefati asceterii Musis Proposita

Programme Main Title:
Alceste Phoebi & Amoris beneficio Rediviva


Notes:
"Scenam Datus a Suprema Grammatica Ratisbonensi."  All students from the Sup. Grammar class except 1 from the Seminary. 

Structure:
Pars Prima: Stultitia Vexata
Pars Altera: Stultitia Sanata
Musica: Phantasus a Themide Rationi subesse compulsus

The musical work is listed separately in the database.


Programme Title Page:
Alexander Et Aristobulus Tragoedia ; Vorgestellt Von dem Kayserlich-Ertz-Hertzoglichen Gymnasio Societatis Jesu Zu Ynsprugg, Den 2. und 5. Herbst-Monaths 1712


Programme Title Page:
Alexander M. Pontifex maximus, nominis huius primus, cathedralis ecclesiae Frisingensis patronus in ... obsequium ... Domino Joanni Francisco, episcopo Frisingensi ... in scenam datus a Musis Benedictinis Frisingensibus ; die 4. et 6. Septembris M.D.CCXV


Programme Main Title:
Alexander Magnus in Hermolaum Caeterosque Conjuratos Animadvertens

Notes:
Presented by the Etymology class.  Interleaved with 3 part comedy, Alcesimarchus


Programme Title Page:
Alexander Perversae Et Conversae Iuventutis Speculum A D.D. Convictoribus Collegii S. Hieronymi In Scenam Productus Dilingae 9. & 11. Februarii, Anno M.DCCVI.


Notes:
JMCM Denis is the author, composer, or publisher?


Programme Title Page:
Alexandri / Magni / victoria cum elementia; / Alexandri deß Grossen mildreicher Sieg; / Augustissimis, caesareisque majestatibus / Leopoldo I. / et / Eleonorae; / augustis regiisque majestatibus / Iosepho I. / et / Wilhelminae / Amaliae; / serenissimis Austriae archiducibus / Carolo, / Mariae Elisabethae, / Mariae Iosephae, / Mariae Magdalenae; / a caesareo et acad. soc. Iesu collegio Viennae exhibita, / dum literarijs victoribus caesarea munificentia praemia decernerentur, / die V. Decembris, anno M. DCCII. / Musices compositore ... domus pro/fessae soc. Iesu capellae magistro. / Viennae Austriae, apud Cosmerovianos S. C. M. typogr. aulicae haeredes

Notes:
Drama, complectens prologum, 12 scenas, epilogum, quibus insertae sunt partes cantabiles. Operi manu scripto praecedit scenarium impressum, linguis duabus, latina scil. et germanica compositum, in cuius fine notantur nomina actorum, cantorum, saltatorum. Accedunt: "Nomina eorum, in arena litteraria victorum, qui caesarea munificentia ... Leopoldi I. ... praemiis donati sunt ..." Distributa sunt autem quae continentur: 2a - 9b scenarium impressum; 10a - 22a textus integer; 22b vacat; 23a - 75b modi musici partium cantabilium. Part. ch. XVIII. 75. f. 


Programme Main Title:
Alexii Angeli in Fratrem Isaacium Graeciae Imperatorem Ingratitudo Punita

Notes:
Interleaved with a 4 part comedy, Discordia Conjugum.


Programme Title Page:
Allerkläglichiste Traur-Geschicht Deß Schmertzlichisten Leydens und schmählichsten Kreutz-Todts Iesu Christi Unsers Herrn und Seeligmachers, erlitten Für Das Menschliche Geschlecht Auff einer Schaubühne in der Pfarr-Kirchen S. Blasii zu Weyler im Algey Vorgestellt und zugeschrieben Der ... Frey-Frauen Maria Anna de Billier ... Den 22. und 25. Martii ... 1705

Programme Main Title:
Allerkläglichiste Traur-Geschicht Deß Schmertzlichisten Leydens und schmählichsten Kreutz-Todts Iesu Christi Unsers Herrn und Seeligmachers


Notes:
Possibly more - Cast listed by character, cannot determine all the characters in the music; total represents chiefly the chorus


Programme Main Title:
Aloysius Gonzaga ein Besieger der vaterlichen Liebe

Notes:
This three part work includes a 2 part sacred Interludium, the story of Abraham and Isaac, that is entirely sung.  This work is listed separately in the database; the entire libretto with its musical structure is preserved. Unknown if presented in Latin or in German. 
The cast list is provided; the students are from the Jesuit school & seminary in Regensburg from all classes. 

Structure:
Part I
Interludium  I
Part II
Interludium II
Part III


Programme Main Title:
Alphonsus Rex Throno Dejectus A Fratre A Deo Repositus Tragoedia

Notes:
12 characters. Program owned by M. Christophorus Wahl, Humanista Choragus


Synopsis:
Act I: Dum Triumphabundus de hoste in patriam tedit ALPHONSUS, JOANNES Rex de abdicando altertuti filiorum sceptro cum proceribus deliberat; at pars avito idolorum cultui dedita, ut AMILCAR (junior erat) qui nullo pacto a nefaria superstitione abduci se passus fuerat, paterno in Throno succedat efficere satagit. Supervenit AMILCAR ac structas a se fratri insidias exponit; ubi vero se a Patre & fratre citari inaudit, mire turbatus eosdem accedere statuit.
Act II: ALPHONSUM de ponendo regno cum patre tractantem ac sceptra sibi ultro cendentem audiens AMILCAR crimen detestatur & ZAIREM novas meditantem insidias rejicit. Invidum fratrem ALPHONSUS praevennit, ORTOMARUM consulit eique mentem suam aperit.
Act III: Rex proceres convocat ac de eorum consensu ALPHONSO sceptrum thronumque decernit; verum fictitiis ZATIMI litteris nimium crredulus sidem adhibet & in ALPHONSUM accersitum vehementer invehitur, qui vitam exuere, quam fratrem scelere notare praeferens AMILCAREM benevolo animo excipit; hinc commotus AMILCAR fratrem expurgare statuit. 
Act IV: ORTOMARUS amici sortem luget, qui mori potius, quam fratri necem inferre anteferens regiam petit, cui ad preces AMILCARIS JOANNES Rex impositum crimen condonat, ei regnum jamjam traditurus; at novam subolenti fraudem supervenit XIPHAR, qui ALPHONSUM innocuum & AMILCAREM reum demonstrat: hinc utrum condemnet, utrum ad regni fastigium elevet dubius utrumque carceri mancipat.
Act V: Ubi igitur JOANNES Rex ORTOMARO nepoti regnum tradere meditatur, hic ALPHONSI innocentiam aperit: interim novae authore ZAIRE, in ALPHONSUM insidiae struuntur; verum detechta fraude AMILCAREM sceleris reum agit & ALPHONSUM sceptro exornat Pater, utque de iniquo fratre vindictam sumat praecipit; verumtamen hic regno potitus fratrem in gratiam recipiens vere Christianus VINCIT IN BONO MALUM.

Notes:
With comedy: Megadorus: Civis Nobilitatiem Affectans


Translated Title:
Absolon Rebels [Against His] Father David

Notes:
Includes 3 Interludi and a comedy, Davus Hortulanus


Notes:
5 Acts + Prologue and Epilogue. Synopsis for each act and for Pro & Epi (delivered by Elijah). Paired with comedy,  Chammorio.


Notes:
Incomplete record. Gent III 14 - 19. Paired with untitled comedy. Structure unusual>
Act I
Praeludium
[the act synopsis]
Interludium
Postludium
[act synopsis]

This is for all three acts.


Notes:
Includes 3 Interludium and comedy, Heterobolus, which may or may not be the Interludium.


Programme Main Title:
Actio in honorem Virginis Mariae, in tres actus

Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

This play appears in a ms., "Comoedia, dialogi et orationes quas P. Acevedus, Sacerdos Societatis Jesu, componebat," held in the Royal Academy of History in Madrid, written between 1556 - 1572. Contains 6 plays:
1. Actio in honorem Virginis Mariae
2. Comoedia: Lucifer furens
3. Trofes de el divino amor etc
4. Comoedia prodigi filii
5. Comoedia habita Hispali etc
6. Comoedia Bellum virtutis etc


Programme Main Title:
Ad Majorem Dei Deiparaque Gloriam A Drama

Notes:
A student notebook with this play with other items: Declamatio (Latin, cast of 4); 2 Latin dialogues, Not listed separately in the database.


Programme Main Title:
Adiatorix und seine Sohne ein Trauerspiel


Programme Title Page:
Admirabilis Pater Tragoedia: Das ist Serwunderliche That (?) Chaocungi gegen seinen Singebohrnen Sohn

Notes:
This playbill contains 3 dramatic works: (1) the main tragedy (2) a 3 part sacred work (3) an Interludium.

Structure:
Prologus: David Iram inter & Virtutem deliberat, quid agendum in Saulem sit. (fit?).
Protasis Tragoediae: 5 scenes
Chorus I: David a Gabaonitis interpellatur, ut Principem Miphiboseth ad crucem tradat.
Epitasis: 5 scenes
Chorus II: Servat David Principem Miphiboseth
Catastasis: 5 scenes
Catastrophe: 3 scenes

The Interludium might fall between the 4th & 5th acts - impossible to determine.
In Interludio:
Theol mor SS Can Stud: Medius Fidius
Phys Stud: Fidius Medius; Mastix

Personae Musicae
Theol Mor & SS Can Cand Praef Orphan ad S. Salvat = David
Human = Ira (Prologus) & Joab
Synt Maj = Virtue (Prologus) & Banaias
Synt Min = Epheb. Reg.; Legat. Gabaonit
Gram =  Miphiboseth; Epheb. Reg.

Choris: Synt Maj = 3; Synt Min = 1; Gram = 3; Rud = 6; Prin = 4. Total = 17

Signed OAMDG & BVMH


Programme Title Page:
Adolescentia In Amore Victrix, Id Est: Joannes Calybita Adolescens... A Nobili ac studiosa Iuventute Ottoburana Lusu comico exhibitus, Anno Domini M.DCC.XLI. Die 6. Septemb.


Notes:
15 Actors. A synopsis per act. Latin and Flemish presented side by side.


Programme Main Title:
Adrian in Syrien: vorgestellt in einem gesungenen Schau-spiel

Notes:
151pp. Title page: 'Adrian in Syrien. Vorgestellt in einem gesungenen Schau-spiel Auf dem Neuen Hof-Schau-Platz Wehrender Fassnacht 1755. Nach hochsten Befehll Sr. Churfurstl. Durchlaucht Maximilian Joseph, In Obern und Niedern Bayern, auch der Obern-Pfalz Herzog. . . Die Poesie is von Herrn Abbt Peter Metastasio. . . Die Musick ist von Herrn Andre von Bernaskoni


Programme Main Title:
Adversitas Virtutis Magistra Veritatis Adagium palam sit in Eulogio Latomo


Programme Main Title:
Bertulfus et Ansberta, Geminum Conjugalis Fidei Exemplar

Notes:
Latin & German presented separately in that order. Year in school included in the cast list. Part I & II conclude with a chorus; it is a separate dramatic work of the tale of David, Nabal, and his wife Abigail. There is also a prologue. This separate work is sung throughout, with a separate cast list. 
Prologue: Certamen musicum lyrarum
Chorus I: Nabal, dum suas in Carmelo oves tondet, pessime in Davidis milites invehitur.
Chorus II: David, illatam suis injuriam ulturus, morti destinatum Nabalem Abigailis precibus donat.
Year in school but not voice part given. Amphion. David; Nabal. Rest given by year in school. Humanista: 2 shepherds; Orpheus & Dux; Major Syntax: 5 shepherds, Dux, Menalcas; Syntax minor: Amos & Abigail, Arion, Damon, Mercurius (filius Nabalis); Grammar: 1 shepherd; Rudiments: 4 shepherds, Principle Shepherd, Filius Nabalis (another child). Signed OAMDG.


Notes:
Includes instrumental music - 'cum EPISCOPO in Orchestram introducitur". Interleaved 3 part untitled comedy, Fide, sed cui, Vide


Notes:
Interleaved with 3 act tragedy, Alexander Magnus etc. Presented by the Etymology class.


Notes:
Interleaved with 5 Act tragedy, Joseph in Fratres Pius


Notes:
Interleaved with Tragedy, Ambitio Punita sive Amalaberga & Hermofredus


Notes:
Interleaved with tragedy, Crudelis Ultio sive Boaldus etc. Presented by "Supremae classis grammatices"


Notes:
Comedy’s main character is Bolardus, A Doctor


Synopsis:
Fallitur is, faciles cunctis qui commodat aures

Notes:
Interleaved with 5 Act tragedy, Varia Sortis Alea sive Severinus Boethius a Theodorico Gothorum Rege Exaltatus et Trucidatus.
Includes actors' names but not year in school.


Notes:
Performed by the Rudiments. Interleaved with 5 act tragedy, Invidiae Ultor, sive Basilius


Notes:
Presented "ab Etymologiae Alumnis". Interleaved with 3 act tragedy, Divus Martyr Canutus


Notes:
Interleaved with 4 Act tragedy Sanctus Hermenegildus etc.


Programme Main Title:
Ghestrafte Onghetrouwigheyt ofte Sedecias Coninck

Notes:
Interwoven with  3 Tusschen-spel (not listed separately in the database)

Incomplete entry


Programme Main Title:
Ambitio Fraudulenta sive Demetrius Griska Tragoedia

Notes:
Interleaved with 3 part comedy Dorippus.


Notes:
Volume is formerly A.VIII.50 (2) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
Latin & German interleaved. Cast list includes year in school. Part I & II conclude with a Chorus. This Chorus is actually a 2 part dramatic form, here the story of Esther, Hamaan, and Malachi. It is sung throughout; its cast is listed under Personae Musicae, a separate column at the end of the cast list. 
Chorus I: Arrogans Ambitio Exaltata
Chorus II: Arrogans Ambitio Castigata
Characters: Mardochoeus; Assuerus Rex; Aman; Esther; Filius Mardochai; Filius Mardochai; 3 Ephebi. Chorus: 3 Bass; 2 Alto; 1 Tenor; 1 Discant; 3 in the lowest form but without voice part identification.


Programme Main Title:
Ambitio Punita in Phraarte Armuziae Principe


Programme Main Title:
Ambitio Punita, sive Amalaberga & Hermofredus Tragoedia

Notes:
Includes a 'Prologus Musicus'. Interleaved 4 part comedy, Ascalaphus


Programme Title Page:
Amici Das ist Selzames Beyspihl Der Liebe und Treu In zween Freunden Damone und Pythia

Programme Main Title:
Amici Das ist Selzames Beyspihl Der Liebe und Treu In zween Freunden Damone und Pythia


Programme Title Page:
Amor Fraternus Martyrii Lauro Coronatus, Seu Iustus Antisiodorensis Adolescentulus Reverendissimo ... Domino Francisco Augiae Maioris Brigantinae Abbati ... In devotissimum obsequium dramice exhibitus A Studiosa Iuventute Maior-Augiensi, Anno MDCCXXXVIII.


Programme Main Title:
Amor in Odio sive Menalippa simul Diligens

Notes:
Presented in each language separately.  

Structure includes a 4 part unidentified comedy (listed separately in the database)


Notes:
Includes complete musical text. 5 characters  (David Rex, Achimelech, Abigail)+ 19 choir


Programme Main Title:
Amor patriae sive Arminius Germaniae defensor


Programme Main Title:
Amor Vitae inordinatus, Morte Castigatus in Ezido, Arabum Tyranno

Notes:
Latin and German interleaved.
Structure:
Prologus: Prologus infausto Ezidi fato praeludit in Biophilo, vitae mundanae armatore, quem, a suis adulatoribus destitutum, mors inopinata e mediis deliciis abripit. Personae: Mors. Biophilus. Aula mortis.
Part I Ezidus metu mortis anxius. (7 scenes)
Chorus I: Ochozias impii Achabi impius filius, per caenaculi cancellos proplapsus, laesi corporis & vitae remedium apud idolum in Accaron quaerit per Legatos. 4. Reg. 1. Personae: Ochozias. Aula. Ephebus. Jezabelis.
Part II: Ezidus mortis metu liberatus. (9 scenes)
Chorus II: Elias Ochoziae mortem denuntiat. 4 .Reg. 1. Personae; Ochozias. Aulici. Elias.
Part III: Ezidus inopinato fato extinctus. (6 scenes)

Personae Musicae
Spectatiss. D. Joan. Georg. Faber, SS Can Cand Musicus ad S. Emerram = Isachar & Supremus Aulae Praefectus
SS. Can Stud. = Mors & Elias; Ochozias, Rex Israel (Ochozias, King of Israel)
Rhet = Mundus personatus & Caramuel
Synt Maj = Sadoc
Gram = Biophilus & Samiel
Rud = Biophillus Socius
Choir: Rhet = 1; Poetry = 3; Maj Synt= 3; Min Synt = 2; Gram = 5; Rud = 5; Prin = 1

Note: only for the choir, the cast is listed with their last name first. 
Signed OAMDG


Programme Main Title:
Amoris & Doloris integritas in rupto ad Golgotham corde Christophili

Notes:
Arias alternated with recitatives; no cast list with this playbill; metaphysical play


Programme Title Page:
Amoris Crucifixi De Amore Profano In eundem nimium crudeli mirabilis Triumphus Meditatio, Verni Ieiunii Tempore In Oratorio Congregationis B.M.V. sine Labe Conceptae, Pro Illustrissima Academia Ettalensi Erectae Scenice Instituta Anno a Partu Virginis M.DCC.XXXIX. Die 21. Martii


Programme Title Page:
Novus e Saulo Paulus seu Mulaeus Mahometes Reguis Fessae&Marocci Princep e Persecutore Crucifixi ejusdem Cultor, Imitator, Socius


Notes:
Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
12 characters + Chorus Civium + Chorus Sanctorum. Have complete musical text.


Programme Title Page:
Andriscus, Regale Mancipium. Das ist: Der in angemasster Koniglichen hochheit Sedemuthigte (?) Ehr-Seitz in Andrisco

Notes:
Latin and German separate. Year in school provided.
As in Item 39, whether the Musica before Scene 1 is actually an overture/symphony/sinfonia before the scene begins or occuring in the scene itself. As this is the second instance, supported by the layout in the actual playbill for both the Latin and German bills (see Item 39) it is becoming more likely that the music is separate from the scene.

