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Gamelan Composition; Extended Garap

Jacobs, John (2013) Gamelan Composition; Extended Garap. PhD thesis, University of York.

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Text (PhD by composition for gamelan, abstract with link to PhD website)
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Abstract

This PhD/website is hosted by the University of York at http://php.york.ac.uk/library/dlib/johnjacobsphd/ A major part of gamelan’s appeal lies in the prevalence of aural transmission for both karawitan (traditional gamelan music) and new compositions. It is a medium through which I hope to have created music that departs from existing repertoire to an interesting degree, satisfyingly rich with fresh ideas even to specialists’ ears, without losing the players’ comprehension-of-the-whole that is a prerequisite of good ensemble. This comprehension can be much aided by building on existing norms, to make use of that which has been honed over generations by knowledgeable players, to extend rather than replace conventions of garap (musical realisation from an abstraction of, and/or partial notation of a piece). For this reason the pieces presented here tend to start with an initial tweak to a karawitan norm which then requires a cascade of related tweaks to garap. The initial modifications I explore in this body of work fall into two strands: 1) Garap for 3-beat gatra; and 2) Garap to three-note seleh-chords – to seleh notes harmonised with the kempyung above and the kempyung above that, for example harmonisation of seleh low 6 with 3 and high 1. For subsequent transmission of music initially created in these ways, full scores will not most usefully aid other musicians whether their wish is to play, to lead rehearsal of, or to analyse pieces. What is required instead is a guide to the interconnected set of ideas and skills required to realise a piece from various media. Ideally this guide will convey the desirability of adaptation of those realisations to context: to sets of players, to sets of instruments, to performance situation, to musical whims. That is, the means of transmission ought not inadvertently define “the piece” as an immutable ideal. Hence the submission as a website, for clear connecting of multiple media sources in the communication of my extended garap methods. This PhD/website is hosted by the University of York at http://php.york.ac.uk/library/dlib/johnjacobsphd/

Item Type: Thesis (PhD)
Keywords: Javanese gamelan, gamelan composition, garap, gender (Javanese musical instrument)
Academic Units: The University of York > Music (York)
Identification Number/EthosID: uk.bl.ethos.617110
Depositing User: Mr John Jacobs
Date Deposited: 08 Sep 2014 13:28
Last Modified: 08 Sep 2016 13:31
URI: http://etheses.whiterose.ac.uk/id/eprint/6214

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