Structure:
Part I
Scene 1. Musica. Andricus de tragico suae fortunae eventu tristi (?blurred) Morpheo edocetur.
Scene 2 - 3
Saltus
Scene 4 - 7
Chorus I: Fabulosa Andrisci stirps Persei, Jovis filii, fabulae comparatur.
Part II
Scene 1 - 3
Saltus
Scene 4 - 6
Chorus II: Luctuosus Andrici interitus infelici Bellerophontis casu adumbratur
Part III
Scene 1 - 5

Personae Musicae
Semin. Episcop. S. Wolfgangi Cleric. Secul. Alumnus, Theolog. Moral & Polem. Cand. = Calchas & Bellerophon
Phys = Pluto & Pan
Rhet = Neptunus
Synt min = Umbra Andrisci & Genius Cereris
Synt min = Perseus, Jovis filius & Comes Bellerophontis
Rud = Umbra Persei & Genius Dianae

In Choris: Umbrae & Comites

Signed OAMDG


Programme Title Page:
Andromeda Liberata seu Colonia Ab Ernesto Bojco Coloniensi Electore Adversus Hostes Fidei Defensa. Drama Musicum


Notes:
Acts 1 - 4 conclude with a Coeur Musical. 
There is no indication of an accompanying comedy.

Photographs 5 - 9 of the hyperlink.


Programme Title Page:
Andronicus Orientis Imperator Tragoedia ... A Musis Benedictinis Frisingensibus In Scenam Data, M.D.CC.XX.


Notes:
4 dependent choruses + dependent epilogue. No prologue. No separate choral ensemble. Multiple roles for most chorus members.Ex: Providentia Divina, Justitia and Pastor Bonus played by Joann. Michael Ott, Rhetoric student.


Programme Title Page:
Anthenais per Theodosium Imperatorem In Throi, Tronique sociam affectuose assumpta, per eundem in exilium suspiciose relegata

Notes:
Presented 'a Figuristis Majoribus." Interleaved 3 part comedy, Tyndarus


Notes:
Final item in the volume; f. 105. Volume is formerly A.VIII.50 (1) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Programme Title Page:
Apparatus Genethliacus Regio Hungariae & Bohemiae Principi Serenissimo Austriae Archiduci ... Josepho Benedicto Augusto Joanni Antonio Michaeli Adamo Ante Columnam Marmoream In Suburbio Metropolis ac Regiae Archiducum Oeniponti a DD. Quatuor Facultatum Studiosis Academicis ... Universitatis ibidem Ad Gratulationem Publicam Factus ... Die 30. Aprilis MDCCXLI

Programme Main Title:
Apparatus Genethliacus Regio Hungariae & Bohemiae Principi Serenissimo Austriae Archiduci


Programme Main Title:
Applausus Convivalis: Galatea and Daphnis

Synopsis:
Synopsis: Galateae Daphnidis moras lugenti, adeft Aziel, qui fcutum Daphnidis gentilitium affert, ipfumque brevi adfore nuntiat. Superveniunt exciti ab Aziele, Damon, Alexis, Amyntas, Coridon, Aegon, & Moeris, qui tripudio & plaufu Galateam excipiunt. Daphnidis ex fcuto dotes ominantur, illique tandem, praeeunte Aziel, inter choreas procedunt in occurfum. 

Daphnis Illuftriffimum Iprenfium Praefulem, Galatea Diocefin, Aziel Dioecefios Genium, Damon Iprenfes, Alexis Dunkercanos, Amyntas Sti. Winoci Bergenfes, Corydon Cafletanos, Aegon Furnenfes, Moeris Neoportanos referunt.

Notes:
This item contains two separate Applausus Convivalis programmes: Tityrus; Daphnis. 4o; 27 pp.

Music ticked b/c of mention of Choreas; this may be a spoken chorus. Dance is ticked b/c of Fauns. 

Cast: Names, but not place in school, given: 9. Gymnasium Soc. Jesu; Galatea; Damon; Amyntas; Moeris; Aziel; Alexis; Corydon; Aegon.


Programme Main Title:
Applausus Convivalis: Tityrus and Alphesiboeus

Synopsis:
Argumentum: Mirantibus Tityro & Alphefibeo infolitos vicinis e filvis audiri laetantium plausus, adeft Faunus, qui ipfos de laetitiae caufa certiores faciens ad laetitiam una exftimulat. Tityrus & Alphefibeous cum obviis fibi Menalca, Lycida & Meliboeus deliberant, quos amoris fui fignificationes Daphnidi jubileum celebranti exhibeant; at a quatuor Faunis mox fupervenientibus edocti deliberandi faciunt finem, atque una cum Faunis ad Daphnida jubileum ipsi gratulaturi feftivas inter choreas feftinant.

Daphnis illuftiffimum jubilantem, Lycidas Iprenfes, Alphefiboeus Bergenfes, Tityrus Furnenfes, Meliboeus Dunkercanos, Menalcas Belliolanus, Fauni vero Dicecefeos fubditos univerfim repraefentant.

Notes:
This item contains two separate Applausus Convivalis programmes: Tityrus; Daphnis. 4o; 27 pp.

Music ticked b/c of mention of Choreas; this may be a spoken chorus. Dance is ticked b/c of Fauns. 

Cast: 10. Names, but not place in school listed. Fauni (5); Pastores - Lycidas; Tityrus; Menalcas; Alphesiboeus; Meliboeus.


Notes:
Title page: "Applausus gratulatoris. . . Domino d. Jacobo Thomas ecclesiae Sancti Michaelis Antwerpiae. . . Abbatiquinquacesimo. . .solenniter inaugurato dicatus a. . .juventute gymnasii magni patris Augustini tricesima (30) April 1754"


Programme Title Page:
Arbor Sancta Austriacae Felicitatis, Das ist: Heil. Stammen-Baum Der Oesterreichischen Glückseeligkeit... Von dem Kayserlich-Ertz-Hertzoglichen Gymnasio Soc. Jesu In Ynsprugg Auf offentlicher Schau-Bühne den 2. und 4. Septemb. Vorgestellt


Notes:
Presented 'ab Etymologie Alumni." There is no accompanying tragedy.


Notes:
Synopsis for each act. 13 Actors. This document is in poor condition with a torn last page. Vivi M. Valkenborgh Gymn Prof.


Programme Title Page:
Sanctus Ferdinandus Legionis, & Castellae Rex Magnae Coelitum Reginae Praefidio Maurorum Victor


Programme Title Page:
Athanasius inter varias Calamitates & turbulentas persecutiones sub Constantino Magno, Constantio, Julilano, et Valente Arianis, Velut aurum in igne probatus, & inventus electus

Programme Main Title:
Athanasius inter varias Calamitates & turbulentas persecutiones

Notes:
Photographs: Augustin Playbills Gent II #047 - 057. 

Performed by the entire school. This item is the same performance as No. 30, but published in Latin. See photographs

4 act tragedy interleaved with a 3 part comedy, Menalcam.


Notes:
Volume is formerly A.VIII.50 (1) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.


Notes:
Full title of the Comedy:  Audaces Fortuna juvat timidosque repellit.  Main character: Baloardus. On the heading of the title page in ink has been added: Per Rev. P. Leonem Kegels Prof. Poeseos. 19 actors, no year in school identified.


Programme Main Title:
Augustinus Ecclesiae Propugnator Acerrimus Tragoedia

Notes:
Interleaved with a 4 Part Comedy, Hypocondus. Signed Omnia in Gloriam Dei.
Includes Argument and synopsis for each act. Also includes Prologue and Epilogue by the allegorial character Ecclesia (The Church).


Translated Title:
AULAE FORTUNA unbeftandiges Hof- Blud In ARSENIO Dem Broffen Durch ein offentlilches Schau-spill vorgeftellet

Notes:
Page 1:
 AULAE FORTUNA
unbeftandiges
Hof- Bluld
In 
ARSENIO
Dem Broffen
Durch ein offentlilches Schau-spilll
vorgeftellet
Von der ftudierenden Jugend Dess
Chur-Furftlichen Gymnafij zu
Burghaufen
Den 5. und 6. Septemer
Anno 1701.

Gedruckt zu Salzburg ben Melchior Hann/Einer Lobl. Landfchafft: und Stadt-Buchdruckern/ und handlern. 


Notes:
- In Latin and German
WITH MUSIC! and COMPOSER

Structure:
Prologus
Pars I. Scene I – VIII
Chorus
Pars II Scene I – VIII
Chorus
Pars III
Scene I – IX

Syllabus Actorum:

Main cast = 8
Comites Arcadii  =9
Ephebi = 8
Ephebi Arcadij = 8
Ephebi Arfenji = 4
Cives = 8
Satellites = 9
Morphei & Salij = 8
Perfonae Muficae
Adm. Rever. & exim. D. Joan. Bapt. Erehner. Phil. Magift. J. U. Candidat examinat. & approbat. Ecclefiae Cathedral. Salizburgenfis Chori Vicarius, Aulae Muficus, & Capellae Praefectus.

Genij Sortis = 8

Signed:
Omnia ad majorem DEI Gloriam.


Programme Title Page:
Aulus Posthumius Tragoedia. Das ist Strenges Urfheil Eines Komischen Feld Herrn uber Seinen eigenen Sohn

Notes:
Latin and German interleaved.
Structure:
Prologus:
Mars victori filio trophaea erecturus, theatrum Astraea cedere jubetur.
Part I: 7 scenes
Chorus I: Abraham Filium Isaac immolare jubetur Gen.c.22
Part II: 7 scenes
Chorus II: Isaac ob praestitam obedientiam restituitur Patri. c.eod
Part III: 8 scenes

Cast list includes year in school (students are arranged by year in school).
Personae Musicae:
Phil Stud: Mars (Prologus) & Abraham
Synt Maj:; Elizer
Synt Min: Justitia (Prologus?)
Gram: Isaac
Rud: Comes Justit ( Prologus?)
Princip: Comes Justit (Prologus?)
Princip: Comes Martis (Prologus)

Choris: Poeta = 2; Synt maj = 2; Rud = 2; Princip = 1

Signed OAMDG & BVMH
(Omnia ad majorem Dei gloriam & Beatissimae Virginis Mariae honorem)


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.452. This item is in  Rouselle's own library at the time of printing.

"Aumurat tragédie chrétienne, dediée a messieurs les magistrats de la ville de Mons, representée par les escoliers de leur College de Houdain, ze 26 & 27 d'Août 1772 à deux heures après midi. Les Prix seront distribués par la libéralité desdits Messieurs. A Mons, chez Leopold Varret.

4o. 10 pgs 

[stopped research on page 452 b/c of time, Jan 24 2007]


Programme Main Title:
Austriades seu Augustissima Domus Austriaca ex Magnis Adversis ad Tantam Potentiam Exalta


Notes:
Interleaved with a 4 Part comedy, Pamphilus.  Included in the Interludium list because preceding each Act (including the first act) and following Act V is a Symbolium, 6 in toto. These each have a two line synopsis in verse and are delivered by allegorical characters such as Austria, Sicilia, Naepolis, Bohemia, and Hungaria.


Notes:
Presented "ab Eloquentiae et Humanitatus Alumnis. There is no accompanying tragedy.


Programme Title Page:
Avaritia sive Avarbolus Comoedia; sub Regula Avarus ipse miseriae causa est suae

Synopsis:
Avarbolus, avaritia sua qui Leniam sororem variis excruciaverat modis, per Bromiam famulam suam, famulumque Davum Charini (is cognatus cognatum liberandam Antiphonis amici sui opera iuraverat,) Ludificatus pessime, diem obit infeliciter

Notes:
Photographs: Augustin Playbills Gent 2006, #13 - 16

Performed by 'Classe Humanitatis'. 

Structure:
Prologue
Act I: 4
Act II:4
Act III:4
Act IV:4
Act V:4

Signed: Omnia ad majorem Dei, Deiparaeque Virginis Mariae, ac M. P. N. Augustini Gloriam, & honorem.


Notes:
14 Actors. 7 Cantores. Includes actors' names and their year in school, except for the Cantores. For the Cantores, only the names are given.


Notes:
Includes names in cast list with year in school


Notes:
Only the title is provided  (both Latin and Flemish). There is a choir Cantores of 7, no year in school provided for the choir (maybe they are not from the school? All the other actors have their year in school after their name).


Programme Main Title:
B. Ferdinandus Regia pro Fide, et Patria Victima


Translated Title:
B. Joannes Nepomucenus sub Wenceslao Caesare Martyr. Glorzeiche Martyr Dess Seeligen Joannis Nepomuceni under dem Lanfer Wenceslau aussgeftanden

Programme Main Title:
B. Joannes Nepomucenus sub Wenceslao Caesare Martyr

Notes:
Argument
Actus I: Scena I – V
Chorus
Actus II: Scena I – V
Chorus
Actus III: Scena I – V
Chorus
Actus IV: Scena I – V
Chorus
Actus V: Scena I – VO
Epilogus

Syllabus Actorum

Seminary students = 3. As they are the principal characters and they are all singers, highly likely this work was entirely sung!

Rhet = 6
Humanistae = 19
Synt Maj =  11
Synt Min = 11
Grammat = 9
Rudiment = 7

Personae Musicae
Modulos Muficos compofuit Ornatus. & Spectatiff. D. Antonius Deichel, Reverendiff. & Celfiffs S. R. I. Princ. & Episc. Eyftett Capellae Vice-Magisfter.

13 singers listed with character names follow.


Programme Main Title:
Baltassarus per Cyrum et Darium occasus à Daniële Praedictus

Notes:
Includes 4 part Interludi in addition to the comedy Drolio.


Notes:
11 characters + 16 choir. Have complete musical text


Programme Title Page:
Benedictus praeclare triumphans sive ingens ex fuga victoria a iuvene gratia atque nomina Benedicto stygoos hostibus extorta

Notes:
27pp. Programme and Text to sung part. Dedication on programme: "Domino Innocentia O.S.B. in monasterio Weichenstephanensi electo abbati"


Programme Main Title:
Bernardus Archi-Episcopus Toletanus, Mariae Libertus

Notes:
21 characters - each plays one secular and one sacred part


Translated Title:
Ferdinand, Infant of Portugal, called the Constant, Son of John I

Programme Main Title:
Blorreiche (?) Freiheit oder der Seelilge Ferdinand Koniglilcher Prinz in Portugal

Notes:
Paired with entirely sung 1 part untitled work, "Joseph in Egypt" (listed separately in the database).  The main tragedy, Ferdinand, is entirely sung, with indications for instrumental music.


Notes:
10 characters + 27 choir. Saltum instructor  D. Franc. Ant. Panuzi, Unversitatis Oenipontanae Saltuum Magister.


Notes:
Volume is formerly A.VIII.50 (2) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.

#1 and #2 in this volume(according to McCabe) also appear in MS Rawlinson Poet 215 Catalogue No. 14706 at the Bodleian Library (UK).  The titles of the Bodleian pair are:

Sanguis Sangrinem sive Constans Fratricida Tragoediae

Britanniae Primitia sive S. Albanus Martyr

Handwritten note by William McCabe, SJ included in the Stonyhurst archive volume E 2 - 3 Dramas - St Omers: "Authors named were either senior pupils or master at St Omers c. 1656. Both plays also appear in Stonyhurst MS B.VII 23."


Notes:
On the heading of the title page in ink has been added: Per Rev. P. Leonem Kegels Prof. Poeseos. 20 Actors. No year in sch. identified.  Synopsis: Defuncto ficto frustra medicina paratur:/Ad mentem ut redeat, sufficit ipsa fames.


Notes:
This tragedy has an accompanying 3 part work with a mythological plot that is entirely sung; it is listed separately in the database.

Structure:
Prologus Musicus (part 1 of the mythological work): Iphigenia amoris in Patrem victima
Act I
Chorus I (part 2)
Act II
Chorus II (part 3)
Act III

Signed OAMDDG


Translated Title:
Canutus 
Rex Obotritorum
Luctuosa Invidiae
Victima
Traur-mürdiger Fall
Canuti
Wendifchen Fürften/
von
Herzsch – begierigen Heid
Angerichtet
Auff offentlicher Schau-Bühne
Von einer Studierenden Jugend in dem
Churfürftl. Gymnafio der Soc. JESU zu Amberg vorgeftellt
Den 2. und 5. September.
Anno M DCC I

Dafelbft gedruckt ben Chriftian Deser

Programme Main Title:
Canutus Rex Obotritorum Luctuosa Invidiae Victima

Notes:
Incomplete entry. Awaiting copy from British Library.

Jesuit playbill. 2 & 5 Sept. 1701. German or Austrian.
Language: German & Latin
5 Acts.
Tragedy with prologue, epilogue, chorus.
Cast:  118 + 11 Musici, incl composer
Composer: Modulos Muficos compofuit Rev. & Relig. D. Hugo Kanheifer, Sacri & Exempti Ord. Cifter in celeberrimo Monafterio Waldfaffenfi Profeffus
Characters: Nicolaus Rex Daniae. Canutus Rex Obotritorum

Page 2

Argumentum – in Latin & German

Page 3

Prologus
Invidia fibi theatrum vendicans, a Providentia divina exturbatur.

Actus I
Scena I – VII

Page 4
Chorus
Foedus Invidiae cum aliis initum, contrario divinae Providentiae foedere elufum, infringitur.

Actus II
Scena I – III
Chorus
Invidia & Dolus Providentiae divinae & Nemefi fuperbam de potentia litem movent.

Actus III
Scena I – II

Page 5

Scena III
Chorus
Genius Magni a Gradivo contra Canutum armatur.

Actus IV
Scena I – VI

Page 6

Scena VII – VIII
Chorus
S. Canutus Martyr & Patruus Canutum Nepotem fuum ad nobiliorem Coronam invitat

Actus V
Scena I – V

Page 7
Epilogus
Luctus Daniae de funere Principum oftensia Canuti gloria in plaufum abit. 

Syllabus Actorum ( by class)
First is the composer (typed in full above)
Nicolaus Rex Daniae: Rev. & Doct. D. Joan. Georg. Beyeri, AA. LL. & Phil Magifter
Casistae = 3
Logici = 5
Rhetores = 12
Humanistae = 18
Syntaxistae Maior = 20
Syntaxistae Minores = 18
Grammatistae = 14
Rudimentistae = 13
Principistae = 12
Musici = 10


Programme Main Title:
Cara caro fuerit, liceat si vendere caro


Programme Main Title:
Carnevall seu voluntas de carne triumphans


Programme Main Title:
Carolus II. Carolus I. Regis Siciliae, & Ducis Andegavensis Filius Tragoedia


Translated Title:
CAROLUS M
GLORIOSUS VICTOR
ET
CLODOALDUS
PRINCEPS DANIAE
Infelix & Felix Pater.

Carolus der Groffe Glorzeiche
Uberwundter
und
Clodoaldus ein Dannifcher Furft
unglucktfeeliger und glucktfeeliger
Vatter
Vorgeftellt von der ftudierenden Jugend dess Gymnafij
der Societet JESU zu Landshut den 4. und 6.
September in Jahr 1708

Gedruckt ben Simon Solowiz

Programme Main Title:
Carolus M. Gloriosus Victor Et Clodoaldus Princeps Daniae Infelix & Felilx Pater

Notes:
Incomplete entry. Awaiting copy from British Library.
Jesuit playbill. 4. & 6 Sept 1708. Landshuet.
Lang = Latin & German
5 Acts
Cast: 83
Note: The musicians are mixed in among the cast, as the cast is ordered by year in school.
Modulos muficos compofuit Nob. ac fpectatiffimus D. Ant. Deichel S. R. I. Principis & Epil. Euftett. Vice-Capellae Magister
Main Characters: Carolus V. Clodoaldus
Story: Clodoaldus
Tragedy + 2 of the choruses are separate stories.
Page 2
Argument: Latin then German

Page 3

Prologus
Furor cum comitibus exfcindere parat Clodoaldi ftirpem, fed Divina Provendentia ejus conatus eludit.

Actus I
Scena I – IV

Page 4
Scena V – VI
CHORUS
Clodoaldi luctum temperat Patientia, exemplo Iobi

Actus II
Scena I – IV

CHORUS
Jephte Jephtiam filiam, Deo devotam victimam ipse immolat.

Page 5
Actus III
Scena I – IV

CHORUS
David Paftorcullus, Ifchyrionis fortunae Prototypon.

Actus IV
Scena I – III

Page 6
Scena IV – VI
CHORUS
Furor praecifos Clodoaldi furculos Idolomaniae confecrat; quos tamen fibi Divina Providentia vindicat.

Actus V
Scena I – III

Page 7
Scena IV
Catalogus Actorum [note: except for the seminary students, majority are nobles]
Composer – see above
[the following four classes are seminary students]
Philof  = 1
Moral. = 1
Casistae = 8
Logici = 6
[the following are the college students]
Rhet = 17
Poetae = 15
Syn Maj = 8
Synt Min = 10
Gramm = 7
Rud = 9
His accedunt = 3


Programme Main Title:
Carolus Magnus Paternae Clementiae Typus


Programme Main Title:
Carolus VII Franciae Rex Per Joannam Darciam de Anglis Triumphans

Notes:
Interleaved with 4 Part comedy, Xantippus. 
After reading the synopsis in addition to the Shepherd and Nymph characters, this would like have been sung throughout


Programme Main Title:
Catholicum Christianorum dogma de eucharitia Aloysio Gonzagae propositum


Programme Main Title:
Cato in Utica. Vorgestellt in einem gesungnen Trauer-spiel

Notes:
207pp. Title page "Cato in Utica. Vorgestellt in einem gesungnen Trauer-spiel bey erster Erofnung nes Neuenl Prachtigsten Churfurstl. Hof-Schau-Platzes, Auf hochstem Befehl Sr. Churfurstl. Durchlaucht Maximilian Joseph, In Ober-und Niedern-Bayern, auch der Obern-Pfalz Herzog, Pfalz-Grafen bey Rhein, des H. R. Reichs Ertz-Truchsess und Churfurst, Landgrafen zu Leuchtenberg etc. etc. Zu Hochst Dero Glorreichen Namens-Tage am 12 October 1753 die Poesie ist vom Hon. Abbt. Peter Metastasio. . . Die Music ist vom Herrn Joh. von Ferrandini, [Il Catone in Utica].


Programme Title Page:
Celsus martyr celsissimus. Tragoedia ludus autumnalibus. . . Benedictinis lycei Frisingensis

Programme Main Title:
Celsus martyr celsissimus. Tragoedia ludus autumnalibus. . . Benedictinis lycei Frisingensis


Translated Title:
MASAGNELLUS
DIVINAE JUSTITIAE
VICTIMARIUS
TRAGOEDIA
Das ift:
Masagnellus,
Ein Werctzeug der Gottlichen
Berechtigkeit

Durch
Ein Traur-Spill auff der Schaubine vorgeftellt
von der ftudierenden Jugend dess Churfuftlichen
Annon M. CDD. I
Den 2. und 6. September

Gedruckt ben Simon Solowiz

Programme Main Title:
Certamen Fraterni Amoris inter Duos Principes Gallo-Graciae

Notes:
Incomplete entry. Awaiting copy from British Library.

Jesuit playbill. 4 & 6 Sept. 1702. Landsheut.
Lang: Latin and German
3 Parts.
Tragedy + prologus + chorus
Cast: 75 + 9 Perfonae Musicae. No composer provided.
Main characters: Adiatorix and Dytevtus
Page 2:
Argumentum (first Latin, then German)

Page 3:
Prologus:
Fama gratulatur Bavariae antique Bojcae gentis decora: ex ijs pro Theatro argumentum fecernit, nobile par fratrum ex antiquiffima Tolifto-Bojorumk gente, rarum amoris Symbolum.

Pars Prima
Scena I – IV

Page 4
Scena V – VIII

CHORUS
Sincerus amor amicitiae vires & ingenium fuum contra Philautiam variis experimentis oftendit.

Pars Secunda
Scena I 

Page 5
Scena II – VIII

CHORUS
Amor inter veteres & novos Germanos felectum init pro pugna fua adverfus mortem. Huic victae fecurim eripit, eademque fibi palmas metit.

Page 6

Pars Tertia
Scena I – VIII

Page 7
Syllabus Actorum – notice that the nobles are played by the titled boys.
Main Cast = 7
Familia Adiatorigis = 5
Affefsores Drufi = 7
Nobilis Romana Iuventus = 14
Ephebi Theodonis & Salii = 5
Caeteri Salij = 5
Milites & Salij = 8
Reliqui Salij = 7
Militia Romana = 12
Liberti Familiae Adiatorigis = 5
Personae Mvsicae = 9
Signed: FINIS


Notes:
Includes names in cast list with year in school.


Notes:
Flemish and Latin are presented together side by side. 13 Actors. Cast List with the students' year in school.  Comedy synopsis: Stultitia languido/Remedium optimum.


Synopsis:
Stultitia languido/Remedium est optimum. See Notes for unusual feature.

Notes:
13 Actors, 12 chorus. Includes actors' name and also their year in school. The choir is SATB: SA: 6 TB: 6. 
Unusual feature: Underneath the main character, Cham Morio's, name is the following:

1                2             3            4   
Advenit, excipitur, prandet, caenatque, 
   5
fugitque:
Hinc, quem mane dedit, nox rapit alto jocum

This is repeated in Flemish.


Synopsis:
Op defen valt het quaed altyd,/Die aen een ander quaed opleyd.

Notes:
17 actors. Comedy synopsis verse: Op defen valt het quaed altyd,/Die aen een ander quaed opleyd.


Translated Title:
Page 1:
Balthasaris
Knellinger
e
Societate Jesu
CHREMES
seu
Senicio morofus, fordidus, metu
mortis in fequentem Martium
oppetendae exagitatus.

Pluries in Scenam datus, nunquam ficcia
oculis fpectatus

Permiffa Superiorum

MONACHIJ

Sumptibus Joannis Hermanni a Gelder,
Vidua, & Haeredum, Biliopolarum

Typis Mariae Magdalenae Rauchin, Viduae.
Anno M. D C C I I.

Programme Main Title:
Chremes, seu Senicio morofus, fordidus, metu mortis in fequentem Martium oppetendae exagitatus

Notes:
Incomplete entry; but due to length, a copy of this item was not requested from the British Library.

Inside the front cover: Bibliotheca artium. Ex libris Domus Sancti Stanislai

This is the full libretto for a Jesuit play. 1702. Monachij. 
Balthasaris. Knellinger. = the author
Chremes = the title. This is a comedy.  Does not match the other two Chremes productions currently in the database (those have 4 parts and fewer characters, at least upon first glance.]

Page 3

CHREMES

Perfonae
Chremes Senex
Lentinius ejus Filii
Stivelilus ejus Filii

Studiofi 6
1.	Almanachius
2.	Calendarius
3.	Marcus
4.	Martinus
5.	Inconftantius
6.	Pancratius
Medicus
Promicondus
Mendicus & ejus Puer
Servi Chremetis: Schmuzillus; Melampus; Strobulus
Opifices: Piftor, Vietor, Caementarius; Figulus; Lanio; Faber Ferrarius; Carpentarius
Puer Opilionis: Ver; Aeftas, Autumnus; Hyems; Surdaftrius; Crifpus; Senutius Podagrius; Caecutius.

Page 4:
Idiomata
Praecipuarum Perfonatum
CHREMES
Habitu; quo Conful alicujus oppiduli, nigro & honefto. Et initio quidem in pileo, & crepidis, fine talari vefte pelle fuffulta. Agit quafi fibide fingulari prudentia fufpectus; fuis locis morose jucundus. Multum agit vultu, oculis; sed intra limites; gestus faepaek verba praevenit & fequitur. Ejus manuum & pedum geftus prae fenio fractus.

Lentinus
Juvenis annorum plus minus feptemdecim, geftu utcunque levis & nequitiam aliquam in vultu praefeferens.

Stivelius
Non nimium Puer; fedecim circiter annorum; multa enim loquitur, quae maturitatem aliquam fupponunt. Agilis, verfatilis in omnem partem.

Alamanchius Calendarius
Serii fimulque faceti;
Inconstantius, Pancratinus, Marcus, Martinus.
Variae ftaturae, & aetatis; Musici omnis.
Schmuzillus
Puer parvus, deformis, ac fordidus
Strobilus, Melampus, rufticos fimiles.

Page 5 continuing is the text of the play. Structure as follows. THIS PLAY INCLUDES STAGE DIRECTIONS PRINTED IN THE MARGIN! 

Prologus: Fabula
Scena 1  - 15
Epilogue

There are some sung portions. Only text, no music.  See the Idiomata for who sings. There are no choruses at the end of scenes in the style of other works. Single act comedy.


Programme Title Page:
Christliche Rach vorgestellet in der Congregation unser Lieben Frauen Mariae Vertungdigung (?) zu Regensburg herz Praefect

Notes:
Although students from the S J College S Paul Regensburg took part, it is not clear from the playbill whether they were lent to the church for the occasion or if the school staged these two dramatic works (the main tragedy and a sacred 1 act).

Structures
Scenes 1 - 4
Musicalischer Chor: Konig David verzenhet dem Semei seinem Feind und lasterer.
Scenes 5 - 12

Personae Musicae
Ornatiss ac Spectat D. Bened. Ign. Schmid. Theol. Moral. & SS. Can. Cand. Mus. Ad Vet. Capell. = Semei
Theol Moral Stud = Abisai
Logic = David
Synt Maj = Nabath
Synt Min = Micha

Signed OAMDG


Notes:
Latin & German interleaved. Year in school provided in the cast list. Part I & II conclude with a Chorus, actually a separate dramatic form in 2 parts sung throughout + chorus. Plot is allegorical in nature. The cast: Dives Evangelicus; Panurgus, Accusator; Judex Divin. & Villicus Divitis Evangelici; Genius Tutelaris Chrysaorii. The voice parts from the choir are not provided; they are broken up by class (top to bottom). Rhetoric = 1; Poesi = 2; Major Syntax=2; Minor Syntax=7; Grammar=5; Rudiments=4; Principys = 2.  Signed OAMDG.


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.380

*Performance by Women*

"…Tragedie dedieè à la trés-Noble Demoiselle, Mademoiselle Anne Marie Vander-Burch, Dame de Vellereilles, & superieure de la Congregation de Nôtre-Dame. Representeè par les Demoiselles Pensionnaires, le 1 de September 1711. Se vond  à Mons, chez Laurent Preud'homme, ruë de la Clef. 1711. 

In 8o, 55 pp. [Might be the libretto?]
In Rouselle's own collection. Present location unknown. 
Rouselle's notes:

"L'exenplaire de notre bibliothéque a un second titre avec cette variant…'M. Arthur Dinaux, qui s'est occupé de cet ouvrage dans les Archives du Nord de la France et de Midi de la Belgique, nouvelle série, t.v., p. 220, en a attribué la paternitié à Gilles De Boussu. Nous croyons que c'est une erreur et que cette pièce est l'oeuvre d'un pére jésuite du séminaire de Mons.

<<J'ai cru, dit l'auteur dan un avant propos, ne pouvoir présenter rien de plus convenable à Mademoiselle Vander-Burch, niéce de l'archevêque de ce nom, et de la fondatrice des Filles de Notre-Dame, que le martyre de la protectrice de la sainte maison qu'elle gouverna avec tant de sagesse, de vertu et de prudence. La chute que cette Demoiselle fit l'hiver dernier et le jubilé qu'elle vient de faire out fourni le sujet de trois petites (sic) acts d'opera, oú Mademoiselle la supéerieure paraîtra sous le nom de Climène. M. Sauton, organiste du chapitre royal de Ste-Waudru les a mis en musique. Si mes vers ne paraissant point assez châtiés, j'espére qu'en faveur de mes autres occupations, on voudra bien me le pardonner.>>


Notes:
Interleaved with 4 Act Tragedy Jonathas Machabeus Ambitu Tryphonis Captus etc. 
Includes actors' names but not year in school. Listed as a comedy on the title page but as an Interludium in the synopsis pages of the tragedy. Unless the comedy is performed separately and there is an actual 3 part Interludium in the tragedy. Impossible to tell.


Notes:
Interleaved with 5 part Tragedy Justinianus Imperator Belisarium . . .


Programme Main Title:
Clodovaus Magnus, Alexander Magnus, Theseus


Notes:
13 characters + 16 choir. Have complete musical text


Programme Title Page:
Coecus in vi(t?)a. / Sive / duorum coecorum dolus punitus. / Der blinde am Weg. / Das ist: / Zweyer Blinder Bettler gestraffter Betrug./ Drama morale. / Exhibitum / augustissimis ... / caesareis, regiisque majestatibus / et / serenissimis Austriae archi-ducibus / Leopoldo I. / Eleonorae Magdalenae. / Iosepho I. / Wilhelminae Amaliae. / Carolo. / Mariae Elisabethae. / Mariae Annae. / Mariae Iosephae. / Mariae Magdalenae. / A caesareo gymnasio domus professae soc. Iesu, ludis Saturnalibus. / Anno 1702. Dominica Quinquagesimae. / Musicam composuit / ... domus professae societatis / Iesu capellae magister. / Saltum instruxit / D. Antonius Verlet, universitatis Viennensis privilegiatus lanista et choragus. Also in Sommervogel vol 1:54.

Notes:
Libellum fecit Iohannes Baptista Adolph. Opus complectens 5 partes, quae sunt: prolusio, I., II., III. pars, epilogus. Sunt autem haec in hunc ordinem digesta: Volumini manu scripto praeligatur libellus impressus, cuius ultima pagina (fol. 5b) nomina actorum et cantorum complectitur. Posthaec fol. 6a - 7b. Prolusio. Textus manu scriptus; 8a - 17b numeri musici prolusionis. 18a - 21b textus I. partis; 22a - 30b numeri musici partis cantabilis (chori I, qui concludit "inductionem IV." partis I.). 31a - 38b textus partis II., complectentis 8 "inductiones" cum choro II.; 39a - 45b numeri musici chori II. 46a - 49b textus partis III., complectentis 4 "inductiones" et "epilogum"; 50a - 55b numeri musici epilogi. Part. ch. XVIII. 55. f. et 4°. 


Translated Title:
Coelestis Argi
seu
Divinae Providentiae
Ludus
In Restituto Parenti
Filio

Das ift
Jungerbarliche Zuftelhung eines
Sohns feinem Vatter durch Gottliche
Vorfichtigteit
In einem Schau-Spill vorgeftellt
Von der ftudierenden Jugend dess Gymnafij
der Societat JESU zu Landshuet den 5. und 6.
September im Jahr 1707.

Gedruckt ben Simon Solowiz.

Programme Main Title:
Coelestis Argi seu Divinae Providentiae Ludus In Restituto Parenti Filio

Notes:
Incomplete entry. Awaiting copy from the British Library.

Jesuit playbill. 5 & 6 Sept 1707. Landshuet.
Lang = Latin & German
5 Acts
Cast: 52+ 26 Perfonae Muficus (incl composer)
Modulos Muficos compofuit Nob. ac fpectatiffimus D. Ant. Deichel S. R. J. Principis & Epil. Euftett. Vice-Capellae Magifter.
Main characters = Clodoaldus Rex. Martialis.
Story = Clodoaldus
Tragedy + prologus, epilogus + choruses which comment on the action. 

Page 2:
Argument – Latin, then German

Page 3
German argument con’t

Prologus
Caeca Fortuna, quae fibi Dominium Mundi arrogat, Theatrum cedere cogitur caelefti Argo, feu divinae Providentiae, quae ludit in orbe terrarum.

Actus I
Scene I – III

Page 4
Scena IV
CHORUS I
Divinus Argus follicitius gregem fuum cuftodit.

Actus II
Scena I – VI

CHORUS II
Iafon a Dracone cuftodito aureo vellere potitur [This is Jason and the Dragon]

Page 5
Actus III
Scena I – III
CHORUS III
Mars raftra in arma convertit

Actus IV
Scena I – III
CHORUS IV
Amicitiam inter Castorem & Pollucem diffolvere nititur Difcordia.

Actus V
Scena I

Page 6

Scena II – VII
Epilogus
Exhibet, quam Divina Providentia feu caelestis Argus, attingat a fine ad finem fortiter, & difponat omnia fuaviter.

Signed: Omnia ad Maiorem DEI Gloriam

Page 7
Syllabus Actorum
Main Cast = 11
Aulici = 4
Ephebi = 3
Paftorculi = 8
Venatores & Milites = 2
Satellites = 7
Rustici = 8
Caeci = 8
Perfonae Muficae = 2
Comites = 6
Comites = 5 (also singers)
Comites = 13 (also singers)


Notes:
Paired with tragedy Rodericus Rex, et Julianus Comes


Programme Main Title:
Comenia seu Rara Fratrum Charitas Tragoedia


Notes:
Photographs: Augustin Playbills Gent 2006 II #032 - 036

Interleaved with 3 act tragedy,Nil Nisi Principium Belli in Walachia orti Hodie In Ongaria nondum Finiti. Presented by the Grammar class.


Notes:
Photographs: Augustin Playbills Gent 2006 II: #037 - 041.

Performed by the Rudimentorum Alumnis.

Interleaved with 3 act tragedy, Cyrus Persarum Rex A Tomeri Schytiae Regina. Performance ends with 3rd act of the comedy.


Notes:
Incomplete entry. Paired with Justinianus


Notes:
Incomplete entry. Paired with tragedy "Constantia Tragoedia"


Notes:
Incomplete entry. Paired with Constantia Christiana: sive Babylas tragedy.


Notes:
Interleaved with tragedy, Ulferus Merciorum Rex. No cast list or synopsis for the comedy.


Notes:
Interleaved with tragedy Felicitas Septem Filiorum Mater. No cast list or synopsis provided for the comedy. Presented 'ab Etymologiae Alumnis.'


Notes:
Presented in each language separately.  

Interleaved with 5 act tragedy, "Amor in Odio sive Menalippa simul Diligens, et Exo…" (listed separately in the database).


Notes:
Paired with tragedy Gratia Triumphans in Eugenia . . . Item 81 (the Flemish playbill) is handwritten.


Notes:
Interleaved tragedy, Sanctus Hermenegildus etc.


Notes:
Interleaved tragedy, Vindictae Furor in Aran, Tito, ete Thamera


Synopsis:
Res, de qua duo laborant, saepe tertio cedit.

Notes:
Interleaved with Tragedy Sennacherib etc. Includes actors' names but not year in school,


Synopsis:
Fide inexperta hominibus credere, semper temerarium est.

Notes:
Interleaved with tragedy Parricidium. . . M. Brutus et C. Cassio Julii Caesaris etc.


Synopsis:
Subdolus ut vixit, quamvia mergatur in undis, / sic post fata redit, decipit usque senem

Notes:
Interleaved with tragedy, Tragica Belli Mithridatici Coronis. Includes actors' name but not school year.


Synopsis:
Vivere vis felix? Thesauros quaerere noli.

Notes:
Paired with tragedy Absolon Patri Davidi Rebellis


Synopsis:
Vin vivas felix?/Thesaurum quaerer noli.

Notes:
Comoedie synopsis verses:Vin vivas felix?/Thesaurum quaerer noli.
Includes actors' names but not year in school.


Notes:
Interleaved with tragedy Fides, et Amor sive Themistocles


Notes:
Paired with 4 Act tragedy Constantia S. Martyris Joannis Nepomeceni


Notes:
Interleaved with tragedy Manasses Rex Judae Perfidus, etc.


Notes:
Interleaved 5 Act tragedym, Crudelitas sive Peria etc.


Notes:
Interleaved with 4 Act tragedy Ambitio Fraudulenta sive Demetrius Griska


Notes:
Interleaved with 3 Act tragedy Ioannes Baptista, ab Herode etc.


Notes:
Paired with  5 Act tragedy, Vindicta Divina siva Balthassar


Synopsis:
. . . Quod displicet ausu, /Perplacet eventu. . .

Notes:
With tragedy Fides Getae, etc. See notes on the Tragedy for unusual structure that makes it impossible to determine if this comedy was presented separately or as the interludium.


Notes:
Paired with tragedy Richardae in conjugem suum Robertum pia Fidelitas ab Othone III. . .


Synopsis:
Quod Dolus Evincit, Juvenis Dementia Tollit

Notes:
Full title of the comedy: Quod Dolus Evincit, Juvenis Dementia Tollit.  Main character: Euclio. 12 Actors, 13 Choreas Agents, year in school identified.
Paired with a Tragedy and 1, possibly 2 pantomimes/dances: Den Winter end De Lente (The Winter and the Spring).


Notes:
Interleaved with 3 act tragedy, Ingratitudo Bruti in Patrem Severianum


Notes:
Presented 'a Rudimentorum Alumnis'. Interleaved tragedy, Ingratitudo in Parentes sive Lucianus


Notes:
Presented 'ab Insimae Classis Grammatices Alumnis'. Interleaved with 3 act tragedy Vis Invidiae sive Belisarius etc.


Notes:
Incomplete record. Paired with tragedy Acolin


Notes:
Interleaved with 3 act tragedy, Sedecias


Notes:
Interleaved with 5 act tragedy Richardae in Conjugem . . . Ab Othone III. . . Mariae coronata


Notes:
Paired with tragedy Ludovicus Imperator, etc.


Notes:
Interleaved with 3 Act tragedy Invicta Pietas sive Ezechias Rex Juda. The text source for this comedy is Cicero.


Notes:
Incomplete record. Paired with tragedy Henricus Fatalis. Gent IV 005 - 010


Notes:
Presented 'a Rudimentorum Alumnis.' Interleaved with 3 act tragedy Martyrium sive Procopius


Notes:
Paired with tragedy Praesumptio Humana. . . Nabuchodonosor etc.


Notes:
Interleaved 3 act tragedy Ingratitudo Hominis Redempti per Elenahan in Belisa Rebelii Damnata


Notes:
Interleaved with 3 act tragedy Ingratitudo Bruti in Patrum Severianum Punita


Notes:
Interleaved with 5 Act tragedy, Sortis et Amoris Inconstans Favor, sive Origenon dum Dafrosa. Each part of the comedy is given 2 verses synopsis.


Notes:
Interleaved with 3 act tragedy Blasphemia Punita etc.


Notes:
Interleaved with tragedy Paternum Consilium in Aechino Xenophanis Filio, etc.


Notes:
Interleaved with 3 act tragedy, Eudocia et Romanus Diogenes Imperatores


Notes:
Incomplete entry. Paired with tragedy Superbia Punita sive Baltassar


Synopsis:
Pars I: Caula pecus simplex, Melalcam sordida pascit:/ Trans aulam ex caula, pervolat inde Sophus
Pars II: Astrologus factus, porcus mutatur in antro:/Quid mirum? Porcos turgida vita facit,
Pars III: Permanet ex caula, stupidus perductus in aulam:/ Ludibrium Domini fovit (sovit?) utrumque sui,

Notes:
Photographs: Augustin Playbills Gent 2006 II: #047 - 57.

Interleaved with 4 act tragedy, Athanasius inter varias Calamitates.  Performed by the entire school.


Notes:
Paired with tragedy Exaltatio Sanctae Crucis


Notes:
Interleaved tragedy, Rebellio Punita sive Alexius Petri etc.


Notes:
Interleaved with tragedy Superbia fraudulenter Vindicata


Notes:
Interleaved with 4 Act tragedy Humfredus Nobilis Angliae


Notes:
Interleaved with 3 Act tragedy Ecclesia Ab Haereticis Oppressa


Notes:
Paired with tragedy Tori Conjugalis Amor inter Julium Sabinum, etc.


Notes:
Interleaved with 5 Act Tragedy, Boetius Tragoedia


Synopsis:
Intelligentem non posse phantasmata Speculari, Docet Mopsus

Notes:
Paired with 5 Act Tragedy, Mirabilis Cyri et Ariennae Fortuna per Astyagem Medorum et Cyaxarem Persarum Reges ad Optatum Finem Perducta. Includes actors' names but not year in school. One of the Mopsus comedies.


Notes:
Paired with tragedy Judicium temerarium sive Adolphus etc.


Synopsis:
Subdola centoculos juvenum fraus decipit Argos.

Notes:
Paired with Tragedy Plautinanus Intimus Severo Romanorum Caesari XXI.  See the notes on the tragedy for comments on the unusual structure of the playbill. Unable to determine if the comedy was performed separately or as the 5 part Interludium.


Notes:
Interleaved with 5 Act tragedy, Austriae Pietas in Carolo V


Notes:
Paired with tragedy Joseph Per Invidiam. . . Aegypti Pro-Rex Creatus. Presented by the Grammatices Class.


Notes:
Presented "a Supremae Classis Grammaticae.' Interleaved tragedy, Ingratitudo Filialis sive Severus in parentem Benignianum ingratus


Notes:
Interleaved with 5 act tragedy, Zelus Joiadae


Notes:
Presented by 'ab Eloquentiae & Humanitatis,' Interleaved tragedy Pseudo Balduinus


Notes:
Interleaved with 3 act tragedy, Inconstans vitae Theatrum sive Clerobolus. Most likely includes music with the characters of the Demons.


Notes:
Interleaved with 3 act tragedy Dolos a Phenenna etc.


Synopsis:
Rusticus laborum, ac vitae rusticalis pertaesus, nobilius vivendi genus ambit, qui cujusdam amici industria ad marchionatum promovetur; interim accepti beneficii, & suorum promissorum immemor, ingratitudinis poenas sentit; donec, innovata seria promissione, suspendii eripatur periculo.

Notes:
Paired with tragedy Novus Saeculi Aristides seu Carolus cognomento Audax, etc (3 Acts).  Assuming interleaved with the tragedy; possibly presented on its own. In that case, cannot determine how many parts/acts.


Synopsis:
Prima dabit Tactum, Visumque; seconda docebit/Olfactum: Auditum pars tertia: quartaque Gustum.

Notes:
4 parts are assumed, interleaved with 5 act tragedy Mors Darii in Besso  per Alexandrum Vindicata.


Notes:
Interleaved with 5 part Tragedy, Supernae Gratiae Triumphus in Admirabili Augustini Conversione


Programme Main Title:
Comoedia (Untitled): Surgit origo male de Turpi saepe Sodali

Notes:
Incomplete record. Gent IV 001 - 5. Paired with tragedy Abram Triumphans


Notes:
Presented 'a Figuristis Majoribus.' Interleaved 3 act tragedy, Athenais per Theodosium


Notes:
Interleaved with 5 act tragedy Impii Facinoris Vindex Victoriosus


Notes:
Interleaved 3 act tragedy, Subacta Impietas, sive Clodoaldus, etc.


Notes:
Interleaved with 5 act tragedy,  Carolus VII etc.  Cast contains pirates & sailors - high probability of songs included.


Notes:
Interleaved with 5 Act tragedy, Ecclesiae Immunitas sive Thomas Cantuariensis


Performance Referenced In:
Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu

Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

Item 6 in: Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu, componebat. Ms = Royal Acad. Histonry in Madrid. Written between 1556 - 1572. Six items total.


Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890.

This play appears in a ms., "Comoedia, dialogi et orationes quas P. Acevedus, Sacerdos Societatis Jesu, componebat," held in the Royal Academy of History in Madrid, written between 1556 - 1572. Contains 6 plays:
1. Actio in honorem Virginis Mariae
2. Comoedia: Lucifer furens
3. Trofes de el divino amor etc
4. Comoedia prodigi filii
5. Comoedia habita Hispali etc
6. Comoedia Bellum virtutis etc


Notes:
Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 27.

Item 4 in: Comeodia, dialogi et orationes quas P. Aceuevdus, Sacerdos Societatis Jesu, componebat. Ms = Royal Acad. History in Madrid. Written between 1556 - 1572. Six items total.


Notes:
Full title of the comedy:Subdola centoculos astutia decipit Argos.


Synopsis:
Dure sexex nimium prohibens cannubia natae/Nil agis, & proprio falleris ore tuo.

Notes:
Comoedie synopsis verses:Dure sexex nimium prohibens cannubia natae/Nil agis, & proprio falleris ore tuo.


Notes:
There is a chorus at the end of Acts I - IV; each is a different short play, mythological. Each is listed separately in the database under the following titles, as listed in the programme:

Act I: Chorus, ‘Orpheus Truncum arborum Regem creat.’ Cast list = 7

Act II: Chorus, ‘Jupiter Stultitiam & Amorem nexu perpetuo inter se jungit.’ Cast list = 3

Act III: Saltus. 5 names listed under ‘Salii.’ 

Act IV: Chorus, ‘Menalcas ad Aulam aspirans luditur.’ Cast list = 3


Programme Main Title:
Constantia Christiana in Nabore, et Felice

Notes:
Inteleaved with a 3 Act comedy, Cara caro fuerit. Includes Prologue and Epilogue.


Programme Title Page:
Constantia Christiana: sive Babylas Episcopus, per Decium Imperatorem, Una cum Sociis Martryrio consecratus

Programme Main Title:
Constantia Christiana: sive Babylas tragedy

Notes:
Incomplete entry. Paired with untitled comedy.


Programme Main Title:
Constantia S. Martyris Joannis Nepomuceni

Notes:
Includes a 4 Part Interludium and a comedy, Domdinus. It is very likely that this tragedy was sung throughout.  Clue words in the synopsis and the cast of Ephebi, Furiae, Daemonon. Includes an Epilogue.


Notes:
Incomplete entry. Paired with a separately entered untitled comedy "Quod nimium"


Programme Main Title:
Constatinus den Grooten Eersten Christenen Keyzer over den Goddeloosen Maximianus Zegen-Praelende

Notes:
On the heading of the title page in ink has been added: Per R P Dom. Candetiers (Candelius?) Praefectum. 16 Actors, no year in sch. ID'd. Flemish only, per act.


Translated Title:
Contemplation of the Passion of Our Lord Jesus Christ

Programme Main Title:
Contemplatio De Passione Domini Nostri Jesu Christi

Notes:
Arias & recitatives alternate. Prologue & Epilogue. Includes libretto. 6 scenes (Punctum)


Programme Main Title:
Contemptus Religionis a Deo in Joa, Rege Judae Vindicatus

Notes:
Latin and German separate. Year in school provided in cast list. Part I & II conclude with a Chorus, a separate all-sung dramatic work that includes the Prologue. 3 chief performers of the main characters (allegorical); rest is choir. Characters: Jojada, Umbra, Idololat.; Providentia, Justitia, Umbra; Comes Justitiae, Umbra. 
Prologue: Idololatriam, jam de Religione in Judaea triumphare parantem, Divinia Providentia abigit; Religionem autem per promissum Illi auxilium novam spem erigit. 
Chorus I: Religio recenti adhuc Zachariae sanguine consternata, Pios manes ad petendam a Deo vindictam evocat.
Chorus II: Invocata a Religione Justitia dormienti Joae accepta beneficia exhibet per Joiadam e tumulo excitatum; simul ipsi ingratitudinem exprobrat, & non obscure violentam mortem denunciat.
Signed OAMDG.


Synopsis:
Subdolus ut vixit, sit quamvis glande peremptus,/Sic post fata redit, decipit usque senem.

Notes:
Comedy Synopsis: Subdolus ut vixit, sit quamvis glande peremptus,/Sic post fata redit, decipit usque senem. 20 Actors, 14 Choreas Agent, year in school identified.

Paired with a tragedy and two pantomimes/dances: Het Water and Her Vuer.


Programme Main Title:
Crudelis Ultio sive Boaldus Tobali Filii Sui Necem Vindicans

Notes:
Presented by the 'Supremae classis grammatices'. Interleaved with 3 part comedy, Ballio.


Programme Main Title:
Crudelitas Punita, sive Saevus Fengo per Astutiam Amlethi


Programme Title Page:
Crudelitas sive Peria in Sangui-sugam Fratrem Ismael saviens, Per Fratrem Hodabendam Punita

Programme Main Title:
Crudelitas sive Peria in Sangui-sugam Fratrem Ismael saviens, Per Fratrem Hodabendam Punita


Notes:
Latin and German separate. Year in school provided.

Structure:
Prologus: Diluvium ostendit hominibus, quam severe DEUS puniat peccata carnis. Gen. c. 6.
Act I: 5 scenes.
Scena muta exhibet Saltu allegorico prmam partem actionis.
Act II: 4 scenes
Chorus I: David, legem divinam transgressus, agnoscit peccati malitiam. L. 2 Reg. c. 12
Act III: 7 scenes
Scena muta exhibet alteram partem actionis
Act IV: 4 scenes
Chorus II: David, peccatum serio detestans, a Deo meretur veniam.
Act V: 7 scenes.

Personae Musicae:
Spectatissimus D. Joan. Georg. Faber, Cantor ad S. Emmeram = David Rex
Phil = Noe: (Prologus)
Poeta  = missing character name
 Synt Maj = Nathan Propheta
Synt min = Ephebus Davidis
Gram = 5 , no character
Gram = Clementia
Gram = Convictor
Rud = Ephebus Davidis
Rud = 4, no character
Rud = Justitia
Rud = Cupido

Chorus Pereuntium in diluvio, & Aulicorum Davidis.

Actores List (for the Salii)
Salii Mimici (not musicians)
Genius Provedentia
Proteus
Comes Prov.
4 Comes Protei
2 Comes Cupid.
Comes Prov.
Cupido


Signed OAMDG


Programme Title Page:
Curae Caesarum Pro Deo, Et Populo, Sive Theodosius Magnus, Justus, et Pius Imperator de Eugenio Tyranno Triumphans

Notes:
Interleaved with comedy, Drolio Sylvester (3 parts)


Programme Title Page:
Curae Regum, Sive Horatiorum, Curiatiorumque Conflictus sub Tullo Hostilio et Metio Suffetio Romanorum, Albanorumque Regibus, Nobilissimis, Amplissimisque Dominis Summo Praetori, Et Caeteris Civitatis Gandavensis Senatoribus Perpertuis suis Maecenatibus

Programme Main Title:
Curae Regum, Sive Horatiorum, Curiatiorumque Conflictus sub Tullo Hostilio

Notes:
Photographs: Augustin Playbills Gent 2006: #6 - 11
Also includes 4 part unidentified Interludium (not listed separately in the database) + Epilogue + Prologue. Presented in each language separately. There is also a small leaf from p. 232 of a book 'Heritiers de Maximilien Graet' (the publisher) detailing the printing of this play.

Structure:
Prologue
Act I
Interludii Part I
Act II
Interludii Part II
Act III
Interludii Part III
Act IV
Interludii Part IV
Act V
Epilogue

Signed: Omnia in Gloriam Dei

The exerpt from the book: Heritiers De Maximilien Graet p. 232
"1514. Curae Regum, etc (give title in full). "In - 4, 1f. La piece imprimee par les heritiers de Max. Graet, en 1696, portant a peu pres le mem titre, est toute differente."


Programme Main Title:
Cyrus Persarum Rex a Tomeri Schytiae Regina Superatus

Notes:
Photographs: Augustin Playbills Gent #037 - 041.

Interleaved with an unidentified 3 part comedy (listed separately in the database).  Production ends with third act of the comedy.


Translated Title:
Please see attached photograph for title: may be errors on my part.

Notes:
This tragedy was performed with 2 other works, one of which was entirely sung. The entirely sung work is a mixture of mythological and allegorical characters with a small cast; the interludi (or Saltu, as it is labeled here), is an allegorical work with a huge cast. The structure of the playbill implies each work was performed separately, rather than interwoven as was the custom. The libretto for the entirely sung work has survived complete with composer name.  These other two works are listed separately in the database.


Translated Title:
Daniel in Lacu Leonum in scenam dabitur a Figuristis Minoribus in Gymnasio Sancti Patris Augustini Gandavi 8. Julii 1720

Notes:
Photography: Augustin Playbills Gent 2006 II #042 - 46.

Interleaved with a 3 part untitled Interludium. Third part of Interludium is followed by the final scene of the 3rd Act and an Epilogue.  There is also a Prologue. Both Epilogue and Prologue are untitled. The Interludium nor the Epi/Pro are not listed separately.


Notes:
Synopsis for each act. Interleaved with a 3 Part Interludi in addition to the comedy Mascarillus.


Translated Title:
Daniel interprets from Nebuchondonosor's dreams

Programme Main Title:
Daniël Somnii interpres à Nebuchodonosore Sublimatus

Notes:
Synopsis for each act. Paired with a comedy with main character Menalcas. From the synopsis given, believe this comedy was interleaved with the tragedy, although not listed in the act synopsis pages.


Notes:
One of two dances concluding the programme. With tragedy Esther and comedy Praecautio inutilis


Notes:
Complete full score. Requires 2 treble instruments, 1 alto instrument, basso continuo, SATB chorus, SSSSAT characters (who would typically double with the choir). This is a clean handwritten copy, no deletions or instructions. Stamped Societatis Jesuit Insula, a designation for the English Jesuits. This would the College of St Omers who relocated from St Omers to Liege via Brugge.


Programme Title Page:
Daphnis Pastor Jubilaeus Jovi Sacrificans Drama Musicum Honoribus

Programme Main Title:
Daphnis Pastor Jubilaeus Jovi Sacrificans Drama Musicum


Notes:
Rouselle. Bibliographie Montoise. Mons: Typography de Masquillier et Lamir, 1863. p.399-400

"Daphnis pastorale, presentée à son Altesse Monseigneur Léoplod Joseph par la grâce de Dieu duc D'Aremburg, prince du Saint-Empire, duc d'Arschot et de Croy, prince de Château. Porceau et de Rébeque, marquis de Mont-Carnet, cote de Lalaing et de Seneghem, seignuer de ville et dépendances d'Enghien, de Hal et de Braine-le-Comte, grand d'Espagne, chevalier de l'ordre de la Toison d'Or, conseillor d'Etat dans les Païs-Bas, Lieutenant général des armées de sa majesté impériale et catholique, gentilhomme de sa chambre, grand ballide Hainaut, gouverneur de Mons; Par le collége de la Compagnie de Jesus en cette ville. A Mons, chez Jean Nicolas Varret et la Veuve Preud'homme, imprimeur de Messiers les Magistrats, rue de la Clef. 1719.

 In 4o. 7 pgs. "In bible de M. Henri Delmotte.""


Notes:
Unusual program. 7 characters and choir (at least)


Programme Title Page:
Das der Welt abgestorbne und tausendfältig fruchtbringende Evangelische Waitzen-Körnlein, In dem H. Ramedio Auf öffentlicher Schau-Bühne vorgestellt, Zu unterthänigsten Ehren ihres ... Schutz-Patron bey Gott, Von einer ehrsamen Gemeinde von Thaur, Im Jahr Christi 1714

Programme Main Title:
Das der Welt abgestorbne und tausendfältig fruchtbringende Evangelische Waitzen-Körnlein


Performance Referenced In:
William S. McCabe, SJ. in The Musical Quarterly, July 1938.

Notes:
Includes music: Dr. Sypherd has noted "Zwischen Musik". Also connected with another play, #12 in his list.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. 
P.64


Programme Title Page:
Das Schafer-Fest, Ein Vorspiel, Welches Einer Hochgebiefhenden Obrigteit Der Frenenl Reichsftadt Regensburg, zu Ehren fur die gnadig ertheilte Erlaubniss, und Der Samflichen Burgerschaft zur Dantbarteit fur den geneigten Zuspruch, von der Tchuchischen Gesellschaft zugeeignet und vorgestellet ward, verfertiget von Adam Gottfried Uhlich

Programme Main Title:
Das Schafer-Fest, Ein Vorspiel, Welches Einer Hochgebiefhenden Obrigteit Der Frenenl Reichsftadt Regensburg

Notes:
This play is in German. It is not performed and has no connection with any of the religious orders/colleges in Regensburg, but is, with several similar works, included in this volumes of playbills. The libretto is included with the playbill and parts appear to have been sung.


Notes:
Attrib. to John Bale, Bishop of Ossary (1495 - 1563). 
Notes in the BL entry: In 5 acts; in iambic trimeters and various choric meters. Characters: Jacob, Absalom, Ahitopbel, Messenger, David, Abishai, Cushai, Zadok, Abiathar, Watchman, and Ahimaaz. Modern note attributing to John Bale; however, this is not included in his own list of his works nor in any other list, appears never to have been printed. Numerous corrections; apparently written by the author. Paper: 30ff XVI a octavo.


Programme Title Page:
David In Regem Totius Israel Electus a ... Musis Salemitanis pro Ludis autumnalibus dramate horario exhibitus Anno MDCCLXVIII. Mense Septembri


Notes:
4 characters + unspecified choir.Includes complete music text.


Programme Main Title:
De Aerde: De Pantomime en de Danssen/Zullen Verbeelden

Notes:
The pantomine main characters are Atlas, Pomono, and Cupid. Paired with tragedy Eleazar en Salomona and the comedy Paedagogus Ludificatus and a second Pantomime, De Logt.
There is a synopsis provided for both pantomimes.


Programme Main Title:
De dansen zullen verbeelden Den avond ende den Morgend


Programme Main Title:
De Dansen Zullen Verbeelden Den Somer Ende Den Her

Notes:
Preceded by the tragedy Saul, Rex Israel with the comedy Octo similes. Playbill signed Omnia in gloriam Dei.


Programme Main Title:
De Dansen, Zullen Verbeelden: De Somer Ende Den He


Programme Main Title:
De Logt: De Pantomime en de Danssen/Zullen Verbeelden

Notes:
The pantomine main characters are Aeolus, Juno, and Cupid. Paired with tragedy Eleazar en Salomona and the comedy Paedagogus Ludificatus and a second Pantomime, De Aerde.
There is a synopsis provided for both pantomimes.


Programme Main Title:
De Pantomime Ende Den Winter/Danssen Ende/Zullen Verbeelden de Lente


Programme Main Title:
De Pantomine Ende Het Water/ Danssen Ende/ Zullen Verbeelden Het Vuer

Notes:
The Pantomime (The Water) stars Neptune.. These are 2 pantomines with dancing


Programme Title Page:
De Verduldige Liefe van Joseph zegen praelende over den Broederlyken Haet

Programme Main Title:
De Verduldige Liefe van Joseph zegen praelende over den Broederlyken Haet

Notes:
Includes 3 interludi in addition to the comedy Pintelaer, a Drunkard.


Programme Main Title:
De wet Gedts in de Ull Broeders Machbeen


Programme Title Page:
Debitum Remissum. Materia Medditationis Scenicae, Exhibendae pridie Recollectionis Triduanae, Obeundae a Sodalibus Congregationis B. V. Mariae sine labe conceptae, Ratisbonae in Oratorio Mariano

Programme Main Title:
Debitum Remissum. Materia Medditationis Scenicae

Synopsis:
Argumentum: 
Assilatum est Regnum Caelorum Homini Regi, qui voluit rationem ponere cum servis suis; cum coepissit rationem ponere, oblatus est ei unus, qui debebat ei decem millia. Cum autem non haberet, unde redderet, jussit eum Dominus ejus venundari, & uxorem ejus, & filios, & omnia, quae habebat; & reddi. Procidens autem servus ille orabat eum dicens: patientiam habe in me, & omnia reddam tibi. Misertus autem Dominus servi illius, dimisit eum, & debitum dimisit ei. - Matth 18.

Notes:
From the appearances of the playbill, this was not performed by the Society of Jesus college in Regensburg but rather by the church musicians. No cast list is provided. The contents of the playbill are as follows:
Argumentum (typed into the Synopsis field above)

Fructus ex Parabola eliciendus,
Materia Musices

Pars I
Praeparatio ad maturam, & sinceram peccatorum Confessionem ex consideratione mortis, ac Judicii.
Agnitio culpae, & sui ipsius.
Perfecta Contritio cum propositio emendationis.

Pars II
Fuga peccati ob ejus malitiam, & damna.
Cura satisfaciendi pro peccato.
Fiducia in Dei Bonitate per Christi patientis merita.

Ordo Diurnus
Ante Prandium (there fors a list of prayer instructions for each hour)
A Prandio (there follows a list of prayer instructions for each hour)

Patroni: Hujus Sacri Tridui
3 prayers & their sources. Prayers to Jesus, Maria, and Joseph (in that order)
Signed, OAMDG


Programme Title Page:
Dei Bonitas de Human Pertinacia Victrix sive Alphonsus X Legionis Castellae Rex, Pertinaciter Blasphemus, Clementer a Deo Emendatus


Programme Title Page:
Dei Bonitas De Humana Pertinacia Victrix, sive, Alphonsus X. Legionis et Castellae Rex, Pertinaciter Blasphemus, Clementer a Deo Emendatus

Programme Main Title:
Dei Bonitas De Humana Pertinacia Victrix

Notes:
Latin and German separately. Year in school provided in the cast list. 
Interesting structure: first play in 5 acts seen by this school. Structure is as follows:
Prologus: Conversio Sancti Paul Act. 9
Act I
Saltus
Act II
Chorus I: Joannes Baptista in aula Herodis, veritatis victimas. Marc. 6
Act III
Saltus
Act IV
Chorus II: David ad vocem Nathan poenitens. 2 Reg. 12.
Act V

Personae Musicae (arranged by Year in School)
Theology Moral Studia: S. Joannes Baptista & David Rex; Saulus & Aulicus
Rhetoric: Herodes Rex & Nathan Propheta; Ananias Propheta; Nuntius
Humanities: Salius; Salius
Syn Maj: 4: Syn Min: 6; Grammar: 12; Rudiments: 3. These are in the choir, no parts.
Signed Omnia ad Majorem Dei Deiparaeque Virginis honorem & Gloriam.


Programme Title Page:
Dejotarus Rex. . . In dem Churfurstlilcher Lyceo der Gesellschafft Jesu in Munchen


Notes:
Cannot determine how many parts/acts to the comedy. 2 Parts most likely,  interleaved within the 3 main acts of the accompanying tragedy, Impietas Pyrenei Tyranni Punita.  Includes actors' names but not year in school


Programme Title Page:
Der In eigner Maschen Gefangne Teufel In Einer Comödien vorgestellt Durch die Salmansweilische Musen

Programme Main Title:
Der In eigner Maschen Gefangne Teufel In Einer Comödien vorgestellt Durch die Salmansweilische Musen


Programme Title Page:
Der Tag des Feurs ein Singspiel zu höchsten Ehren des Hochwürdigsten ... Herrn Bischofs zu Freysing ... Herrn Ludwig Josephs aus dem ... Geschlecht der Freyen Reichsfreyherren von Welden ... an dem höchsterfreulichen Tage Seiner Bischöflichen Weihung ... aufgeführet von den benedictinischen Musen des hochfürstlichen freysingischen Lyceums im Jahre 1769

Programme Main Title:
Der Tag des Feurs ein Singspiel zu höchsten Ehren des Hochwürdigsten


Programme Title Page:
Der Tod L. Junii Bruti in einem Aufzug(This is L. Junius Brutus Tarquiniis)


Notes:
This playbill includes 2 other works: an all-sung comedy and there seems also to be an interludium and perhaps also a pantomime. Please see the photographs: the structure of this work is unclear, as the playbill includes only the title page and the cast lists. The comedy & the interludium are listed separately, but the possible pantomime information is included with the interludium. 
No synopsis of these plays has been provided. 

The entire performance was staged by the Rhetoric class.


Programme Main Title:
Die Gekrönte Unschuld in der Heiligen Genoveva ein Traur-spiel

Notes:
Music text included in program. Entirely sung: no cast list.


Programme Main Title:
Die Gutigkeit Des Titus. . . Vorgestellet In einem gesingenen Schau-spiele

Notes:
132pp. Title page "Die Gutikeit Des Titus. . . Vorgestellet In einem gesingenen Schau-spiele zu hochsten Ehren Der Durchleuchtigsten Maximililan Joseph. . . Mit. . . Maria Anna, Gebohrner Koniglichen Printzepin aus Pahlen etc etc. Aus dem Welschen in das Teutsche ubersetzet von * * *. [La Clemenza  Di Tito]


Notes:
Items 13, 14 are 2 copies of the same playbill.  There is a tragedy and also a pantomime.  Cannot determine if the work was presented in Latin or German. Singspiel indicates the work was sung. 
The pantomime is listed separately.

Structure:

Scene 1
Scene 2
Scene 3
Pantomime
Scene 4
Scene 5
Scene 6


Programme Main Title:
Die Mutter der Machabaer, ein Treurspiel


Programme Main Title:
Die vereinigte Tragodie un Comodie Ein Vorspiel

Notes:
This drama is not associated/connected with any religious order or college in Regensburg. In German. 

Typed into a separate word document - seems to be the entire libretto. In verse. Might have been sung. Old German script.
Joannis Baptistae Lang (name not on doc, but in a coll. Of his prints)


Programme Main Title:
Die Verlassne Dido ein Musikalisches Trauerspiel

Notes:
193pp. Title page "Die Verlassne Dido ein Musikalisches Trauerspiel, Vorgestellt auf dem Neuen Hoftheater Auf hochsten Befeht Sr. Churfurstl. Durchlaucht Maximilian Josef. . . In Carnval 1756. . . Die Poesie ist von Herrn Abbten Peter Metastasio, Poeten Sr. R. K.K. M. Die Musik ist von Herrn Andre von Bernaskoni, Sr. Churfurstl. Durchlaucht zu Bayern Rath und Capellmeister. La Dido Abbandonata


Programme Title Page:
Die von Göttlicher Liebe Aus dem Sünden-Schlaff Zu wahrer Buß Erweckte Seele. . .Musicalisch verfasset Von ... Vigilio Blasio Faitelli, Des Königlichen Stiffts zu Hall Musico und Compositore …

Programme Main Title:
Die von Göttlicher Liebe Aus dem Sünden-Schlaff Zu wahrer Buß Erweckte Seele


Programme Main Title:
Die Zwischenmusik: F:uhret auf den Streit zwischen der Christlichen und Findlichen (Eindlichen?) Liebe

Notes:
This dramatic work was presented with the tragedy, Vindicta Christiana. The Tragedy was performed using members of the Poetry class; the cast of this work is take from mutiple classes:

Wolfgangus B:ohm: Die Rache: Sem. S. Emmer,. Poeta
Joan. Ev. St:otter: Der Zorn: Syn Min. Sem St Paul
Mich. Engel: Die Christliche Liebe: Gramm Sem St Paul
Udalr. Voraus: Die Findliche Liebe: Gramm Sem St. Paul

No further information about this work is provided by the playbill.


Programme Title Page:
Dies ignis. Drama musicum honoribus. . . Benedictinis lycei Frisingensis


Programme Title Page:
Dilectus A Domino Deo Suo Samuel... In Reverendißimo ... Domino Mauro Exempti Monasterii Montis sancti Andechs ... Abbate Vigilantissimo Redivivus Cum Sacerdos Iubilaeus Supremo Rerum Domino Agnum Paschalem Immaculatum, Et Stolis Albis Candidum, Iubilario Incruento Sacrificio Solemniter Immolaret

Notes:
22pp. Title page: "Dilectus a Domino Deo Suo Samuel. . . In Reverendissimo. . . Domino Mauro Exempti Monasteri Mentis Sancti Andechs. . . Abbate Vigilantissimo Redivivus cum Sacerdos Iubilaeus Supremo Rerum Domino Agnum Paschalem Immaculatum, et Solis Albis Candidum, Iubilario Incruento Sacrificio Solemniter Immolaret. . . Musicam in Scenam datus


Notes:
Interleaved with 4 Part Comedy, Fraus Fraude Punita


Notes:
Interleaved with the 5 act tragedy Alexii Angeli etc. Labeled a Comedia Scholion.


Programme Title Page:
Divertissement sur la naissance de Monseigneur de Dauphin, chanté à la fête qui fut donnée au jeu de MM. les chevaliers de l'Arquebuse, par M. le Comte de Tavanes, le 14 Septembre 1729. Paroles du R. P. Adam. Musique de Lejolivet. Dijon, A. de Fay.

Programme Main Title:
Divertissement sur la naissance de Monseigneur de Dauphin

Notes:
4o.

Sommervogel, Carlos S. J. Bibliothéque de la Compagnie de Jésus. Nouvelle Ed. Tome I. Bruxelles, Oscar Schepens, 1890. 42:1.


Programme Title Page:
Divi Aurelii Augustini Hypponensium Episcopi Pium ad Patrem aeternum Suspirium: Aspice Redemptoris Supplicium; & dimitte Redempti delictum. Meditationum cap:6. Ad renovandam Patientis Domini Memoriam

Programme Main Title:
Divi Aurelii Augustini Hypponensium Episcopi Pium ad Patrem aeternum Suspirium

Notes:
7 scenes. Arias and recits indicated in playbill;opens with with musical duet prologue, with chorus, no cast list. Indications of an interleaved comedy (not listed separately in the database).


Programme Title Page:
Divina Providentia Domui Palatinae Propitia In Theatro Exhibita ... à Collegio Societatis Jesu Oenipontano Anno 1717


Programme Main Title:
Divina Providentia in Josepho preasenti tragoediae praeludit


Programme Title Page:
Divinae Justitiae Tuba sive Justum Dei Judicium in Mauritio Romano-Graecorum Imperatore Tragoedia

Programme Main Title:
Divinae Justitiae Tuba sive Justum Dei Judicium in Mauritio Romano-Graecorum Imperatore Tragoedia

Notes:
Synopsis for each act. Includes Prologue and Epilogue with their own synopses:
Prologue: Serveram Dei justitiam GENIUS metuendam proponit peccatoribus
Epilogue:  Ex exhibita Scena GENIUS morale deducit corollarium.
Paired with a comedy whose main character is Horspides, an allegorial work. Includes actors' names but not year in school.


Notes:
22 Actors + 12 member Cantores. The actors are identified by year in school; but not so for the Cantores.


Notes:
10 actors, with year in school. No synopsis provided.


Notes:
Presented 'ab Etymologiae Alumnis'. Interleaved with 3 part comedy, Brutus


Notes:
Written in hand No 3, same flourishes as No. 2 but larger and clearer. 
Top of play, following the title:

'Hanc immediate subsecuta est scena comica in hos subscriptum thema:
Dobbel tresien(?), L'oze vonten, en daer me doortrapten aert
zend licht den goeden ssinecht naer Bedriegen Bedevaert(?)

Last page of the play:

'Quinta Locorum Distributione 2da Aprilis 1770.  habita est Declamatio de Passione Domini per Syntaxis Gerardum  Teytmans(?) Sebastianum Stiels & Henr. Schouterden

Characters:
Herus
Davus, servant
Sosia, servant
Callin Conf. Davi
oenopola
Rusticus Gallinarius
Gallinarius Pater 

(the cast list says there are six, but I see 7 at initial glance. Please see photos for better interpretation).

Structure:
Actus Prior: 4 scenes
Actus Altus: 6 scenes


Notes:
Kluchte/ Op Dezen Zin/Niet is'er dar den Mensch meer smert,/Als dobbel loosheyt van het hert./ INHOUD/ Den Doctor Coenraet haert een Dienstmaert voor fijn eygen/Lemmert uyt de Gebuert' werkt ook om haer te krygen,/Maer Davus Lomerts knecht speelt hun met


Programme Title Page:
Dolis Icta, Non Victa Innocentia Philysandri Palemeti Thraciae Regis Filii Tragi-Comoedia

Programme Main Title:
Dolis Icta, Non Victa Innocentia Philysandri Palemeti Thraciae Regis Filii Tragi-Comoedia

Notes:
Incomplete record, NO COMEDY. Gent III 20 - 24.


Programme Main Title:
Dolus a Phenanna conceptus ab Almigerino punitus Tragoedia

Notes:
Synopsis for entire play and for each act. Paired with comedy Sosia. Includes actors' names but not year in school.


Notes:
Interleaved with 3 part comedy, Polydorus. Presented 'ab Humanitatis Alumnis'.


Programme Title Page:
Dolus Bonus Comoedia. Dedere Olim duo Mimi: hodie Discipuli Lycei & Gymansii Societatis Jesu ad D. Pauli

Notes:
Latin & German separately. Year in school provided, but not voice part.
Prologus: Histrio mundi divinae Providentiae theatrum cedit. Haec futurae comoediae periocham dat.
Part I (6 scenes)
Chorus I: D. Paulus. Dolo vos cepi. 2 Cor. 12
Part II (6 scenes)
Chorus II: Et primo Prologum de vanitate mundi.
Part III (6 scenes)
In Musica:
Canonical Studies: Sanctus Paulus
Syntax Maj: Histrio mundi
Rudiments: Providentia Divina
Chorus: Syn Maj = 3; Syn Min = 10; Gram = 8; Rud = 7
Signed OAMDG


Programme Title Page:
Dositheus Koch (Roch?) in der ersten prob ein Lehr-Weister Der hochten Jugend Von der grosseren Congregation unser Lieben Frauen Bertundigung (Vertundigung?)

Programme Main Title:
Dositheus Koch (Roch?) in der ersten prob ein Lehr-Weister

Notes:
It is not clear if these 2 dramatic works (the tragedy and the entirely sung Job) used students from the school but was staged by the church or if the school staged the production, borrowing students as necessary. All the actors are in the seminary level; the musicians, however, are from the entire strata of the school (voice parts). 

Structure:
Musicalischer Eingang: Dositheus wird von der Goolichen Vorsebung (?B) nach dem Venspiel (?B) des frommen Job, auf di Prob (?) gestellete. [This is the story of Job]
Act 1: Scenes 1 - 9 [The End]

Personae Musicae
Theol Moral Stud = Job
Synt Maj = Genius Div. Provendentiae
Rhetor = Satan
Tres Falsi amici Job = 1 Rhetor, 1 Synt Maj, 1 Synt Min
Duo Angeli = 2 Synt min.

Signed Omnia ad Majorem Dei, Deiparaeque Virginis Honorem & Gloriam.


Synopsis:
Centoculos sis, arge licet, tua lumina centum omni decipiet lumine captus amor

Notes:
Includes Actor's names, but not year in school.


Notes:
Interleaved with 4 Act Tragedy Curae Caesarum Pro Deo, etc. Includes Actors' name but not year in school (as in the tragedy cast list)


Notes:
Includes actors' names, but not year in school.


Notes:
Cast list has names but not year in school. Synopsis for each act. Includes an Epilogue. Includes a 3 part Interludium in addition to comedy Davus Hortulanus


Notes:
Interleaved with 3 part comedy, Mopsus. Includes a Prologue.


Programme Main Title:
Ecclesia Immunitas sive Thomas Cantuariensis


Programme Main Title:
Ecclesiae Immunitas sive Thomas Cantuariensis

Notes:
Interleaved with 4 part comedy, Xantippus


Programme Main Title:
Eclipsis Lunae seu Alvarus de Luna Tragoedia

Notes:
49 characters. Have complete musical text.


Programme Main Title:
Ectypon Utreusque Fortunae Sive Perianda Corinthi Rex


Programme Title Page:
Eigreicher Nahm Maria, Trostlich denen Sundern/ Schrctbahr der Zollen/ vorgestellet Von der hochlobl, grossen Congregation, Unter dem titul Mariae e Vertundugung

Programme Main Title:
Tigreicher Nahm Maria, Trostlich denen Sundern Schrctbahr der Zollen

Notes:
Only in German, old script.  Therefore there may be errors in my transcriptions. This performamce was given by the highest classes in the school; although the school is not identified, the students are all from Soc. Jesu St Paul in modern day Regensburg. 
Structure is 1 Part in 9 scenes. There is a Prologue and a Chorus (given in full below) that are entirely sung.
Prologue: Die Marianische Liebe zehlet die mit dem Nahmen Maria bezeichnete Schaaf, und bedauret den A(U?)lbgang eines derfelben (derselben?).
Scene 1 - IV
Chorus: Die hollische Kauber stellen in der Finsternufz (sz?) dem Marianischen Schafflein nach; werden aber durch den in dem Mond aufgehenden H. Nahmen Maria vertriben.

The Prologue and Chorus are not connected with the main play, which is Adolphus.
This 2 part play is Mary, the Blessed Virgin.
In Musica
Can Studies: Die Marianische Liebe
logic: Hollischer Kauber
Rhetoric: Hollischer Kauber
Synt Maj:; Hollischer Kauber
Synt Maj: Marianischer Schuss-Geist
Signed, OAMDDVMH


Notes:
Dr. Sypherd lists this work as an Oratorio. 
Found listed in Rouanet IV.pp.190 - 194.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938. pg 63

Notes:
Dr. Sypherd's notes: Author is Lassala, Eman. Valence [?]; written before 1806. 

This item is listed in Sommervogel IV.1545.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Programme Title Page:
Eleazar en Salomona/met haer zeven zonen de Machabeën Kloekmoedige voorstaenders der wet tegen den Goddeloosen Koning Antiochus Treur-spel

Programme Main Title:
Eleazar en Salomona met haer zeven zonen de Machabeën Kloekmoedige voorstaenders der wet tegen den Goddeloosen Koning Antiochus Treur-spel

Notes:
21 Actors, no year in school identified. At bottom of cast-list: Kinders Van Matathias en Van Judas Machab. Soldaeten


Notes:
Argument: Pharao Nechao Aegypti Rex, in pugna Caeso Josia, Judaeae Rege, ad Affyrios perrexit; quibus bello superatis, victor Hierosolymam revertitur; Judaeus rege tibi Joachaz constituisse intelligens indignatur, quod se inconsulto nato minorem Joachaz ad regni solium (folium?) evexisset populos. Hinc (Zebida Eliacim madre adnitente) sceptro spoliatum Joachaz vinctum  in Aegyptum abducit Pharao, Eliacim natu majore Rege constituto. Comedy interleaved with the tragedy.


Programme Main Title:
Emericus Hungariae Princeps e Sponso Regio Deiparae Libertus


Programme Main Title:
Esau, et Jacob Mirum Divinae Providentiae Paradigma


Notes:
Flemish and Latin are presented together side by side. 16 Actors. Cast List with the students' year in school.


Programme Main Title:
Esther sub Rege Assuero Judaeorum Protectrix

Notes:
Interleaved 3 part comedy, Mascarillus Medicus


Programme Main Title:
Eucharistia amoris nexus inter Deum et hominem


Programme Title Page:
Eucharistia dissidentium conciliatrix in seditiosa Manriquiana legione comparens. Drama. Partitio. 

Programme Main Title:
Eucharistia dissidentium conciliatrix in seditiosa Manriquiana legione comparens


Notes:
Each part is interleaved in Acts I - III of the 1710 tragedy 'PPerfidia' (listed separately in the database)


Programme Main Title:
Eudocia et Romanus Diogenes Imperatores Tragoedia

Notes:
Interleaved with a 3 part comedy, Megadorus


Programme Title Page:
Eugenius Triumphans: Discriptio Chrono-Graphica Anni, mensis, & diei obtentae, & exhibitae victoriae

Translated Title:
Eugenius Triumpans Descriptio Chrono-Graphica Anni, Mensis, & diei obtentae. & exhibitae victoriae. Item Offernetium, et exhibentium, eUgenII LaUros CeLebratl canDense theatrUM, qUo CaeDente, fUrens Vis othoManna JaCet, hoC tIbI sYntaXIs CarMen DeponIt honorIs qUae perIIt 1 CaeLos 2 lUna, preMenDa rUet. 3 qUInta Dat 4 oCtaVo, 5 qUarto 6 ter-septIMa Cantat, AUgUstInIaDes qUae Data CorDe saCrant
1 Occupatiunem terrae alienae 2 Luna Turcica 3 quinta dies 4 mense Augsto 5 mense Aprili 6 vigesima-prima dies

Notes:
Photographs: Augustin Playbills Gent II #028 - 031

Interleaved a 2-part untitled Interludi. The writing on the title page will need to be deciphered.  Suggest using the Flemish portion, as the Latin portion is more difficult to read because of capitals.


Programme Main Title:
Eustachius Romani Exercitus Imperator Tragoedia


Programme Main Title:
Eutropius S. Ecclesiae Hostis Dignae Vindicatus


Notes:
18 Actors. Last page, 'Vid. P. Joannes Verlinden, Gymn. Praef.'


Notes:
Includes 3 Interludi and 3 "Repraesentationes" that are separate from the Interludi (tableaux, perhaps?) Also includes an Epilogue that might have been sung.  Paired with comedy, Menalcus.


Programme Title Page:
Excessus Amoris Dei Erga peccatricem Animam sub nomine Philotheae Datus cantato Dramate

Programme Main Title:
Excessus Amoris Dei Erga peccatricem Animam sub nomine Philotheae Datus cantato Dramate

Notes:
Latin and German interleaved.  Includes Prologue and Epilogue. 2 choruses, end of Part I (large) and Part IV (short. 

The entire libretto is typed into a separate word document.

Chorus Part I: Angelo deplorant lapsum Philotheae

Angeli pacis amore flebant (Isa. 33:7) super contritionem filiae Sion (Thren. 2:11) quia egressus est ab ea omnis décor ejus (Thren 1:6). Ecce! Quae nutriebatur in croceis amplexata est stercora (Thren 4:;5). Eheu curavimus Babylonem & non est sanata, derelinquamas eam (Jer 51:9)/

Part III: Qualis est dilectus tuus ex dilecto? Quia sic adjurasti nos (Cant 5:9)

Part III: Quo abiit Dilectus tuus? Quo declinavit? & quaeremus eum tecum (Cant 5:17)

Part IV ii: Fulcite me floribus, stipate me malis, quia amore langueo (Cant 2:5)


Notes:
Voigtin (publisher?); 12o. Sommervogel's note: "La meme piece es l'art d P.J. Rechbach"


Programme Main Title:
Fata amicorum tragoedia cum dramate musico


Programme Main Title:
Felicitas mit ihren sieben Sohnen Januarius


Programme Main Title:
Felicitas Septem Filiorum Mater, Tragoedia

Notes:
Interleaved untitled 3 part comedy. Presented 'ab Etymologiae Alumnis'


Notes:
Includes Prologue but not Epilogue. Synopsis for each act.  Comedy, Mopsus A La Mode, (4 Parts) interleaved.


Notes:
In Latin and German interleaved.  Includes an Argument.  Part I and II end with a chorus.
Chorus I: Patriarcham Jacob ob amissum Joseph tristem solari conantur filii.
Chorus II: Jacob Patriarcha Filium Joseph in Aegypto invenit. 
These two choruses are separate from the main tragedy (Joseph and his brothers is not part of the Clod. Plot).  The 19 member cast is under a separate heading in the Actor's List under Personae Musicae.  These Choruses are almost certainly multi-number in nature, and are a dramatic form unto themselves - like a 2 part oratorio. 
The cast list gives the year for all the students.


Programme Main Title:
Felix Infelicitas sive Manasses Rex Judae, Amisso Regno Captivus, Sed in Carcere Resipiscens et Solio Subinde Restitutus


Programme Main Title:
Fides aulica probata a Constantino Chloro imperatore


Programme Title Page:
Fides Christiana A Varane Persarum Rege Oppugnata, Per Audam Episcopum in Hormisda, et Suene Persiae Primatibus Plantata, Probata, Coronata

Programme Main Title:
Fides Christiana A Varane Persarum Rege Oppugnata, Per Audam Episcopum in Hormisda, et Suene Persiae Primatibus Plantata, Probata, Coronata

Notes:
Includes Prologue and Epilogue (in a different typeface) delivered by the character FIDES. Interleaved comedy, Horspides.


Programme Title Page:
Fides Getae, et Perfidia Antonini Fratrum in Severum Pium Patrem Romanorum Imperatorem Tragi-Comoedia

Programme Main Title:
Fides Getae, et Perfidia Antonini Fratrum in Severum Pium Patrem Romanorum Imperatorem Tragi-Comoedia

Notes:
Includes 5 Interludi in additon to the comedy Euclio. This drama has unusual structural breakdown in the synopsis pages:
Actus Primi
Praeludium
Interludium I
Postludium
Interludium II
Actus Secundi
Praeludium
Interludium III
Postludium
Interludium IV
Actus Tertii
Praeludium
Interludium V
Postludium

In short, each act is separated into two halves. Paired with untitled comedy, Euclio, which may or may not be the Interludi in listed in the tragedy synopsis notes.

Actors' names but not year in school given. Synopsis provided for each half of each act. Similar structure to tragedy Plautianus.


Programme Title Page:
Fides, et Amor sive Themistocles ex Amore in Patriam ac Fide in Hostem Gloriose Occumbens

Programme Main Title:
Fides, et Amor sive Themistocles ex Amore in Patriam ac Fide in Hostem Gloriose Occumbens

Notes:
Interleaved with 3 part comedy, Dafagotus. Includes actors' year in school. Includes an allegorical Prologue and Epilogue with the characters Antwerp and Athens.


Programme Title Page:
Fidus Amicus Erit Rarus & Carus: Treuer Freund in Rath, und That, Istgar Selzamb, Theur, und Spath. Talem Allegorico-Historice

Programme Main Title:
Fidus Amicus Erit Rarus & Carus: Treuer Freund in Rath, und That, Istgar Selzamb, Theur, und Spath. Talem Allegorico-Historice

Notes:
4pp. Rest of title page". . . Exhibent Philadelphus & Philopistus Regii Duo Principes Amici. . . Finale hoc Drama"


Notes:
Author = Granelli, Giov. Seila [1761].

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Synopsis:
Author: Joannis Antonii Du Cerceau, S. J. 
Title: Opera: Nova Editio, aucta & Emendata, 1724. Frontispiece emblem is of two storks in flight.

Notes:
Located in "Caecus" library: view by permission only. 
Libretto: pg. 140 - 177.
Cast: 8. Paterfamilias; Filius natu major; Filius Prodigus; Eliab; Vicinis nobilis; Manasses & Azarias, filii natu majoris familiares; Phares, servus; Pastor.

Setting: Scena in Sylva adibus Paterfamilias proxima
Structure: Act I scenes i-v; Act II scenes i-viii; Act III scenes i-xi


Translated Title:
The Prodigal Son to the Father returns, and receives from him forgiveness

Programme Main Title:
Filius prodigus ad Patrem revertitur, & ab eo bene


Programme Title Page:
Filum et gladius Ariadne. Schema religionis et justitiae, quibus divina protectio Martem Austriacum ceu Theseum de Minotauro triumphantem ex bellorum labyrintho ad gloriosas laureas evolvit.

Notes:
Drama complectens prologum, tres actus, epilogum, quibus insertae sunt partes cantabiles. Disposita sunt, quae continentur, ita: 1a inscriptio; 1b argumentum; 2a - 10a prologi textus et modi musici alternantes; 10b - 11a vacant. f. 11b - 21a actus I. textus et modi musici alternantes; 21b vacat. 22a - 32a actus II. textus et modi musici alternantes; 32b vacat. 33a - 41a actus III. textus et modi musici alternantes; 41a - 49b epilogi textus et modi musici; 50a - b vacat. Incip.: "Nemo potest aestimare"; desin.: "... bella semper claudite". Opus in collegii societatis Iesu gymnasio exhibitum, ut verisimile est, Vindobonae. Part. ch. XVII. 50


Notes:
Latin only. In one act of 11 scenes.
Prologue: Schema exhibet actionis, in emarcido horti Mariani lilio.
Scenes 1 - VII
Chorus intercalaris
Scenes VIII - XI
Main play: Characters: Florimundus, Florindus, Vertumnus, Sosia (Famulus Florimundi), Personatus Alastor.
Music: Mors, Genius Marianus; Christus.
Signed OAMDDMVHEG

Title page: in scenam datus cum Perillustris Dominus Maximilianus Wiricus Guidobaldus Ernestus Christianus, S. R. I. Comes de Regal, D. in Kranigsfeld, Rhetorices Studiosus, Praefectus. Congregationis Studiosorum B. Marie Virginis. Sine labe conceptae, promulgaretur Ratisbonae.

Cast (all upper school): Phys = 2 Rhet = 3 Phil Stud = 1 Hum = 1 Syn maj = 1


Programme Title Page:
Fons vitae e petra, id est Christo eucharistico profluens in salutem languentis animae

Programme Main Title:
Fons vitae e petra, id est Christo eucharistico profluens in salutem languentis animae

Notes:
Drama, continens prologum, quinque inductiones, epilogum, quibus insertae sunt partes cantabiles, quae cum textu variantur. Incip. (prologus): "Tandem cedunt funera florum"; desin. (epilogus): "... te largus effunde et pace foecunda". Part. ch. XVII. 24. f


Notes:
7 characters + unspecified choir. Includes complete music text.


Notes:
German and Latin separately. Cast list includes year in school. 
Tragedy (believed all spoken) includes a 2 part intermedi marked "Chorus", which is a drama in of itself, completely sung, and also a separate allegorical prologue tied into the tragedy.  The intermedi is listed separately in the database. 

The libretto for the musical prologue is provided, but not the main tragedy. 
Prologus: Japonia hortatu & opera Religionis ab Idololatriae captivite se liberat.
Cast: 4
Chorus Idolorum
Ode
Recit
Ode
Recit
Ode


Programme Title Page:
Fremore und Melime e. Schauspiele mit Gesang in 3 Akten von e. jungen Kavalier


Notes:
Includes musical text. 7 characters. Example of how the Chorus is musical


Notes:
Volume is formerly A.VIII.50 (2) as referenced by scholar William McCabe, SJ. Play for St Omers, the English/Irish Jesuit college who took refuge in St Omers, Liege, and Brugge in Belgium during the 1650s and beyond.

#1 and #2 in this volume(according to McCabe) also appear in MS Rawlinson Poet 215 Catalogue No. 14706 at the Bodleian Library (UK).  The titles of the Bodleian pair are:

Sanguis Sangrinem sive Constans Fratricida Tragoediae

Britanniae Primitia sive S. Albanus Martyr

Handwritten note by William McCabe, SJ included in the Stonyhurst archive volume E 2 - 3 Dramas - St Omers: "Authors named were either senior pupils or master at St Omers c. 1656. Both plays also appear in Stonyhurst MS B.VII 23, 1 & 2."


Notes:
(9 total) 4 characters + 3 Discant characters + 2 altista characters +  (44 total) 13 Discant + 16 Altista + 7 Tenorista + 8 Bassistae


Programme Main Title:
Gallicanus Caelesti Praesidio Gloriosus in Fide Victor


Programme Title Page:
Gaudens Patientia Duris in Qualteri Salassiorum Regis Lectissima Coniuge Spectata

Programme Main Title:
Gaudens Patientia Duris in Qualteri Salassiorum Regis Lectissima Coniuge Spectata


Notes:
9 characters + 2 named choirs. Have complete musical text.


Programme Title Page:
Generosi nominis haeres sive Hannibal puer novennis bellum jurans adversus Latinos

Programme Main Title:
Generosi nominis haeres sive Hannibal puer novennis bellum jurans adversus Latinos


Programme Title Page:
Gloriosa Purpurae Cum Cucullo Permutatio, à Magnoaldo Severi Hyberniae Regis Filio. In Theatro Publico A Musis Fuessensibus Adumbrata, Et Honoribus ... Domini Dominici ... D. Magni Ad Fauces Iulias Monasterii Abbatis ... die 4. Augusti gloriosissime Natalizantis submississime dicata

Programme Main Title:
Gloriosa Purpurae Cum Cucullo Permutatio, à Magnoaldo Severi Hyberniae Regis Filio


Programme Title Page:
Gratia Triumphans in Eugenia Philippum & Claudiam Parentes Suos, Totamque Familiam ad Fidem Orthodoxam Mirabiliter Convertente

Programme Main Title:
Gratia Triumphans in Eugenia Philippum & Claudiam Parentes Suos

Notes:
5 Interludi. Paired with comedy Cham Morio, which, as it has 5 parts, may be the Interludium.

The Flemish playbill (Item 81) is handwritten.


Notes:
24 Discantistae + 42 Altista+ 26 Tenorista +14 Bassista


Notes:
#12 is the libretto to the prologue and choruses et al. #15 is the playbill in two languages, presented separately.  There is also an untitled 2 part intermedi, listed separatlely, as is the two part Chorus.

Structure:
Prologus: Ambitio a Virtute Christiana aula ejicitur (Entirely sung)
Act I: Scenes 1 - 4 (Spoken)
Scene Intermedia (Spoken)
Act II: Scenes 1 - 6 (Spoken)
Chorus: Amani Mardochaeum contemnentis (Entirely sung)
Actus III: Scenes 1 - 5 (Spoken)
Scene Intermedia (Spoken)
Actus IV: Scene 1 - 8 (Spoken)
Chorus II: Amani Mardochaeum contemnentis poena (Entirely sung)
Actus V: Scene 1 - 6 (Spoken)


Programme Title Page:
Henricus Brandonus Suffolciae Dux Ambitionis Ludus In Theatro exhibitus a Caesareo-Archi-Ducali Gymnasio Societatis Jesu. Henrich Engelländischer Printz zu Suffolcien, und Graf zu Warwick Durch aignen Hochmuth und Regiersucht gedemüthiget, Auf offentlichen Schau-Platz vorgestellet Von dem ... Gymnasio der Societet Jesu zu Ynsprugg, Den 4. und 6. Tag Herbstmonaths 1713

Programme Main Title:
Henricus Brandonus Suffolciae Dux Ambitionis Ludus


Programme Title Page:
Plausus Pastoritius Augustanae Dioecesis, Honoribus Reverendissimi ... Domini Clementis Wenceslai Archiepiscopi Trevirensis ... dedicatus a Devotissimo Collegio S.J. Augustae Vindelicorum MDCCLXIX


Programme Main Title:
Plautianus intimus Severo Romanorum Caesaru XXI Tragoedia

Notes:
Includes 4 interludi in addition to the comedy. This drama has unusual structural breakdown in the synopsis pages:
Actus Primi
Praeludium
Interludium I
Postludium
Interludium II
Actus Secundi
Praeludium
Interludium III
Postludium
Interludium IV
Actus Tertii
Praeludium
Interludium V
Postludium

In short, each act is separated into two halves. Paired with untitled comedy, Paedagogus, which may or may not be the Interludi in listed in the tragedy synopsis notes.

Actors' names but not year in school given. Synopsis provided for each half of each act.


Notes:
Comedy synopsis: Fraudibus uxoris Doemon deceptus, egenus sit subito, interitus Femina cause fuit. Main character is a woman, Dulcina. 21 Actors with year in school. Gods & Goddesses.


Programme Title Page:
Triumphus Paenitentiae In Boleslao II. Polonorum Rege ... Das ist: Die Obsigende Buß In Boleslao dises Nahmens dem Anderen König in Pohlen. . .Vorgestellet Von der Studirenden Jugend, In dem Ohnmittelbahr Gefreyten Reichs-Gotts-Hauß Ottobeyren Den 2ten Septembris Anno 1739

Programme Main Title:
Triumphus Paenitentiae In Boleslao II. Polonorum Rege


Programme Main Title:
Triumphus S S. Crucis, sub Heraclio Imperatore

Notes:
Includes 3 part Interludium. Presented 'a Syntaxeos Alumnis'


Programme Main Title:
Triumphus Sancti Stanislai Kostka de Turcarum & Tartarorum Exercitu


Programme Title Page:
Viator Jerichuntius Persanatis Vulneribus Hierosolymam Comitante Samaritano Redux Seu Peccator Poenitens a Purgativa ad Viam Illum

Programme Main Title:
Viator Jerichuntius Persanatis Vulneribus Hierosolymam Comitante Samaritano Redux Seu Peccator Poenitens a Purgativa ad Viam Illum


Programme Main Title:
Victima Coronata Fraternae Invidiae Sacras ad Aras Sacrilege Immolata


Translated Title:
HERMENEGILDUS
ARRII VICTOR
Datus in Scenam a Gymnasio Soc. JESU
Ambergensi

Hermengildus
Obfiger der Arrianifchen Lekeren
Vorgeftellt
Von dem Gymnafio der Societet JESU
zu Amberg
Annon 1705. den. 2. und 4. Tag des herbftmonats.

Gedruckt ben Chriftian Defer (Deser in modern script).

Notes:
Incomplete entry. Awaiting copy from the British Library. 

Page 2:

Argumentum [of the tragedy only;1st in Latin and then in German]

Page 3:

Argument in German con’t

Prologus
Idololatria fua offert Numina Arrianae haerefi: Haex vero iis omiffis unius Gosvvinthae odium ad perdendum privignum feligit.

Actus Primus: Quaefita, & maledata pax Hermenegildum inter & Leovigildum

Scena I – III

Page 4
Scena IV – VI

CHORUS I
Gosvvinthae furor exulem per fylvas pacem exagitat: ejusdem indutus exuvias ftatuit faevire truculentis.

Actus II: Hermenegildi carcer, & vincula

Scena I – II

Page 5

Scena III – V

CHORUS II
Furor Gosvvinthae amicum mentitur animum, ut Hifpaniam iterato baptifmate abluat.

Actus III: Hermenegildi in fide tentatio
Scena I – III

Page 6

Scena IV – VIII
CHORUS III
Eccefiam Hifpania abituram ftare jubet Chriftus & Solatur.

Actus IV: Hermenegildui liberi voluntaria carceris & mortis optio.

Scena I – II

Page 7
Scena III – VI

CHORUS IV
Haerefis Arriana oppreffam triumphans Ecclefiam ad orcum praecipitatur.

Actus V
Scena I – IV

Page 8
Scena V

Composer (see above)
Syllabus Actorum
[Main cast] = 7. Main Characters: Hermenegildus and Leovigildus.
Grandes Hifpaniae = 8
Duces Leovigildus = 3
Ephebi Leovig = 2
Legati Hermenegildi = 2
Aulici Hermenegildi = 4
Aulici Reccaredi = 2
Epheb Reccaredi = 1
Aulici Goswinthae = 3
Salii = 8
Arriani = 6
Rustici, & Salii = 8
Actores Scena intermediae = 3
Lyaei Comites = 4
Comites Mamonae = 3
Comites Actaeonis = 4
Zephyri, Comites Hefperi = 7
Comites Ariftaei = 4
Grandium Hifpaniae & Filii = 8
Milites = 32
Perfonae Muficae = 7
Comites pacis & Nimphae = 3
Comites furoris = 6

Signed = Omnia ad Majorem DEI gloriam.


Notes:
School = Seminario SS. Angelorum Custodum Pollingae. Complete music text with cast list for main and music. 9 characters + 14 choir


Programme Title Page:
Heroica in adversis Constantia Thomae Mori, Magni quondam Angliae Cancellarii, ab Henrico furente ad tribunal Regium Dominica in Palmis tentata, a Margareta Filia blandiente in periculum vocata, Fortitudine ad exemplum Filii DEI De cruce descendere renuentis comprobata, Ac demum Martyrii palmis coronata

Programme Main Title:
Heroica in adversis Constantia Thomae Mori, Magni quondam Angliae Cancellarii

Notes:
Arias alternated with recitatives; cast list gives voice parts


Programme Main Title:
Heroica, Patriarchae Abrahami, Unigenitum Filium Isaacum Immolaturi, Obedientia, in Posteritate, stellis coeli non imparti

Notes:
Production includes dependent Prologue + 5 dependent choruses concluding each act. Choruses are continuation of the main title drama in music.


Programme Main Title:
Hic, aut ibi. Optio Divinitus Oblata Mauritio Occidentis Imperatori Tragoedia


Programme Title Page:
Hispania Auxilio S. Jacobi Majoris Apostoli, Armis Ramiri Primi Castellae Regis, Contra Mauros Vindicata

Programme Main Title:
Hispania Auxilio S. Jacobi Majoris Apostoli, Armis Ramiri Primi Castellae Regis, Contra Mauros Vindicata


Programme Title Page:
Homo Larvatus A Ratione Delarvatus, Dramate Musico Ab Alumnis Seminarii Ad S. Emmerami Episc. & Martyris Ratisbonae Exhibitus

Notes:
Requested copy from British library. Includes complete libretto.

Includes year in school for the cast: [Persones Canentes]
Synt Maj: 3
Synt Min: 1
Gram: 2
Princi; 3
Rud: 1
Alum Seminarii S. Emmerami: 1

Part I: Anthropus, contra quam Sinceritas suadeat, larvam appetit
Recits
Aria
Duet
Recits
Arietta
Recits
Aria
Recits
Aria

Part II:  Anthropus larvatus Rationem & Sinceritatem abdicat.
Recits
Aria
Recits
Aria
Recits
Aria
Recits
Duetto
Recits
Ariose
Recits
Aria
Recits

Part III: Ratio adhibito timore ad meliora consilia reducit Anthropum
Recit
Aria
Recits
Arietta
Recits
Aria
Recits
Aria
Recits
Ariose
Recits
Ariose
Recits
Ariose
Recit
CHORUS

SignedL Ut in omnibus gloricetur Deus


Programme Main Title:
Homo Pila Qua ludit Deus in Eustachio Exhibita


Notes:
Assumed 4 part comedy interleaved with 5 Act tragedy, Divinae Justitiae Tuba sive Justum Dei Judicium in Mauritio Romano-Graecorum Imperatore Tragoedia. Includes actors' names but not year in school.


Notes:
Interleaved tragedy, Fides Christiana a Varane etc.


Programme Main Title:
Hospitalitas divinae sapientiae in mensa eucharistica


Notes:
Interleaved with a 3 part comedy, Mopsus. Includes two allegorical characters, Divina Justitia and Mors.


Programme Title Page:
Ulysses et Penelope, haex Servatae Fidei Conjugalis ille ob eandem Violatam Divinae Justitiae Illustre Exemplum


Programme Title Page:
Hymenaeus Eudoxiae. . . Hochzeit-Fest Eudoxiae ... Vorgestelt Von der studirenden Jugent in dem Gymnasio der Societet Jesu in Straubing, Den 4. und 6. September, 1715


Notes:
8 characters, also labeled Chorus Musicus


Synopsis:
Pessimus est aeger, qui fertur imagine morbi.

Notes:
Interleaved with tragedy, Augustinus Ecclesiae Propugnator Acerrimus Tragoedia.


Programme Title Page:
Idea Boni Principis Per Varia Spectacula in Documentum, Solatium, & Exemplum afflictae Germaniae Propsita

Programme Main Title:
Idea Boni Principis Per Varia Spectacula in Documentum


Programme Title Page:
Idea Praesulum, Sive S. Benno, Ex Monacho Et Abbate Benedictino Monasterii S. Michaelis Hildesiae Episcopus Misnensis, Slavoniae Apostolus, Bavariae patronus, Das ist: Wahrhafftiger Abriß der Bischöffen, Oder H. Benno, Auß einem Benedictiner-Mönch und Abbt deß Closters bey St. Michael zu Hildesheim, Bischoff zu Meissen ...in Scenam productus A Musis Benedictinis Episcopalis Gymnasii Frisingensis, Anno 1701. ad Diem 2. & 5. Septembris


Programme Title Page:
Idea Verae Amicitiae. Das ist Vorbild der wahren Freundschaft In Ismaele und Theandro


Programme Title Page:
Idomenee, Tragedie, dediee a son Excellence, Monseigneur, M. Jean Francois comte de Bronchorst, Gronsfelt et Eberstein, Baron de Batenbourg, Anholt et Rhimbourg; Seigneur d'Alpen et Hannepl. Etc.; Conseiller d'Etat de sa Majeste Imperiale et Catholique; President du Conseil de guerre en Styrie; General Veldt-Marechal de ses Armees, et Colonel d'un Regiment du Cuirassiers; Governeur et Capitaine general des Pays et duche de Lux; et Comte de Chiny

Notes:
4o size. 8 pp.Performance at  "2 h.apres-midi"


Programme Main Title:
Idylle héroïque, dont une partie sera déclamée

Synopsis:
Idylle héroïque, dont une partie sera déclamée, et l'autre chantée par les Éscoliers du Collége de Dijon, le 13 de Juin 1742. Devant Son Excellence Monseigneur Paul-Hyppolite de Beauvilliers. Duc de Saint-Aigen. Pair de France, Chevalier des Ordres de Roi, Lieutenant Général de des Armeés, Gouverneur et Lieutenant Général pour Sa Majesté des Provines de Bourgogne, Bresse, Bugey, Valromey, et Gex. A Dijon, Chez Arnauld Jean-Baptiste Augé, MDCCXLII, 4o, p 23, s. deux pp. pour le Prologue.

Notes:
In: Sommervogel, Carlos, S. J. Bibliotheque de la Compagnie de Jesus: Nouvelle Edition. Tome I. Bruxelles, Oscar Schepens, 1890.

Full title page:
Idylle héroïque, dont une partie sera déclamée, et l'autre chantée par les Éscoliers du Collége de Dijon, le 13 de Juin 1742. Devant Son Excellence Monseigneur Paul-Hyppolite de Beauvilliers. Duc de Saint-Aigen. Pair de France, Chevalier des Ordres de Roi, Lieutenant Général de des Armeés, Gouverneur et Lieutenant Général pour Sa Majesté des Provines de Bourgogne, Bresse, Bugey, Valromey, et Gex. A Dijon, Chez Arnauld Jean-Baptiste Augé, MDCCXLII, 4o, p 23, s. deux pp. pour le Prologue.


Notes:
Item located in Catanio Trento; I do not know what archive.
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Programme Title Page:
Illaesum Ab Igne Aurum, Sive Emma Regina Angliae Impie Accusata, Ab Eduardo Filio Damnata, Igne Iudice Liberata In Scenam Data A Musis Benedictinis Frisingensibus, Die 3. & 6. Septembris M.DCC.XVII


Programme Title Page:
Immortalitas Hospitalitatis Merces Admeto Ab Apolline Repensa Et Onomasticis Honoribus ... Domini Anselmi ... Monasterii Ottoburani, Ordinis SS. P. Benedicti Abbatis ... a Musis Ottoburanis humillime oblata Die 22. Aprilis 1754


Programme Main Title:
Impietas Caroli Filii in Parentem Philippum II. Hispaniarum Regem Castigata


Programme Title Page:
Impietas Punita, Seu Wilhelmus Rufus Angliae Rex Celsissimo ... Domino Francisco Antonio Principi De Harrach, Archi-Episcopo Salisburgensi ... In debitum ac humillimum obsequium in Scenam datus Ab ... Academica Iuventute Salisburgensi, Anno M.DCC.XIII. Die 11. Decembris

Programme Main Title:
Impietas Punita, Seu Wilhelmus Rufus Angliae Rex Celsissimo


Translated Title:
The Evil Tyrant of the Pyrenees Punished

Programme Main Title:
Impietas Pyrenei Tyranni Punita Tragoedia

Notes:
It is possible there was music with it. Includes a "Repraesentatio" (Mythical, with Pegasus), a Prologue and Epiloque with Roman gods and goddesses. Also, there is a "Pro Synopsi Videantur" of fables No. 4 & No. 5 from Ovid's Metamorphoses. There is no Argument.   The Representation, Prologue, and Epilogue have their own synopsis. Each act has a synopsis. Includes actors' names but not year in school.


Programme Main Title:
Impii Facinoris Vindex Victoriosus Carolus V


Programme Title Page:
In Cruce Salus, Sive Inauguratio Rudolphi I. Rom. Imperat. Per Crucem Gloriosa Celsissimo ... Domino Anselmo Ducalis Ecclesiae Campidonensis Abbati ... Pro-Coronide Anni Scholastici demississime repraesentata a Lyceo publico Campidonensi, Anno 1733

Programme Main Title:
In Cruce Salus, Sive Inauguratio Rudolphi I. Rom. Imperat.


Programme Title Page:
In Funere Vita Seu Ulferus Rex Angliae Ex Filiorum funere renatus Tragoedia, Das ist, Leben bey den Todten gefunden Von Ulfero König in Engeland ...Vorgestellet Von dem Hoch-Fürstl: Academischen Gymnasio der Societet Jesu allda. Den 5. und 6. Herbst-Monat Anno 1725.

Programme Main Title:
In Funere Vita Seu Ulferus Rex Angliae Ex Filiorum funere renatus Tragoedia


Programme Title Page:
In Sole posuit Tabernaculum suum, In der Sonnen hat er seine Hütten gesetzt ... Das ist: Neu-besetzter Gnaden-Thron, Da der Sieg-prangende Titan sich mit Aurora vermählet, Oder Geistliches Ehe-Band, Vermittelst dessen ... Herr Joseph, Bischoff zu Augspurg ... Von einem Hochwürdig-Hohen Dom-Capitul durch eine Jubel- und Freuden-volle ... Wahl dem Hochfürstl. Augspurgischen Bistum zum Bräutigam ... Den 18. Monats-Tag Augusti Anno 1740 erkiesen worden. . . Durch eine Musicalische Opera ... vorgestellet

Programme Main Title:
In Sole posuit Tabernaculum suum..Durch eine Musicalische Opera


Notes:
Interleaved with 3 part comedy, Mercurius.


Programme Main Title:
Inconstans Vitae Theatrum, sive Clerobolus Tragoedia

Notes:
Possibly has music - characters of shepherds and nymphs.
Act II and III are divided into two parts. Structure is
Act I; Comedy I; Act Iia; Comedy II; Act Iib; Comedy III; Act IIIa; Comedy IV; Act IIIb


Programme Title Page:
Inconstantia in Vocatione Correcta, Drama Exhibitum, cum Congregatio Minor B. V. Mariae sine labe conceptae, magistratum suum instauaret Ratisbonae

Notes:
Cast list gives year in school. Includes a 2 part musical work that is connected by plot to the main tragedy; thus it is not listed separately. The structure of this performance, as laid out in the playbill, is as follows:

Pars I:  Philindus abeundi ex eremo propositum dum serio agitat; magnas in angustias conjicitur, e quibus vix emersus,

Pars II: Magis implicatur denuo,

Pars III: Ac tandem sapere meliora, docetur.

Musicae
Pars Prior: Venatorem Stygium exhibet, juventuti insidias struentem:

Posterior: Philindum a Gratia vocante insidiis ereptum.

Signed: OAMDDVM h. & g.


Programme Title Page:
Individuus Amor Ansbertae Liberantis Maritum Suum E Dira Saracenorum Captivitate

Programme Main Title:
Individuus Amor Ansbertae Liberantis Maritum Suum e Dira Saracenorum Captivitate

Notes:
Interleaved with 3 part comedy, Scaramouche.


Programme Title Page:
Infelix in Filiis Parens, Felices in Parente Filli. Robertus. (Also called Henricus und Robertus).

Programme Main Title:
Infelix in Filiis Parens, Felices in Parente Filli. Robertus

Notes:
Latin and German separately. 
Structure:
Prologuus: Charitas Paterna (Italics), metuens aulae perduellis insidias, procul parat fugere; revocatur tamen a Justitia Divina (Italics), quae, propositis degenerum filiorum suppliciis, parem in ejusdem hostes sententiam fert, quam tamen mitigat Divina Clementia (Italics).
Part I: Degeneres filii Patri pientissimo; armata vimachinantur exitium.
Chorus I: Charitas Paterna (Italics) denigrata, ab aula procul fugatur a Maledicentia (Italics), Furore (Italics), & Superbia (Italics); cui tamen profugae opem affert Divina Clementia (Italics), animatque ad patientiam, proposito Davidis Regis innocentis, & a Semei maledicti exemplo.
Part II: Regis fuga, & in ea Captivitas
Chorus II: Divina Clementia Paternam Charitatem in spem meliorem erigit, proposita sorte Davidis, post devictum degenerem filium Absalom, rursus in thronum evicti
Part III: Rex liberatur, rebelles filii in gratiam Patris redeunt.
Personae Musicae:
Theol Mor Studia: David Rex, Achitophel & Abisai
Physics: Justitia Divina & Semei & Joab; Nuntius
Rhetoric: Absalomm & Ethai
Poetry: Furor
Syntax Min: Clementia; Nuntius, Nuntius
RudimentsL Superbia, Charitas Paterna, Maledicentia
Choir: Rhetoric = 1; Poetry = 2; Syn Major = 4; Syn Min = 13; Gram = 7; Rud = 8.
Signed OAMDG


Programme Title Page:
Infula Mystica Iussu Apollinis a Musis Elaborata, Et ... Domino Mariano Celeberrimi Monasterii Admontensis O.S.B. Neo-Electo Abbati Dignissimo ... In humillimum obsequium oblata a Georgio Gebler, Rettenbacensi ... Et Joanne Knaus, Saulgensi Suevis

Programme Main Title:
Infula Mystica Iussu Apollinis a Musis Elaborata


Programme Title Page:
Ingeniosus Amor Coniugis In Maritum, Ansbertae In Bertulfum Germaniae Principem Ludis Autumnalibus ... a Musis Ottoburanis repraesentatus Die 1. Septembris 1751

Programme Main Title:
Ingeniosus Amor Coniugis In Maritum, Ansbertae In Bertulfum Germaniae


Programme Main Title:
Ingratitudo Bruti in Patrem Severianum Punita

Notes:
Interleaved with a 3 part comedy, Euclio


Programme Main Title:
Ingratitudo Filialis sive Severus in Parentem Benignianum Ingratus

Notes:
Presented 'a Supremae Classis Grammatice.' Interleaved 3 part comedy, Pamphilius


Programme Main Title:
Ingratitudo Hominis Redempti Per Elenahan in Belisa Rebelli Damnata


Notes:
Presented 'a Rudimentorum Alumnis'. 3 Interludi and a comedy, Farrarius


Programme Main Title:
Ingratitudo per Elenahan Asiae Regem in Belisa

Notes:
Structure includes an unlabeled part of the tragedy following Interludium III; bears a 5. in the margin + 3 part unidentified Interludium (not listed separately)

Presented in each language separately. Each Act of the tragedy has its own title: Belisa Exalta; Belisa Rebellis; Belisa Punita


Programme Title Page:
Innocentia Pressa et Oppressa Tragoedia. Das ist: Hart gedruckte (gedructte?) unschuld Hermenigildi, einer Koniglichen Drinkens (Prinkens?) von seinen selbst eignen Vatter (Batter?) auf der Schau-Buhne vorgestellet

Translated Title:
Hermengild, Prince of the Visigoths, Saint

Notes:
Latin and German interleaved. This playbill contains 3 dramatic works: the main tragedy, a comedy (billed as an Interludium), and a sacred 2 part story of David (entirely sung) and a prologue (entirely sung).
Structure:
Prologus: Amor Divinus Honorem Mundanum & Martyrii Gloriam pro Theatro litigantes componit, currumque triumphalem a Tyrannide & Ariana haeresi novercoe Goizbintae instructum, Hermenigildo substernit.
Part I (7 scenes)
Chorus I: David in gratiam recipitur.
Part II (1 - 3)
Interludium: Megalopyrgopolioreets ein toller Bracht-Hanz beruhmetlich des ziwischen hohen hauptern geschlossenen Friedens, dessen aber die lustige Hoff-Dursch mir lacherlich spottet.
Part II (4 - 9)
Chorus II: David lancea percutiendus.
Part III (1 - 4)
Interludium: Megalopyrgopoliorcete wird als ain Feld-Obrister (Obrifter) ausgerussen: aber lektlich an dem Narren-Teil in die Gefangnuk gefuhrt.
Part III (5 - 8)

Comments on Prologue: Sung. Cast =  5 characters. Hum = Tyrannis; Synt Min = Ariana Haeres; Gramm = Glor. Martyr, Hon. Mund; Rud = Amor. Div. Chorus = 35.

Comments on Interludium: In vernacular, German.  Spoken, not sung. Cast indicated in the cast list:  20

Chorus: 2 part. Story of David playing before Saul and casting out Saul's evil spirit.
Phil. Stud. = Saul Rex
Rhetor = Aul, Jonathan, David, Mal. Spir. Saul
Chorus: Syn Min = 12; Gram = 6; Rud. = 16; Prin = 1)


Programme Title Page:
Innocentia Pressa Non Oppressa, Daß ist: Der Heilige und Unschuldige Othmarus Von Denen Menschen getrucket, Aber Von Gott erhöhet. Vorgestellet Von der Studierenden Jugend deß Fürstl. Gottshauß St. Gallen, Die 3. Octobris Anno MDCCXXXVIII


Programme Title Page:
Innocentia Pressa Non Opressa. Die Gedruckte aber nicht unterdruckte Unschuld; auf Offentlicher Schau-Buhne vorgestellet von dem Churfurstl


Programme Main Title:
Innocentia Victrix die Triumphirende Unschuld in Hirlanda Arti


Programme Main Title:
Innocentia victrix, sive Numia Arragoniae Regina

Notes:
Handwritten, very difficult to decipher writing. See photographs: Augustin Playbills Gent 2006, #23 - 26.

Performed by the 'Classis Grammatices'.


Programme Title Page:
Insignis sapientia praecipuum solii Decus Reverendissimo ... Domino Honorato, Liberi, Imperialis-Exempti Monasterii Ottoburani Abbati .... a Studiosa Iuventute Ottoburana humillimi obsequii loco comice exhibita, Die 6. Septembris

Programme Main Title:
Insignis sapientia praecipuum solii Decus Reverendissimo


Notes:
No synopsis beyond the title. 10 Actors + soldiers.


Notes:
Interleaved with 5 - Act tragedy, Thomas Morus. . .


Notes:
Interleaved with a 3 Part comedy, Lampadio


Notes:
P. Valentinus Scherlin, Chorag. Is written on frontispiece. Production consists of dependent Prologue + 2 choruses + Epilogue. Chorus II is a spectacle chorus, and might be considered a transitional chorus. Cast list arranged by school class.


Programme Main Title:
Invidiae Sacras ad Aras Sacrilege Immolata


Programme Main Title:
Invidiae Ultor, sive Basilius Macedonum Imperator

Notes:
Interleaved with 4 part comedy, Bambomachides


Programme Main Title:
Ioannes Baptista, ab Herode Galilaeae Tetrarcha, Capite Minutus

Notes:
Interleaved with 3 Part comedy, Dorippus


Notes:
Synopsis for each act. Includes actor's names but not year in school. Includes comedy, Timon.


Programme Title Page:
Iubilus Exultantis Campidonae Super Eminentem Gratiam Qua Eminentissimus ... Dominus Angelus Maria ... Cardinalis Quirinus ... Domino Engelberto S.R.I. Principi, Ducalis Ecclesiae Campidonensis Abbati ... Mitram imponere dignatus est decantatus Die 10. Maii 1748

Programme Main Title:
Iubilus Exultantis Campidonae Super Eminentem Gratiam Qua Eminentissimus


Programme Title Page:
Iudae Machabaei / gloriosa in Deum fiducia. / Iudae deß Machabeers / ehrenvolles Vertrauen auff Gott. / Drama politico-historicum. / Exhibitum / augustissimis, augustis, caesareis / regiisque majestatibus / et serenissimis Austriae archiducibus, / caesari Leopoldo Primo. / Eleonorae Magdalenae. / Iosepho I. / Wilhelminae Amaliae. / Carolo. / Mariae Elisabethae. / Mariae Annae. / Mariae Iosephae. / Mariae Magdalenae. / A caesareo gymnasio domus professae soc. Iesu. / Viennae. Kalendis Ianuariis, anno 1702. / Dum eadem caesarea munificentia consueta annua praemia iuventuti / scholasticae de re literaria bene meritae distribuerentur. / Musicam composuit / ... domus professae soc. Iesu / capellae magister. / Saltus instruxit / D. Antonius Verlet, universitatis Viennensis privilegiatus lanista, / & choragus. / Viennae Austriae, typis Leopoldi Voigt, univers. typogr.

Programme Main Title:
Iudae Machabaei gloriosa in Deum fiducia

Notes:
Opus continens prolusionem, tres actus, epilogum, partim numeris musicis ornata. Praecedit scenarium impressum, linguis latina et germanica compositum, in cuius fine accedunt nomina actorum, cantorum, saltatorum. Disposita sunt, quae continentur, ita: 3a - 6b scenarium; 7a inscriptio manu exarata; 7b vacat; 8a argumentum; 8b vacat; 9a - 16b prolusio (numeri musici et textus variantes); 17a - 26b actus I. (textus et numeri musici variant); 27a - 38a actus II. (textus et num. mus. variant); 38b vacat. 39a - 43a actus III. (textus); 43a - 56b epilogus (textus et numeri musici variant). Incip.: "Inter luctus, belli fluctus"; desin.: "... et gloria plenam victoriam da". Part. ch. XVIII. 57. 4° et f. Also in Sommervogel vol 1:54.


Programme Title Page:
Ius Coronae Caelitus Vindicatum, Seu Cunibertus e Gente Boica Longobardorum Rex Ab Illustrissima Iuventute Academica Pro Solenni Praemiorum Distributione In Scenam Datus Ettalae M.DCC.XXXVIII. Die 2. Septembris


Programme Title Page:
Iustitia Perpetua Est & Immortalis ... Unde In Memoria Aeterna Erit Iustus Boetius ...Die Unsterbliche Gerechtigkeit In dem Todt Boetii ; Vorgestellt Von der Studirenden Jugendt In Dem Ohnmittelbahren Gefreyten Reichs-Gottshauß Ottobeyren, Den 6. Tag September Anno 1730


Programme Title Page:
Jacob Christi Redemptoris Nostri Typus In Capella Caesarea Oenipontana Modulis Musicis Exornatus Ab Auctore Joanne Henrico Hörmann, Capellae Caesareae Organaedo …


Notes:
Latin and German separately.
Structure:
Prologus: Amor perfidus praeludit Tragoedia, non sine obstaculo.
Part I: 8 scenes
Chorus I: Persiae causa adversus Amorem perfidum ab Jove discutienda suscipitur, Marte incassum remorante.
Part II: 7 scenes
Chorus II: Jupiter tandem Amoris perfidi votis annuit, sed non impune.
Part III: 6 scenes.

Personae Musicae
Theol Mor & Controv Stud = Jupiter
Theol Mor Stud = Mars
Synt Maj = Marsus & Comes Amoris
Gram = Cynthia; Persia
Prin = Cynthius; Amor Perfidus; Medus & Comes Amoris
Chorus: Poetry = 2; Maj Synt = 4; Min Synt = 3; Gram = 6; Rud = 12; Prin = 2

Signed OAMDG


Programme Title Page:
Janus Nach einsmahls abgelegten Kriegs-Gesicht, mit Pace Seines Tempels Vorsteherin sich Ehelich verspricht, Oder Der von Carolo VI. und Ludovico XIV. unvermuthet zu Rast, oder Ruhestatt wider hergestellte Friden Mit einem Freuden-Spihl vorgestellt, von der Kemptischen Adelichen Jugend, Anno 1714 Die 25. Septemb.

Programme Main Title:
Janus Nach einsmahls abgelegten Kriegs-Gesicht


Notes:
Includes a 4 Part comedy, Podagricus.  Synopsis for each of the 5 Acts.  Includes year in school in the cast list.


Notes:
Item located in Courtrai, Belgium; I do not know which archive.
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
This item is located in Courtrai; I do not know what archive.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Performance Referenced In:
Sommervogel 7, p.1760; William S. McCabe, SJ.  in The Musical Quarterly, July 1938. p. 63

Notes:
Found listed in Sommervogel VIII.1760

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Notes:
Dr. Sypherd notes that this is probably a dramatic work; he had not seen it.
Found listed in Sommervogel III.113

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
This item is found in Venderhaeghen-Bibliog. Gantoise Nr. 13170, Vol VI, p. 172.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
[Courtois, P.] = the author, perhaps?

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938. pg 63; Somervogel III.1175

Notes:
This item is listed in Somervogel III.1175

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Notes:
Dr. Sypherd includes note: [Alost]. 

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.63


Notes:
This item is located in Antwerp; I do not know what archive. One of two Jephte plays in this MSS: the other is Narrat Jephte.

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ.  in The Musical Quarterly, July 1938.
P.64


Performance Referenced In:
William S. McCabe, SJ.  in The Musical Quarterly, July 1938;Somervogel 9, p.844

Notes:
Item listed in Somervogel IX.844

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64


Notes:
Dr. Sypherd's note: the author is Jean Jorath

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
Jephtias Filia Paterini Voti innocenter Rea a Jephte Patre, Judice, Myste, In necem vocata, condemnata, Imolata Theandricae illius Tragoediae Typus & Figura in qua Sic DEUS dilexit Mundum, ut Filium suum unigenitum daret

Programme Main Title:
Jephtias Filia Paterini Voti innocenter Rea a Jephte Patre, Judice, Myste

Notes:
Arias alternated with recitatives; no chorus


Performance Referenced In:
Sommervogel 5, p.427; William S. McCabe, SJ.  in The Musical Quarterly, July 1938. pg 63

Notes:
Malines = modern city of Mechelen. This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ. in The Musical Quarterly, July 1938.
P.64.
Item appears in Somervogel V.427.


Notes:
Dr. Sypherd's note: [Berques]

This item is from a list created by Dr. Sypherd of Delaware University, found as part of an article by William S. McCabe, SJ in The Musical Quarterly, July 1938.
P.63


Programme Title Page:
Jo. Ludovici Praschii Psyche Cretica in formam Dramatic redacta, choris & intersceniis peculiaribus aucta et Benignissimo Superiorum indultu a Studiosa Gymnasii Poetici Juventute

Notes:
Argumentum.
Psyche Cretica, amores Cosmi fugiens, simulata Bacchi religione, syluas petit: ubi multas Cosmi persecutiones experta, a Theophrasto, Rege Atheniensium, excipitur, Athenasque deducitur. Unde, aliquandui ibidem commorata, in Cretam, hanc emendatura, revertitur.
In illorum gratiam, qui expertes linguae latinae sunt, singularum Scenarum argumentum idiomate germanico fistitur (sistitur?)

Remainder of playbill is in German. 
Tragedy = 3 Acts. 73 actors, 28 singers. 
Act I (14 scenes)
'Hierauf folget der Chor der Psyche, des Neptuni, Cacodociae, Canidiae und der Nymphen.
Act II (11 scenes)
'Diese handlung wird mit dem Chor der Atalanta, der erstlich Jager/hernach Morder/ Hylaei und Rhoeci, eines Genii, und der Kleinen/nebst einem Jager-Tantze beschlossen.
Act III (10 scenes)
Schluk - Chor.

Cast list:
Actors = 20
Nobiles juvenes = 12
Salii = 8
Nymphae & Cupidines = 16
Symphoniaci = 8 characters; 16 chorus; 4 extranei

Comedy (separate production, not interleaved with the tragedy): Comoediam hanc Christ. Weisii Empiricus Politicus per vices excipiet; ut alii quoque, quod agant, habeant. Argument given in German. Unknown number of parts/acts. Main character1 = Aesculapio. M Ch 2 = Sirupo. Total cast = 73. + 7 members listed under category Tanker. 

Last line, last page: Nihil aliud festium hoc Drama sibi habet propositum, quam ut uanis ostentatoribus pudor incutiatur: aequa igitur judicia rogitat & expectat.


